Milton's England Part 5

MILTON AT WHITEHALL.--SCOTLAND YARD.--PETTY FRANCE.--BARTHOLOMEW CLOSE.--HIGH HOLBORN.--JEWIN STREET.--ARTILLERY WALK

Milton remained in Spring Gardens about seven months, when his new apartments in the north end of Whitehall Palace were ready. These opened from Scotland Yard, in which was the Guard House. The yeomen of the guard wore red cloth roses on back and breast, and must have seemed very gay and imposing personages to the little girls of the Milton family. Their rooms were connected with the various courts and suites of apartments that extended down to the Privy Garden. The palace in Cromwell's time probably retained in residence a large portion of the small army of caterers, butchers, brewers, confectioners, glaziers, etc., who provided for the constant needs of the huge establishment. The Horse Guards, built for gentlemen pensioners, was erected in 1641, and was still quite new. This apparently was not on the site of the present Horse Guards, which was built in 1753.

At Scotland Yard, Milton's only son, John, was born, and here his protracted labours in his vehement controversy with Salmasius brought on the blackness of great darkness which, at the age of forty-three, for ever shut his world from view. For the next twenty years and more it is the blind poet whose life we follow, during the period when his fiery spirit was chastened not only by his own afflictions, but by the nation's also.

In 1652 Milton moved to Petty France, now York Street, near the Bird Cage Walk, which was so named from the king's aviary there. Here the next year his little daughter Deborah was born, and soon after his wife, at the age of twenty-six, after nine years of married life, died. After the first estrangement and reconciliation, so far as we know, all had gone well. Her little John, who had scarcely learned to speak his father's name, soon followed her to the grave.

The household then consisted of the poet, his nephew and amanuensis John, and his three motherless little girls. Ma.s.son describes the house as he saw it before its destruction in 1875. It was then No. 19 York Street, and had a squalid shop in its lower part, and a recess on one side of it used for stacking wood. On entering by a small door and pa.s.sage at the side of the shop, one groped up a dark staircase, where several tenants lived, in the rooms that were once all Milton's. "The larger ones on the first floor are not so bad, and what are now the back rooms of the house may have been even pleasant and elegant when the house had a garden of its own behind it, and that garden opened directly into the park."

Jeremy Bentham, who over a century later was landlord of the house and lived close by, placed a tablet on the rear wall inscribed "Sacred to Milton, Prince of Poets." After 1811 Bentham's tenant was William Hazlitt; before that his friend James Mill occupied the house.

Lord Scudamore, who had given Milton an introduction to Grotius, was his next-door neighbour at York Street. To-day the loftiest apartment house in London stands upon the unmarked site of Milton's house. The frequent walk which Milton took to Whitehall, with a guide to his dark steps, during his eight years' residence here, led him half a mile across St. James's Park from Queen Anne Gate to Spring Gardens or the Horse Guards. The ornamental water was not then there, but there were ponds and trees and pleasant stretches of green turf. Charles II. had it later all laid out by the famous French landscape artist, Le Notre.

Occasional sonnets--those to Cromwell, Vane, "On his Blindness," and "On the Late Ma.s.sacre in Piedmont"--appeared in the increasing leisure of this period, when his duties lessened, and he retired on a diminished salary.

But Milton was become a man who was sought out by foreigners of note and persons of quality; among his friends, Andrew Marvell, the poet, and his pupil, Cyriack Skinner, were frequent visitors, with charming Lady Ranelagh, his neighbour, who persuaded him to teach her little son, and who he said had been to him in the place of kith and kin.

After four years of widowerhood, when his little girls were sadly in need of a mother, Milton married Katharine Woodc.o.c.k, daughter of a Captain Woodc.o.c.k of Hackney, in the church of St. Mary Aldermanbury, on November 12, 1656. Her coming into the home in Petty France brought serenity and happiness to all its inmates. During the brief fifteen months of their married life, a little daughter came, who followed her soon after to her grave in St. Margaret's Church beside the Abbey, and the sorrowing husband was again left in his blindness to bring up his three motherless little daughters.

