Never Cross A Vampire Part 11

"And no offers of flesh, either," I added.

"I have no ambition," I explained.

"Absolutely none. I don't want or need a lot of money. I have no dreams money can buy. What I always need is just a little more than I've got, not a lot more, and I'm not about to be bought for a few hundred dollars. It's a bind, but it keeps my reputation clean and my suits old."

"And when you go to that great Pinkerton agency in the sky, they may reward you by making you a night watchman on the gate of heaven," she spat.

"Or the gate of h.e.l.l," I added. "I'd like that. As for you and me having a social life together, I can't see you warm and friendly and sitting next to me tonight at the Wild Red Berry and Yukon Jake wrestling matches at the Hollywood Legion. No, Mrs. Shatzkin, I'll just have to amble out of here with my curiosity about your friend and a little more faith in the innocence of William Faulkner."

"I'm sorry you feel that way, Mr.

Peters," she said, rising. I joined her. "If you should change your mind, please feel free to call me. Am I to a.s.sume, however, that you plan to take your information about my private life to the police?"

"No," I said, heading for the door. "I think I'll just find Mr. Thayer Newcomb and have a chat. You wouldn't want to make my job easier and give me an address, would you?"

Her lips tightened and her b.r.e.a.s.t.s rose.

She was Joan of Arc defending her voices, a n.o.ble figure.

I went outside without an escort, closing the door behind me. Haliburton was at the car. He had obviously stopped the cops, but he hadn't stopped his mind, what there was of it, from working.

"No trouble," I said, holding my jacket open. "No trouble," he said meekly. "I . . .

what did you mean about Culver City and . . . what did you mean?"

Haliburton was a hurt and jealous lap dog, waiting to be whipped or given an order. I wasn't going to do either.

"I can't talk much about it," I said, easing into my car. He held the door firmly so I couldn't close it. "It has something to do with a private transaction Mr. Shatzkin made." He let go of the door and I closed it, but I opened the window to add, "Haliburton, I'd suggest you pack up your suitcase and head out someplace clean if I thought you'd listen, but you won't listen. You can't. The Medusa has made you stone deaf."

"Medusa?" "Skip it," I said, and drove away. Like the last time, I watched Haliburton dwindle in my rearview mirror, but this time he was a slumped and defeated monster. There was no vengeance in those shoulders, only confusion.

I found a phone and reached Martin Leib, who told me to keep after the Thayer Newcomb lead though he had no great faith in it. He also asked me to stop by and brief Faulkner, who would be having bail set late in the afternoon, which meant that keeping his arrest for murder quiet would become more difficult.

"Even with county cooperation," Leib said, "I doubt if we can keep this from the press for more than a day, possibly two at most. If so, William Faulkner will simply have to live with the publicity."

"And Warner Brothers?" I asked.

"They will have to consider their options," he said like a good lawyer.

"Meaning, old Billy Faulkner will be dumped."

"He is not a charity commitment for the studio," Leib reminded me and hung up.

Faulkner was looking out his cell window when I got to the lock-up. The turnkey said I couldn't go in. I reminded him I represented the accused's lawyer.

The turnkey said he didn't care if I represented a rat's a.s.s.

"A Snopes," Faulkner said with a dismissive glance at the turnkey.

"I've got a fair lead," I told Faulkner.

"You know a guy named Thayer Newcomb?" Faulkner touched his mustache with his thumb and thought for a few seconds before saying, "I'm afraid the name has no meaning to me."

"There's a chance," I said, "that he set you up or helped set you up."

"Why on earth would a stranger go through all this trouble to try to make it look as if I had murdered Shatzkin?"

Faulkner asked.

"Beats me," I said.

"Let's hope it does not," he added. "I've been pa.s.sing my time here working out my own mystery tale, which will be as orderly and logical as life is not, as orderly as a game of chess." "Full of knights gambiting around," I said, remembering the days of dodging my brother more than half my lifetime ago. "Yes," said Faulkner, "a knight's gambit. Do you see yourself as a knight, Mr. Peters?" he said with a look that might be sadness or sarcasm, a protected look.

"No," I said, "I see myself in the mirror as little as I can. What about you?"

"Ah," sighed Faulkner, "I see myself in a hotel room alone with several bottles of Old Crow, and then I see myself with a small group of friends sitting up all night on a small island back home in Sardis Reservoir, turning spits, basting beef and pork, and singing 'Water Boy.' "

From looking in mirrors, he had turned to looking into the wishful future.

"I'll work on it," I said, but Faulkner had already turned to head back to the window. The turnkey led me out, complaining of his sore feet. I could have told him some tales of sore feet and knees, but he wouldn't have listened. He was a talker.

I was a listener.

With a stack of nickels in hand, I found a pay phone in a bar and called Shatzkin's office. I got Mrs. Summerland and found that Thayer Newcomb was not a client.

She had never heard the name. The information operator didn't help either. I tried the large talent agencies and got nowhere. I was down to the last of my once-large stack of nickels and looking over my shoulder to see whether someone was pressuring me for the phone, when I got lucky. The Panorama Talent Agency did handle Newcomb. I said I was his brother James, a priest, in for a few hours from Dallas. The woman gave me an address, the Augusta Hotel. I blessed her and hung up. There was no answer in his room at the Augusta.

