Naples Past and Present Part 2

"Magna Graecia" they called the country; and Greek it was, in blood, in art, and language. How powerful and how rich is better understood at Paestum than it can be now at c.u.mae, where, with the single exception of the Arco Felice, there remains no dignity of ruin, nothing but waste, crumbling fragments, half buried in the turf of vineyards. Such shattered sc.r.a.ps of masonry may aid a skilful archaeologist to imagine what the city was; but in the path of untrained men they are nothing but a hindrance, and anyone who has already in his mind a picture of the greatness of Euboean c.u.mae had better leave it there without attempt to verify its accuracy on the spot.

Observations similar to these apply justly to most of the remaining sights in this much-vaunted district. The guides are perfectly untrustworthy. They give high-sounding names to every broken wall, and there is not a burrow in the ground which they cannot connect with some name that has rung round the world. It is absolutely futile to hope to recapture the magic with which Virgil clothed this country.

The cave of the Sibyl under the Acropolis of c.u.mae was destroyed by the imperial general Na.r.s.es when he besieged the Goths. The dark, wet pa.s.sage on the sh.o.r.e of Lake Avernus, to which the name of the Sibyl is given by the guides, is probably part of an old subterranean road, not devoid of interest, but is certainly not worth the discomfort of a visit. The Lake of Avernus has lost its terrors. It is no longer dark and menacing, and anyone may satisfy himself by a cursory inspection that birds by no means shun it now.

The truth is that this region compares ill in attractions with that upon the other side of Naples. In days not far distant, when brigands still invested all the roads and byways of the Sorrento peninsula, strangers found upon the Bay of Baiae almost the only excursion which they could make in safety; and imbued as every traveller was with cla.s.sical tradition, they still discovered on this sh.o.r.e that fabled beauty which it may once have possessed. There is now little to suggest the aspect of the coast when Roman fashion turned it into the most voluptuous abode of pleasure known in any age, and when the sh.o.r.e was fringed with marble palaces whose immense beauty is certainly not to be imagined by contemplating any one of the fragments that stud the hillside, though it may perhaps be realised in some dim way by anyone who will stand within the atrium of some great house at Pompeii, say the house of Pansa, who will note the splendour of the vista through the colonnaded peristyle, and will then remember that the Pompeiian houses were not famed for beauty, while the palaces of Baiae were.

Baiae, like c.u.mae, is lost beyond recall. Fairyland is shattered into fragments; and the guides who baptise them with ridiculous names know no more than any one of us what it is they say. Really, since the tragedy of that first great outbreak of Vesuvius did, as Goethe said, create more pleasure for posterity than any other which has struck mankind, one is disposed to wish that it had been more widespread. If only the ashes had rained down a trifle harder at Misenum and at Baiae, what n.o.ble Roman buildings might have survived unto this day, conserved by the kind wisdom of the mountain! What matter if more of that generation had been left houseless? It nearly happened, if Pliny's letter is not exaggerated. "The ashes now began to fall on us," he says, of his escape with his mother from the palace at Misenum, "though in no great quant.i.ty. I turned my head, and observed behind us a thick smoke which came rolling after us like a torrent. We had scarce stepped out of the path when darkness overspread us, not like the darkness of a cloudy night, nor that when there is no moon, but that of a closed room when all the lights are out. Nothing was to be heard but the shrieks of women, the screams of children, and the cries of men, some calling for their children, others for their parents, others for their husbands, and only distinguishing each other by their voices.... At length a glimmering light appeared, which we imagined to be rather the forerunner of an approaching burst of flames, as in truth it was, than the return of day. However, the fire fell at some distance from us. Then again we were immersed in thick darkness, and a heavy shower of ashes rained upon us, which we were obliged every now and then to shake off, otherwise we should have been crushed and buried in the heap...." It is an awful tale. Anyone can see how nearly all this region escaped the fate of Pompeii, and how narrowly the modern world lost a greater joy than that of contemplating the city by the Sarno.

[Ill.u.s.tration: CASTLE OF BAIae]

However, it did not happen so, and there is comparatively little satisfaction in describing all the melancholy sc.r.a.ps of what was marvellously beautiful. I have nothing to say about them which is not said as fully in the guide-books. There is, however, something which more piques my interest in the narrow tongue of land parting the Lucrine Lake from the sea. There is, or was, a causeway here so ancient that even the Greeks, who settled at c.u.mae so many centuries before our era, did not know who built it; and being in the dark about the matter, put down the construction to no less a person than the G.o.d Hercules, who made it, they declared, for the pa.s.sage of the oxen which he had taken from Geryon, the monster whom he slew in Gades. It was no small work, even for Hercules. The dam was eight stadia long, nearly a mile, made of large stone slabs laid with such skill that they withstood the sea for many centuries. Who could have been the builders of this dam in days so ancient that even the Greek settlers did not know its origin? Rome was not in those days. There were factories and traders on the coast,--Phoenicians perhaps. But why guess about a question so impossible to solve? The curiosity of the thing is worth noting; for the age of civilisation on these coasts is very great.

