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"You clum b'long me," was the enigmatic message uttered in the detective's ear.
"Why should I go along with you?" Blake calmly inquired.
"You clum b'long me," reiterated the Chinaman. The finger again touched the detective's arm. "Clismas!"
Blake rose, at once. He recognized the code word of "Christmas." This was the messenger he had been awaiting.
He followed the figure down the narrow stairway, through the sliding door, out into the many-odored street, foul with refuse, bisected by its open sewer of filth, took a turning into a still narrower street, climbed a precipitous hill cobbled with stone, turned still again, always overshadowed and hemmed in by tall houses close together, with black-beamed lattice doors through which he could catch glimpses of gloomy interiors. He turned again down a wooden-walled hallway that reminded him of a Mott Street burrow. When the Chinaman touched him on the sleeve he came to a stop.
His guide was pointing to a closed door in front of them.
"You sabby?" he demanded.
Blake hesitated. He had no idea of what was behind that door, but he gathered from the Chinaman's motion that he was to enter. Before he could turn to make further inquiry the Chinaman had slipped away like a shadow.
VIII
Blake stood regarding the door. The he lifted his revolver from his breast pocket and dropped it into his side pocket, with his hand on the b.u.t.t. Then with his left hand he quietly opened the door, pushed it back, and as quietly stepped into the room.
On the floor, in the center of a square of orange-colored matting, he saw a white woman sitting. She was drinking tea out of an egg-sh.e.l.l of a cup, and after putting down the cup she would carefully ma.s.sage her lips with the point of her little finger. This movement puzzled the newcomer until he suddenly realized that it was merely to redistribute the rouge on them.
She was dressed in a silk petticoat of almost lemon yellow and an azure-colored silk bodice that left her arms and shoulders bare to the light that played on them from three small oil lamps above her. Her feet and ankles were also bare, except for the matting sandals into which her toes were thrust. On one thin arm glimmered an extraordinarily heavy bracelet of gold. Her skin, which was very white, was further albificated by a coat of rice powder. She was startlingly slight. Blake, as he watched her, could see the oval shadows under her collar bones and the almost girlish meagerness of breast half-covered by the azure silk bodice.
She looked up slowly as Blake stepped into the room. Her eyes widened, and she continued to look, with parted lips, as she contemplated the intruder's heavy figure. There was no touch of fear on her face. It was more curiosity, the wilful, wide-eyed curiosity of the child. She even laughed a little as she stared at the intruder. Her rouged lips were tinted a carmine so bright that they looked like a wound across her white face. That gash of color became almost clown-like as it crescented upward with its wayward mirth. Her eyebrows were heavily penciled and the lids of the eyes elongated by a widening point of blue paint. Her bare heel, which she caressed from time to time with fingers whereon the nails were stained pink with henna, was small and clean cut, as clean cut, Blake noticed, as the heel of a razor, while the white calf above it was as thin and flat as a boy's.
"h.e.l.lo, New York," she said with her foolish and inconsequential little laugh. Her voice took on an oddly exotic intonation, as she spoke.
Her teeth were small and white; they reminded Blake of rice, while she repeated the "New York," bubblingly, as though she were a child with a newly learned word.
"h.e.l.lo!" responded the detective, wondering how or where to begin. She made him think of a painted marionette, so maintained were her poses, so unreal was her make up.
"You 're the party who 's on the man hunt," she announced.
"Am I?" equivocated Blake. She had risen to her feet by this time, with monkey-like agility, and showed herself to be much taller than he had imagined. He noticed a knife scar on her forearm.
"You 're after this man called Binhart," she declared.
"Oh, no, I 'm not," was Blake's sagacious response. "I don't want Binhart!"
"Then what do you want?"
"I want the money he 's got."
The little painted face grew serious; then it became veiled.
"How much money has he?"
"That's what I want to find out!"
She squatted ruminatively down on the edge of her divan. It was low and wide and covered with orange-colored silk.
"Then you'll have to find Binhart!" was her next announcement.
"Maybe!" acknowledged Blake.
"I can show you where he is!"
"All right," was the unperturbed response. The blue-painted eyes were studying him.
"It will be worth four thousand pounds, in English gold," she announced.
Blake took a step or two nearer her.
"Is that the message Ottenheim told you to give me?" he demanded. His face was red with anger.
"Then three thousand pounds," she calmly suggested, wriggling her toes into a fallen sandal.
Blake did not deign to speak. His inarticulate grunt was one of disgust.
"Then a thousand, in gold," she coyly intimated. She twisted about to pull the strap of her bodice up over her white shoulder-blades. "Or I will kill him for you for two thousand pounds in gold!"
Her eyes were as tranquil as a child's. Blake remembered that he was in a world not his own.
"Why should I want him killed?" he inquired. He looked about for some place to sit. There was not a chair in the room.
"Because he intends to kill _you_," answered the woman, squatting on the orange-covered divan.
"I wish he 'd come and try," Blake devoutly retorted.
"He will not come," she told him. "It will be done from the dark. _I_ could have done it. But Ottenheim said no."
"And Ottenheim said you were to work with me in this," declared Blake, putting two and two together.
The woman shrugged a white shoulder.
"Have you any money?" she asked. She put the question with the artlessness of a child.
"Mighty little," retorted Blake, still studying the woman from where he stood. He was wondering if Ottenheim had the same hold on her that the authorities had on Ottenheim, the ex-forger who enjoyed his parole only on condition that he remain a stool-pigeon of the high seas. He pondered what force he could bring to bear on her, what power could squeeze from those carmine and childish lips the information he must have.
He knew that he could break that slim body of hers across his knee.
But he also knew that he had no way of crushing out of it the truth he sought, the truth he must in some way obtain. The woman still squatted on the divan, peering down at the knife scar on her arm from time to time, studying it, as though it were an inscription.
Blake was still watching the woman when the door behind him was slowly opened; a head was thrust in, and as quietly withdrawn again. Blake dropped his right hand to his coat pocket and moved further along the wall, facing the woman. There was nothing of which he stood afraid: he merely wished to be on the safe side.
"Well, what word 'll I take back to Ottenheim?" he demanded.
The woman grew serious. Then she showed her rice-like row of teeth as she laughed.