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Moods Part 13

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"Come, Sylvia, I shall soon be ready for the first shade," she said, clashing her formidable needles. "Is that past mending, Mr. Warwick?"

"Yes, without better tools than a knife, two pins, and a bodkin."

"Then you must put the skeins on a chair, Sylvia. Try not to tangle them, and spread your handkerchief in your lap, for that maroon color will stain sadly. Now don't speak to me, for I must count my st.i.tches."

Sylvia began to wind the wools with a swift dexterity as natural to her hands as certain little graces of gesture which made their motions pleasant to watch. Warwick never rummaged work-baskets, gossipped, or paid compliments for want of something to do. If no little task appeared for them, he kept his hands out of mischief, and if nothing occurred to make words agreeable or necessary, he proved that he understood the art of silence, and sat with those vigilant eyes of his fixed upon whatever object attracted them. Just then the object was a bright band slipping round the chair-back, with a rapidity that soon produced a snarl, but no help till patient fingers had smoothed and wound it up. Then, with the look of one who says to himself, "I will!" he turned, planted himself squarely before Sylvia, and held out his hands.

"Here is a reel that will neither tangle nor break your skeins, will you use it?"

"Yes, thank you, and in return I'll wind your color first."

"Which is my color?"

"This fine scarlet, strong, enduring, and martial, like yourself."

"You are right."

"I thought so; Mr. Moor prefers blue, and I violet."

"Blue and red make violet," called Mark from his corner, catching the word "color," though busy with a sketch for a certain fair Jessie Hope.

Moor was with Mr. Yule in his study, Prue mentally wrapped in her blanket, and when Sylvia was drawn into an artistic controversy with her brother, Warwick fell into deep thought.

[Ill.u.s.tration]

With the pride of a proud man once deceived, he had barred his heart against womankind, resolving that no second defeat should oppress him with that distrust of self and others, which is harder for a generous nature to bear, than the pain of its own wound. He had yet to learn that the shadow of love suggests its light, and that they who have been cheated of the food, without which none can truly live, long for it with redoubled hunger. Of late he had been discovering this, for a craving, stronger than his own strong will, possessed him. He tried to disbelieve and silence it; attacked it with reason, starved it with neglect, and chilled it with contempt. But when he fancied it was dead, the longing rose again, and with a clamorous cry, undid his work. For the first time, this free spirit felt the master's hand, confessed a need its own power could not supply, and saw that no man can live alone on even the highest aspirations without suffering for the vital warmth of the affections. A month ago he would have disdained the hope that now was so dear to him. But imperceptibly the influences of domestic life had tamed and won him. Solitude looked barren, vagrancy had lost its charm; his life seemed cold and bare, for, though devoted to n.o.ble aims, it was wanting in the social sacrifices, cares, and joys, that foster charity, and sweeten character. An impetuous desire to enjoy the rich experience which did so much for others, came over him to-night as it had often done while sharing the delights of this home, where he had made so long a pause. But with the desire came a memory that restrained him better than his promise. He saw what others had not yet discovered, and obeying the code of honor which governs a true gentleman, loved his friend better than himself and held his peace.

The last skein came, and as she wound it, Sylvia's glance involuntarily rose from the strong hands to the face above them, and lingered there, for the penetrating gaze was averted, and an unwonted mildness inspired confidence as its usual expression of power commanded respect. His silence troubled her, and with curious yet respectful scrutiny, she studied his face as she had never done before. She found it full of a n.o.ble gravity and kindliness; candor and courage spoke in the lines of the mouth, benevolence and intellect in the broad arch of the forehead, ardor and energy in the fire of the eye, and on every lineament the stamp of that genuine manhood, which no art can counterfeit. Intent upon discovering the secret of the mastery he exerted over all who approached him, Sylvia had quite forgotten herself, when suddenly Warwick's eyes were fixed full upon her own. What spell lay in them she could not tell, for human eye had never shed such sudden summer over her. Admiration was not in it, for it did not agitate; nor audacity, for it did not abash; but something that thrilled warm through blood and nerves, that filled her with a glad submission to some power, absolute yet tender, and caused her to turn her innocent face freely to his gaze, letting him read therein a sentiment for which she had not yet found a name.

It lasted but a moment; yet in that moment, each saw the other's heart, and each turned a new page in the romance of their lives. Sylvia's eyes fell first, but no blush followed, no sign of anger or perplexity, only a thoughtful silence, which continued till the last violet thread dropped from his hands, and she said almost regretfully--

"This is the end."

"Yes, this is the end."

As he echoed the words Warwick rose suddenly and went to talk with Mark, whose sketch was done. Sylvia sat a moment as if quite forgetful where she was, so absorbing was some thought or emotion. Presently she seemed to glow and kindle with an inward fire; over face and forehead rushed an impetuous color, her eyes shone, and her lips trembled with the fluttering of her breath. Then a panic appeared to seize her, for, stealing noiselessly away, she hurried to her room, and covering up her face as if to hide it even from herself, whispered to that full heart of hers, with quick coming tears that belied the words--

"Now I know why I am happy!"

