Monsieur, Madame, and Bebe Part 3

"She is not very pretty," some one remarked to me.

"No, not her face," I rejoined, and added to myself, "No, not her face, but all the rest!"

It is none the less true that for some time past this secret has been oppressing me, and, though I decided to-day to reveal it to you, it was because it seems to me that to do so would quiet my conscience.

But, for Heaven's sake, let me entreat you, do not noise abroad the affair!

CHAPTER IV. SOUVENIRS OF LENT

The faithful are flocking up the steps of the temple; spring toilettes already glitter in the sun; trains sweep the dust with their long flowing folds; feathers and ribbons flutter; the bell chimes solemnly, while carriages keep arriving at a trot, depositing upon the pavement all that is most pious and most n.o.ble in the Faubourg, then draw up in line at the farther end of the square.

Be quick, elbow your way through the crowd if you want a good place; the Abbe Gelon preaches to-day on abstinence, and when the Abbe Gelon preaches it is as if Patti were singing.

Enter Madame, pushes the triple door, which recloses heavily, brushes with rapid fingers the holywater sprinkler which that pious old man holds out, and carefully makes a graceful little sign of the cross so as not to spot her ribbons.

Do you hear these discreet and aristocratic whisperings?

"Good morning, my dear."

"Good morning, dear. It is always on abstinence that he preaches, is it not? Have you a seat?"

"Yes, yes, come with me. You have got on your famous bonnet, I see?"

"Yes; do you like it? It is a little showy, is it not? What a mult.i.tude of people! Where is your husband?"

"Showy! Oh, no, it is splendid. My husband is in the churchwarden's pew; he left before me; he is becoming a fanatic--he speaks of lunching on radishes and lentils."

"That ought to be very consoling to you."

"Don't mention it. Come with me. See; there are Ernestine and Louise.

Poor Louise's nose, always the same; who would believe that she drinks nothing stronger than water?"

The ladies push their way among the chairs, some of which they upset with the greatest unconcern.

Arrived at their places they sink down on their knees, and, moist-eyed and full of feeling, cast a look of veiled adoration toward the high altar, then hide their faces with their gloved hands.

For a very few minutes they gracefully deprecate themselves in the eyes of the Lord, then, taking their seats, coquettishly arrange the immense bows of their bonnet-strings, scan the a.s.sembly through a gold eyegla.s.s, with the little finger turning up; finally, while smoothing down the satin folds of a dress difficult to keep in place, they scatter, right and left, charming little recognitions and delightful little smiles.

"Are you comfortable, dear?"

"Quite, thanks. Do you see in front there, between the two tapers, Louise and Madame de C-------? Is it allowable in any one to come to church got up like that?"

"Oh! I have never believed much in the piety of Madame de C-------. You know her history--the story of the screen? I will tell it you later. Ah!

there is the verger."

The verger shows his bald head in the pulpit of truth. He arranges the seat, adjusts the kneeling-stool, then withdraws and allows the Abbe Gelon, who is somewhat pale from Lenten fasting, but striking, as he always is, in dignity, elegance, and unction. A momentary flutter pa.s.ses through the congregation, then they settle down comfortably. The noise dies away, and all eyes are eagerly looking toward the face of the preacher. With his eyes turned to heaven, the latter stands upright and motionless; a light from above may be divined in his inspired look; his beautiful, white hands, encircled at the wrists by fine lace, are carelessly placed on the red velvet cushion of the pulpit. He waits a few moments, coughs twice, unfolds his handkerchief, deposits his square hat in a corner, and, bending forward, lets fall from his lips in those sweet slow, persuasive tones, by which he is known, the first words of his sermon, "Ladies!"

With this single word he has already won all hearts. Slowly he casts over his audience a mellow glance, which penetrates and attracts; then, having uttered a few Latin words which he has the tact to translate quickly into French, he continues:

"What is it to abstain? Why should we abstain? How should we abstain?

Those are the three points, ladies, I shall proceed to discuss."

He blows his nose, coughs; a holy thrill stirs every heart. How will he treat this magnificent subject? Let us listen.

Is it not true, Madame, that your heart is piously stirred, and that at this moment you feel an actual thirst for abstinence and mortification?

The holy precincts are bathed in a soft obscurity, similar to that of your boudoir, and inducing revery.

