Modeste Mignon Part 7

CHAPTER IX. THE POWER OF THE UNSEEN

To Monsieur de Ca.n.a.lis:

My friend,--Suffer me to give you that name,--you have delighted me; I would not have you other than you are in this letter, the first--oh, may it not be the last! Who but a poet could have excused and understood a young girl so delicately?

I wish to speak with the sincerity that dictated the first lines of your letter. And first, let me say that most fortunately you do not know me. I can joyfully a.s.sure you than I am neither that hideous Mademoiselle Vilquin nor the very n.o.ble and withered Mademoiselle d'Herouville who floats between twenty and forty years of age, unable to decide on a satisfactory date. The Cardinal d'Herouville flourished in the history of the Church at least a century before the cardinal of whom we boast as our only family glory,--for I take no account of lieutenant-generals, and abbes who write trumpery little verses.

Moreover, I do not live in the magnificent villa Vilquin; there is not in my veins, thank G.o.d, the ten-millionth of a drop of that chilly blood which flows behind a counter. I come on one side from Germany, on the other from the south of France; my mind has a Teutonic love of reverie, my blood the vivacity of Provence. I am n.o.ble on my father's and on my mother's side. On my mother's I derive from every page of the Almanach de Gotha. In short, my precautions are well taken. It is not in any man's power, nor even in the power of the law, to unmask my incognito. I shall remain veiled, unknown.

As to my person and as to my "belongings," as the Normans say, make yourself easy. I am at least as handsome as the little girl (ignorantly happy) on whom your eyes chanced to light during your visit to Havre; and I do not call myself poverty-stricken, although ten sons of peers may not accompany me on my walks. I have seen the humiliating comedy of the heiress sought for her millions played on my account. In short, make no attempt, even on a wager, to reach me. Alas! though free as air, I am watched and guarded,--by myself, in the first place, and secondly, by people of nerve and courage who would not hesitate to put a knife in your heart if you tried to penetrate my retreat. I do not say this to excite your courage or stimulate your curiosity; I believe I have no need of such incentives to interest you and attach you to me.

I will now reply to the second edition, considerably enlarged, of your first sermon.

Will you have a confession? I said to myself when I saw you so distrustful, and mistaking me for Corinne (whose improvisations bore me dreadfully), that in all probability dozes of Muses had already led you, rashly curious, into their valleys, and begged you to taste the fruits of their boarding-school Parna.s.sus. Oh!

you are perfectly safe with me, my friend; I may love poetry, but I have no little verses in my pocket-book, and my stockings are, and will remain, immaculately white. You shall not be pestered with the "Flowers of my Heart" in one or more volumes. And, finally, should it ever happen that I say to you the word "Come!"

you will not find--you know it now--an old maid, no, nor a poor and ugly one.

Ah! my friend, if you only knew how I regret that you came to Havre! You have lowered the charm of what you call my romance. G.o.d alone knew the treasure I was reserving for the man n.o.ble enough, and trusting enough, and perspicacious enough to come--having faith in my letters, having penetrated step by step into the depths of my heart--to come to our first meeting with the simplicity of a child: for that was what I dreamed to be the innocence of a man of genius. And now you have spoiled my treasure! But I forgive you; you live in Paris and, as you say, there is always a man within a poet.

Because I tell you this will you think me some little girl who cultivates a garden-full of illusions? You, who are witty and wise, have you not guessed that when Mademoiselle d'Este received your pedantic lesson she said to herself: "No, dear poet, my first letter was not the pebble which a vagabond child flings about the highway to frighten the owner of the adjacent fruit-trees, but a net carefully and prudently thrown by a fisherman seated on a rock above the sea, hoping and expecting a miraculous draught."

All that you say so beautifully about the family has my approval.

