Mountain Magic Part 35

"You reckon there'll be a grave for him here in Kalu's own place, Evadare?" he gobbled at her. "Would Kalu leave enough of John to be worth burying? I know about old Barebones Kalu."

"He's not hereabouts," Evadare half-begged to be believed. "Never once he bothered me."

"Maybe he's just spared you, hoping for something better," said Shull. "But he won't be of a mind to spare all of us that came here making a fuss in his home place. That's why I toled John here."

"You toled me?" I asked, and again he nodded.

"I played a little tune so you'd come alone, John. I reckoned Kalu would relish finding you here. Being he's the sort he is, and I'm the sort I am, it's you he'd make way with instead of me. That lets me free to take Evadare away."

"I'll not go with you," Evadare said, sharper and louder than I thought possible for her.

"Won't you, though?" Shull laughed. His fiddle-music came up, and Evadare drew herself tight and strong, as if she leaned back against ropes on her. The music took on wild-sounding notes to fit into itself Evadare's hands made fists, her teeth bit together, her eyes shut tight. She took a step, or maybe she was dragged. Another step she took, another, toward Shull.

I tried to get up, too, but I couldn't move as she was moving. I had to sit and watch, and I had the thought of that saying about how a snake draws a bird to his coil. I'd never believed such a thing till I saw Evadare move, step by step she didn't want to take, toward Shull Cobart.

Suddenly he stopped playing, and breathed hard, like a man who's been working in the fields. Evadare stood still and rocked on her feet. I took up my muscles to make a jump, but Shull pointed his fiddle-bow at me, like a gun.

"Have sense!" he slung out. "You've both learned I can make you go or stay, whichever I want, when I fiddle as I know how. Sit down, Evadare, and I'll silence my playing for the time. But make a foolish move, John, and I might play a note that would have the bones out of your body without ary bit of help from Kalu."

Bad man as he was, he told the truth, and both of us knew it. Evadare sat on the other stool, and I put my guitar across my knees. Shull Cobart leaned against the door jamb, his fiddle low against his chest, and looked sure of himself. At that instant I was dead sure I'd never seen a wickeder face, not among all the wicked faces of the wide world.

"Know where I got this fiddle, you two?" he asked.

"I can guess," I said, "and it spoils my notion of how good a trader a certain old somebody is. He didn't make much of a swap, that fiddle for your soul; for the soul was lost before you bargained."

"It wasn't a trade, John." He plucked a fiddle-string with his thumbnail. "Just a sort of little present between friends."

"I've heard the fiddle called the devil's instrument," said Evadare, back to her soft whisper; and once again Shull Cobart laughed at her, and then at me.

"Folks have got a sight to learn about fiddles. This fiddle will make you and me rich, Evadare. We'll go to the land's great cities, and I'll play the dollars out of folks' pockets and the hearts out of folks' bodies.

They'll honor me, and they'll bow their faces in the dirt before your feet."

"I'll not go with you," she told him again.

"No? Want me to play you right into my arms this minute? The only reason I don't, Evadare-and my arms want you, and that's a fact-I'd have to put down my fiddle to hold you right."

"And I'd be on you and twist your neck around like the stem on a watch," I added onto that. "You know I can do it, and so do I. Any moment it's liable to happen."

As he'd picked his fiddle-string, I touched a silver string of my guitar, and it sang like a honey-bee.

"Don't do that any more, John," he snapped. "Your guitar and my fiddle don't tune together. I'm a lone player."

To his chin went that shiny black thing, and the music he made lay heavy on me. He sang:

I'll weave nine yards of other cloth For John to have and keep, He'll need it where he's going to lie, To warm him in his sleep . . . .

"What are we waiting for?" I broke in. "You might kill me somehow with your fiddling, but you won't scare me."

"Kalu will do the scaring," he said as he stopped again. "Scare you purely to death. We're just a-waiting for him to come."

"How will we know-" began Evadare.

"We'll know," said Shull, the way he'd promise a baby child something. "We'll hear him. Then I'll play John out of here to stand face to face with Kalu, if it's really a face Kalu has."

I laughed myself, and heaven pardon me the lie I put into my laugh, trying to sound as if naught pestered me. Shull frowned; he didn't like how my laugh hit his ear.

"Just for argument's sake," I said to him, "How do you explain what you say your music can do?"

"I don't do any explaining. I just do the playing."

"I've heard tell how a fiddler can be skilled to where he plays a note and breaks a gla.s.s window," I recollected. "I've heard tell he might possibly even make a house fall down."

"Dogs howl when fiddles play," said Evadare. "From pain it makes."

Shull nodded at us both. "You folks are right. There's been power-music long before this. Ever hear of a man named Orpheus?"

"He was an old-timey Greek," I said.

"He played his harp, and trees danced for him. He played his way down to the floor of h.e.l.l, and back out again. Maybe I've got some of that power. A fiddle can sing extra sharp or extra sweet, and its sound's solid-like a knife or club or rope, if you can work it."

I remembered in my mind that sound goes in waves like light, and can be measured; and a wave is power, whether of sound or light. Waves can wash, like the waves of the sea that strike down tall walls and strong men. Too bad, I decided, that educated folks couldn't use that black fiddle, to make its power good and useful. In devil-taught hands, it was the devil's instrument. Not like my silver-strung guitar, the way harps, certain harps in a certain high place, are said to be strung with gold . . .