How long she lay there weeping and smiling in the moonlight she never knew. Her sister's call broke in upon the first love dream she had ever woven for herself, and she went down to bid the friends good night. The hall was only lighted by the moon, and in the dimness of the shadow where she stood, no one saw traces of that midsummer shower on her cheeks, or detected the soft trouble in her eye, but for the first time Moor felt her hand tremble in his own and welcomed the propitious omen.

Being an old-fashioned gentleman, Mr. Yule preserved in his family the pleasant custom of hand-shaking, which gives such heartiness to the morning and evening greetings of a household. Moor liked and adopted it; Warwick had never done so, but that night he gave a hand to Prue and Mark with his most cordial expression, and Sylvia felt both her own taken in a warm lingering grasp, although he only said "good by!" Then they went; but while the three paused at the door held by the beauty of the night, back to them on the wings of the wind came Warwick's voice singing the song that Sylvia loved. All down the avenue, and far along the winding road they traced his progress, till the strain died in the distance leaving only the echo of the song to link them to the singer.

When evening came again Sylvia waited on the lawn to have the meeting over in the dark, for love made her very shy. But Moor came alone, and his first words were,

"Comfort me, Sylvia, Adam is gone. He went as unexpectedly as he came, and when I woke this morning a note lay at my door, but my friend was not there."

She murmured some stereotyped regret, but there was a sharp pain at her heart till there came to her the remembrance of Warwick's question, uttered on the spot where she was standing. Some solace she must have, and clinging to this one thought hopefully within herself--

"He has made some promise, has gone to get released from it, and will come back to say what he looked last night. He is so true I will believe in him and wait."

She did wait, but week after week went by and Warwick did not come.

CHAPTER VII.

DULL BUT NECESSARY.

Whoever cares only for incident and action in a book had better skip this chapter and read on; but those who take an interest in the delineation of character will find the key to Sylvia's here.

John Yule might have been a poet, painter, or philanthropist, for Heaven had endowed him with fine gifts; he was a prosperous merchant with no ambition but to leave a fortune to his children and live down the memory of a bitter past. On the threshold of his life he stumbled and fell; for as he paused there, waiting for the first step to appear, Providence tested and found him wanting. On one side, Poverty offered the aspiring youth her meagre hand; but he was not wise enough to see the virtues hidden under her hard aspect, nor brave enough to learn the stern yet salutary lessons which labor, necessity, and patience teach, giving to those who serve and suffer the true success. On the other hand Opulence allured him with her many baits, and, silencing the voice of conscience, he yielded to temptation and wrecked his n.o.bler self.

A loveless marriage was the price he paid for his ambition; not a costly one, he thought, till time taught him that whosoever mars the integrity of his own soul by transgressing the great laws of life, even by so much as a hair's breadth, entails upon himself and heirs the inevitable retribution which proves their worth and keeps them sacred. The tie that bound and burdened the unhappy twain, worn thin by constant friction, snapped at last, and in the solemn pause death made in his busy life, there rose before him those two ghosts who sooner or later haunt us all, saying with reproachful voices,--"This I might have been," and "This I am." Then he saw the failure of his life. At fifty he found himself poorer than when he made his momentous choice; for the years that had given him wealth, position, children, had also taken from him youth, self-respect, and many a gift whose worth was magnified by loss. He endeavored to repair the fault so tardily acknowledged, but found it impossible to cancel it when remorse, embittered effort, and age left him powerless to redeem the rich inheritance squandered in his prime.

If ever man received punishment for a self-inflicted wrong it was John Yule. A punishment as subtle as the sin; for in the children growing up about him every relinquished hope, neglected gift, lost aspiration, seemed to live again; yet on each and all was set the direful stamp of imperfection, which made them visible ill.u.s.trations of the great law broken in his youth.

In Prudence, as she grew to womanhood, he saw his own practical tact and talent, nothing more. She seemed the living representative of the years spent in strife for profit, power, and place; the petty cares that fret the soul, the mercenary schemes that waste a life, the worldly formalities, frivolities, and fears, that so belittle character. All these he saw in this daughter's shape; and with pathetic patience bore the daily trial of an over active, over anxious, affectionate but most prosaic child.

In Mark he saw his ardor for the beautiful, his love of the poetic, his reverence for genius, virtue, heroism. But here too the subtle blight had fallen. This son, though strong in purpose was feeble in performance; for some hidden spring of power was wanting, and the shadow of that earlier defeat chilled in his nature the energy which is the first attribute of all success. Mark loved poetry, and "wrote in numbers for the numbers came;" but, whether tragic, tender, or devout, in each attempt there was enough of the divine fire to warm them into life, yet not enough to gift them with the fervor that can make a line immortal, and every song was a sweet lament for the loftier lays that might have been. He loved art and gave himself to it; but though studying all forms of beauty he never reached its soul, and every effort tantalized him with fresh glimpses of the fair ideal which he could not reach. He loved the true, but high thoughts seldom blossomed into n.o.ble deeds; for when the hour came the man was never ready, and disappointment was his daily portion. A sad fate for the son, a far sadder one for the father who had bequeathed it to him from the irrecoverable past.

