No Place Like Home Part 22

"Yes, we had plenty of time to stare at those doors when Celia Nolan wouldn't let us in," Paul Walsh said mildly. "I understand that you're planning to see her today, Jeff."

"I'm not seeing her today," Jeff said shortly. "When I called her she referred me to her lawyer, Benjamin Fletcher."

"Benjamin Fletcher!" Mort Sh.e.l.ley exclaimed. "He was Little Lizzie's lawyer! Why on earth would Celia Nolan go to him?"

"He got her off once before, didn't he?" Walsh asked quietly.

"Got who off?" "Liza Barton, who else?" Walsh asked.

Jeff, Mort, and Angelo stared at him. Enjoying the astonishment on their faces, Paul Walsh smiled. "I lay odds with you that the deranged ten-year-old who shot her mother and stepfather has now resurfaced as Celia Nolan, a woman who flipped when she found herself back in home sweet home."

"You're absolutely crazy," Jeff snapped. "And you're the reason she ran to get a lawyer. She'd have cooperated with us if you hadn't been in her face about the time it took her to drive home from Holland Road."

"I have taken the time to look up Celia Nolan's background. She is adopted. She is thirty-four years old, exactly Liza Barton's present age. We all felt the impact of seeing her in those riding clothes yesterday, and I'll tell you why. I'll admit she's taller than Audrey Barton. And her hair is darker than Audrey Barton's, but I suggest that is because of her visits to the salon-I happened to notice that her roots are growing in blond. So I'm making a flat statement: Audrey Barton was Celia Nolan's mother."

Jeff sat silently for a minute, not wanting to believe what he was beginning to believe-that perhaps Paul Walsh was onto something.

"After I saw Celia Nolan in riding clothes, I made a few inquiries. She's taking lessons at the Washington Valley Riding Club. Her teacher is Zach Willet, who happens to be the teacher who was giving Will Barton riding lessons at the time of his death, the result of a fall with his horse," Walsh continued, barely able to conceal his satisfaction at the impact he was making on his colleagues.

"If Celia Nolan is Liza Barton, do you think she holds Zach Willet responsible for her father's death?" Mort asked quietly.

"Let me put it this way: if I were Zach Willet, I wouldn't want to be alone with that lady for long," Walsh answered.

"Your theory, Paul-and it is still a theory-completely overlooks the fact that the house was vandalized by Charley Hatch," Jeff told him. "Are you suggesting that Celia Nolan knew Charley Hatch?"

"No, I am not, and I accept the fact that she never met Georgette before a week ago Tuesday when she moved into the house. I do say that she became unbalanced when she saw the writing on the lawn and the doll with the gun and the skull and crossbones and the splattered paint. She wanted revenge on the people who put her in that position. She was the one who found Georgette's body. If she is Liza Barton, there's an explanation for why she knew her way home.

Her grandmother lived only a few streets away from Holland Road. She admits that she was driving past the house where Hatch was working in the exact time frame when he was killed. Even those pictures we found are a way of begging us to recognize her."

"That still doesn't fly so far as blaming Celia Nolan for killing Hatch. How would she have found out that he was the one who vandalized the house?" Ortiz asked Walsh.

"The garbage man was talking about Clyde Earley taking Hatch's sneakers and jeans and carvings out of the trash bag," Walsh responded.

Jeff began to feel solid ground for his instinctive reaction to Walsh's theory. "Are you suggesting that Celia Nolan, even if she is Liza Barton, happened to hear the gossip of a garbage man, figured out where Charley Hatch, whom she'd never met, was working, somehow got him to be standing at the break of the hedge in the road, shot him and then went off to have a riding lesson?"

"She put herself on that road at the right time," Walsh insisted stubbornly.

"Yes, she did. And if you hadn't pushed her against the wall she might be talking to me right now and telling me something that would be helpful to us about seeing another car on the road or a person on foot. Paul, you want to pin everything on Celia Nolan, and I agree that it will make a great story: 'Little Lizzie Strikes Again.' I'm telling you that someone else hired Charley Hatch. I don't for a minute believe Earley's story. It's too pat, too convenient. I bet Clyde went through that garbage when it was on Hatch's property. I wouldn't be surprised if he took it and Hatch knew it was gone. Then Earley could come back and put it in the trash barrel again and wait to have a convenient witness see him open it after it's been abandoned. If Hatch panicked, whoever hired him may have panicked as well. And my guess is that Georgette Grove learned who ordered the vandalism and paid for it with her life."

"Jeff, you'd have made a great defense lawyer for Celia Nolan. She is very attractive, isn't she?

