My Lady Nicotine Part 4

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Though Pettigrew, who is a much more successful journalist than Jimmy, says pointedly of his wife that she encourages his smoking instead of putting an end to it, I happen to know that he has cupboard skeletons.

Pettigrew has been married for years, and frequently boasted of his wife's interest in smoking, until one night an accident revealed the true state of matters to me. Late in the night, when traffic is hushed and the river has at last a chance of making itself heard, Pettigrew's window opens cautiously, and he casts something wrapped in newspaper into the night. The window is then softly closed, and all is again quiet. At other times Pettigrew steals along the curb-stone, dropping his skeletons one by one. Nevertheless, his cupboard beneath the bookcase is so crammed that he dreams the lock has given way. The key is always in his pocket, yet when his children approach the cupboard he orders them away, so fearful is he of something happening. When his wife has retired he sometimes unlocks the cupboard with nervous hand, when the door bursts gladly open, and the things roll on to the carpet. They are the cigars his wife gives him as birthday presents, on the anniversary of his marriage, and at other times, and such a model wife is she that he would do anything for her except smoke them. They are Celebros, Regalia Rothschilds, twelve and six the hundred. I discovered Pettigrew's secret one night, when, as I was pa.s.sing his house, a packet of Celebros alighted on my head. I demanded an explanation, and I got it on the promise that I would not mention the matter to the other Arcadians.

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"Several years having elapsed," said Pettigrew, "since I pretended to smoke and enjoy my first Celebro, I could not now undeceive my wife--it would be such a blow to her. At the time it could have been done easily.

She began by making trial of a few. There were seven of them in an envelope; and I knew at once that she had got them for a shilling. She had heard me saying that eightpence is a sad price to pay for a cigar--I prefer them at tenpence--and a few days afterward she produced her first Celebros. Each of them had, and has, a gold ribbon round it, bearing the legend, 'Non plus ultra.' She was shy and timid at that time, and I thought it very brave of her to go into the shop herself and ask for the Celebros, as advertised; so I thanked her warmly. When she saw me slipping them into my pocket she looked disappointed, and said that she would like to see me smoking one. My reply would have been that I never cared to smoke in the open air, if she had not often seen me do so.

Besides, I wanted to please her very much; and if what I did was weak I have been severely punished for it. The pocket into which I had thrust the Celebros also contained my cigar-case; and with my hand in the pocket I covertly felt for a Villar y Villar and squeezed it into the envelope. This I then drew forth, took out the cigar, as distinguished from the Celebros, and smoked it with unfeigned content. My wife watched me eagerly, asking six or eight times how I liked it. From the way she talked of fine rich bouquet and nutty flavor I gathered that she had been in conversation with the tobacconist, and I told her the cigars were excellent. Yes, they were as choice a brand as I had ever smoked.

She clapped her hands joyously at that, and said that if she had not made up her mind never to do so she would tell me what they cost. Next she asked me to guess the price; I answered eighty shillings a hundred; and then she confessed that she got the seven for a shilling. On our way home she made arch remarks about men who judged cigars simply by their price. I laughed gayly in reply, begging her not to be too hard on me; and I did not even feel uneasy when she remarked that of course I would never buy those horridly expensive Villar y Villars again. When I left her I gave the Celebros to an acquaintance against whom I had long had a grudge--we have not spoken since--but I preserved the envelope as a pretty keepsake. This, you see, happened shortly before our marriage.

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"I have had a consignment of Celebros every month or two since then, and, dispose of them quietly as I may, they are acc.u.mulating in the cupboard. I despise myself; but my guile was kindly meant at first, and every thoughtful man will see the difficulties in the way of a confession now. Who can say what might happen if I were to fling that cupboard door open in presence of my wife? I smoke less than I used to do; for if I were to buy my cigars by the box I could not get them smuggled into the house. Besides, she would know--I don't say how, I merely make the statement--that I had been buying cigars. So I get half a dozen at a time. Perhaps you will sympathize with me when I say that I have had to abandon my favorite brand. I cannot get Villar y Villars that look like Celebros, and my wife is quicker in those matters than she used to be. One day, for instance, she noticed that the cigars in my case had not the gold ribbon round them, and I almost fancied she became suspicious. I explained that the ribbon was perhaps a little ostentatious; but she said it was an intimation of nutty flavor: and now I take ribbons off the Celebros and put them on the other cigars.