The man who is able to please me, and of whom I believe myself worthy, will have my heart and my life,--with the consent of my parents, for I will neither grieve them, nor take them unawares: happily, I am certain of reigning over them; and, besides, they are wholly without prejudice. Indeed, in every way, I feel myself protected against any delusions in my dream. I have built the fortress with my own hands, and I have let it be fortified by the boundless devotion of those who watch over me as if I were a treasure,--not that I am unable to defend myself in the open, if need be; for, let me say, circ.u.mstances have furnished me with armor of proof on which is engraved the word "Disdain." I have the deepest horror of all that is calculating,--of all that is not pure, disinterested, and wholly n.o.ble. I worship the beautiful, the ideal, without being romantic; though I HAVE been, in my heart of hearts, in my dreams. But I recognize the truth of the various things, just even to vulgarity, which you have written me about Society and social life.

For the time being we are, and we can only be, two friends. Why seek an unseen friend? you ask. Your person may be unknown to me, but your mind, your heart I _know_; they please me, and I feel an infinitude of thoughts within my soul which need a man of genius for their confidant. I do not wish the poem of my heart to be wasted; I would have it known to you as it is to G.o.d. What a precious thing is a true comrade, one to whom we can tell all! You will surely not reject the unpublished leaflets of a young girl's thoughts when they fly to you like the pretty insects fluttering to the sun? I am sure you have never before met with this good fortune of the soul,--the honest confidences of an honest girl.

Listen to her prattle; accept the music that she sings to you in her own heart. Later, if our souls are sisters, if our characters warrant the attempt, a white-haired old serving-man shall await you by the wayside and lead you to the cottage, the villa, the castle, the palace--I don't know yet what sort of bower it will be, nor what its color, nor whether this conclusion will ever be possible; but you will admit, will you not? that it is poetic, and that Mademoiselle d'Este has a complying disposition. Has she not left you free? Has she gone with jealous feet to watch you in the salons of Paris? Has she imposed upon you the labors of some high emprise, such as paladins sought voluntarily in the olden time?

No, she asks a perfectly spiritual and mystic alliance. Come to me when you are unhappy, wounded, weary. Tell me all, hide nothing; I have balms for all your ills. I am twenty years of age, dear friend, but I have the sense of fifty, and unfortunately I have known through the experience of another all the horrors and the delights of love. I know what baseness the human heart can contain, what infamy; yet I myself am an honest girl. No, I have no illusions; but I have something better, something real,--I have beliefs and a religion. See! I open the ball of our confidences.

Whoever I marry--provided I choose him for myself--may sleep in peace or go to the East Indies sure that he will find me on his return working at the tapestry which I began before he left me; and in every st.i.tch he shall read a verse of the poem of which he has been the hero. Yes, I have resolved within my heart never to follow my husband where he does not wish me to go. I will be the divinity of his hearth. That is my religion of humanity. But why should I not test and choose the man to whom I am to be like the life to the body? Is a man ever impeded by life? What can that woman be who thwarts the man she loves?--an illness, a disease, not life. By life, I mean that joyous health which makes each hour a pleasure.

But to return to your letter, which will always be precious to me.

Yes, jesting apart, it contains that which I desired, an expression of prosaic sentiments which are as necessary to family life as air to the lungs; and without which no happiness is possible. To act as an honest man, to think as a poet, to love as women love, that is what I longed for in my friend, and it is now no longer a chimera.

Adieu, my friend. I am poor at this moment. That is one of the reasons why I cling to my concealment, my mask, my impregnable fortress. I have read your last verses in the "Revue,"--ah! with what delight, now that I am initiated in the austere loftiness of your secret soul.

Will it make you unhappy to know that a young girl prays for you; that you are her solitary thought,--without a rival except in her father and mother? Can there be any reason why you should reject these pages full of you, written for you, seen by no eye but yours? Send me their counterpart. I am so little of a woman yet that your confidences--provided they are full and true--will suffice for the happiness of your

O. d'Este M.

"Good heavens! can I be in love already?" cried the young secretary, when he perceived that he had held the above letter in his hands more than an hour after reading it. "What shall I do? She thinks she is writing to the great poet! Can I continue the deception? Is she a woman of forty, or a girl of twenty?"

