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Molly Bawn Part 23

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"Are John and Letty every one? At Herst they are still in blissful ignorance. Let them remain so. I insist on our engagement being kept secret."

"But why?"

"Because if it was known it would spoil all my fun. I have noticed that men avoid a _fiancee_ as they would a--a rattlesnake."

"I cannot see why being engaged should spoil your fun."

"But it would for all that. Come now, Ted, be candid: how often were you in love before you met me?"

"Never." With the vehemence of a thousand oaths.

"Well, then, to put it differently, how many girls did you like?"

"Like?" Reluctantly. "Oh, as for that, I suppose I did fancy I liked a few girls."

"Just so; and I should like to like a few men," says Miss Ma.s.sereene, triumphantly.

"You don't know what you are talking about," says Tedcastle, hotly.

"Indeed I do. That is just one of the great points which the defenders of women's rights forget to expatiate upon. A man may love as often as he chooses, while a woman must only love once, or he considers himself very badly used. Why not be on an equal footing? Not that I want to love any one," says Molly; "only it is the injustice of the thing I abhor."

"Love any one you choose," says Tedcastle, pa.s.sionately, springing to his feet, "Shadwell or any other fellow that comes in your way, I shan't interfere. It is hardly necessary for you to say you don't 'want to love one.' Your heart is as cold as ice. It is high time this engagement--this farce--should come to an end."

"If you wish it," says Molly, quietly, in a subdued tone, yet as she says it she moves one step--no more--closer to him.

"But I do not wish it; that is my cruel fate!" cries the young man, taking both her hands and laying them over his heart with a despairing tenderness. "There are none happy save those incapable of knowing a lasting affection. Oh, Molly!"--remorsefully--"forgive me. I am speaking to you as I ought not. It is all my beastly temper; though I used not to be ill-tempered," says he, with sad wonder. "At home and among our fellows I was always considered rather easy-going than otherwise. I think the knowledge that I must part from you on Thursday (though only for a short time) is embittering me."

"Then you are really sorry to leave me?" questions Molly, peering up at him from under her straw hat.

"You know I am."

"But very sorry,--desperately so?"

"Yes." Gravely, and with something that is almost tears in his eyes.

"Why do you ask me, Molly? Is it not palpable enough?"

"It is not. You look just the same as ever,--quite as 'easy-going'"--with a malicious pout--"as either your 'home' or your 'fellows' could desire. I quite buoyed myself up with the hope that I should see you reduced to a skeleton as the last week crept to its close, and here you are robust and well to do as usual. I call it unfeeling," says Miss Ma.s.sereene, reproachfully, "and I don't believe you care a pin about me."

"Would you like to see me 'reduced to a skeleton'?" asks Luttrell, reproachfully. "You talk as though you had been done out of something; but a man may be horribly cut up about a thing without letting all the world know of it."

"You conceal it with great skill," says Molly, placing her hand beneath his chin, under a pretense of studying his features, but in reality to compel him to look at her; and, as it is impossible for any one to gaze into another's eyes for any length of time without showing emotion of some kind, presently he laughs.

"Ah!" cries she, well pleased, "now I have made you laugh, your little attack of the spleens will possibly take to itself wings and fly away."

All through the remainder of this day and the whole of the next--which is his last--she is sweetness itself to him. Whatever powers of tormenting she possesses are kept well in the background, while she betrays nothing but a very successful desire to please.

She wanders with him contentedly through garden and lawn; she sits beside him; at dinner she directs swift, surrept.i.tious smiles at him across the flowers; later on she sings to him his favorite songs; and why she scarcely knows. Perhaps through a coquettish desire to make the parting harder; perhaps to make his chains still stronger; perhaps to soothe his evident regret; perhaps (who can say?) because she too feels that same regret.

And surely to-night some new spirit is awake within her. Never has she sung so sweetly. As her glorious voice floats through the dimly-lighted room and out into the more brilliant night beyond, Luttrell, and Let.i.tia, and John sit entranced and wonder secretly at the great gift that has been given her.

"If ever words are sweet, what, what is song When lips we love the melody prolong!"

Molly in every-day life is one thing; Molly singing divinely is another. One wonders curiously, when hearing her, how anything so gay, so _debonnaire_ as she, can throw such pa.s.sion into words, such thrilling tenderness, such wild and mournful longing.