The boxes in which the Celebros arrive have a picturesque design on the lid and a good deal of lace frilling round the edge, and she likes to have a box lying about. The top layer of that box is cigars in gold ribbons, placed there by myself, and underneath are the Celebros. I never get down to the Celebros.

"For a long time my secret was locked in my breast as carefully as I shall lock my next week's gift away in the cupboard, if I can find room for it; but a few of my most intimate friends have an inkling of it now.

When my friends drop in I am compelled to push the Celebro box toward them, and if they would simply take a cigar and ask no questions all would be well; for, as I have said, there are cigars on the top. But they spoil everything by remarking that they have not seen the brand before. Should my wife not be present this is immaterial, for I have long had a reputation of keeping good cigars. Then I merely remark that it is a new brand; and they smoke, probably observing that it reminds them of a Cabana, which is natural, seeing that it is a Cabana in disguise. If my wife is present, however, she comes forward smiling, and remarks, with a fond look in my direction, that they are her birthday present to her Jack. Then they start back and say they always smoke a pipe. These Celebros were making me a bad name among my friends, so I have given a few of them to understand--I don't care to put it more plainly--that if they will take a cigar from the top layer they will find it all right. One of them, however, has a personal ill-will to me because my wife told his wife that I preferred Celebro cigars at twelve and six a hundred to any other. Now he is expected to smoke the same; and he takes his revenge by ostentatiously offering me a Celebro when I call on him."

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CHAPTER XII.

GILRAY'S FLOWER-POT.

I charge Gilray's unreasonableness to his ign.o.ble pa.s.sion for cigarettes; and the story of his flower-pot has therefore an obvious moral. The want of dignity he displayed about that flower-pot, on his return to London, would have made any one sorry for him. I had my own work to look after, and really could not be tending his chrysanthemum all day. After he came back, however, there was no reasoning with him, and I admit that I never did water his plant, though always intending to do so.

The great mistake was in not leaving the flower-pot in charge of William John. No doubt I readily promised to attend to it, but Gilray deceived me by speaking as if the watering of a plant was the merest pastime. He had to leave London for a short provincial tour, and, as I see now, took advantage of my good nature.

As Gilray had owned his flower-pot for several months, during which time (I take him at his word) he had watered it daily, he must have known he was misleading me. He said that you got into the way of watering a flower-pot regularly just as you wind up your watch. That certainly is not the case. I always wind up my watch, and I never watered the flower-pot. Of course, if I had been living in Gilray's rooms with the thing always before my eyes I might have done so. I proposed to take it into my chambers at the time, but he would not hear of that. Why? How Gilray came by this chrysanthemum I do not inquire; but whether, in the circ.u.mstances, he should not have made a clean breast of it to me is another matter. Undoubtedly it was an unusual thing to put a man to the trouble of watering a chrysanthemum daily without giving him its history. My own belief has always been that he got it in exchange for a pair of boots and his old dressing-gown. He hints that it was a present; but, as one who knows him well, I may say that he is the last person a lady would be likely to give a chrysanthemum to. Besides, if he was so proud of the plant he should have stayed at home and watered it himself.

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He says that I never meant to water it, which is not only a mistake, but unkind. My plan was to run downstairs immediately after dinner every evening and give it a thorough watering. One thing or another, however, came in the way. I often remembered about the chrysanthemum while I was in the office; but even Gilray could hardly have expected me to ask leave of absence merely to run home and water his plant. You must draw the line somewhere, even in a government office. When I reached home I was tired, inclined to take things easily, and not at all in a proper condition for watering flower-pots. Then Arcadians would drop in. I put it to any sensible man or woman, could I have been expected to give up my friends for the sake of a chrysanthemum? Again, it was my custom of an evening, if not disturbed, to retire with my pipe into my cane chair, and there pa.s.s the hours communing with great minds, or, when the mood was on me, trifling with a novel. Often when I was in the middle of a chapter Gilray's flower-pot stood up before my eyes crying for water.

He does not believe this, but it is the solemn truth. At those moments it was touch and go, whether I watered his chrysanthemum or not. Where I lost myself was in not hurrying to his rooms at once with a tumbler.

I said to myself that I would go when I had finished my pipe, but by that time the flower-pot had escaped my memory. This may have been weakness; all I know is that I should have saved myself much annoyance if I had risen and watered the chrysanthemum there and then. But would it not have been rather hard on me to have had to forsake my books for the sake of Gilray's flowers and flower-pots and plants and things? What right has a man to go and make a garden of his chambers?