I've noticed the way you look at her."

When he saw the prosecutor's icy stare, Walsh realized he had gone too far. "Sorry," he mumbled. "But I stand by my theory."

"When this case is over, I am sure you'll be happier rea.s.signed to another division in the office," Jeff said. "You're a smart man, Paul, and you could be a good detective, except for one thing, when you get a theory, you're like a dog with a bone. You don't keep an open mind and never have, and frankly, I'm sick and tired of it and of you. Here is what we're going to do now.

"We should be getting Charley Hatch's phone records later today. Mort, you prepare an affidavit for the judge to get the phone records of not only Robin Carpenter, but also of Henry Paley and Ted Cartwright, both their personal and business phones. I want to know about all incoming and outgoing calls any of them made or received over the past two months. I think we have sufficient grounds to ask for them. I also want Carpenter's and Hatch's credit card bills and E-ZPa.s.s statements. And I am going to pet.i.tion the Family Court to allow us to unseal the adoption records of Liza Barton."

Jeff looked at Paul Walsh. "I will lay you odds that even if Celia Nolan is Liza Barton, she is a victim of what is going on. I have always believed that as a child, Liza was the victim of Ted Cartwright's misdeeds, and I believe that now, for whatever reason, someone is trying to trap Celia Nolan into being accused of committing these murders."

CHAPTER 60.

When I left Benjamin Fletcher's office, I drove around aimlessly for a while, trying to decide if I should have told him I was Liza Barton, or if I even should have gone to see him at all. His horrible statement that my mother had been having an affair with Ted while she was married to my father infuriated me, even while I recognized the bitter truth that she had certainly been in love with Ted when she married him.

I told myself that the plus of hiring Fletcher was that it was obvious he despised Paul Walsh, and would be a tiger in keeping him from hara.s.sing me. Hiring Fletcher also would ease my explanation to Alex of my refusal to cooperate with the prosecutor's office. I reasonably could say that everything that has happened seems to be connected to the Liza Barton case, and therefore I went straight to Liza Barton's lawyer for help. It seemed like a natural thing to do.

I knew that eventually I would have to tell Alex the truth about myself, and risk losing him, but I didn't want to do it yet.

If I could only remember exactly what my mother shouted at Ted that night, I felt sure I would have the key to why he threw her at me, and perhaps even the answer to whether or not I shot him deliberately.

In all the pictures I drew for Dr. Moran when I was a child, the gun is in midair. No hand is touching it. I know the impact of my mother's body caused it to go off in my hand the first time. I only wish I could somehow prove that when I shot Ted I was in a catatonic state.

Zach was the key to answering all these questions. All these years, I have never considered that my father's death was anything but an accident. But now, as I try to piece together my mother's final words, I can't find the missing ones: "You told me when you were drunk...Zach saw you..."

What did Ted tell my mother? And what did Zach see?

It was only ten o'clock. I called the office of the Daily Record and was told that all back issues of the newspaper were on microfilm in the county library on Randolph Street. At ten thirty I was in the reference room of the library, requesting the microfilm of the newspapers that included May 9th, the day my father died, twenty-seven years ago.

Of course, the minute I started to read the May 9th edition, I realized that any account of my father's death would be printed the next day. I glanced through the columns anyhow, and noticed that an antique-gun marksmanship contest was scheduled that day at Jockey Hollow at noon. Twenty antique-gun collectors were competing, including the prominent Morris County collector, Ted Cartwright.

I looked at the picture of Ted. He was in his late thirties then, his hair still dark, a swaggering, devil-may-care look about him. He was staring at the camera, holding in his hand the gun he planned to use in the contest.

I hurriedly moved the microfilm to the next day. On the front page I found the story about my father: "Will Barton, Award-winning Architect, Dies in Riding Accident." The picture of my father was exactly as I remember him--the thoughtful eyes that always held a hint of a smile, the aristocratic nose and mouth, the full head of dark blond hair. If he had lived, he would be in his sixties now. I found myself playing the dangerous game of wondering what my life would have been like if he were still alive, if that horrible night had never happened.

The newspaper account of his accident was the same as the one Zach Willet had told me. Other people heard my father tell Zach that he'd start walking his horse on the trail instead of waiting for Zach to get the stone out of his own horse's hoof. No one had seen my father go on the trail, which was clearly marked, DANGER. DO NOT ENTER. The consensus of opinion was that something may have frightened the horse, and that "Barton, an inexperienced rider, was unable to control him."

Then I read the sentence that seemed to explode before my eyes: "A groom, Herbert West, who was exercising a horse on a nearby trail, reported hearing a loud noise that sounded like a gunshot at the time that Mr. Barton would have been near the fork in the road that led to the treacherous slope."