Ernest was now fascinated by the great gulf of the unseen. The unseen is the obscurity of infinitude, and nothing is more alluring. In that sombre vastness fires flash, and furrow and color the abyss with fancies like those of Martin. For a busy man like Ca.n.a.lis, an adventure of this kind is swept away like a harebell by a mountain torrent, but in the more unoccupied life of the young secretary, this charming girl, whom his imagination persistently connected with the blonde beauty at the window, fastened upon his heart, and did as much mischief in his regulated life as a fox in a poultry-yard. La Briere allowed himself to be preoccupied by this mysterious correspondent; and he answered her last letter with another, a pretentious and carefully studied epistle, in which, however, pa.s.sion begins to reveal itself through pique.

Mademoiselle,--Is it quite loyal in you to enthrone yourself in the heart of a poor poet with a latent intention of abandoning him if he is not exactly what you wish, leaving him to endless regrets,--showing him for a moment an image of perfection, were it only a.s.sumed, and at any rate giving him a foretaste of happiness?

I was very short-sighted in soliciting this letter, in which you have begun to unfold the elegant fabric of your thoughts. A man can easily become enamored with a mysterious unknown who combines such fearlessness with such originality, so much imagination with so much feeling. Who would not wish to know you after reading your first confidence? It requires a strong effort on my part to retain my senses in thinking of you, for you combine all that can trouble the head or the heart of man. I therefore make the most of the little self-possession you have left me to offer you my humble remonstrances.

Do you really believe, mademoiselle, that letters, more or less true in relation to the life of the writers, more or less insincere,--for those which we write to each other are the expressions of the moment at which we pen them, and not of the general tenor of our lives,--do you believe, I say, that beautiful as they may be, they can at all replace the representation that we could make of ourselves to each other by the revelations of daily intercourse? Man is dual. There is a life invisible, that of the heart, to which letters may suffice; and there is a life material, to which more importance is, alas, attached than you are aware of at your age. These two existences must, however, be made to harmonize in the ideal which you cherish; and this, I may remark in pa.s.sing, is very rare.

The pure, spontaneous, disinterested homage of a solitary soul which is both educated and chaste, is one of those celestial flowers whose color and fragrance console for every grief, for every wound, for every betrayal which makes up the life of a literary man; and I thank you with an impulse equal to your own.

But after this poetical exchange of my griefs for the pearls of your charity, what next? what do you expect? I have neither the genius nor the splendid position of Lord Byron; above all, I have not the halo of his fict.i.tious d.a.m.nation and his false social woes. But what could you have hoped from him in like circ.u.mstances? His friendship? Well, he who ought to have felt only pride was eaten up by vanity of every kind,--sickly, irritable vanity which discouraged friendship. I, a thousand-fold more insignificant than he, may I not have discordances of character, and make friendship a burden heavy indeed to bear? In exchange for your reveries, what will you gain? The dissatisfaction of a life which will not be wholly yours. The compact is madness. Let me tell you why. In the first place, your projected poem is a plagiarism. A young German girl, who was not, like you, semi-German, but altogether so, adored Goethe with the rash intoxication of girlhood. She made him her friend, her religion, her G.o.d, knowing at the same time that he was married.

Madame Goethe, a worthy German woman, lent herself to this worship with a sly good-nature which did not cure Bettina. But what was the end of it all? The young ecstatic married a man who was younger and handsomer than Goethe. Now, between ourselves, let us admit that a young girl who should make herself the handmaid of a man of genius, his equal through comprehension, and should piously worship him till death, like one of those divine figures sketched by the masters on the shutters of their mystic shrines, and who, when Germany lost him, should have retired to some solitude away from men, like the friend of Lord Bolingbroke,--let us admit, I say, that the young girl would have lived forever, inlaid in the glory of the poet as Mary Magdalene in the cross and triumph of our Lord. If that is sublime, what say you to the reverse of the picture? As I am neither Goethe nor Lord Byron, the colossi of poetry and egotism, but simply the author of a few esteemed verses, I cannot expect the honors of a cult. Neither am I disposed to be a martyr. I have ambition, and I have a heart; I am still young and I have my career to make. See me for what I am.