In Sylvia he saw, mysteriously blended, the two natures that had given her life, although she was born when the gulf between regretful husband and sad wife was widest. As if indignant Nature rebelled against the outrage done her holiest ties, adverse temperaments gifted the child with the good and ill of each. From her father she received pride, intellect, and will; from her mother pa.s.sion, imagination, and the fateful melancholy of a woman defrauded of her dearest hope. These conflicting temperaments, with all their aspirations, attributes, and inconsistencies, were woven into a nature fair and faulty; ambitious, yet not self-reliant; sensitive, yet not keen-sighted. These two masters ruled soul and body, warring against each other, making Sylvia an enigma to herself and her life a train of moods.

A wise and tender mother would have divined her nameless needs, answered her vague desires, and through the medium of the most omnipotent affection given to humanity, have made her what she might have been. But Sylvia had never known mother-love, for her life came through death; and the only legacy bequeathed her was a slight hold upon existence, a ceaseless craving for affection, and the shadow of a tragedy that wrung from the pale lips, that grew cold against her baby cheek, the cry, "Free at last, thank G.o.d for that!"

Prudence could not fill the empty place, though the good-hearted housewife did her best. Neither sister understood the other, and each tormented the other through her very love. Prue unconsciously exasperated Sylvia, Sylvia unconsciously shocked Prue, and they hitched along together each trying to do well and each taking diametrically opposite measures to effect her purpose. Mark briefly but truly described them when he said, "Sylvia trims the house with flowers, but Prudence dogs her with a dust-pan."

Mr. Yule was now a studious, melancholy man, who, having said one fatal "No" to himself, made it the satisfaction of his life to say a never varying "Yes" to his children. But though he left no wish of theirs ungratified, he seemed to have forfeited his power to draw and hold them to himself. He was more like an un.o.btrusive guest than a master in his house. His children loved, but never clung to him, because unseen, yet impa.s.sible, rose the barrier of an instinctive protest against the wrong done their dead mother, unconscious on their part but terribly significant to him.

Mark had been years away; and though the brother and sister were tenderly attached, s.e.x, tastes, and pursuits kept them too far apart, and Sylvia was solitary even in this social seeming home. Dissatisfied with herself, she endeavored to make her life what it should be with the energy of an ardent, aspiring nature; and through all experiences, sweet or bitter, all varying moods, successes and defeats, a sincere desire for happiness the best and highest, was the little rushlight of her soul that never wavered or went out.

She never had known friendship in its truest sense, for next to love it is the most abused of words. She had called many "friend," but was still ignorant of that sentiment, cooler than pa.s.sion, warmer than respect, more just and generous than either, which recognizes a kindred spirit in another, and claiming its right, keeps it sacred by the wise reserve that is to friendship what the purple bloom is to the grape, a charm which once destroyed can never be restored. Love she had desired, yet dreaded, knowing her own pa.s.sionate nature, and when it came to her, making that brief holiday the fateful point of her life, she gave herself to it wholly. Before that time she had rejoiced over a more tranquil pleasure, and believed that she had found her friend in the neighbor who after long absence had returned to his old place.

Nature had done much for Geoffrey Moor, but the wise mother also gave him those teachers to whose hard lessons she often leaves her dearest children. Five years spent in the service of a sister, who, through the sharp discipline of pain was fitting her meek soul for heaven, had given him an experience such as few young men receive. This fraternal devotion proved a blessing in disguise; it preserved him from any profanation of his youth, and the companionship of the helpless creature whom he loved had proved an ever present stimulant to all that was best and sweetest in the man. A single duty faithfully performed had set the seal of integrity upon his character, and given him grace to see at thirty the rich compensation he had received for the ambitions silently sacrificed at twenty-five. When his long vigil was over he looked into the world to find his place again. But the old desires were dead, the old allurements had lost their charm, and while he waited for time to show him what good work he should espouse, no longing was so strong as that for a home, where he might bless and be blessed in writing that immortal poem a virtuous and happy life.

Sylvia soon felt the power and beauty of this nature, and remembering how well he had ministered to a physical affliction, often looked into the face whose serenity was a perpetual rebuke, longing to ask him to help and heal the mental ills that perplexed and burdened her. Moor soon divined the real isolation of the girl, read the language of her wistful eyes, felt that he could serve her, and invited confidence by the cordial alacrity with which he met her least advance.

But while he served he learned to love her, for Sylvia, humble in her own conceit, and guarded by the secret pa.s.sion that possessed her, freely showed the regard she felt, with no thought of misapprehension, no fear of consequences. Unconscious that such impulsive demonstration made her only more attractive, that every manifestation of her frank esteem was cherished in her friend's heart of hearts, and that through her he was enjoying the blossom time of life. So peacefully and pleasantly the summer ripened into autumn and Sylvia's interest into an enduring friendship.

CHAPTER VIII.

NO.

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Moods Part 13 summary

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