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The others were standing almost in a line. Teach-out and Ernie Ball, Ed Fisher and his partner and Verbiest.
Maybe this will straighten Fisher out, Corsen thought. He's a man you'd buy a drink for, even after he's robbed you. Verbiest made a mistake, but he knows it and he won't make it again. . . .
And then he did not think of them anymore. Katie was in the doorway and he walked toward the house.
4.
No Mans Guns.
As he drew near the ma.s.s of tree shadows that edged out to the road he heard the voice, the clear but hesitant sound of it coming unexpectedly in the almost-dark stillness.
"Cliff-"
His right knee touched the booted Springfield and he thought of it calmly, instinctively, drawing it left-handed in his mind, as he slowed the sorrel to a walk. Now at the edge of the shadows he saw a man with a rifle.
The man called uncertainly, "Cliff?"
"You got the wrong party," he answered, and neck-reined the sorrel toward the trees.
Less than twenty feet away the rifle came up suddenly. "Who are you?"
"My name's Mitch.e.l.l."
The rifle barrel hung hesitantly. "You better light down."
Astride the McClellan saddle, Dave Mitch.e.l.l didn't move. He sat with his shoulders pulled back, yet he was relaxed. Narrow hips, sun-darkened, thin-lined features beneath the slightly turned-up forward brim of a faded Stetson and everything about him said Cavalry. Cavalry. Everything but the rough-wool gray suit he wore. His coat was unb.u.t.toned and his dark shirt was unmistakably Army issue. Everything but the rough-wool gray suit he wore. His coat was unb.u.t.toned and his dark shirt was unmistakably Army issue.
"You're camped back in there?" Mitch.e.l.l asked, and he was thinking, watching the man studying him: I'm the wrong man and now he doesn't know what to do. The man with the rifle didn't reply and Mitch.e.l.l said, "I'm ready to camp the night. If you already got a place, maybe I could join you."
For a moment the man didn't answer. Then the rifle, a long-barreled Remington, waved in a short arc. "Light down."
Mitch.e.l.l let his right rein fall as he came off the sorrel. The rifle waved again. The man stood aside and Mitch.e.l.l walked past him leading the sorrel. They moved through the trees, thinly scattered aspen, then cottonwood as the ground began to slope '
gradually, and Mitch.e.l.l knew there'd be a creek close by. Unexpectedly, then, he saw the broad clearing and a wagon illuminated by firelight.
The ribbed canvas covering of it formed a pale background for the two figures who stood watching him approach. A man, his legs slightly apart and his hand covering the b.u.t.t of a holstered revolver. A woman was next to him and she watched Mitch.e.l.l with open curiosity as he entered the clearing.
"Rady's brought us a guest," the woman said.
The man with the rifle was next to Mitch.e.l.l now. "Hyatt, he says he wants to camp." The woman walked to the fire, but Hyatt, his hand still on the revolver, didn't move. Nor did he answer, and his eyes remained on Mitch.e.l.l. "He said he was ready to camp the night," Rady added, "so I thought-"
"Open your coat," Hyatt said. "Hold it open."
Slowly Mitch.e.l.l spread the coat open. "I'm not armed."
"He's got a carbine on the horse," Rady said.
Hyatt glanced at him. "Go back where you were."
Mitch.e.l.l dropped the rein and walked toward the low-burning fire as the woman extended a porcelain cup toward him and said, "Coffee?" Behind him he heard Rady's footsteps in the dry leaves, then fading to nothing, and he felt Hyatt watching him as he took the cup of coffee, his hand momentarily touching the woman's.
"You drink your coffee, then move off," Hyatt said. He was in his early thirties, but a week-old beard stubble darkened his face, adding ten years to his appearance. His face was drawn into tight, sunken cheeks and he looked as if he'd never smiled in his life. To the woman he said, "I'll tell you when we start giving coffee to everybody who goes by."
Mitch.e.l.l hesitated, letting the sudden tension inside him subside, and he thought, Don't let him rile you. Don't even tell him to go to h.e.l.l. He said to Hyatt, "I'll leave in a minute."
"You'll leave sooner if I say so."
Maybe you ought to tell him, at that, Mitch.e.l.l thought. Just to see what he'd do. But he heard the woman say, "Hy, don't talk like that," and he turned to the fire again.