The bounty of the king and the protection of his ministers give me sufficient means of living. I have the outward bearing of a very ordinary man. I go to the soirees in Paris like any other empty-headed fop; and if I drive, the wheels of my carriage do not roll on the solid ground, absolutely indispensable in these days, of property invested in the funds. But if I am not rich, neither do I have the reliefs and consolations of life in a garret, the toil uncomprehended, the fame in penury, which belong to men who are worth far more than I,--D'Arthez, for instance.

Ah! what prosaic conclusions will your young enthusiasm find to these enchanting visions. Let us stop here. If I have had the happiness of seeming to you a terrestrial paragon, you have been to me a thing of light and a beacon, like those stars that shine for a moment and disappear. May nothing ever tarnish this episode of our lives. Were we to continue it I might love you; I might conceive one of those mad pa.s.sions which rend all obstacles, which light fires in the heart whose violence is greater than their duration. And suppose I succeeded in pleasing you? we should end our tale in the common vulgar way,--marriage, a household, children, Belise and Henriette Chrysale together!--could it be?

Therefore, adieu.

CHAPTER X. THE MARRIAGE OF SOULS

To Monsieur de Ca.n.a.lis:

My Friend,--Your letter gives me as much pain as pleasure. But perhaps some day we shall find nothing but pleasure in writing to each other. Understand me thoroughly. The soul speaks to G.o.d and asks him for many things; he is mute. I seek to obtain in you the answers that G.o.d does not make to me. Cannot the friendship of Mademoiselle de Gournay and Montaigne be revived in us? Do you not remember the household of Sismonde de Sismondi in Geneva? The most lovely home ever known, as I have been told; something like that of the Marquis de Pescaire and his wife,--happy to old age. Ah!

friend, is it impossible that two hearts, two harps, should exist as in a symphony, answering each other from a distance, vibrating with delicious melody in unison? Man alone of all creation is in himself the harp, the musician, and the listener. Do you think to find me uneasy and jealous like ordinary women? I know that you go into the world and meet the handsomest and the wittiest women in Paris. May I not suppose that some one of those mermaids has deigned to clasp you in her cold and scaly arms, and that she has inspired the answer whose prosaic opinions sadden me? There is something in life more beautiful than the garlands of Parisian coquetry; there grows a flower far up those Alpine peaks called men of genius, the glory of humanity, which they fertilize with the dews their lofty heads draw from the skies. I seek to cultivate that flower and make it bloom; for its wild yet gentle fragrance can never fail,--it is eternal.

Do me the honor to believe that there is nothing low or commonplace in me. Were I Bettina, for I know to whom you allude, I should never have become Madame von Arnim; and had I been one of Lord Byron's many loves, I should be at this moment in a cloister.

