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Napoleon and the Queen of Prussia Part 56

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"I believe you have also written tragedies?" asked Napoleon.

"Sire, I have made some attempts," replied Goethe, smiling. "But the applause of my countrymen cannot blind me as to the real value of my dramas. I believe it is very difficult, if not impossible, for a German poet to write real tragedies, which fulfil the higher requirements of art, and withal those of the stage. I must confess that my tragedies are not so adapted."

"Sire," said Daru, "M. von Goethe has also translated Voltaire's 'Mohammed.'"

"That is not a good tragedy," said Napoleon. "Voltaire has sinned against history and the human heart. He has prost.i.tuted the character of Mohammed by petty intrigues. He makes a man, who revolutionized the world, act like an infamous criminal deserving the gallows. Let us rather speak of Goethe's own work--of the 'Sorrows of Werther.' I have read it many times, and it has always afforded me the highest enjoyment; it accompanied me to Egypt, and during my campaigns in Italy, and it is therefore but just that I should return thanks to the poet for the many pleasant hours he has afforded me."

"Sire, your majesty, at this moment, amply rewards me," said Goethe, bowing slightly.

"Your 'Werther' is indeed a work full of the most exalted ideas," added Napoleon; "it contains n.o.ble views of life, and depicts the weariness and disgust which all high-minded characters must feel on being forced to leave their sphere and come in contact with the gross world. You have described the sufferings of your hero with irresistible eloquence, and never, perhaps, has a poet made a more artistic a.n.a.lysis of love. Let me tell you, however, that you have not been entirely consistent in the work. You make your hero die not only of love, but of wounded ambition, and you mention expressly that the injustice he met with at the hands of his official superiors was a wound always bleeding, of which he suffered even in the presence of the lady whom he loved so pa.s.sionately. That is not quite natural, and weakens in the mind of the reader the comprehension of that influence which love exerted on Werther. Why did you do so?"

Goethe looked almost in astonishment at the emperor; this unexpected censure, and the quick, categorical question, had equally surprised him, and momentarily disturbed the calmness of the poet. "Sire," he said, after a brief pause, "your majesty has found fault with something with which no one has reproached me heretofore, and I confess that your criticism has struck me. But it is just, and I deserve it. However, a poet may be pardoned for using an artifice which cannot easily be detected, in order to produce a certain effect that he believes he is unable to bring about in a simple and natural way."

Napoleon nodded a.s.sentingly. "Your 'Werther' is a drama of the heart, and there are none to be compared with it," he said. "After reading it, I am persuaded that it is your vocation to write in this style; for the tragic muse is the favorite companion of the greatest poet. Tragedy was at all times the school of great men. It is the duty of sovereigns to encourage, patronize, and reward it. In order to appreciate it correctly, we need not be poets ourselves; we only need knowledge of human nature, of life, and of a cultivated mind. Tragedy fires the heart, elevates the soul, and can or rather must create heroes. I am convinced that France is indebted to the works of Corneille for many of her greatest men. If he were living I would make a prince of him."

"Your majesty, by your words, has just adorned his memory with the coronet of a prince," said Goethe. "Corneille would a.s.suredly have deserved it, for he was a poet in the n.o.blest sense, and imbued with the ideas and principles of modern civilization. He never makes his heroes die in consequence of a decree of fate, but they always bear in themselves the germ of their ruin or death; it is a natural, rational death, not an artificial one."

"Let us say no more about the ancients and their fatalism," exclaimed Napoleon; "they belong to a darker age. Political supremacy is our modern fatalism, and our tragedies must be the school of politicians and statesmen. That is the highest summit which poets are able to reach.

You, for instance, ought to write the death of Caesar; it seems to me you could present a much more exalted view of it than Voltaire did. That might become the n.o.blest task of your life. It ought to be proved to the world how happy and prosperous Caesar would have made it if time had been given him to carry his comprehensive plans into effect. What do you think of it, M. von Goethe?"

"Sire," said Goethe, with a polite smile, "I should prefer to write the life and career of Caesar, and in doing so I should not be at a loss for a model." His eyes met those of the emperor, and they well understood each other. Both of them smiled.

"You ought to go to Paris," exclaimed Napoleon. "I insist on your doing so. There you will find abundant matter for your muse."

"Your majesty provides the poets of the present time, wherever they may be, with abundant matter," said Goethe, not in the tone of a courtier, but with the tranquillity of a prince who confers a favor.

"You must go to Paris," repeated Napoleon. "We shall meet again."

Goethe, who was an experienced courtier, understood the delicate hint, and stepped back from the table. Napoleon addressed a question to Marshal Soult, who entered at this moment. The poet withdrew without further ceremony. The eyes of the emperor followed the tall, proud figure, and turning to Berthier, he repeated his exclamation, "_Voila un homme_!"

CHAPTER XLIII.

THE CHASE AND THE a.s.sa.s.sINS.

The two emperors made their entry into the decorated city of Weimar amidst pealing bells, and the cheers of the people. The d.u.c.h.ess of Weimar, just as she had done two years before, received the French conqueror at the head of the palace staircase; this time, however, she was not alone, but her husband, whom the emperor had formerly hated and reviled so bitterly, stood at her side. Napoleon greeted the ducal couple with his most winning smile.

The events of those terrible days of the past had been well-nigh forgotten. A short time had sufficed to veil their memory, and Napoleon was a welcome and highly-honored guest two years after the battle of Jena. No vestige of the former distress remained; but the laurels of the victor had not withered.