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All the three weeks he was away, Gilray kept pestering me with letters about his chrysanthemum. He seemed to have no faith in me--a detestable thing in a man who calls himself your friend. I had promised to water his flower-pot; and between friends a promise is surely sufficient. It is not so, however, when Gilray is one of them. I soon hated the sight of my name in his handwriting. It was not as if he had said outright that he wrote entirely to know whether I was watering his plant.

His references to it were introduced with all the appearance of afterthoughts. Often they took the form of postscripts: "By the way, are you watering my chrysanthemum?" or, "The chrysanthemum ought to be a beauty by this time;" or, "You must be quite an adept now at watering plants." Gilray declares now that, in answer to one of these ingenious epistles, I wrote to him saying that "I had just been watering his chrysanthemum." My belief is that I did no such thing; or, if I did, I meant to water it as soon as I had finished my letter. He has never been able to bring this home to me, he says, because he burned my correspondence. As if a business man would destroy such a letter.

It was yet more annoying when Gilray took to post-cards. To hear the postman's knock and then discover, when you are expecting an important communication, that it is only a post-card about a flower-pot--that is really too bad. And then I consider that some of the post-cards bordered upon insult. One of them said, "What about chrysanthemum?--reply at once." This was just like Gilray's overbearing way; but I answered politely, and so far as I knew, truthfully, "Chrysanthemum all right."

Knowing that there was no explaining things to Gilray, I redoubled my exertions to water his flower-pot as the day for his return drew near.

Once, indeed, when I rang for water, I could not for the life of me remember what I wanted it for when it was brought. Had I had any forethought I should have left the tumbler stand just as it was to show it to Gilray on his return. But, unfortunately, William John had misunderstood what I wanted the water for, and put a decanter down beside it. Another time I was actually on the stair rushing to Gilray's door, when I met the housekeeper, and, stopping to talk to her, lost my opportunity again. To show how honestly anxious I was to fulfil my promise, I need only add that I was several times awakened in the watches of the night by a haunting consciousness that I had forgotten to water Gilray's flower-pot. On these occasions I spared no trouble to remember again in the morning. I reached out of bed to a chair and turned it upside down, so that the sight of it when I rose might remind me that I had something to do. With the same object I crossed the tongs and poker on the floor. Gilray maintains that instead of playing "fool's tricks" like these ("fool's tricks!") I should have got up and gone at once to his rooms with my water-bottle. What? and disturbed my neighbors? Besides, could I reasonably be expected to risk catching my death of cold for the sake of a wretched chrysanthemum? One reads of men doing such things for young ladies who seek lilies in dangerous ponds or edelweiss on overhanging cliffs. But Gilray was not my sweetheart, nor, I feel certain, any other person's.

I come now to the day prior to Gilray's return. I had just reached the office when I remembered about the chrysanthemum. It was my last chance.

If I watered it once I should be in a position to state that, whatever condition it might be in, I had certainly been watering it. I jumped into a hansom, told the cabby to drive to the inn, and twenty minutes afterward had one hand on Gilray's door, while the other held the largest water-can in the house. Opening the door I rushed in. The can nearly fell from my hand. There was no flower-pot! I rang the bell. "Mr.

Gilray's chrysanthemum!" I cried. What do you think William John said?

He coolly told me that the plant was dead, and had been flung out days ago. I went to the theatre that night to keep myself from thinking. All next day I contrived to remain out of Gilray's sight. When we met he was stiff and polite. He did not say a word about the chrysanthemum for a week, and then it all came out with a rush. I let him talk. With the servants flinging out the flower-pots faster than I could water them, what more could I have done? A coolness between us was inevitable. This I regretted, but my mind was made up on one point: I would never do Gilray a favor again.

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CHAPTER XIII.

THE GRANDEST SCENE IN HISTORY.

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Though Scrymgeour only painted in watercolors, I think--I never looked at his pictures--he had one superb idea, which we often advised him to carry out. When he first mentioned it the room became comparatively animated, so much struck were we all, and we entreated him to retire to Stratford for a few months, before beginning the picture. His idea was to paint Shakespeare smoking his first pipe of the Arcadia Mixture.

Many hundreds of volumes have been written about the glories of the Elizabethan age, the sublime period in our history. Then were Englishmen on fire to do immortal deeds. High aims and n.o.ble ambitions became their birthright. There was nothing they could not or would not do for England.