"Molly," cries John impatiently from the balcony, "I cannot bear to hear you sing like that. One would think your heart was broken. Don't do it, child."

And Molly laughs lightly, and bursts into a barcarolle that utterly precludes the idea of any deep feeling; after which she gives them her own "Molly Bawn," and then, shutting down the piano, declares she is tired, and that evidently John doesn't appreciate her, and so she will sing no more.

Then comes the last morning,--the cruel moment when farewell must be said.

The dog-cart is at the door; John is good-naturedly busy about the harness; and, Let.i.tia having suddenly and with suspicious haste recollected important commands for the kitchen, whither she withdraws herself, the lovers find themselves alone.

"Hurry, man; you will barely catch it," cries John, from outside, meaning the train; having calculated to a nicety how long it would take him to give and receive a kiss, now that he has been married for more years than he cares to count.

Luttrell, starting at his voice, seizes both Molly's hands.

"Keep thinking of me always," he says, in a low tone, "always, lest at any moment you forget."

Molly makes him no answer, but slowly raises to him eyes wet with unshed tears. It is more than he has hoped for.

"Molly," he cries, hurriedly, only too ready to grasp this small bud of a longed-for affection, "you will be sorry for me? There are tears in your eyes,--you will _miss_ me? You love me, surely,--a little?"

Once more the lovely dewy eyes meet his; she nods at him and smiles faintly.

"A little," he repeats, wistfully. (Perhaps he has been a.s.suring himself of some more open encouragement,--has dreamed of spoken tenderness, and feels the disappointment.) "Some men," he goes on, softly, "can lay claim to all the great treasure of their love's heart, while I--see how eagerly I accept the bare crumbs. Yet, darling, believe me, your sweet coldness is dearer to me than another woman's warmest a.s.sertion. And later--who knows?--perhaps----"

"Yes, perhaps," says Molly, stirred by his emotion or by some other stronger sentiment lying deep at the bottom of her heart, "by and by I may perhaps bore you to death by the violence of my devotion.

Meantime"--standing on tiptoe, and blushing just enough to make her even more adorable than before, and placing two white hands on his shoulders--"you shall have one small, wee kiss to carry away with you."

Half in doubt he waits until of her own sweet accord her lips do verily meet his; and then, catching her in his arms, he strains her to him, forgetful for the moment of the great fact that neither time nor tide waits for any man.

"You are not going, I suppose?" calls John, his voice breaking in rudely upon the harrowing scene. "Shall I send the horse back to the stables? Here, James,"--to the stable boy,--"take round Rufus; Mr.

Luttrell is going to stay another month or two."

"Remember," says Luttrell, earnestly, still holding her as though loath to let her go.

"You remind me of Charles the First," murmurs she, smiling through her tears. "Yes, I will remember _you_, and all you have _said_, and--_everything_. And more, I shall be longing to see you again.

Now go." Giving him a little push.

Presently--he hardly knows how--he finds himself in the dog-cart, with John, oppressively cheerful, beside him, and, looking back as they drive briskly up the avenue, takes a last glance at Brooklyn, with Molly on the steps, waving her hand to him, and watching his retreating form with such a regretful countenance as gives him renewed courage.

In an upper window is Let.i.tia, more than equal to the occasion, armed with one of John's largest handkerchiefs, that bears a strong resemblance to a young sheet as it flutters frantically hither and thither in the breeze; while below the two children, Daisy and Renee,--under a mistaken impression that the hour is festive,--throw after him a choice collection of old boots much the worse for wear, which they have purloined with praiseworthy adroitness from under their nurse's nose.

"Oh, Letty, I do feel so honestly lonely," says Molly, half an hour later, meeting her sister-in-law on the stairs.

"Do you, dearest?" admiringly. "That is very nice of you. Never mind; you know you will soon see him again. And let us come and consult about the dresses you ought to wear at Herst."

"Yes, do let us," returns Miss Ma.s.sereene, brightening with suspicious alacrity, and drawing herself up as straight as a young tree out of the despondent att.i.tude she has been wearing. "That will pa.s.s the time better than anything."

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Molly Bawn Part 23 summary

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