At this spot beside the Lucrine Lake, where the sea is lapping slowly, almost stealthily, on the one hand, and the diminished waters of the lake lie still and reedy on the other, one memory, more than any other, haunts my mind. It cannot have been far from this very spot, certainly in sight of it, that there stood in old Roman days the villa of the Empress Agrippina, mother of the Emperor Nero, and it was at Baiae, lying just across the blue curved bay, that he planned her murder, as soon as he discovered that she loved power, like himself, and stood in the way of certain schemes on which he set great store.

The fleet which lay at Capo Miseno, the great naval station of those days, was commanded by one Anicetus, a freedman, who, being of an ingenious mechanical turn of mind, devised a ship of a sort likely to prove useful to any tyrant anxious to speed his friends into the nether world without suspicion. It had much the same aspect as other ships when viewed from without; but a careful observer of its inward parts might notice that the usual tight boltings were replaced by movable ones, which could be shot back at will, so that on a given signal the whole ship would fall to pieces. This pretty toy was of course not designed to make long voyages--it was enough if it would reach deep water.

Nero was delighted. He saw now how to avoid all scandal. The Empress was at that moment on the sea, homeward bound from Antium, and designed to land at Bauli, which lay near Baiae on the bay. The ship was prepared, the bolts were shot, and the pretty pinnace lay waiting on the beach at Bauli when the Empress disembarked. And there too was Nero, come from Baiae on purpose to pay duty to his mother and invite her to spend the Feast of Minerva with him at Baiae, whither he hoped she would cross over in the boat which he had had the pleasure of fitting up with the splendour which was proper to her rank.

Agrippina knew her son, and was suspicious. She would go to Baiae, but preferred to follow the road in a litter. That night, however, when the festivities at Baiae were over, her fears vanished. Nero had been affectionate and dutiful. He had a.s.sured her of his love. It would be churlish to refuse to enter the boat which he had fitted out for her, and which having been brought over from Bauli now lay waiting for her on the sands. It was a bright night, brilliant with stars. The bay must have looked incomparably peaceful and lovely. On the sh.o.r.e there were crowds of bathers, all the fashionable world of Rome, drawn thither by the presence of the Emperor, and attracted out by the beauty of the night. At such a time and place nothing surely could be planned against her. She went on board with her attendants. The rowers put off from land. They had gone but a little way when the canopy under which Agrippina lay crashed down on her and killed one of her waiting women. A moment's examination showed that it had been weighted with pigs of lead. Almost at the same moment the murderers on board withdrew the bolts. The machinery, however, refused to act. The planks still held together; and the sailors despairing of their bloodmoney, rushed to the side of the ship and tried to capsize it. They succeeded so far as to throw the Empress and her attendants into the sea.

Agrippina retained sufficient presence of mind to lie silent on the water, supporting herself as best she could, while the sailors thrashed the sea with oars, hoping thus to make an end of their victim, and one poor girl who thought to save herself by crying out that she was the Empress had her brains beaten out for her pains. At last the sh.o.r.e boats, whose owners could not know that they were interrupting the Emperor's dearest wish, arrived upon the scene, picked up the Empress, and carried her to her villa on this Lucrine lake.

It would have been wiser to flee to a greater distance, if indeed there was safety in any Roman territory for the mother of the Emperor when he desired to slay her. That night, as she lay bruised and weak, deserted by her attendants, a band of murderers rushed in, headed by Anicetus, who thus redeemed his credit with his master when his more ingenious scheme had failed. "Strike the womb that bore this monster!"

cried the Empress, and so died.

"Then," says Merivale, from whose most vivid story this is but an outline, "began the torments which never ceased to gnaw the heart strings of the matricide. Agrippina's spectre flitted before him....

The trumpet heard at her midnight obsequies still blared with ghostly music from the hill of Misenum."