A vast number of carriages, hors.e.m.e.n, and pedestrians, filled the streets. The whole country had sent its representatives to greet the emperors. All the houses were ornamented with flags, festoons, busts, and laudatory inscriptions. But no one cared to stay at home. The inhabitants and strangers hastened to the forest of Ettersburg, to witness the great chase which the Duke of Weimar had arranged in honor of the imperial guests.--Several hundred deer had been driven up and fenced in, close to the large clearing which was to be the scene of this day's festivities. In the middle rose a huge hunting-pavilion, the roof of which rested on pillars twined with flowers. Here the two emperors were to witness the chase, and the two wings of the structure were a.s.signed to the kings, dukes, and princes. All eyes and thoughts, therefore, were turned in that direction; and yet no one noticed particularly two youthful forms, wrapped in cloaks and leaning against an oak near the gamekeepers. The merry clamor and the bugle-calls of the hunters drowned the conversation of these young men. No one was surprised at seeing rifles in their hands; they might be hunters or gamekeepers--who could tell?

"I believe," said one of them, in a whisper, "we shall accomplish nothing. My rifle does not carry far enough to hit him, and we are not allowed to approach nearer."

"It is impossible to take a sure aim from here," replied the other. "My eye does not reach so far; I could fire only at random into the pavilion."

"The order says, however, to strike him alone, and not to endanger other lives," said the first speaker. "The president said, if we kill him, it would be an act of justice; but if we are so unfortunate as to kill another, it would be murder."

"Oh, what sophistries to lull the warning voice of conscience!" murmured the second speaker; "I--"

Loud cheers interrupted him; the notes of bugles and the roll of drums mingled with the general uproar. The people seemed wild with excitement, and the deer in the enclosure huddled together in terror. The two emperors with their suites had just arrived.

"Look at him, brother," whispered the young man to his companion; "look at the weird contrast of his gloomy countenance with the merry faces around him. He stands like some incarnate spirit of evil in the midst of laughing fools."

"Yes, but he is himself merry, brother Alfred, or seems to be," said his companion.

"The groans of poor Germania are not heard in the flatteries of her princes, who are fawning around him, and guarding him so well that the hand of a true German cannot reach him."

"But the sword is hanging over him, brother Conrad," said Alfred, "and if it do not fall on him to-day, it will to-morrow. Let us wait and watch for an opportunity."

"Yes, Alfred, let us wait. We know not what favorable chance may aid us."

The chase commenced; amidst deafening shouts the game were driven from the enclosure. Whenever a deer pa.s.sed near the pavilion, the two emperors fired, and when the n.o.ble animal fell at perhaps ten yards'

distance, the spectators cheered, the bugles sounded, and the two imperial sportsmen congratulated each other on their skill.

"It is in vain to stand here any longer," said Conrad, impatiently. "We shall be unable to reach him, and it is repugnant to my feelings to witness this butchery."

"Let us go, brother," whispered Alfred. "We must try to find another opportunity. Let us reflect. Do you know the programme of the day's festivities?"

"I do. After the chase there will be a gala-dinner, and the sovereigns will then ride to the theatre, where the 'Death of Caesar' will be performed. After the representation of the tragedy, there will be a grand supper and ball at the palace."

"The 'Death of Caesar?'" asked Conrad, musingly. "Does fate intend giving us a hint thereby? Does it show us where to find him and to strike the blow? Let us be the actors in a similar play, and perform our part at the entrance of the theatre! Are you ready, brother?"

"I am ready," replied Alfred, sighing. "We have sworn to do every thing the league orders us to do--we must obey."

"Yes," said Conrad, sighing, "obey or die. Let us take our daggers to-night, and use them well. Let us place ourselves in front of the theatre, you on the right, and myself on the left. We must strike at the same time, when he alights from his carriage. While all are gazing at him, let us stealthily slip through the crowd. When you hear me shout 'One,' you will shout 'Two!' We will then simultaneously rush forward."

"At what time do we meet?"

"At seven o'clock, and if we escape death and arrest, we shall meet again at the tavern outside the gate. Farewell, brother Alfred!"

"Farewell, brother Conrad!"

On the same evening, a thousand lights illuminated Weimar. That part of the city between the palace and the theatre, where the emperors would pa.s.s, was especially brilliant. When after the chase they had withdrawn to rest a little, and the high dignitaries of the court were waiting in the large reception-halls, Grand-Marshal Duroc approached General von m.u.f.fling, who had left the Russian service; he was now vice-president in Weimar, and had been charged by the duke with the supervision of the court festivities.

"Tell me, sir," said Duroc, in a low voice, "I suppose you have a good police here?"

"Of course, we have," replied m.u.f.fling, smiling, "that is to say, we have a police to attend to sweeping the chimneys and cleaning the streets, but as to a _haute police_, we still live in a state of perfect innocence."

"The emperor, then, is to go to the theatre, and your police have taken no precautions for his safety?" asked Duroc, anxiously.

"I believe it is so, M. Grand Marshal. If you wish to make any arrangements, pray do so, and I shall approve them."

"Thank you," said Duroc, bowing. "I have secretly sent for a brigade of French gendarmes. Will you permit them to guard the doors of the theatre, and keep the populace from the streets along which the emperors will ride?"

"Do as you please, M. Grand Marshal," said General von m.u.f.fling, with a slightly sarcastic smile. "A detachment of the imperial guard will be drawn up in front of the theatre, and hence I deemed any further precautions entirely superfluous."

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Napoleon and the Queen of Prussia Part 56 summary

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