"A loud noise that sounded like a gunshot."

I moved the microfilm until I came to the sports pages of that day's edition. Ted Cartwright was holding a trophy in one hand and an old Colt .22 target auto pistol in the other. He had won the marksmanship contest, and the article said he was going to celebrate by having lunch at the Peapack Club with friends, and then was going for a long horseback ride. "I've been so busy practicing my marksmanship that I haven't had a decent ride for weeks," he told the reporter.

My father died at three o'clock-plenty of time for Ted to have had lunch and gone out for a ride, traveling along the trail that leads to the Washington Valley trails. Was it possible he came upon my father, the man who had taken my mother from him, perhaps saw him struggling to control the horse he was riding?

It was possible, but it was all conjecture. There was only one way I could learn the truth, and that was from Zach Willet.

I printed out the articles-the one about my father's accident and the one about Ted winning the marksmanship contest. It was time to pick up Jack. I left the library, got in my car, and drove to St. Joe's.

Today I could tell by Jack's woebegone face that the morning hadn't gone well. He didn't want to talk about what had happened, but by the time we got home, and were sitting in the kitchen having lunch, he was starting to open up.

"One of the kids in my cla.s.s said that I live in a house where a kid shot her mother. Is that right, Mom?" he asked.

My mind leaped ahead to the day when he might find out that I was the kid who shot her mother. I took a deep breath and said, "From what I understand, Jack, that little girl lived in this house with her mother and father, and she was very, very happy. Then her father died, and one night someone tried to hurt her mother, and so she tried to save her."

"If someone tried to hurt you, I'd save you," Jack promised.

"I know you would, sweetheart. So if your friend asks about that little girl again, say that she was very brave. She couldn't save her mother, but that was what she was trying so hard to do."

"Mommy, don't cry."

"I don't want to, Jack," I said. "I just feel so sorry for that little girl."

"I'm sorry for her, too," Jack decided.

I told him that if it was okay with him, Sue was going to come over and stay with him, and I'd go for another riding lesson. I saw a shadow of doubt across his face, so I hurried on: "Sue is teaching you to ride, and I'm taking lessons so that I can keep up with you."

That explanation helped, but then Jack finished his sandwich, pushed back his chair, came around, and lifted his arms to me. "Can I sit on your lap for a little while?" he asked.

"You bet." I picked him up and hugged him. "Who thinks you're a perfect little boy?" I asked him. This was a game we played. I saw a hint of a smile. "You do," he said.

"Who loves you to pieces?" "You do, Mommy."

"You're so smart," I marveled. "I can't believe how smart you are."

Now he was laughing. "I love you, Mommy."

As I held him, I thought of the night the limo hit me, and how, in that scary moment before I lost consciousness, all I could think was, What will happen to Jack if I die? When I woke up in the hospital, it was my first thought as well. Kathleen and Martin were his guardians, but Kathleen was seventy-four, and Martin was a full-time responsibility. Even if she remained healthy for another ten years, Jack would only be fourteen when she reached eighty-four. That was why it had been such a vast relief to see Alex there, to know he was going home to my apartment to be with Jack. In these six months, I have felt so secure knowing that Alex is Jack's guardian. But suppose Alex leaves us when he finds out about me? What will that do to Jack?

My little boy fell asleep in my arms, just a nap for about twenty minutes. I wondered if I gave him the same sense of security my father had given me that day the wave crashed us to sh.o.r.e. I prayed to my father that he would help me to learn the truth about his death. I thought of what Benjamin Fletcher had said about my mother and Ted Cartwright. I thought of my mother falling to her knees at my father's funeral, wailing, "I want my husband. I want my husband!"

You told me when you were drunk. You killed my husband. You told me Zach saw you do it.

That was what my mother had screamed that night! I was as certain of it as I was that my little boy was in my arms. The pieces had finally fallen into place. For a long time I sat there very quietly, absorbing the import of those words. It explained why my mother threw Ted out. It explained why she was afraid of him, and of what he might do to her to save himself.

Why didn't she go to the police? I wondered. Was it because she was afraid of how I might judge her if I learned that another man killed my father because he wanted her?

When Sue arrived, I left for my final riding lesson with Zach Willet.

CHAPTER 61.

Much as Dru Perry instinctively disliked Marcella Williams, she had to admit that Marcella was a golden source of information. She insisted that Dru have coffee with her, and even had miniature Danish pastries which Dru unsuccessfully tried to resist.