CHAPTER III

THE BEAUTIES AND TRADITIONS OF THE POSILIPO WITH SOME OBSERVATIONS UPON VIRGIL THE ENCHANTER

It was setting towards evening when I turned my back on Baiae and drove through Pozzuoli along the dusty road which runs beside the sea in the direction of Posilipo. All day I had seen the blunt headland of tufa lying like a cloud on the further side of the blue bay; and from hour to hour as I plodded through the blasted country, my thoughts turned pleasantly to the great rampart which stood solid when all the region further west was shaken like a cornfield by the wind, and beyond which lies the city, with its endless human tragedies and its fatal beauty unimpaired by the possession of many masters. "Bocca baciata non perde ventura...," the scandalous old proverb has a sweet application to the city, and the mouth which has been kissed by conquerors and tyrants is still as fresh and rosy as when first uplifted for the delight of man.

I think this angle of the bay more beautiful than Baiae or Misenum. In Roman times the opposite sh.o.r.e may have excelled it; but one does not know the precise form of the ancient coastline. As I advanced towards the headland, leaving behind the bathing-place of Bagnoli, and pa.s.sing out on the wide green flats which at that point occupy the valley mouth, the lofty crag of Nisida began to detach itself from the mainland, and a channel of blue sea shining between the two glowed sweetly in the increasing warmth of evening light. The island is a crater, a finely broken ma.s.s of volcanic rock and verdure, flecked here with light and there with shadow. One side of the crater lacks half of its rim, so that there is a little port. Down by the edge of the many-coloured water is a pier, where half a dozen boats lie rocking; and from a similar landing-place upon the shingly beach of the mainland a fisherman is hailing some comrade on the island. The answering shout floats back faint and distant through the clear air, and a boat pushes off, sculled slowly by a man standing erect and facing towards the bow, in the ancient fashion of the Mediterranean.

At this point I dismiss my carriage, for I have many things to think about, and do not want the company of the chattering, extortionate vetturino. Having seen him go off up the hill, cracking his whip like pistol shots, and urging on his eager pony in the full hope of a fare at the Punta di Posilipo, I stroll on up the long ascent towards the shoulder of the hill, stopping often to watch the gold light grow warmer on the sea, tinging the volcanic crags of Ischia, until my enjoyment of the view is broken by an uninvited companion, who thrusts himself upon me with a reminder that I have reached the opening of the Grotto of Seja.n.u.s.

I had forgotten all about the grotto, though indeed it was the point for which I should have made, and but for the interruption of the lively little Tuscan who acts as custodian, I might have walked by without going in. I accepted gratefully the voluble a.s.surances that this is indeed the most wonderful and authentic grotto on the Posilipo, far surpa.s.sing those twin tunnels through which one goes from Naples to Pozzuoli; and the guide, having caught up a torch of smouldering tow, and vented a few hearty curses on the Neapolitans, who lie, he says, without recollection of eternity, conducted me into a long pa.s.sage of utter and palpable darkness.

"Ne femmena ne tela a lume di cannela," say the Neapolitans--You must not judge either a woman or a weft by candlelight. This is very true, and many a man has suffered from forgetting it. But when it is a case of grottoes, there is no choice; and accordingly I delivered myself over to the chatter of the Tuscan.

The lively little man was extolling the superior character of his own countrymen of Tuscany; and when his torch flickered out with no warning, leaving us in sudden blackness in the bowels of the earth, his indignation blazed out fiercely against the worthless knaves who sold such tow in Naples. I paid little heed to him, for the grandeur and the silence of the place appeal to the imagination. I was treading on a smooth and even floor, between walls of tufa which had been chiselled out so straight that whenever I looked back the entrance shone behind me like a star across a vast dark sky. The air was sweet and fresh, filtering through some hidden openings of the rock. The relighted torch flashed now on Roman brickwork, now on arches of ma.s.sive stone built to increase the strength of the vault, and fit it the better for those great processions of chariots and hors.e.m.e.n which came and went to the villa at the further end, returning from a hunting party with dogs which had wearied out the game on the hills of Astroni, or escorting the gladiators landed at Pozzuoli for some combat in the theatre which now lies so waste and desolate amid the vineyards. How this pa.s.sage must have rung with shouts and laughter in old Roman days! But now it is as silent as the tomb; and one pa.s.ses on a full half-mile in darkness, to emerge at length with heated fancy and high memories of Roman splendour, on nothing but a ruinous cottage, a starved vineyard, and a paltry garden-ground of common vegetables!

