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Nightmare Abbey Part 7

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MR FLOSKY

Say not condescend! Know you not that you talk to the most humble of men, to one who has buckled on the armour of sanct.i.ty, and clothed himself with humility as with a garment?

MARIONETTA

My cousin Scythrop has of late had an air of mystery about him, which gives me great uneasiness.

MR FLOSKY

That is strange: nothing is so becoming to a man as an air of mystery.

Mystery is the very key-stone of all that is beautiful in poetry, all that is sacred in faith, and all that is recondite in transcendental psychology. I am writing a ballad which is all mystery; it is 'such stuff as dreams are made of,' and is, indeed, stuff made of a dream; for, last night I fell asleep as usual over my book, and had a vision of pure reason. I composed five hundred lines in my sleep; so that, having had a dream of a ballad, I am now officiating as my own Peter Quince, and making a ballad of my dream, and it shall be called Bottom's Dream, because it has no bottom.

MARIONETTA

I see, Mr Flosky, you think my intrusion unseasonable, and are inclined to punish it, by talking nonsense to me. (_Mr Flosky gave a start at the word nonsense, which almost overturned the table._) I a.s.sure you, I would not have intruded if I had not been very much interested in the question I wish to ask you.--(_Mr Flosky listened in sullen dignity._)--My cousin Scythrop seems to have some secret preying on his mind.--(_Mr Flosky was silent._)--He seems very unhappy--Mr Flosky.--Perhaps you are acquainted with the cause.--(_Mr Flosky was still silent._)--I only wish to know--Mr Flosky--if it is any thing--that could be remedied by any thing--that any one--of whom I know any thing--could do.

MR FLOSKY (_after a pause_)

There are various ways of getting at secrets. The most approved methods, as recommended both theoretically and practically in philosophical novels, are eavesdropping at key-holes, picking the locks of chests and desks, peeping into letters, steaming wafers, and insinuating hot wire under sealing wax; none of which methods I hold it lawful to practise.

MARIONETTA

Surely, Mr Flosky, you cannot suspect me of wishing to adopt or encourage such base and contemptible arts.

MR FLOSKY

Yet are they recommended, and with well-strung reasons, by writers of gravity and note, as simple and easy methods of studying character, and gratifying that laudable curiosity which aims at the knowledge of man.

MARIONETTA

I am as ignorant of this morality which you do not approve, as of the metaphysics which you do: I should be glad to know by your means, what is the matter with my cousin; I do not like to see him unhappy, and I suppose there is some reason for it.

MR FLOSKY

Now I should rather suppose there is no reason for it: it is the fashion to be unhappy. To have a reason for being so would be exceedingly common-place: to be so without any is the province of genius: the art of being miserable for misery's sake, has been brought to great perfection in our days; and the ancient Odyssey, which held forth a shining example of the endurance of real misfortune, will give place to a modern one, setting out a more instructive picture of querulous impatience under imaginary evils.

MARIONETTA

Will you oblige me, Mr Flosky, by giving me a plain answer to a plain question?

MR FLOSKY

It is impossible, my dear Miss O'Carroll. I never gave a plain answer to a question in my life.

MARIONETTA

Do you, or do you not, know what is the matter with my cousin?

MR FLOSKY

To say that I do not know, would be to say that I am ignorant of something; and G.o.d forbid, that a transcendental metaphysician, who has pure antic.i.p.ated cognitions of every thing, and carries the whole science of geometry in his head without ever having looked into Euclid, should fall into so empirical an error as to declare himself ignorant of any thing: to say that I do know, would be to pretend to positive and circ.u.mstantial knowledge touching present matter of fact, which, when you consider the nature of evidence, and the various lights in which the same thing may be seen--

MARIONETTA

I see, Mr Flosky, that either you have no information, or are determined not to impart it; and I beg your pardon for having given you this unnecessary trouble.

MR FLOSKY

My dear Miss O'Carroll, it would have given me great pleasure to have said any thing that would have given you pleasure; but if any person living could make report of having obtained any information on any subject from Ferdinando Flosky, my transcendental reputation would be ruined for ever.

CHAPTER IX

Scythrop grew every day more reserved, mysterious, and distrait; and gradually lengthened the duration of his diurnal seclusions in his tower. Marionetta thought she perceived in all this very manifest symptoms of a warm love cooling.

It was seldom that she found herself alone with him in the morning, and, on these occasions, if she was silent in the hope of his speaking first, not a syllable would he utter; if she spoke to him indirectly, he a.s.sented monosyllabically; if she questioned him, his answers were brief, constrained, and evasive. Still, though her spirits were depressed, her playfulness had not so totally forsaken her, but that it illuminated at intervals the gloom of Nightmare Abbey; and if, on any occasion, she observed in Scythrop tokens of unextinguished or returning pa.s.sion, her love of tormenting her lover immediately got the better both of her grief and her sympathy, though not of her curiosity, which Scythrop seemed determined not to satisfy. This playfulness, however, was in a great measure artificial, and usually vanished with the irritable Strephon, to whose annoyance it had been exerted. The Genius Loci, the _tutela_ of Nightmare Abbey, the spirit of black melancholy, began to set his seal on her pallescent countenance. Scythrop perceived the change, found his tender sympathies awakened, and did his utmost to comfort the afflicted damsel, a.s.suring her that his seeming inattention had only proceeded from his being involved in a profound meditation on a very hopeful scheme for the regeneration of human society. Marionetta called him ungrateful, cruel, cold-hearted, and accompanied her reproaches with many sobs and tears; poor Scythrop growing every moment more soft and submissive--till, at length, he threw himself at her feet, and declared that no compet.i.tion of beauty, however dazzling, genius, however transcendent, talents, however cultivated, or philosophy, however enlightened, should ever make him renounce his divine Marionetta.

'Compet.i.tion!' thought Marionetta, and suddenly, with an air of the most freezing indifference, she said, 'You are perfectly at liberty, sir, to do as you please; I beg you will follow your own plans, without any reference to me.'

Scythrop was confounded. What was become of all her pa.s.sion and her tears? Still kneeling, he kissed her hand with rueful timidity, and said, in most pathetic accents, 'Do you not love me, Marionetta?'

'No,' said Marionetta, with a look of cold composure: 'No.' Scythrop still looked up incredulously. 'No, I tell you.'

'Oh! very well, madam,' said Scythrop, rising, 'if that is the case, there are those in the world--'

'To be sure there are, sir;--and do you suppose I do not see through your designs, you ungenerous monster?'

'My designs? Marionetta!'

'Yes, your designs, Scythrop. You have come here to cast me off, and artfully contrive that it should appear to be my doing, and not yours, thinking to quiet your tender conscience with this pitiful stratagem.

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Nightmare Abbey Part 7 summary

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