Mountain Magic Part 12

I had to agree. The medallions were shaped-or maybe grown-transparent crystals with traces of glittering metal in them that looked like gold, surrounding a core of what had to be solid silver, covered with intricate designs that looked like completed versions of the symbols we'd seen on the Throne Room walls. I wondered if silver gave them problems to work, or if it was just the ferromagnetics that did.

Overshadowing all the other features, though, was the crystal set in the very center. It, too, was transparent, but it didn't merely pa.s.s light; it radiated light, a soft but unmistakable polychromatic glow that pulsed and flickered gently like a candle in the gentlest of breezes. As I admired it in the slowly-gathering dusk, I realized the whole medallion had a faint glow to it, though nothing like the glorious luminance from that central stone.

"Whatis that stone, Rokhaset? It's incredible!"

"I am surprised, Jodi Goldman, Clinton Slade. How can you not recognize the stones over which we nearly shed blood? They areH'adamant , of course. The only appropriate choice."

"Okay," I said, "but what'd you do to 'em to make 'em glow like that?"

Rokhaset froze, looking almost comical. "Glow? Clinton Slade, I a.s.sure you-we have done nothing to them at all, save to shape them so they are faceted in a way that would reflect the light pleasingly for your eyes."

"But . . . these look nothing at all like Jodi's diamond! Well, yeah, they're both transparent, but . . ."

I trailed off, a chill going down my spine as I realized what I was saying.

"Clinton Slade," Rokhaset said, with a quiet intensity that showed how serious he was, "Look carefully at me and tell me what you see."

We stared at Rokhaset. "Oh, my," Jodi whispered.

In the dimming light, looking hard at Rokhaset, we could see that he glowed like our medallions. It was dim, yet with a sense of being contained-like being in a dark room and seeing the glow under the door from the brightly-lit hall beyond.

It was only then that I glanced at my watch, remembering just when we'd started eating. Twilight? At this time of night it ought to be d.a.m.n near pitch black. Yet it only seemed to be late twilight-easy enough to see in, even if the shadows were pretty thick under the trees.

"Nowe Ro'vahari," Rokhaset said in a tone of reverence. "Such things are mentioned in legends, from before theMakurada Demagon , but how they happened none could say. Perhaps themikhsteri H'adamant , combined with the change in our peoples, has done this itself; perhaps the treacherous attack of theLisharithada ruler, or our desperate treatments of its effects on you, has wrought this transformation. But somehowNowe has seen fit to make youturan , at least in some way, as we do."

"Then I gotta apologize, Rokhaset. I thought you were overreacting when you realized we couldn't see what happened whenH'adamant died. Now . . . I think maybe y'all almost didn't get mad enough."

I wondered what else had changed about us. "I sure hope there aren't any nasty side-effects waiting.

Don't want to go blind around metal, that's for sure."

"It is asNowe wills it, Clinton Slade. Yet it would seem to me that her blessing is, for you, working as your normal sight, only . . . more so. It should, therefore, not be so sensitive toH'kuraden as ours, if at all."

"I'm going to have to get to the lab!" Jodi exclaimed. "Clint, an entirely new sensing modality-even if we're the only ones with it, just imagine what we could learn this way!"

"Whoa, whoa. One thing at a time. The important thing is that this solves our trading problem."

Rokhaset laughed. "We spoke and the World heard us, and answered. So it has ever been, Clinton Slade, in the times when it was crucial.Nowe is pleased with you, Jodi Goldman, Clinton Slade. It is important to Her that we be friends. So She has provided."

I was starting to realize that our pragmatic friend was also about as religious as a preacher. But if he wanted to see this as a miracle, what'd it matter? Heck, he might even be right! "Let's just hope it doesn't wear off."

Rokhaset nodded slowly. "Yet this, in itself, gives us an answer. If the effects of the elixir remain with you for this long-even if only the senses are affected-then at the worst you merely need take one before you go on a . . . shopping trip. With careful planning, even taking into consideration the costs we would have to charge you for themikhsteri H'adamant , I am sure it would remain a very profitable venture on both sides."