I know not how much of the ineffable and of the vaguely exhilarating penetrates your being. But the voice of this handsome and venerated old man has, amidst the deep silence, something deliciously heavenly about it. Mysterious echoes repeat from the far end of the temple each of his words, and in the dim light of the sanctuary the golden candlesticks glitter like precious stones. The old stained-gla.s.s windows with their symbolic figures become suddenly illuminated, a flood of light and sunshine spreads through the church like a sheet of fire. Are the heavens opening? Is the Spirit from on high descending among us?

While lost in pious revery, which soothes and lulls, one gazes with ecstasy on the fanciful details of the sculptures which vanish in the groined roof above, and on the quaint pipes of the organ with its hundred voices. The beliefs of childhood piously inculcated in your heart suddenly reawaken; a vague perfume of incense again penetrates the air. The stone pillars shoot up to infinite heights, and from these celestial arches depends the golden lamp which sways to and fro in s.p.a.ce, diffusing its eternal light. Truly, G.o.d is great.

By degrees the sweet tones of the preacher enrapture one more and more, and the sense of his words are lost; and, listening to the divine murmur of that saint-like voice, your eyes, like those of a child falling asleep in the bosom of the Creator, close.

You do not go to sleep, but your head inclines forward, the ethereal light surrounds you, and your soul, delighting in the uncertain, plunges into celestial s.p.a.ce, and loses itself in infinity.

What a sweet and holily intoxicating sensation, a delicious ecstasy! Nevertheless, there are those who smile at this religious raise-en-scene, these pomps and splendors, this celestial music, which soothes the nerves and thrills the brain! Pity on these scoffers who do not comprehend the ineffable delight of being able to open at will the gates of Paradise to themselves, and to become, at odd moments, one with the angels! But what purpose does it serve to speak of the faithless and of their harmless, smiles? As the Abbe Gelon has in his inimitable manner observed, "The heart is a fortress, incessantly a.s.sailed by the spirit of darkness."

The idea of a constant struggle with this powerful being has something about it that adds tenfold to our strength and flatters our vanity.

What, alone in your fortress, Madame; alone with the spirit of darkness.

But hush! the Abbe Gelon is finishing in a quivering and fatigued voice.

His right hand traces in the air the sign of peace. Then he wipes his humid forehead, his eyes sparkle with divine light, he descends the narrow stairs, and we hear on the pavement the regular taps of the rod of the verger, who is reconducting him to the vestry.

"Was he not splendid, dear?"

"Excellent! when he said, 'That my eyes might close forever, if...'

you remember?"

"Superb! and further on: 'Yes, ladies, you are coquettes.' He told us some hard truths; he speaks admirably."

"Admirably! He is divine!"

It is four o'clock, the church is plunged in shadow and silence. The confused rumble of the vehicles without hardly penetrates this dwelling of prayer, and the creak of one's boots, echoing in the distance, is the only human noise which ruffles the deep calm.

However, in proportion as we advance, we perceive in the chapels groups of the faithful, kneeling, motionless and silent. In viewing the despair that their att.i.tude appears to express, we are overwhelmed with sadness and uneasiness. Is it an appeal for the d.a.m.ned?

The aspects of one of these chapels is peculiar. A hundred or a hundred and fifty ladies, almost buried in silk and velvet, are crowded devoutly about the confessional. A sweet scent of violets and vervain permeates the vicinity, and one halts, in spite of one's self, in the presence of this large display of elegance.

From each of the two cells adjoining the confessional shoot out the folds of a rebellious skirt, for the penitent, held fast at the waist, has been able to get only half of her form into the narrow s.p.a.ce.

However, her head can be distinguished moving in the shadow, and we can guess from the contrite movements of her white feather that her forehead is bowed by reason of remonstrance and repentance.

Hardly has she concluded her little story when a dozen of her neighbors rush forward to replace her. This eagerness is quite explicable, for this chapel is the one in which the Abbe Gelon hears confessions, and I need not tell you that when the Abbe Gelon confesses it is the same as if he were preaching--there is a crowd.

The good Abbe confesses all these ladies, and, with angelic devotion, remains shut up for hours in this dark, narrow, suffocating box, through the grating of which two penitents are continually whispering their sins.