Sailors put a girdle round the world. Every captain had a general's capacity; every fighting-man could have been a captain. All the women, from the queen downward, were heroines. Lofty statesmanship guided the conduct of affairs, a sublime philosophy was in the air. The period of great deeds was also the period of our richest literature. London was swarming with poetic geniuses. Immortal dramatists wandered in couples between stage doors and taverns.

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All this has been said many times; and we read these glowing outbursts about the Elizabethan age as if to the beating of a drum. But why was this period riper for magnificent deeds and n.o.ble literature than any other in English history? We all know how the thinkers, historians, and critics of yesterday and to-day answer that question; but our hearts and brains tell us that they are astray. By an amazing oversight they have said nothing of the Influence of Tobacco. The Elizabethan age might be better named the beginning of the smoking era. No unprejudiced person who has given thought to the subject can question the propriety of dividing our history into two periods--the pre-smoking and the smoking.

When Raleigh, in honor of whom England should have changed its name, introduced tobacco into this country, the glorious Elizabethan age began. I am aware that those hateful persons called Original Researchers now maintain that Raleigh was not the man; but to them I turn a deaf ear. I know, I feel, that with the introduction of tobacco England woke up from a long sleep. Suddenly a new zest had been given to life. The glory of existence became a thing to speak of. Men who had hitherto only concerned themselves with the narrow things of home put a pipe into their mouths and became philosophers. Poets and dramatists smoked until all ign.o.ble ideas were driven from them, and into their place rushed such high thoughts as the world had not known before. Petty jealousies no longer had hold of statesmen, who smoked, and agreed to work together for the public weal. Soldiers and sailors felt, when engaged with a foreign foe, that they were fighting for their pipes. The whole country was stirred by the ambition to live up to tobacco. Every one, in short, had now a lofty ideal constantly before him. Two stories of the period, never properly told hitherto, ill.u.s.trate this. We all know that Gabriel Harvey and Spenser lay in bed discussing English poetry and the forms it ought to take. This was when tobacco was only known to a select few, of whom Spenser, the friend of Raleigh, was doubtless one. That the two friends smoked in bed I cannot doubt. Many poets have done the same thing since. Then there is the beautiful Armada story. In a famous Armada picture the English sailors are represented smoking; which makes it all the more surprising that the story to which I refer has come down to us in an incorrect form. According to the historians, when the Armada hove in sight the English captains were playing at bowls. Instead of rushing off to their ships on receipt of the news, they observed, "Let us first finish our game." I cannot believe that this is what they said. My conviction is that what was really said was, "Let us first finish our pipes"--surely a far more impressive and memorable remark.

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This afternoon Marlowe's "Jew of Malta" was produced for the first time; and of the two men who have just emerged from the Blackfriars Theatre one is the creator of _Barabas_. A marvel to all the "piperly make-plaies and make-bates," save one, is "famous Ned Alleyn;"

for when money comes to him he does not drink till it be done, and already he is laying by to confound the ecclesiastics, who say hard things of him, by founding Dulwich College. "Not Roscius nor aesope,"

said Tom Nash, who was probably in need of a crown at the time, "ever performed more in action." A good fellow he is withal; for it is Ned who gives the supper to-night at the "Globe," in honor of the new piece, if he can get his friends together. The actor-manager shakes his head, for Marlowe, who was to meet him here, must have been seduced into a tavern by the way; but his companion, Robin Greene, is only wondering if that is a bailiff at the corner. Robin of the "ruffianly haire," _utriusque academiae artibus magister_, is nearing the end of his tether, and might call to-night at shoemaker Islam's house near Dowgate, to tell a certain "bigge, fat, l.u.s.ty wench" to prepare his last bed and buy a garland of bays. Ned must to the sign of the "Saba" in Gracious Street, where Burbage and "honest gamesom Armin" are sure to be found; but Greene durst not show himself in the street without Cutting Ball and other choice ruffians as a body-guard. Ned is content to leave them behind; for Robin has refused to be of the company to-night if that "upstart Will" is invited too, and the actor is fond of Will. There is no more useful man in the theatre, he has said to "Signior Kempino"

this very day, for touching up old plays; and Will is a plodding young fellow, too, if not over-brilliant.