He tilted his head in that birdlike fashion. "Clinton Slade, I must return home now. In the wake of our battle I have spent far too much time here, though I do not regret that time. I have informed Meshatar and Tordamil that we must go; they are taking their leave of your family. Send them my apologies, but I can no longer ignore my people. Please, come visit us soon, however. I would be honored to entertain your family in my home."

We shook hands and went with him to Winston's Cave-where the iron grid had been removed and the handholds down replaced byNowethada stone-shaping. Meshatar and Tordamil came hurrying up just as Rokhaset entered, so we got to say goodbye to them too. Then we headed back down the path.

"So, Clint . . ."

"What?"

"We'll have to be pretty careful."

"You mean to not let people know we can see in the dark-and maybe see other things, too? Yeah."

"More than that."

I turned to see what she was talking about, as we emerged from Winston's Gap. "Holy Mother of G.o.d!"

Jodi was carrying the gate, which had been left way off to the side as no one had wanted to carry it down the hill at the time. It weighed in at something like five hundred pounds.

"You just better hope that it doesn't wear off while you're pulling stunts like that, girl!"

"I'd bet I'd feel it happening."

I reached out, wondering if I had the same ludicrous strength. She relinquished her hold, and I hefted the ma.s.s of steel. The gate felt more like forty, fifty pounds, if that. "Well, s.h.i.t fire and save matches. You know, this is even weirder'n it looks. I haven't felt like Superman at home, an' the chairs I was draggin'

into place before dinner didn't feel any lighter, so what gives?"

Jodi the scientist answered. "We'll just have to experiment and find out. Maybe Rokhaset's a little off-maybe these abilitieswill go away when we're around a lot of iron."

I lifted the gate a bit higher. "Counterpoint: just what is it I'm holding, then?"

Jodi studied it, frowning. "Okay," she admitted a bit grudgingly, "I'd say that counts as a falsified theory.

Maybe it's expectations; we don't get the high-end strength and toughness unless we're either trying to use it, or maybe panicked into using it. We can test that. And see whether it's decreasing or staying steady. Remember, we never had any chance to test out exactly how strong we were back in the Lisharithada caverns. So it may be-probably is-slowly fading in effect. We just need to know how long it'll take."

I chuckled suddenly. "Nope. I can tell you it's going to be staying steady. However it happened, we've got 'em for the rest of our lives."

"What? Clint, how can you say that?" She stared at me as my smile widened.

"Because it comes from theH'adamant elixir."

"And? What's your point?"

I couldn't help letting my smile turn into an evil grin. "Why, Jodi, everyone knows that."

I paused for dramatic effect.

"Diamonds are forever."

Introduction to the

Electronic Publication

ofJohn the Balladeer

Manly Wade Wellman was one of the most successful fantasy and SF writers of the '30s and '40s. His SF was generally of a juvenile nature, popular at the time but of limited interest today. His fantasy, however, was thoroughly adult. While Lovecraft and Howard were writing, Manly was in the second rank ofWeird Tales authors; after they died, he became one of the magazine's mainstays.

Despite the high quality of his earlier fantasies, Manly didn't really hit his stride in the field until in 1949 appearedThe Magazine of Fantasy and Science Fiction -a digest magazine which would publish fantasy of the highest literary quality. ForF&SF Manly created John the Balladeer, drawing on his existing knowledge of folk music and folklore and his growing love of the North Carolina mountains.

The stories of John the Balladeer are some of the best American fantasies ever written. They were powerful influences on me before I moved to North Carolina and met Manly; and it was in conscious and deliberate awareness of them that I wroteOld Nathan as my homage and memorial to my friend after his death.

Dave Drake david-drake.com

Foreword.

Manly in the Mountains

Music brought Manly to the North Carolina mountains.

Folk music-the old songs, real songs-had been an interest of Manly's since the 1920s when he tramped the Ozarks with Vance Randolph, the famed folklorist. He was drawn by the folk festival that he found when he moved with his family to Chapel Hill in 1951; became a friend of the organizer, Asheville native Bascom Lamar Lunsford; and traveled with Lunsford to meet "the best banjo player in the country."