It is not possible, one thinks impatiently, that this trumpery of vines and cabbages can be all there is to see at the further end of a pa.s.sage so ancient and hewn with such vast labour through the solid rock; and indeed, when one's eyes are used to the sunshine, one perceives that the garden plot lies like a dust heap on the ruins of a splendid palace. Treading across a patch of vegetables, covering I know not what remains of marble portico or colonnade, I peered down through the trails of budding vines into a hollow where some fragments of old masonry project still from the earth, and after much gazing perceived that the sides of the hollow rise in tiers, one bank above another, to the height of seventeen rows. So that here, on this now lonely creek of the Posilipo, in face of Nisida and all the blue reach of the Bay of Baiae, there was once a theatre, ringing with shouts and applause, and by it all the other buildings of a n.o.ble mansion. It is a poor ruin now, stripped of the marbles which once made it splendid.

There are vast structures on the slopes and in the sea itself: an Odeon, another building seated like a theatre, and relics innumerable of one of the greatest of all Roman villas, which must have been incomparably lovely. If only one such might have lasted to our day!

The long darkness of the grotto, the exit on the hillside, where the ancient splendour is so shattered, combine to create a sense of mystery which one never loses on the Posilipo. The sea frets and chafes about the jagged reefs at the base of the headland, echoing and resounding in caves of vast antiquity, where broken marbles and defaced inscriptions give substance to the tales of treasure which the fishers say lies hidden in them to this hour. The dullest of mankind would be smitten with some touch of fancy on this spot, much more the quick-witted Neapolitans, whose rich imagination has run riot among the relics of a splendid past.

The impression of this lonely cliff is characteristic of all the headland. I send away my guide, who can do nothing more for me, and perch myself upon a sc.r.a.p of ancient wall, whence I can look past the green island of Nisida, full in the warm light of the westering sun, over the wide bay to where the black peak of Ischia, towering into the clear sky, begins to shine as if some G.o.ddess had brushed it with liquid gold.

There is a cavern in the cliff at no great distance which the fishermen call "La Grotta dei Tuoni" (The Cave of Thunders); I scarcely know why, unless it be because the sea bellows so loudly when it is driven by the storm wind round the vaults and hollows of the rock. The cave is accessible only by boat; and, like many another cleft in the soft tufa of this headland, it is believed to hide immeasurable riches, left there since the days when every cliff bore its white Roman villa, and all the shady caverns were the cool arbours of their pleasure grounds. From the creek of Marechiano, which cleaves the Posilipo in half, up to the very spot on which I sit, there is no break in the succession of the ruins. Ancient cisterns lie upon the beaches, the green tide washes over shattered colonnades, the boatmen peering down through the translucent water as they sink their nets see the light waver round the foundations of old palaces, and the seaweeds stir fantastically on the walls. It is little wonder if no one of them can rid himself of the belief in spirits wandering yet about the wreck of so much splendour, or shake off the fear

"Lest the dead should, from their sleep Bursting o'er the starlit deep, Lead a rapid masque of death O'er the waters of his path."

As for this cave of the thunders, the story goes that one day certain Englishmen presented themselves before a boatman who was lounging on the quay of Santa Lucia at Naples and demanded whether he would take them on his skiff into the grotto.

Pepino had seen the cavern many times, and did not fear it. "Why not?"

he said, and the bargain was struck. As they rowed across the crescent bay of the Chiaia, past the Palazzo di Donna Anna, and under the hillside where the whispering pines grow down the high cliff faces, and golden lemons glow in the shade of marble terraces, the Englishmen were very silent; and Pepino, who loved chatter, began to feel oppressed. He did not quite like the zeal with which they sat studying a huge volume; for he knew that great books were of more use to magicians than to honest people, who were quite content with little ones, or better still with none at all. So he looked askance at the English students as he guided his boat to the mouth of the grotto of the thunders, and ran in out of the sunshine to the cool green shades and wavering lights among which the old treasure of the Romans lies concealed.

[Ill.u.s.tration: FISHING STAGE, SANTA LUCIA, NAPLES.]

The Englishmen rose up, and one of them, taking the book in both hands, began to read aloud. Who can tell what were the words? They were strange and very potent; for as they rolled and echoed round the sea-cave it seemed as if the vaulted roof rose higher, and Pepino, glancing this way and that in terror, saw that the level of the water was sinking. Shelf by shelf the sea sank down the rock, leaving dripping walls of which no living man had ever seen the shape before; and Pepino, keeping the boat steady with his oars, shook with fear as he saw the top of a marble staircase rear itself erect and shiny out of the depths of the ocean. Still the English student rolled out the sonorous words, which rang triumphantly through the cave, and still the water sank stair by stair, till suddenly it paused--the readers voice had stopped, and slowly, steadily the sea began to rise again.