At Dru's hint that Audrey Barton might have been involved with Ted Cartwright during her marriage, Williams was adamant that she didn't believe it. "Audrey loved her husband," she said. "Will Barton was a very special guy. He had real cla.s.s, and Audrey loved that. Ted's always been an exciting guy. He still is. Would Audrey have left Will for him? No. If she was free, would she marry him? Proof in the pudding...she did. But she never took his name. I think she kept the Barton name to appease Liza."

Marcella had a stack of pictures that she thought might interest Dru. "Will Barton and my ex liked each other," she explained. "That's the one place where I thought Will's judgment was lacking. Then after Will died, and Ted started coming around all the time to see Audrey, the ex and I would stop at her house and have a c.o.c.ktail with them. I think Audrey didn't want Liza to realize that she was becoming involved with Ted, so having us around took a little of the pressure off. I always liked to take pictures, and after Liza went on her shooting spree, I got them all together and gave some of them to the media."

I'll just bet you did, Dru thought. But as she went through the pictures, and studied the close-ups of Will and Audrey Barton, she could barely hide her emotions from Marcella's inquisitive eyes. I'll still ask Bob to do the computer-aging she thought, but I think I know the result. Celia Nolan is Liza Barton. She's a combination of both her parents. She looks like both of them.

"Will you use all the pictures in your feature story?" Marcella asked.

"Depends on how much s.p.a.ce they give me. Marcella, did you ever meet this Zach guy, the one who gave Will Barton riding lessons?"

"No. Why would I? Audrey was furious when she heard that Will had been taking lessons from him without her knowledge. Will tried to explain that he didn't want to take them at the Peapack club because he didn't want to look like a fool. He knew he wasn't any good, and probably never would be, but he wanted to try to learn to ride so that he could keep his wife company. My guess is he wasn't thrilled to see Audrey riding so often with Ted Cartwright."

"Do you know if Audrey blamed Zach for the accident?"

"She really couldn't. Everyone at the stable told her that Will insisted on starting out alone, despite Zach's asking him to wait."

Marcella's phone rang just as Dru got up to go. Marcella rushed to answer it, and when she did, it was clear that she had received disappointing news.

"That's the way it goes," she told Dru. "My lunch date was with Ted Cartwright, but he's been with his contractor all morning and now he has to see someone on an urgent matter. Maybe it's just as well. Sounds to me as though Ted is in one of his ugly moods, and I can a.s.sure you that is not the time to be around him."

After Dru left Marcella, she drove directly to the reference room in the county library. She submitted her request for the microfilm of the Daily Record which included the day after Will Barton's death. The reference librarian smiled. "That day is mighty popular this morning. I released that same segment to someone else an hour ago."

Celia Nolan, Dru thought. She's been talking to Zach Willet, and may suspect something about the accident. "I wonder if that could have been my friend, Celia Nolan," she asked. "We're both working on the same project."

"Why, yes it is," the librarian confirmed. "She did several printouts from that issue of the paper."

Several, Dru thought, as she turned to the May 10th issue. I wonder why several.

Five minutes later, she was printing out the account of Will Barton's death. Then, to see if she had missed anything, she kept going through the paper until she found the sports section, and, like Celia Nolan, reasoned that Ted Cartwright might very well have been in the vicinity at the time of Will Barton's accident, and could have been carrying a gun.

Desperately troubled by what Celia's state of mind might be, Dru made one more stop, this one at the police station in Mendham. As she had hoped, Sergeant Clyde Earley was on duty, and was delighted to be interviewed by her.

With considerable embellishment, he gave her the step-by-step account of his visit to Charley Hatch, and his growing suspicion that Charley had changed to corduroy pants because, as he put it, "That fellow didn't want me to see him in those jeans with the red paint on them."

After he wound up his story with the discovery of the evidence in the trash bag with the garbage man as witness, Dru nudged him onto another subject. "It all seems to be connected to the Little Lizzie case, doesn't it?" she mused. "I bet that night is still clear in your mind."

"You bet it is, Dru. I can still see that little cool-as-a-cuc.u.mber kid sitting in my squad car, thanking me for the blanket I wrapped around her."

"You drove off with her, didn't you?" "That's it."

"Did she say anything to you in the car?" "Not a word."

"Where did you take her?" "Right here. I booked her." "You booked her!"

"What do you think I did? Give her a lollypop? I fingerprinted her and we took her picture."

"Do you still have her fingerprints?"

"Once a juvenile is cleared of any wrongdoing, we're supposed to destroy them."

"Did you destroy Liza's fingerprints, Clyde?"

He winked. "Off the record, no. I kept them in the file, sort of like souvenirs."