My Faulkner leads were running low. I could try Newcomb later or camp in the hotel lobby till he got there. Meanwhile, I could do a little work for Lugosi. I drank a Ballantine beer at the bar and listened to Vic 'n' Sade with the bartender. It was a little before one, and business was slow at that hour. I asked whether he had anything to eat, and he said he could slice up some cheese and slap it on a few pieces of bread with some mustard. I told him it sounded great. When he brought it back, it looked awful and carried a clear thumb indentation, but tasted fine, and I let myself sink into the amber afternoon darkness of the bar and beer, sharing a moment of repose with Sade, Uncle Fletcher, and Rush.

My next stop was Clinton Hill, the contractor who doubled as a Dark Knight, he of the falling wig and voyeuristic inclination, as Wilson Wong had said. I found the contracting firm in Inglewood just where it belonged, but I didn't find Clinton Hill. His brother was the Hill in the firm t.i.tle. My boy, according to the angelic-looking girl at the desk, was an a.s.sistant librarian at St.

Bartholomew's College a few miles away. He picked up his mail at the contracting office and, according to the girl, often let people believe it was his business.

The library was a few blocks down in a surprisingly large old stone building. It was surprising because the college itself consisted of a total of five decaying stone buildings enclosed by a rusting spiked fence and a couple of dozen acres of gra.s.s that could use mowing.

I found a s.p.a.ce and spotted a dark Ford slowing down a block ahead of me. I watched for a few seconds while he hesitated and drove on. I decided to start taking down the license number of every dark Ford I saw and then checking to see whether there were any match-ups to prove I was either observant, scared, or both.

The library was impressive, like a chapel from another country. The lobby was marble and dark wood and the huge cathedral-size room with stained gla.s.s windows beyond was heavy, somber, and solid. The stained gla.s.s windows showed saints in various stages of torture or anguish. Saint Bart was the star of the show, and arrows abounded. I turned my head downward to more worldly things in the almost empty mausoleum. A few students were seated at the ma.s.sive tables with books in front of them.

Behind the wooden counter, which formed a protective circle, stood a librarian, a dry, tall man in a lint-catching dark suit. He actually wore pince-nez gla.s.ses.

"Yes," he said as I advanced. He made it clear that I was a foreign presence.

"Chadwick," I said "Professor Irwin Chadwick, UCLA, anthropology. I was talking to one of your librarians, a Mr. Hill, recently about your collection of works on the occult. I was wondering if he might be here to give me some a.s.sistance."

The dry man let gastric reaction take place, which faintly resembled human response. "Mr. Hill," he said, "is not actually a librarian. He does work in the library, restacking primarily. He does, however, have a genuine knowledge of and interest in the occult. If you wish to go into the stacks, I think you will find him reshelving on the second bas.e.m.e.nt level, in the four hundreds."

"Thank you," I said, heading in the direction he had pointed.

"You are welcome, Dr. Chadwick," he responded.

Behind us both the main door opened, but I didn't turn to see who was coming in. I made my way down a narrow row of books on metal racks piled about seven feet high and found a spiral metal staircase going both up and down. I went down slowly, trying to clank as little as possible, At the first level down, light was provided by some naked overhead bulbs and a few dusty windows that were probably even with the ground. I looked down the rows of books in both directions and saw nothing. There was a remembered smell of crumbling paper about the place. I went down another level. The spiral staircase rattled a little at its bolts but held as it probably had for a generation.

At the second level down were a few more naked bulbs of low wattage but no windows. I went to the left and realized that the floor was made of metal grillwork. I looked up and saw the ceiling was the same grillwork. There was a hollow emptiness to the place I didn't like. A level below held more books, but it was even darker and there may have been a level below that. I thought I heard a sound above and turned to look up. My turn caused an echo of my footsteps. I touched my gun.

I was getting addicted to it. A few more encounters and I'd surely whip it out and accidentally shoot myself.

"Mr. Hill," I whispered, hoa.r.s.ely, moving deeper into the aisle between the stacks. I pa.s.sed rows of books on each side, going back fifteen or twenty feet each. A few rows had lights on, but most had them off. Strings hung from each light, and to turn a light on, one had to grope in semidarkness halfway down the aisle.

I moved slowly, peering down each aisle of books, right and left, trying to penetrate the corners, keeping a look of confidence on my face in case someone was hidden in one of the recesses.

Maybe he or it would think I could see him.

"Mr. Hill?" I repeated. I was almost at the solid wall at the end of the narrow corridor. I found another set of spiral stairs up and down. I was considering whether to go up or down or back when a rumbling sound came out of the darkness behind me. It was moving quickly and noisly out of a black aisle of oversized books. I reached for my gun and pulled it out, backing against the stairway.

"Stop," I shouted, and my voice echoed below and above in shadows.

The sound stopped and I could make out a shape in the murk.

"You were calling me?" it said.

"Hill?"