Ned Alleyn goes from tavern to tavern, picking out his men. There is an ale-house in Sea-coal Lane--the same where lady-like George Peele was found by the barber, who had subscribed an hour before for his decent burial, "all alone with a peck of oysters"--and here Ned is detained an unconscionable time. Just as he is leaving with Kempe and Cowley, Armin and Will Shakespeare burst in with a cry for wine. It is Armin who gives the orders, but his companion pays. They spy Alleyn, and Armin must tell his news. He is the bearer of a challenge from some merry souls at the "Saba" to the actor-manager; and Ned Alleyn turns white and red when he hears it. Then he laughs a confident laugh, and accepts the bet. Some theatre-goers, flushed with wine, have dared him to attempt certain parts in which Bentley and Knell vastly please them. Ned is incredulous that men should be so willing to fling away their money; yet here is Will a witness, and Burbage is staying on at the "Saba" not to let the challengers escape.

The young man of twenty-four, at the White Horse in Friday Street, is Tom Nash; and it is Peele who is swearing that he is a monstrous clever fellow, and helping him to finish his wine. But Peele is glad to see Ned and Cowley in the doorway, for Tom has a weakness for reading aloud the good things from his own ma.n.u.scripts. There is only one of the company who is not now sick to death of Nash's satires on Martin Marprelate; and perhaps even he has had enough of them, only he is as yet too obscure a person to say so. That is Will; and Nash detains him for a moment just to listen to his last words on the Marprelate controversy. Marprelate now appears "with a wit worn into the socket, twingling and pinking like the snuff of a candle; _quantum mutatus ab illo!_ how unlike the knave he was before, not for malice but for sharpness. The hogshead was even come to the hauncing, and nothing could be drawne from him but the dregs." Will says it is very good; and Nash smiles to himself as he puts the papers in his pockets and thinks vaguely that he might do something for Will. Shakespeare is not a university man, and they say he held horses at the doors of the Globe not long ago; but he knows a good thing when he hears it.

All this time Marlowe is at the Globe, wondering why the others are so long in coming; but not wondering very much--for it is good wine they give you at the Globe. Even before the feast is well begun Kit's eyes are bloodshot and his hands unsteady. Death is already seeking for him at a tavern in Deptford, and the last scene in a wild, brief life starts up before us. A miserable ale-house, drunken words, the flash of a knife, and a man of genius has received his death-blow. What an epitaph for the greatest might-have-been in English literature: "Christopher Marlowe, slain by a serving-man in a drunken brawl, aged twenty-nine!"

But by the time Shakespeare had reached his fortieth birthday every one of his fellow-playwrights round that table had rushed to his death.

The short stout gentleman who is fond of making jokes, and not particular whom he confides them to, has heard another good story about Tarleton. This is the low comedian Kempe, who stepped into the shoes of flat-nosed, squinting Tarleton the other day, but never quite manages to fill them. He whispers the tale across Will's back to Cowley, before it is made common property; and little fancies, as he does so, that any immortality he and his friend may gain will be owing to their having played, before the end of the sixteenth century, the parts of _Dogberry_ and _Verges_ in a comedy by Shakespeare, whom they are at present rather in the habit of patronizing. The story is received with boisterous laughter, for it suits the time and place.

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Peele is in the middle of a love-song when Kit stumbles across the room to say a kind word to Shakespeare. That is a sign that George is not yet so very tipsy; for he is a gallant and a squire of dames so long as he is sober. There is not a maid in any tavern in Fleet Street who does not think George Peele the properest man in London. And yet, Greene being absent, scouring the street with Cutting Ball--whose sister is mother of poor Fortunatus Greene--Peele is the most dissolute man in the Globe to-night. There is a sad little daughter sitting up for him at home, and she will have to sit wearily till morning. Marlowe's praises would sink deeper into Will's heart if the author of the "Jew of Malta" were less unsteady on his legs. And yet he takes Kit's words kindly, and is glad to hear that "t.i.tus Andronicus," produced the other day, pleases the man whose praise is most worth having. Will Shakespeare looks up to Kit Marlowe, and "t.i.tus Andronicus" is the work of a young playwright who has tried to write like Kit. Marlowe knows it, and he takes it as something of a compliment, though he does not believe in imitation himself. He would return now to his seat beside Ned Alleyn; but the floor of the room is becoming unsteady, and Ned seems a long way off.

Besides, Shakespeare's cup would never require refilling if there were not some one there to help him drink.