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Moon-Face and Other Stories Part 17

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Chris was still on her back. His shirt was in ribbons. The backs of his hands were bruised and lacerated, while his face was streaming blood from a gash near the temple. Lute had controlled herself well, but now she was aware of a quick nausea and a trembling of weakness.

"Chris!" she said, so softly that it was almost a whisper. Then she sighed, "Thank G.o.d."

"Oh, I'm all right," he cried to her, putting into his voice all the heartiness he could command, which was not much, for he had himself been under no mean nervous strain.

He showed the reaction he was undergoing, when he swung down out of the saddle. He began with a brave muscular display as he lifted his leg over, but ended, on his feet, leaning against the limp Dolly for support. Lute flashed out of her saddle, and her arms were about him in an embrace of thankfulness.

"I know where there is a spring," she said, a moment later.

They left the horses standing untethered, and she led her lover into the cool recesses of the thicket to where crystal water bubbled from out the base of the mountain.

"What was that you said about Dolly's never cutting up?" he asked, when the blood had been stanched and his nerves and pulse-beats were normal again.

"I am stunned," Lute answered. "I cannot understand it. She never did anything like it in all her life. And all animals like you so--it's not because of that. Why, she is a child's horse. I was only a little girl when I first rode her, and to this day--"

"Well, this day she was everything but a child's horse," Chris broke in.

"She was a devil. She tried to sc.r.a.pe me off against the trees, and to batter my brains out against the limbs. She tried all the lowest and narrowest places she could find. You should have seen her squeeze through. And did you see those bucks?"

Lute nodded.

"Regular bucking-bronco proposition."

"But what should she know about bucking?" Lute demanded. "She was never known to buck--never."

He shrugged his shoulders. "Some forgotten instinct, perhaps, long-lapsed and come to life again."

The girl rose to her feet determinedly. "I'm going to find out," she said.

They went back to the horses, where they subjected Dolly to a rigid examination that disclosed nothing. Hoofs, legs, bit, mouth, body--everything was as it should be. The saddle and saddle-cloth were innocent of bur or sticker; the back was smooth and unbroken. They searched for sign of snake-bite and sting of fly or insect, but found nothing.

"Whatever it was, it was subjective, that much is certain," Chris said.

"Obsession," Lute suggested.

They laughed together at the idea, for both were twentieth-century products, healthy-minded and normal, with souls that delighted in the b.u.t.terfly-chase of ideals but that halted before the brink where superst.i.tion begins.

"An evil spirit," Chris laughed; "but what evil have I done that I should be so punished?"

"You think too much of yourself, sir," she rejoined. "It is more likely some evil, I don't know what, that Dolly has done. You were a mere accident. I might have been on her back at the time, or Aunt Mildred, or anybody."

As she talked, she took hold of the stirrup-strap and started to shorten it.

"What are you doing?" Chris demanded.

"I'm going to ride Dolly in."

"No, you're not," he announced. "It would be bad discipline. After what has happened I am simply compelled to ride her in myself."

But it was a very weak and very sick mare he rode, stumbling and halting, afflicted with nervous jerks and recurring muscular spasms--the aftermath of the tremendous o.r.g.a.s.m through which she had pa.s.sed.

"I feel like a book of verse and a hammock, after all that has happened," Lute said, as they rode into camp.

It was a summer camp of city-tired people, pitched in a grove of towering redwoods through whose lofty boughs the sunshine trickled down, broken and subdued to soft light and cool shadow. Apart from the main camp were the kitchen and the servants' tents; and midway between was the great dining hall, walled by the living redwood columns, where fresh whispers of air were always to be found, and where no canopy was needed to keep the sun away.

"Poor Dolly, she is really sick," Lute said that evening, when they had returned from a last look at the mare. "But you weren't hurt, Chris, and that's enough for one small woman to be thankful for. I thought I knew, but I really did not know till to-day, how much you meant to me. I could hear only the plunging and struggle in the thicket. I could not see you, nor know how it went with you."

"My thoughts were of you," Chris answered, and felt the responsive pressure of the hand that rested on his arm.

She turned her face up to his and met his lips.

"Good night," she said.

"Dear Lute, dear Lute," he caressed her with his voice as she moved away among the shadows.

"Who's going for the mail?" called a woman's voice through the trees.

Lute closed the book from which they had been reading, and sighed.

"We weren't going to ride to-day," she said.

"Let me go," Chris proposed. "You stay here. I'll be down and back in no time."

She shook her head.

"Who's going for the mail?" the voice insisted.

"Where's Martin?" Lute called, lifting her voice in answer.

"I don't know," came the voice. "I think Robert took him along somewhere--horse-buying, or fishing, or I don't know what. There's really n.o.body left but Chris and you. Besides, it will give you an appet.i.te for dinner. You've been lounging in the hammock all day. And Uncle Robert must have his newspaper."

"All right, Aunty, we're starting," Lute called back, getting out of the hammock.

A few minutes later, in riding-clothes, they were saddling the horses.

They rode out on to the county road, where blazed the afternoon sun, and turned toward Glen Ellen. The little town slept in the sun, and the somnolent storekeeper and postmaster scarcely kept his eyes open long enough to make up the packet of letters and newspapers.

An hour later Lute and Chris turned aside from the road and dipped along a cow-path down the high bank to water the horses, before going into camp.

"Dolly looks as though she'd forgotten all about yesterday," Chris said, as they sat their horses knee-deep in the rushing water. "Look at her."

The mare had raised her head and c.o.c.ked her ears at the rustling of a quail in the thicket. Chris leaned over and rubbed around her ears.

Dolly's enjoyment was evident, and she drooped her head over against the shoulder of his own horse.

"Like a kitten," was Lute's comment.

"Yet I shall never be able wholly to trust her again," Chris said. "Not after yesterday's mad freak."

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Moon-Face and Other Stories Part 17 summary

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