The spell was broken. A page was missing from the book! The Englishman in despair clutched at the pages as if he would tear them piecemeal.

Instantly the crash of thunder rang through the cave, the sea surged back to its old level, the marble staircase leading to the treasure was engulfed, and the boatman, screaming on the name of the Madonna, was whirled out of the cavern into the light of day again.

Close below me is a little reef or island of yellow pozzolano stone, jutting out from the Punta di Coroglio, which is the name of the most westerly cliff of the Posilipo, that through which the tunnel runs.

Under the island there is a tiny creek with a beach of yellow sand; the spot is so silent that I can hear the ripple plashing on the beach. That rock is a famous one. It is the "Scoglio di Virgilio," the Rock of Virgil, by all tradition a favourite haunt of the great poet, and the spot in which he practised his enchantments.

Petrarch said he did not believe in those enchantments. But then King Robert questioned him about them at a moment when both were riding with a gallant party, and the joy of life was surging high enough to make men doubt all achievements but those of battle or of love. Had Petrarch sat alone watching the sunset bathe the Scoglio di Virgilio with gold, he might have judged the matter differently. At any rate twenty generations of Neapolitans since his day have accepted the beliefs of thirty more who went before them, and set down Virgil as a magician. Why must we be wiser than fifty generations of mankind?

To be a wizard is not to be wicked! Virgil's fair fame is in no danger. There was no malignity in any of the spells wrought out on that little headland. Each of them conferred a benefit on the city which the poet loved. One by one the woes of Naples were a.s.suaged by the beneficent enchanter; its flies, its serpents, the fatal tendency of butcher's meat to go bad, exposure to volcanic fires, all were held in check by the power of the enchanter.

A stranger visiting Naples ten centuries ago would have found it studded with the ingenious inventions of the wizard. Perhaps the device for bridling the audacity of Vesuvius might be the first to strike him. It was nothing less than a horse of bronze bestridden by an archer, whose notched arrow was ever on the string, its point directed at the summit of the mountain. This menace sufficed to hold the unruly demons of the fire in check, and might do so to this hour were it not that one day a countryman coming into Naples from the Campagna, and looking at the statue for the hundredth time felt bored by seeing the archer had not fired off his arrow yet, and so did it for him. The shaft sped through the air, striking the rim of the crater, which straightway boiled over and spouted fire, and from that day to this no man has found the means of placing another arrow on the string. It is a thousand pities. San Gennaro has taken up the duty now, and stands pointing imperiously with outstretched hand bidding the volcano halt. He had some success too. In 1707, when the fires of the volcano turned night into day, and its smoke converted day into night, San Gennaro was carried in procession as far as the Porta Capuana, and had no sooner come in sight of the mountain than the thunders ceased, the smoke was scattered, the stars appeared, and Naples was at peace. But as a rule the holiness of the saint impresses the demons less than the menace of the arrow, and the mountain goes on burning.

As for the bronze fly which the good poet made and set high on one of the city gates, where it banished every other insect from the town, it certainly is not in Naples now. Many people must have wished it were.

The story runs that the young Marcellus was intercepted by Virgil one day as he was going fowling, and desired to decide whether he would rather have a bird which would catch all other birds, or a fly which would drive away all flies. n.o.body who knows Naples can doubt the answer. Marcellus, it is true, thought fit to consult the Emperor Augustus before replying; but that fact only adds to the weight of his decision. He decided on the fly, and many a man listening in the midnight to the deadly humming outside his mosquito curtains will lament the loss of Virgil's fly.

It is an Englishman, one John of Salisbury, who collects these pretty tales for us; and he has another which, as it supplies a reason for an historical fact which must have puzzled many people in the history of Naples, is the better worth recording, and may indeed have the luck to please both clever and stupid people in one moment.

The puzzling fact is to discover how on earth it happened that the city which in Middle Ages bore a somewhat evil reputation for surrendering itself light-heartedly at the first summons of any conqueror, yet held such a different repute in earlier days, having remained faithful to the Greek Empire in Constantinople when Amalfi had fallen and Salerno received a stranger garrison, which resisted heroically every attack of Lombard or of Norman, and saw army after army retire baffled from before its walls. Whither had all that stout-heartedness fled in the days when French, Spanish, and German conquerors found no more resistance in the Siren city than in a beautiful woman to whom one man's love is as much as any other's? How came that old glory to sink into shame, to accept slavery and to forget faith? The answer is that in the old days the city was kept by a spell of the enchanter Virgil.

