Mosaics of Grecian History Part 18

Her words and grief move him to pity, if not to love, and he again turns aside to say,

"The true alone and loving sob like her.

Come, Helen!" (He takes her hand.) (Helen.) Oh, let never Greek see this!

Hide me from Argos, from Amy'clae [Footnote: A town of Laconia, where was a temple of Apollo. It was a short distance to the south-west of Sparta.] hide me, Hide me from all.

(Menelaus.) Thy anguish is too strong For me to strive with.

(Helen.) Leave it all to me.

(Menelaus.) Peace! peace! The wind, I hope, is fair for Sparta.

The intimation, by Landor and others who have sought to exculpate Helen, that she was unwillingly borne away by Paris, has been amplified, with much poetic skill and beauty, by a recent poet,[Footnote: A. Lang, in his "Helen of Troy."] into the story that the G.o.ddess Venus appeared to her, and, while Helen was shrinking with apprehension and fear of her power, told her that she should fall into a deep slumber, and on awaking should be oblivious of her past life, "ignorant of shame, and blameless of those evil deeds that the G.o.ddess should thrust upon her." Venus declares to her:

"Thou art the toy of G.o.ds, an instrument Wherewith all mortals shall be plagued or blest, Even at my pleasure; yea, thou shalt be bent This way and that, howe'er it like me best: And following thee, as tides the moon, the West Shall flood the Eastern coasts with waves of war, And thy vexed soul shall scarcely be at rest, Even in the havens where the deathless are.

"The instruments of men are blind and dumb, And this one gift I give thee, to be blind And heedless of the thing that is to come, And ignorant of that which is behind; Bearing an innocent, forgetful mind In each new fortune till I visit thee And stir thy heart, as lightning and the wind Bear fire and tumult through a sleeping sea.

"Thou shalt forget Hermione! forget, Forget thy lord, thy lofty palace, and thy kin; Thy hand within a stranger's shalt thou set, And follow him, nor deem it any sin; And many a strange land wand'ring shalt thou win; And thou shalt come to an unhappy town, And twenty long years shalt thou dwell therein, Before the Argives mar its towery crown.

"And of thine end I speak not, but thy name-- Thy name which thou lamentest--that shall be A song in all men's speech, a tongue of flame Between the burning lips of Poesy; And the nine daughters of Mnemos'y-ne, With Prince Apollo, leader of the nine, Shall make thee deathless in their minstrelsy!

Yea, for thou shalt outlive the race divine."

As the G.o.ddess had declared, so it came to pa.s.s, for when Helen awoke from her long slumber,

She had no memory of unhappy things, She knew not of the evil days to come, Forgotten were her ancient wanderings; And as Lethae'an waters wholly numb The sense of spirits in Elysium, That no remembrance may their bliss alloy, Even so the rumor of her days was dumb, And all her heart was ready for new joy.

The reconciliation of Menelaus with Helen is easily effected by the same kind of artifice; for when, on the taking of Troy, he meets her and draws his sword to slay her, the G.o.ddess, again appearing, throws her witching spell over him also:

Then fell the ruthless sword that never fell When spear bit harness in the battle din, For Aphrodi'te spake, and like a spell Wrought her sweet voice persuasive, till within His heart there lived no memory of sin; No thirst for vengeance more, but all grew plain, And wrath was molten in desire to win The golden heart of Helen once again.

It is said that after the death of Menelaus Helen was driven from the Peloponnesus by the indignant Spartans.

IV. ARTS AND CIVILIZATION IN THE HEROIC AGE.

Although but little confidence can be placed in the reality of the persons and events mentioned in the poems of Homer, yet there is one kind of truth from which the poet can hardly have deviated, or his writings would not have been so acceptable as they evidently were to his contemporaries--and that is, a faithful portraiture of the government, usages, inst.i.tutions, manners, and general condition of the Greeks during the age in which he lived, and which undoubtedly differed little from the manners and customs of the Heroic Age. The pictures of life and character that he had drawn must have had a reality of existence, and they unquestionably give us, to a considerable extent, a true insight into the condition of Grecian society at that early period of the world's history.