That was Obray Ramsey of Madison County, high in the Smokies where they divide North Carolina from Tennessee. It was the start of a life-long friendship, and the genesis as well of this book: the tales of John the Balladeer, hiking the hills of North Carolina with his silver-strung guitar.

Manly and his wife Frances visited the mountains staying in the Ramseys' house when they were alone and in a tourist cabin father down on the French Broad River if they had their son or another friend with them. By the early '60s they had a little cabin of their own, next to the Ramseys and built in fits and starts over the years by them and their friends.

It wasn't fancy, but it was a place to sleep and eat; and a place to have friends in to pick and sing and pa.s.s around a bottle of liquor, tax-paid or otherwise. That was where they were when my wife and I visited the mountains with them and with Karl Wagner in the Fall of 1971.

The Ramseys' house is close by the road, Highway 25-70, which parallels the course of the French Broad River snaking through hard rock. The mountains lowered down behind the house, and the river dropped away sharply on the other side of the road.

One statistic will suffice to indicate the ruggedness of the terrain. There were seven attorneys in practice in Madison County when 25-70 was the direct route from Asheville to Knoxville. Shortly after Interstate 40 was completed, cutting off the business that had resulted from auto accidents on 25-70, six of the lawyers left.

The seventh was the District Attorney.

Manly's cabin was a little farther back from the road and a little higher up the mountain he called Yandro. The water system was elegant in its simplicity, a pipe that trailed miles from a high, clear spring to a faucet mounted four feet up above a floor drain in the cabin. There was a pressure-relief vent and settling pond partway down the mountainside. The vent could become blocked with debris, especially if the water hadn't been run for a time, The way you learned that it was plugged was- "Let me fix you a drink, Dutch," Manly said to Karl as we settled into the cabin. He poured bourbon into a plastic cup, held it under the spigot, and just started to open the tap.

The water, with over a thousand feet of head, blew the cup out of his hand to shatter on the drain beneath.

n.o.body said anything for a moment.

We stumbled up the Mountainside in the dark-there was a moon, but the pines and the valley's steep walls blocked most of its light as they did the sun in daytime. Manly went part way, but when Obray guided Karl and me off the road-cut, he decided he'd wait. Wisely: he was 68 even then, though that was hard to remember when you saw him.

He had fresh drinks waiting for those as used it when we got back-and fresh laughter as he always did, this time because Karl had slipped off the catwalk into one of Obray's trout ponds as we neared the cabin.

Manly was in his element that evening, watching the incredible fingerings of Obray and a neighbor while lamplight gleamed from the gilded metalwork of the banjo and guitar; pouring drinks; singing "Will the Circle be Unbroken" and "Birmingham Jail" and "Vandy, Vandy." . . .

Which brings up a last point about Manly and the mountains. I said he called the mountain Yandro, but I don't know you'd find that name on a map. Manly blended past reality with new creations in his life as well as his writing. Many of the songs he sang and quoted in this volume are very old; he once claimed to have written "Vandy, Vandy" himself.

And that may be part of the magic of these stories. They were written by a man who knew and loved the folkways he described so well that he became a part of them, weaving in his own strands and keeping the fabric alive instead of leaving it to be displayed behind the sterile gla.s.s of a museum.

May you read them with a delight as great as that of the man who wrote them.

Dave Drake Chapel Hill, North Carolina

Introduction.

Just Call Me John

There are moments in literature-very rare and very marvelous-when a writer creates a unique character. One such moment occurred in 1951 when Manly Wade Wellman began to write stories about John the Balladeer.

He had no last name, no other name: he was known only as John. Some reviewers suggested that Wellman intended John to be a Christ figure. Manly firmly denied this, but be often hinted that there might exist some mystic link to John the Baptist (cf. Mark 1. 2-3).