Virgil, it seems, musing on this point of rock throughout long moonlight nights, had constructed a palladium. It consisted of a model of the city, inclosed in a gla.s.s bottle, and as long as this fragile article remained intact the hosts of besiegers encamped in vain beneath the walls. The Emperor Henry the Sixth was the first who managed to break in. The city fathers rushed to their palladium to discover why for the first time it had failed to protect them. The reason was but too plain. There was a small crack in the gla.s.s!

Through that crack all the virtue went out of the palladium, and until the great upstirring of heroic hearts which the world owes to France at the close of the eighteenth century, Naples was never credited again with any marked disposition to resist attack or to strike courageously for freedom. I am not sure whether those who know best the inner heart of Naples would claim that the great deeds wrought since then are to be attributed to any new palladium; but, for my part, if spells are to be spoken of, I prefer to hold that the long age of sloth and slavery is that which needs the explanation of black magic, and that neither the loyal Naples of old days nor the free Naples of the present time owes any debt to other sources than its own high spirit and its natural stout heart, which slept for centuries, but are now awake again.

The setting sun has dropped so far towards the sea that the tide begins to wash in grey and gold around the yellow cliffs. The bay is covered with dark shades falling from the sky in ma.s.ses, and a little wind rising from the west ruffles the water constantly. Only the ridge of Ischia yet holds the light, and there it seems as if a river of soft gold flowed along the mountain-top, vivid and pure, turning all the peak of Epomeo to a liquid reflection, impalpable as the sky itself. But the glow fades even as I watch it; and the approach of chilly evening warns me not to loiter on the lonely hillside. I wander down across the hollow, pa.s.sing near the broken theatre, and so strike a path which climbs up the further hill between high walls and hedges, where it is already almost dark, bringing me out at length on the main road which crosses the headland, just where a row of booths is set to catch the soldi of those Neapolitans who have strayed out here in search of evening freshness. There is a clear, sharp air upon this high ground; and the young moon climbing up the sky sends a faint, silvery light upon the sea. The road winds on as beautifully as a man need wish. On the left hand rises the hill, on the right the ground drops in sharp, swift slopes, cleft with deep ravines where the cliff is sometimes sheer and sometimes pa.s.sable for men. All these hollows are filled with vegetation of surpa.s.sing beauty--here a belt of dark green pines, there a grove of oranges thatched over to protect them from the sun. Golden lemons gleam out of the rich foliage, hanging thick and numberless upon the trees. The bare stems of fig trees are bursting out into their first yellow leaf; and the hedges of red roses and abutilon fill every nook with ma.s.ses of bright colour unknown except in lands where spring comes with gentle touch and warm, sweet days of sunny weather. Far down amid the depths of this luxuriance of fruit and flowers the sea washes round some creek or curved white beach, and there built out with terraces and balconies of pure white stone are villas which repeat the splendour of those Roman homes over whose ruins they are built and whose altars lie still in the innumerable caverns which pierce the base of the old legendary headland.

In the silvery dusk of this spring evening the beauty of these ravines br.i.m.m.i.n.g over with fruits and flowers is quite magical. I pause beside a low wall, over which a man may lean breast high, and gaze down through the shadows spreading fast among the trellised paths below.

The fading light has robbed the lemons of their colour; but the crimson roses are flaming still against a heavy background of dark firs, and beyond them the path winds out upon a little beach, where the tide breaks at the foot of yellow cliffs, and a boat is rocking at her moorings. Beyond the outline of the wooded cliff the grey sea lies darkening like a steely mirror; and lifting my eyes I can see the spit of rock on which stands the enchanted Castle of the Egg, black and grim as ever, and higher still Vesuvius towering amid the pale sky and the stars, its slowly coiling pillar of dark smoke suffused with a rosy glow, the reflection of the raging furnace hidden in its cone.

Already one or two lamps are flashing on the sh.o.r.e. The day is nearly gone, and the beautiful Southern night is come.

Many people had wandered up from Naples to enjoy the taste of approaching summer on this height, where surely the scent of roses is more poignant than elsewhere and the outlook over land and sea is of incomparable beauty. As I walked on slowly down the road my ears caught the tremulous shrill melody of a mandolin, and a man's voice near at hand trolled forth the pretty air of "La vera sorrentina." I stopped to listen. The voice was sweet enough, and some pa.s.sion was in the singer.

"Ma la sgrata sorrentina Non ha maje di me pieta!"