And yet we must bear in mind that epics such as those of Homer, describing the manners and customs of a half-barbarous age, and intended to honor chieftains by extolling the deeds and lives of their ancestors, and to be recited in the courts of kings and princes, would, very naturally, be accommodated to the wishes, partialities, and prejudices of their n.o.ble hearers. And this leads us to consider how far even the great epic of Homer is to be relied on for a faithful picture of the political life of the Greeks during the Heroic Age. We quote the following suggestive remarks on this subject from a recent writer and able Greek critic:

THE POLITICAL LIFE OF THE GREEKS, AS REPRESENTED IN THEIR GREAT EPICS.

"Although, in the Greek epics, the rank and file of the army are to be marshaled by the kings, and to raise the shout of battle, they actually disappear from the action, and leave the field perfectly clear for the chiefs to perform their deeds of valor.

There is not, perhaps, an example in all the Iliad of a chief falling, or even being wounded, by an ign.o.ble hand. Amid the cloud of missiles that were flying on the plains of Troy, amid the crowd of chiefs and kings that were marshaled on either side, we never hear how a 'certain man drew a bow at a venture, and smote a king between the joints of the harness.' Yet this must necessarily have occurred in any prolonged combats such as those about the walls of Troy.

"Here, then, is a plain departure from truth, and even from reasonable probability. It is indeed a mere omission which does not offend the reader; but such inaccuracies suggest serious reflections. If the epic poets ignore the importance of the ma.s.ses on the battlefield, is it not likely that they underrate it in the public a.s.semblies? Is it not possible that here too, to please their patrons, they describe the glorious ages of the past as the days when the a.s.sembled people would not question the superior wisdom of their betters, but merely a.s.sembled to be taught and to applaud? I cannot, therefore, as Mr. Grote does, accept the political condition of things in the Homeric poems, especially in the Iliad, as a safe guide to the political life of Greece in the poet's own day.

"The figure of Thersites seems drawn with special spite and venom, as a satire upon the first critics that rose up among the a.s.sembled people to question the divine right of kings to do wrong. We may be sure the real Thersites, from whom the poet drew his picture, was a very different and a far more serious power in debate than the misshapen buffoon of the Iliad. But the king who had been thwarted and exposed by him in the day would, over his cups in the evening, enjoy the poet's travesty, and long for the good old times when he could put down all impertinent criticism by the stroke of his knotty sceptre. The Homeric Agora could hardly have existed had it been so idle a form as the poets represent. But as the lower cla.s.ses were carefully marshaled on the battle-field, from a full sense of the importance which the poet denies them, so they were marshaled in the public a.s.sembly, where we may be sure their weight told with equal effect, though the poet neglected it for the greater glory of the counseling chiefs." [Footnote: "Social Life in Greece, from Homer to Menander," by Rev. J. P. Mahaffy.]

Notwithstanding all this, as HEEREN says, "Homer is the best source of information that we possess respecting the Heroic Age."

The form of government that prevailed among the early Greeks, especially after the Pelasgic race had yielded to the more warlike and adventurous h.e.l.lenes, was evidently that of the kingly order, on a democratic basis, although it is difficult to ascertain the precise extent of the royal prerogatives. In all the Grecian states there appears to have been an hereditary cla.s.s of chiefs or n.o.bles, distinguished from the common freemen or people by t.i.tles of honor, superior wealth, dignity, valor, and n.o.ble birth; which latter implied no less than a descent from the G.o.ds themselves, to whom every princely house seems to have traced its origin.

But the kings, although generally hereditary, were not always so, nor were they absolute monarchs; they were rather the most eminent of the n.o.bility, having the command in war, and the chief seat in the administration of justice; and their authority was more or less extended in proportion to the n.o.ble qualities they possessed, and particularly to their valor in battle. Unless distinguished by courage and strength, kings could not even command in time of war; and during peace they were bound to consult the people in all important matters. Among their pecuniary advantages were the profits of an extensive domain which seems to have been attached to the royal office, and not to have been the private property of the individual. Thus, Homer represents Telem'achus as in danger not only of losing his throne by the adverse choice of the people, but also, among the rights of the crown, the domains of Ulysses, his father, should he not be permitted to succeed him.[Footnote: See the Odyssey (Cowper's Trans.), xi., 207-223.]

During the Heroic Age the Greeks appear to have had no fixed laws established by legislation. Public opinion and usage, confirmed and expounded by judicial decisions, were the only sources to which the weak and injured could look for protection and redress.