"You shut your mouth!" Hyatt told her.
Mitch.e.l.l sipped his coffee, his eyes on the woman. Her face was lit by the firelight and it shone warmly and cleanly. He watched her glance at Hyatt but not answer him and he said to her, mildly, "I don't want to start a family argument."
"We'll ignore him, then," the woman said. She smiled and the smile was faintly in her eyes. She'd impressed Mitch.e.l.l as a woman who smiled little, and the soft radiance that came briefly into her eyes surprised him. Still, she fell into a type in Mitch.e.l.l's mind: small, frail looking, a woman who picked at her food yet was strong and you wondered what kept her going. Light hair, thin, delicately formed features, and dark shadows beneath the eyes. A serious kind, a woman who loved strongly and simply. A woman who spoke little. This, Mitch.e.l.l believed, was the most interesting type of all. The most feminine, even while sometimes reminding you of a little boy. At least the most appealing. Perhaps the kind to marry.
She said, "Could I ask where you're going?"
"Home," Mitch.e.l.l answered. No, she didn't exactly fit the type. She talked too freely.
"Where is that?"
"Banderas. I just left Whipple Barracks yesterday. Discharged."
"I thought so," the woman said. "Just the way you stand."
"I suppose some of it's bound to rub off, after twelve years."
"You don't look that old."
"Older'n you. I'm almost thirty-one."
"Were you an officer?"
"No, ma'am. Sergeant."
"You're going home to your folks?"
"Yes, ma'am. My dad has a place near Banderas."
"They'll be glad to see you."
Mitch.e.l.l half turned as Hyatt said, "How do we know you're from Whipple?"
"I just told you I was."
"What proof you got?"
"I don't have to show you anything."
Hyatt's hand hung close to his holster. "You don't think so, huh?"
"Look," Mitch.e.l.l said. "Why don't you quit standing on your nerves."
"Let's see your proof," Hyatt said.
Mitch.e.l.l glanced at the woman. "You ought to keep him locked up."
The woman half smiled. "Do you have discharge papers?"
Mitch.e.l.l's hand slipped into his open coat and patted his shirt pocket. "Right here."
"Why don't you show him?" the woman said. "So we'll have a little peace."
Mitch.e.l.l shook his head. "It's a matter of principle now." A matter of principle. And a matter of '
twelve years someone telling you what to do. You can take it when you're being paid to take it. But this one isn't paying, Mitch.e.l.l thought. Take that handgun off him and bend it over his head? No, just get out. You don't have any business here.
The woman said, "Men are always talking about principle, or honor."
"Well, I'm through talking about it tonight," Mitch.e.l.l said. He handed the empty cup to her. "Much obliged. I'm moving on now." She looked at him, but said nothing.
He saw her eyes shift suddenly.
Behind you!
It snapped in his mind and he heard the movement and he wheeled, bringing up his arms, throwing himself low at Hyatt who was almost on top of him. His shoulder slammed into Hyatt's knees and he drove forward as the pistol barrel came down against his spine. His arms clamped Hyatt's legs and he came up suddenly, His boots digging into the sand, throwing Hyatt's legs over his shoulder. Hyatt landed on his back, rolling over almost as he struck the ground, frantically reaching for the revolver knocked from his hand, almost touching it as Mitch.e.l.l dropped on top of him.
They rolled in the sand, Hyatt's fingers tearing through Mitch.e.l.l's shirt, clawing at his throat.
Mitch.e.l.l's hand found the revolver. He threw it spinning across the sand and his fist came back to slam against Hyatt's face. He pushed himself free, rolling, rising to his feet, and as Hyatt came up he swung hard against his jaw. Hyatt staggered. He started to go down and Mitch.e.l.l hit him again, holding him momentarily with his left hand as his right clubbed into the upturned face. Hyatt's head snapped back and he went down.
Mitch.e.l.l turned to the woman. He was breathing heavily and his left hand was pressed to the small of his back. "Are you married to him?" he asked.
She shook her head. "Not really."
Mitch.e.l.l hesitated. If he turned away he'd never see this woman again. Something made him ask, "Do you love him?"
She looked at him, her face softly impa.s.sive in the firelight. "You'd better move along," she said quietly.