You have touched me to the quick. You do not know me, but you shall know me. I feel within me something that is sublime, of which I dare speak without vanity. G.o.d has put into my soul the roots of that Alpine flower born on the summits of which I speak, and I cannot plant it in an earthen pot upon my window-sill and see it die. No, that glorious flower-cup, single in its beauty, intoxicating in its fragrance, shall not be dragged through the vulgarities of life! it is yours--yours, before any eye has blighted it, yours forever! Yes, my poet, to you belong my thoughts,--all, those that are secret, those that are gayest; my heart is yours without reserve and with its infinite affection. If you should personally not please me, I shall never marry. I can live in the life of the heart, I can exist on your mind, your sentiments; they please me, and I will always be what I am, your friend. Yours is a n.o.ble moral nature; I have recognized it, I have appreciated it, and that suffices me. In that is all my future. Do not laugh at a young and pretty handmaiden who shrinks not from the thought of being some day the old companion of a poet,--a sort of mother perhaps, or a housekeeper; the guide of his judgment and a source of his wealth. This handmaiden--so devoted, so precious to the lives of such as you--is Friendship, pure, disinterested friendship, to whom you will tell all, who listens and sometimes shakes her head; who knits by the light of the lamp and waits to be present when the poet returns home soaked with rain, or vexed in mind. Such shall be my destiny if I do not find that of a happy wife attached forever to her husband; I smile alike at the thought of either fate. Do you believe France will be any the worse if Mademoiselle d'Este does not give it two or three sons, and never becomes a Madame Vilquin-something-or-other? As for me, I shall never be an old maid. I shall make myself a mother, by taking care of others and by my secret co-operation in the existence of a great man, to whom also I shall carry all my thoughts and all my earthly efforts.

I have the deepest horror of commonplaceness. If I am free, if I am rich (and I know that I am young and pretty), I will never belong to any ninny just because he is the son of a peer of France, nor to a merchant who could ruin himself and me in a day, nor to a handsome creature who would be a sort of woman in the household, nor to a man of any kind who would make me blush twenty times a day for being his. Make yourself easy on that point. My father adores my wishes; he will never oppose them. If I please my poet, and he pleases me, the glorious structure of our love shall be built so high as to be inaccessible to any kind of misfortune.

I am an eaglet; and you will see it in my eyes.

I shall not repeat what I have already said, but I will put its substance in the least possible number of words, and confess to you that I should be the happiest of women if I were imprisoned by love as I am now imprisoned by the wish and will of a father. Ah!

my friend, may we bring to a real end the romance that has come to us through the first exercise of my will: listen to its argument:--

A young girl with a lively imagination, locked up in a tower, is weary with longing to run loose in the park where her eyes only are allowed to rove. She invents a way to loosen her bars; she jumps from the cas.e.m.e.nt; she scales the park wall; she frolics along the neighbor's sward--it is the Everlasting comedy. Well, that young girl is my soul, the neighbor's park is your genius. Is it not all very natural? Was there ever a neighbor that did not complain that unknown feet broke down his trellises? I leave it to my poet to answer.

But does the lofty reasoner after the fashion of Moliere want still better reasons? Well, here they are. My dear Geronte, marriages are usually made in defiance of common-sense. Parents make inquiries about a young man. If the Leander--who is supplied by some friend, or caught in a ball-room--is not a thief, and has no visible rent in his reputation, if he has the necessary fortune, if he comes from a college or a law-school and so fulfils the popular ideas of education, and if he wears his clothes with a gentlemanly air, he is allowed to meet the young lady, whose mother has ordered her to guard her tongue, to let no sign of her heart or soul appear on her face, which must wear the smile of a danseuse finishing a pirouette. These commands are coupled with instructions as to the danger of revealing her real character, and the additional advice of not seeming alarmingly well educated. If the settlements have all been agreed upon, the parents are good-natured enough to let the pair see each other for a few moments; they are allowed to talk or walk together, but always without the slightest freedom, and knowing that they are bound by rigid rules. The man is as much dressed up in soul as he is in body, and so is the young girl. This pitiable comedy, mixed with bouquets, jewels, and theatre-parties is called "paying your addresses." It revolts me: I desire that actual marriage shall be the result of a previous and long marriage of souls. A young girl, a woman, has throughout her life only this one moment when reflection, second sight, and experience are necessary to her. She plays her liberty, her happiness, and she is not allowed to throw the dice; she risks her all, and is forced to be a mere spectator. I have the right, the will, the power to make my own unhappiness, and I use them, as did my mother, who, won by beauty and led by instinct, married the most generous, the most liberal, the most loving of men. I know that you are free, a poet, and n.o.ble-looking. Be sure that I should not have chosen one of your brothers in Apollo who was already married. If my mother was won by beauty, which is perhaps the spirit of form, why should I not be attracted by the spirit and the form united? Shall I not know you better by studying you in this correspondence than I could through the vulgar experience of "receiving your addresses"? This is the question, as Hamlet says.