Private differences were most often settled by private means, and in these cases the weak and deserving were generally plundered and maltreated by the powerful and guilty; but in quarrels that threatened to disturb the peace of the community the public compelled the injured party to accept, and the aggressor to pay, a stipulated compensation. As among the savage tribes of America, and even among our early Saxon ancestors, the murderer was often allowed to pay a stipulated compensation, which stayed the spirit of revenge, and was received as a full expiation of his guilt. The mutual dealings of the several independent Grecian states with one another were regulated by no established principles, and international law had no existence at this early period.

DOMESTIC LIFE AND CHARACTER.

In the domestic relations of life there was much in the conduct of the Greeks that was meritorious. Children were treated with affection, and much care was bestowed on their education; and, on the other hand, the respect which they showed their parents, even after the period of youth and dependence, approached almost to veneration. As evidence of a rude age, however, the father disposed of his daughter's hand in marriage with absolute authority; and although we meet with many models of conjugal affection, as in the n.o.ble characters of Andromache and Penelope, yet the story of Helen, and other similar ones, suggest too plainly that the faithlessness of the wife was not regarded as a very great offence. The wife, however, occupied a station of as much, if not more influence in the family than was the case in the historical period; but she was not the equal of her husband, and even Homer portrays none of those feelings of love which result from a higher regard for the female s.e.x.

We gather from Homer that there was a low sense of truth among the Greeks of the Homeric Age, but that the people were better than might be expected from the examples set them by the G.o.ds in whom they professed to believe. Says MAHAFFY: "At no period did the nation attain to that high standard which is the great feature in Germanic civilization. Even the Romans, with all their coa.r.s.eness and vulgarity, stood higher in this respect. But neither in the Iliad nor the Odyssey is there, except in phrases, any reprobation of deceit as such. To deceive an enemy is meritorious; to deceive a stranger, innocent; to deceive even a friend, perfectly un.o.bjectionable, if any object is to be gained.

So it is remarked of Menelaus--as it were, exceptionally--that he will tell the truth if you press him, for he is very considerate. But the really leading characters in the Odyssey and Iliad (except Achilles) do not hesitate at all manner of lying. Ulysses is perpetually inventing, and so is his patroness, Pallas Athe'ne; and she actually mentions this quality of wily deceit as her special ground of love and affection for him."

Thus, we read in the Odyssey that when Ulysses, in response to what the G.o.ddess--then disguised and unknown to him--had said,

With unembarra.s.sed readiness returned Not truth, but figments to truth opposite, For guile, in him, stood never at a pause--

the G.o.ddess, seemingly well pleased with his "tricks of speech delusive," thus replied:

"Who pa.s.ses thee in artifice well-framed; And in impostures various, need shall find Of all his policy, although a G.o.d.

Canst thou not cease, inventive as thou art And subtle, from the wiles which thou hast loved Since thou wast infant, and from tricks of speech Delusive, even in thy native land?

But come; dismiss we these ingenious shifts From our discourse, in which we both excel; For thou of all men in expedients most Abound'st and eloquence, and I throughout All heaven have praise for wisdom and for art."

--COWPER'S Trans.

To the foregoing it may be added that "Zeus deceives both G.o.ds and men; the other G.o.ds deceive Zeus; in fact, the whole Homeric society is full of guile and falsehood. There is still, however, an expectation that if the G.o.ds are called to witness a transaction by means of an oath, they will punish deceit. The poets clearly held that the G.o.ds, if they were under no restraint or fear of punishment from Zeus, were at liberty to deceive as they liked. One safeguard yet remained--the oath by the Styx, [Footnote: see the index at the end of the volume.] the penalties of violating which are enumerated in Hesiod's Theogony, and consist of nine years' transportation, with solitary confinement and hard labor. As for oaths, the Hymn to Hermes shows that in succeeding generations their solemnity was openly ridiculed.

Among the Homeric G.o.ds, as well as among the heroes, there were, indeed, old-fashioned characters who adhered to probity. The character of Apollo is unstained by deceit. So is that of Menelaus."

The Greeks in the Heroic Age were divided into the three cla.s.ses --n.o.bles, freemen, and slaves. Of the first we have already spoken. The condition of the freemen it is difficult to fully ascertain; but the majority possessed portions of land which they cultivated. There was another cla.s.s of freemen who possessed no property, and who worked for hire on the property of others.