"Yes," he said, emerging into the light, pushing a book cart ahead of him that rattled noisily on the metal grill floor. He was the same man I had seen at the Dark Knights meeting, without the black hair.

He had some hair, but it wasn't enough to try to save. He looked at my gun in clear terror. I put it away.

"I'm sorry," I said. "I've had a few scares in the past several days. You know who I am?"

A wave of bitterness crossed Hill's face.

"You were at the Dark Knights meeting Friday. You are not a member. How did you find me?"

There was a sob in his voice.

"I . . ." "I'll quit," he said, near hysteria.

"Billings promised, promised in blood not to disclose anyone's ident.i.ty."

"Blood?" I said.

"Simulated human blood," he explained.

I looked incredulous, I guess. "Chicken blood," he clarified.

"I'm a private detective," I said. "My name's Toby Peters. I'll make it fast and easy, and I don't care if you quit the Dark Knights or the Morning Tulips, but I want answers."

Hill tried to push his cart past me, but I kicked it back with my good leg, trapping him in the narrow aisle he had come out of.

"Someone is trying to scare Bela Lugosi, maybe do more than scare him, and I'm d.a.m.ned sure it's one of the Dark Knights, and I think I've got the suspects narrowed down to two. And you, old bat, are one of them."

"No," cried Hill. "I'm not one of those people. I just go to watch. I could never do any . . . I couldn't do things. I just stand around and keep my mouth shut. I couldn't even touch the chicken blood for the ceremony. You can ask the Count."

"Billings."

"Yes," he cried. "I live here, in the library. I don't even go out except to get some food, pick up my mail, and go to the meetings. I wouldn't hurt anybody or anything. I'm a vegetarian."

"You're a vegetarian?"

"Yes," he said.

"What has that . . . Forget it." If he couldn't stand the sight of blood he sure as h.e.l.l hadn't sent an impaled bat to Lugosi. I would check his story, but I had the feeling it would hold up, which left me with d.a.m.n few members of the Dark Knights.

"I practically live on ice cream alone," he went on.

"Okay," I said. "Forget it. Forget I bothered you."

I started down the aisle, leaving him behind.

"Are you going to tell them?" he pleaded. "Tell them what I really do, who I am?"

"No," I shouted. "Forget it."

He went silent with a small sh.e.l.l of a sob, and I hurried toward the stairway I had come down, but something stopped me. I stood still. Some of the side aisles had lights on when I had come down earlier. Now all the lights were off. It could have been a ma.s.s fatigue of ancient bulbs or my imagination. I considered going back to the far stairwell, but that meant dealing with Hill again. I couldn't face his complete breakdown. I pulled out my gun and inched forward very slowly and very quietly, but I still made some noise. I could see no one moving above or below and could hear nothing behind. I made it almost to the stairway, convincing myself that fear does strange things. Then fear appeared. It was almost noiseless and caught me in a near- dreamlike instant. It was a sound behind me, a movement of air. I turned in time to see the outline of a black-caped figure swooping down in a crouch from one of the stacks. I tripped backward, landing on my rear, and raised my gun. The black figure kicked, catching me on the wrist, and the gun spun upward out of my hand, hitting a bookshelf and going off. The bullet parted the distance between the black figure's face and mine and made him pause before he could deliver another kick. I could hear the gun drop to the steel floor below and into something beyond that. I told my body to roll fast. It listened and the next kick missed my head. I threw a kick of my own and caught the figure in the general area of the stomach. He let out a pained groan and something clanged near my head. He had a heavy object and was trying to spread what was left of my brains over the 400 section of the St.

Bartholomew Library.

Enough is usually enough, though I've found it amazing how much more than enough the human body can take. I scrambled to my knees, ignoring the pain in the injured one, and threw my arms around the guy who was trying to kill me. He took another swing with his piece of metal, but I was too close and he caught me on the fleshy part of my b.u.t.tocks. In desperation, I sank my teeth into his stomach. He shrieked and shouted. "You crazy b.a.s.t.a.r.d!"

"I'm a crazy b.a.s.t.a.r.d?" I panted. "Who's trying to kill who?"

I got to my feet and brought my head up hard in the general direction of his chin. I made contact with about the same spot on my cranium he had softened in the parking lot of the New Moon Restaurant.

He groaned and I let go of him. We both backed away. I was seeing flashes of color. I didn't think either one of us wanted to go at it again, but something was at stake for both of us. I could see him take a shadowy step toward me, and I got ready to meet him, knowing that I'd never be able to run away and that to turn my back would be my end. The only thing I could hear was our heavy breathing in the darkness. Then above us a voice.

"What is going on down there, Hill?"

shouted the dry librarian from the upper world.

My enemy's head turned upward toward the sound and caught a shaft of light. I saw the face clearly and knew I wouldn't forget it. I also knew I had never seen it before. He turned and ran into the darkness, the faint light of the grillwork making a rippling pattern on his retreating back.

I made my way upward toward the complaining voice of the librarian and met him on the first level.

"What on earth was going on down there?" he demanded.

"Something was going on," I panted, "but I don't think it's reasonable to say it was on earth."

"And where," he demanded further, "is Mr. Hill?"