But my proceedings, dear Chrysale, have at least the merit of not binding us personally. I know that love has its illusions, and every illusion its to-morrow. That is why there are so many partings among lovers vowed to each other for life. The proof of love lies in two things,--suffering and happiness. When, after pa.s.sing through these double trials of life two beings have shown each other their defects as well as their good qualities, when they have really observed each other's character, then they may go to their grave hand in hand. My dear Argante, who told you that our little drama thus begun was to have no future? In any case shall we not have enjoyed the pleasures of our correspondence?

I await your orders, monseigneur, and I am with all my heart,

Your handmaiden,

O. d'Este M.

To Mademoiselle O. d'Este M.,--You are a witch, a spirit, and I love you! Is that what you desire of me, most original of girls?

Perhaps you are only seeking to amuse your provincial leisure with the follies which are you able to make a poet commit. If so, you have done a bad deed. Your two letters have enough of the spirit of mischief in them to force this doubt into the mind of a Parisian. But I am no longer master of myself; my life, my future depend on the answer you will make me. Tell me if the certainty of an unbounded affection, oblivious of all social conventions, will touch you,--if you will suffer me to seek you. There is anxiety enough and uncertainty enough in the question as to whether I can personally please you. If your reply is favorable I change my life, I bid adieu to all the irksome pleasures which we have the folly to call happiness. Happiness, my dear and beautiful unknown, is what you dream it to be,--a fusion of feelings, a perfect accordance of souls, the imprint of a n.o.ble ideal (such as G.o.d does permit us to form in this low world) upon the trivial round of daily life whose habits we must needs obey, a constancy of heart more precious far than what we call fidelity. Can we say that we make sacrifices when the end in view is our eternal good, the dream of poets, the dream of maidens, the poem which, at the entrance of life when thought essays its wings, each n.o.ble intellect has pondered and caressed only to see it shivered to fragments on some stone of stumbling as hard as it is vulgar?--for to the great majority of men, the foot of reality steps instantly on that mysterious egg so seldom hatched.

I cannot speak to you any more of myself; not of my past life, nor of my character, nor of an affection almost maternal on one side, filial on mine, which you have already seriously changed--an effect upon my life which must explain my use of the word "sacrifice." You have already rendered me forgetful, if not ungrateful; does that satisfy you? Oh, speak! Say to me one word, and I will love you till my eyes close in death, as the Marquis de Pescaire loved his wife, as Romeo loved Juliet, and faithfully.

Our life will be, for me at least, that "felicity untroubled"

which Dante made the very element of his Paradiso,--a poem far superior to his Inferno. Strange, it is not myself that I doubt in the long reverie through which, like you, I follow the windings of a dreamed existence; it is you. Yes, dear, I feel within me the power to love, and to love endlessly,--to march to the grave with gentle slowness and a smiling eye, with my beloved on my arm, and with never a cloud upon the sunshine of our souls. Yes, I dare to face our mutual old age, to see ourselves with whitening heads, like the venerable historian of Italy, inspired always with the same affection but transformed in soul by our life's seasons. Hear me, I can no longer be your friend only. Though Chrysale, Geronte, and Argante re-live, you say, in me, I am not yet old enough to drink from the cup held to my lips by the sweet hands of a veiled woman without a pa.s.sionate desire to tear off the domino and the mask and see the face. Either write me no more, or give me hope.

Let me see you, or let me go. Must I bid you adieu? Will you permit me to sign myself,

Your Friend?