"Among the freemen," says one writer, "we find certain professional persons whose acquirements and knowledge raised them above their cla.s.s, and procured for them the respect and society of the n.o.bles. Such were the seer, the bard, the herald, and likewise the smith and the carpenter." The slaves were owned by the n.o.bles alone, and were treated with far more kindness and consideration than were the slaves of republican Greece.

During this period the Greeks had but little knowledge of geography beyond the confines of Greece and its islands and the coasts of the aegean Sea. The habitable world was supposed to be surrounded by an ocean-like river, like that which Homer describes as bordering the shield of Achilles, beyond which were realms of darkness, dreams, and death. Legitimate commerce appears to have been deemed of little importance. The largest ships were slender, half-decked row-boats, capable of carrying, at most, only about a hundred men, and having a movable mast, which was hoisted, and a sail attached, only to take advantage of a favorable wind. Most of the navigation at this early period was undertaken for the purposes of plunder, and piracy was not deemed dishonorable. When Mentor and Telemachus came to the court of Nestor, that prince, after entertaining them kindly, asked them, as a matter of curiosity, whether they were travelers or robbers!

But the Heroic Age was not one essentially rude and barbarous.

Greece was then a populous and well-cultivated country, with numerous and large cities surrounded by walls and adorned with palaces and temples. Homer describes the different branches of agriculture, and the various labors of farming, the culture of the grape, and the duties of the herdsmen. The weaving of woolen and of linen fabrics was the chief occupation of the women, and was carried to a high degree of perfection. While Homer may have drawn largely upon his imagination for his brilliant pictures, still their main features were undoubtedly taken from life, and many ancient remains of Grecian art attest the general fidelity of his representations: In the wonderful description of the shield of Achilles we get some insight into the progress which the arts of metallurgy and engraving had made, and in the following description, in the Fifth Book of the Odyssey, of the raft of Ulysses, on which this wandering hero floated after leaving Calypso's isle, we learn to what degree the art of ship-building had attained in the Heroic Age. Calypso furnishes him the material for constructing his raft.

The Raft of Ulysses.

She gave him, fitted to the grasp, an axe Of iron, ponderous, double-edged, with haft Of olive-wood inserted firm, and wrought With curious art. Then placing in his hand A polished adze, she led herself the way To her isle's utmost verge, where loftiest stood The alder, poplar, and cloud-piercing fir, Though sapless, sound, and fittest for his use, As buoyant most. To that most verdant grove His steps the beauteous nymph Calypso led, And sought her home again. Then slept not he, But, swinging with both hands the axe, his task Soon finished; trees full twenty to the ground He cast; which, dexterous, with his adze he smoothed, The knotted surface chipping by a line.

Meantime the lovely G.o.ddess to his aid Sharp augers brought, with which he bored the beams, Then placed them side by side, adapting each To other, and the seams with wadding closed.

Broad as an artist, skilled in naval works, The bottom of a ship of burden spreads, Such breadth Ulysses to his raft a.s.signed.

He decked her over with long planks, upborne On ma.s.sy beams; he made the mast, to which He added suitable the yard; he framed Rudder and helm to regulate her course; With wicker-work he bordered all her length For safety, and much ballast stowed within.

Meantime Calypso brought him for a sail Fittest materials, which he also shaped, And to his sail due furniture annexed Of cordage strong, foot-ropes and ropes aloft, Then heaved her down with levers to the deep.

--Odyssey, B. V. COWPER'S Trans.

We notice in this description the use of the adze--of the double-edged axe; of augers for boring the beams; the caulking of the hull; the decking made of planks; the single mast; the yard from which the sail was spread; the use of the rudder and the helm; "foot-ropes and ropes aloft;" while, for safety, a wicker-work of cordage surrounds the deck, and much "ballast"

is stowed within.

To what extent the higher orders of art--those which became in later times the highest glory of Greece, and in which she will always stand unrivalled--were cultivated before the time of Homer, is a subject of much uncertainty. It is clear, however, that poetry and music, which were almost inseparably united, were early made prominent instruments of the religious, martial, and political education of the people. The aid of poetical song was called in to enliven and adorn the banquets of the great public a.s.semblies, the Olympic and other games, and scarcely a social or public gathering can be mentioned that would not have appeared to the ardent Grecians cold and spiritless without this accompaniment.