For a moment Mitch.e.l.l's eyes remained on her, as if he were reluctant to leave. He turned to the sorrel, then hesitated again and walked over to Hyatt.
"Mister, you brought this on yourself. Your man out there thought I was somebody named Cliff and he brought me in because he was too scared to do anything else. I don't care who you are. ...I don't care who Cliff is-" Mitch.e.l.l broke off. "If you '
want to know the truth, I think you're crazy." He glanced momentarily at the woman before telling Hyatt, "Maybe you got some good points, but if you do you keep them a secret."
Hyatt's head came up slowly. He watched Mitch.e.l.l go to his sorrel and mount. He watched him silently, his hand covering a folded piece of paper on the ground beneath him. A square of paper folded four times just to fit into a shirt pocket.
Mitch.e.l.l urged the sorrel into the trees, letting it have its head, but holding it enough to reach the road farther down from where Rady would be. The woman stayed in his mind: standing in the firelight, her eyes meeting his and not lowering even when he continued to stare at her.
Some woman.
His body came alive as the shot sounded behind him and his hand instinctively went to the booted carbine. He turned in the saddle drawing the Springfield, the sorrel sidestepping nervously, kicking the dry leaves, throwing its head. There were other sounds in the leaves and suddenly a man's voice: "Throw up your hands!" And almost with the words Mitch.e.l.l was dragged from the saddle. Men were all around him in the darkness, two holding his arms, and as he tried to rise a fist came from nowhere, stinging hard against his face.
A rifle barrel jabbed into his back and he was taken through the trees, a man holding each arm. There were more men at the clearing and the nearest ones stepped aside as Mitch.e.l.l was brought in. One man was building the fire. Another was climbing the wagon wheel, now looking inside. The rest stood in a semicircle around Hyatt and the woman.
The man holding Mitch.e.l.l's left arm shouted, "d.y.k.e, we got the other one!"
Mitch.e.l.l saw one of the men turn and nod his head, then beckon them to come closer. He stood relaxed, a tall man wearing a stiff-brimmed hat low and straight over his eyes, and a tawny tip-twisted mustache that in the firelight blended with the weathered cut of his features. His coat was open, a dark coat...and then Mitch.e.l.l saw it. The deputy star against the dark cloth and everything was suddenly perfectly clear.
Hyatt was saying, "What're you doing! We're camped here and you barge in, shooting-"
A man said, "You scrambled for that gun quick enough."
"How'd I know who you were?"
"You know now." The man laughed. Mitch.e.l.l '
looked from this man to the others. There were perhaps a dozen in the group, but only d.y.k.e and two or three more wore deputy stars.
"Listen"-Hyatt's voice calmed-"I think you could've announced yourselves, that's all. You're looking for somebody and you want to ask some questions, that it?"
d.y.k.e shook his head. "I don't have any questions."
Hyatt's eyes shifted along the line of men. "We're on our way down to Tucson. I'm going in business with a man down there."
d.y.k.e said nothing. His eyes were on Hyatt, studying him.
"In the freight business," Hyatt said. "This man's already got contracts."
"Are you through?" d.y.k.e said then.
Hyatt frowned. "What do you mean?"
"I'll tell a story now," d.y.k.e said. "It starts the day before yesterday when the Hatch & Hodges was held up an hour out of Mojave. One of the pa.s.sengers, Mr. J. A. Hicks, was shot and killed when he raised an objection. Now, this Mr. Hicks was owner of the Mogollon Cattle Company-Slash M-of which I'm foreman. Mr. Hicks, besides being boss, was my best friend...which doesn't mean much to the story aside from it's the reason I was deputized to take out a posse."
Hyatt said, "I'm sorry to hear that, but-"
"I'm not finished," d.y.k.e stated. "You see, these holdup men separated after the robbery. We spent a whole day scratching for sign and finally we got on one we were pretty sure of. Last night we caught up with a man named Cliff something. Now, at first he said he didn't know anything about it."
d.y.k.e's eyes hadn't left Hyatt's. "I hit this man twice. The second one broke his jaw and after that he wrote down what we wanted to know. How he was to meet his friends tonight, and where. A woman and two men posing as travelers. A man named James Rady; another by the name of Hyatt Earl."