Shull listened. You could almost see his ears stick up, like the ears of an animal. "Something's out there,"

he said.

I heard it, too. Not a step or a scramble, but a movement.

"Kalu," said Evadare, her eyes the widest yet in the firelight.

"Yes, it's Kalu," said Shull. "John, wouldn't it be kindlier to the lady if you met him outside?"

"Much kindlier," I agreed him, and got up.

"You know this isn't personal, John," Shull said, fiddle at his chin. "But Kalu's bound to have somebody.

It won't be Evadare, because some way he's let her be. And it won't be me, with you here. You've got a reputation, John, for doing things against what Kalu stands to represent. I figure he wants something good, because he's got plenty of the strong evil."

"The way you think you've got to have Evadare," I said.

"That's it. You're in the line of what he wants to devour." He began to play again. "Come on, John."

I was coming. I'd made up my mind. The weight of the music was on me, but not quite as deadening and binding as before. Shull Cobart walked out, fiddling. I just winked at Evadare, as if I figured it would be all right. Then I walked out, too.

The light was greeny-pale, though I saw no moon. Maybe the trees hid it, or the haze in the sky.

"Where will you face him?" asked Shull, almost polite above his soft playing.

"There's a grave down yonder-" I began to say.

"Yes, just the place. Come on."

I followed after him on the trail. My left hand chorded my guitar at the neck, my right-handed fingers found the strings. What was it Evadare had told me? . . .I say a prayer by the grave and sing a hymn.

It seems brighter when I sing . . .

Then there could be two kinds of power-music.

I began to pick the tune along with Shull, softer even than Evadare's whisper. He didn't hear; and, because I followed him like a calf to the slaughter-pen, he didn't guess.

Around the bend was the grave, the green light paler around it. Shull stopped. All of a quick, I knew Kalu was in the trees over us. Somewhere up there, he made a heaviness in the branches.

"Stand where you want to, John. I vow, you've played the man so far."

I moved past him, close to the cross, though there wasn't light enough to see the name or the prayer.

"Drop that guitar!" Shull howled at me.

For I began to play loud, and I sang to his tune, changing the rhythm for my own quick-made-up words:

I came to where the pilgrim lay, Though he was dead and gone, And I could hear his comrade say, He rests in peace alone-

"Hush up with that!"

Shull Cobart stopped playing and ran at me. I clucked away and around the cross, and quick I sang the second verse:

Winds may come and thunders roll And stormy tempests rise, But here he sleeps with a restful soul And the tears wiped from his eyes-

"Come for him, Kalu!" Shull screamed.

Kalu drop-leaped out of the branches between us.

Gentlemen, don't ask me to say too much what Kalu was. Bones, yes-something like man-bones, but bigger and thicker, also something like bear-bones, or big ape-bones from a foreign land. And a rotten light to them, so I saw for a moment that the bones weren't empty. Inside the ribs were caged puffy things, like guts and lungs and maybe a heart that skipped and wiggled. The skull had a snout like I can't say what, and in its eye-holes burned blue-green fire. Out came the arm-bones, and the finger-bones were on Shull Cobart.

I heard Shull Cobart scream one more time, and then Kalu had him, like a bullfrog with a minnow. And Kalu was back up in the branches. Standing by the grave, still tweaking my strings, I heard the branches rustle, and no more sounds after that from Shull Cobart.

After while, I walked to where the black fiddle lay. I stomped with my foot, heard it smash, and kicked the pieces away.

Walking back to the cabin seemed to take an hour. I stopped at the door.

"No!" moaned Evadare, and then she just looked at me. "John-but-"

"That's twice you thought I was Shull Cobart," I said.

"Kalu-"

"Kalu tookhim , not me."

"But-" she stopped again.

"I figured the truth about Kalu and Hosea Palmer, walking out with Shull," I began to explain. "All at once I knew why Kalu never pestered you. You'll wonder why you didn't know it, too."

"But-" she tried once more.

"Think," I bade her. "Who buried Hosea Palmer, with a cross and a prayer? What dear friend could he have, when he came in here alone? Who was left alive here when it was Hosea Palmer's time to die?"

She just shook her head from side to side.

"It was Kalu," I said. "Remember the story, all of it. Hosea Palmer said he knew how to stop Kalu's wickedness. Folks think Hosea destroyed Kalu some way. But what he did was teach him the good part of things. They weren't enemies. They were friends."

"Oh," she said. "Then-"

"Kalu buried Hosea Palmer," I finished for her, "and cut his name and the prayer. Hosea must have taught him his letters. But how could Shull Cobart understand that? It wasn't for us to know, even, till the last minute. And Kalu took the evil man, to punish him."

I sat on the door-log, my arms around my guitar. "You can go home now, Evadare," I said. "Shull Cobart won't vex you again, by word of mouth or by sight of his face."

She'd been sitting all drawn up, as small as she could make herself. Now she managed to stand.

"Where will you go, John?"

"There's all the world for me to go through. I'll view the country over. Think me a kind thought once in a while when we're parted."

"Parted?" she said after me, and took a step, but not as if a web of music dragged her. "John. Let me come with you."

I jumped up. "With me? You don't want to go with me, Evadare."

"Let me come." Her hand touched my arm, trembling like a bird.

"How could I do that, take you with me? I live hard."

"I've not lived soft, John." But she said it soft and lovely, and it made my heart ache with what I hadn't had time before to feel for her.

"I don't have a home," I said.