We never knew a lot about John's past. He was born in Moore County, North Carolina, and Manly said he sort of pictured John as a young Johnny Cash. He also told us that John was a veteran of the Korean War, and that he could hold up his end of things in a barroom brawl. John had a profound knowledge of Southern folklore and folksongs-as did Manly. John had a guitar strung with silver strings, a considerable knowledge of the occult, and his native wit. He needed all three as he wandered along the haunted ridges and valleys of the Southern Appalachians-sometimes encountering supernatural evil, sometimes seeking it out.

John first appeared in the December 1951 issue of The Magazine of Fantasy and Science Fiction, but Wellman had given us foreshadowings. He sometimes liked to claim that two stories from Weird Tales, "Sin's Doorway" (January 1946) and "Frogfather" (November 1946), were stories about John before he got his silver-strung guitar, but usually he grouped them instead with his other regional fantasies. Not coincidentally, following his move from New Jersey to Moore County, North Carolina after the War, Wellman began to make use of Southern legends and locales in his stories. When he moved to Chapel Hill in 1951, his subsequent acquaintance with folk musicians of the Carolina mountains combined with Manly's lifelong interest in folklore to generate the stories of John. The transition can be seen in Wellman's abandonment of his then-popular series character, John Thunstone, an urbane occult detective who worked the New York night-club set. Thunstone's final appearance in Weird Tales ("The Last Grave of Lill Warran" in the May 1951 issue) finds him in hiking gear and stomping through the Sand Hills in search of a backwoods vampire. Seven months later John the Balladeer made his first appearance in "O Ugly Bird!" The difference was the mountains-and the music.

There hadn't been anything like the John stories at that time, and there hasn't been since. No one but Manly Wade Wellman could have written these stories. Here his vivid imagination merged with authentic Southern folklore and a heartfelt love of the South and its people. Just as J. R. R. Tolkien brilliantly created a modern British myth cycle, so did Manly Wade Wellman give to us an imaginary world of purely American fact, fantasy, and song.

Between 1951 and 1962 Wellman wrote eleven stories about John, in addition to a grouping of seven short vignettes. These were collected in the 1963 Arkham House volume, Who Fears the Devil?. The original magazine versions were somewhat revised (Manly grumbled that this was done to give the collection some semblance of a novel), and four new vignettes were added. When I first met Manly in the summer of 1963, he gave me the grim news that he was all through writing about John. Fortunately, this wasn't to be true. Manly loved his character too much.

John would next appear on film, with folksinger Hedge Capers miscast as John. The film was partially shot in Madison County, North Carolina (the general setting for the John stories) in October 1971.

Despite a surprisingly good supporting cast and the incorporation of two of the best stories "O Ugly Bird!" and "The Desrick on Yandro"), the film was an embarra.s.sment-largely due to its shoestring budget and stultifying script. It was released in 1972 as Who Fears the Devil and flopped at the box office. It was then re-edited and re-released the following year as The Legend of Hillbilly John, with equal success. Sometimes it turns up on videoca.s.sette.

But it would take more than a bad film to finish off John. Renewed interest in his earlier fantasy work coupled with summer trips to his cabin in Madison County soon had Wellman writing about the mountains again. John returned-this time in a series of novels.

In 1979 Doubleday published The Old G.o.ds Waken, the first of five John novels. This was followed by After Dark (1980), The Lost and the Lurking (1981), The Hanging Stones (1982), and The Voice of the Mountain (1984). A sixth John novel, The Valley So Low, was planned but never started due to Wellman's final illness; instead it was published by Doubleday in 1987 as a collection of Wellman's recent mountain stories.

But there was more to be heard from John. Wellman always maintained that he preferred to write about John in short-story form rather than in novel length. And to prove he could still do both, Manly wrote six new John stories in between work on his novels. Shortly after completing his final novel for Doubleday (Cahena, 1986), Manly wrote a new John story, "Where Did She Wander?". This was to be his final story. A few days after completing it, Wellman suffered a crippling fall, shattering his shoulder and elbow.

Despite the weakness and pain, he managed to revise and polish the final draft of "Where Did She Wander?"