After eighteen years, the poem, sketched out in St. Bride's Churchyard, was resumed, and in the lonely house in Petty France, the first lines of "Paradise Lost" were dictated, just before the closing days of Cromwell's life. Under Richard Cromwell, Milton retained his secretaryship, but with the return of Charles II., in May, 1660, he fled his home in Petty France, for he well knew the vengeance that might follow. His little girls were sent no one knows whither, and he took refuge in a friend's house in Bartholomew Close, a pa.s.sage which led from West Smithfield, through an ancient arch. It was filled with quaint old tenements, where Doctor Caius, the founder of Caius College, Cambridge, had lived, and also Le Soeur, who had modelled the statue of Charles I., which, as has been stated, was concealed during the Commonwealth, and was soon to be erected. Sixty-five years later, young Benjamin Franklin set up type in a printing-office here. To the blind refugee, it mattered little that he had left his garden to be hemmed in by narrow walls. The labyrinth of little courts and tortuous pa.s.sages was his safeguard. During those days of arrests and executions of his friends, Milton must have known that any day might bring the hangman's summons for him. Many a time during the nearly four months that he was hidden here must he in imagination have heard the shouts of the fickle populace, and seen himself haled in a cart to Tyburn gallows.

Says Ma.s.son: "Absolutely no man could less expect to be pardoned at the Restoration than Milton," and "there is no greater historical puzzle than this complete escape." But his faithful friend, Andrew Marvell, pleaded for him, and other powerful friends did their utmost in his behalf; the brain that was to give birth to a great epic was spared to England.

Though Milton lay in some prison for a little time, during which his "infamous" books "were solemnly burnt at the Session house in the Old Bailey by the hand of the common hangman," he was soon a free man, though many of his companions were meanwhile hanged and quartered, or like Goffe and Whalley fled beyond seas and even there scarcely escaped the king's swift avengers.

In December, Milton emerged from prison and moved temporarily into a little house on the north side of Holborn near Red Lion Square, which was behind it, and nearer Bloomsbury than was his former residence upon the street. Close by was the Red Lion Inn, where in January, on the anniversary of the execution of Charles I., lay on a hurdle, amidst a howling mob, the ghastly bodies of Cromwell, Ireton, and Bradshaw, which had been disinterred and were on their way to Tyburn to be swung upon the gallows. It was well for Milton to sit behind barred doors in silence in those days, while Sir Harry Vane languished in prison, bold Algernon Sidney was in exile, and the England that he loved seemed in eclipse.

In 1661, Milton, who had good reason to reside as far away from Petty France and the court end of town as possible, returned to the neighbourhood of his early married life, and took a house in Jewin Street, off Aldersgate, at the end of the street nearest St. Giles's, Cripplegate, where his father lay buried. For the remainder of his life, here and in Artillery Walk, he was a parishioner of this church. During the three years spent here, Vane was beheaded, two thousand clergy were ejected from their livings, and many, as Richard Baxter tells us, starved on an income of only eight or ten pounds a year for a whole family; men of Milton's way of thinking struggled for daily bread on six days in the week, and preached on the seventh with the police upon their track.

During these fruitful years in Jewin Street, while "Paradise Lost" was growing apace, Milton had about him his motherless and ill-educated girls.

The oldest, about seventeen years of age, was handsome, but lame, and had a defect of speech. It fell to Mary and little eleven-year-old Deborah to read, with scanty comprehension of the words, as their father required their services, from his Latin, Greek, Hebrew, French, Spanish, and Italian works. To them, and to a group of young men who felt it an honour to serve him, he dictated the sonorous lines of his great epic. No wonder that girls of a dozen or sixteen years of age found life in Jewin Street dull, and Greek dictionaries and the daily records of the doings of the hosts of heaven and h.e.l.l abominably irksome. They served their father with grudging pen, and pilfered from him, and tricked him in his helpless sightlessness--small blame to them, perhaps, whose rearing had been by servants and governesses, but pitiable for the father of fifty years, who fought his daily battles with fate alone in the dark.

Andrew Marvell and Cyriack Skinner sought him out, and doubtless told him the latest literary news of Henry More, the Platonist; of Howell, but just appointed historiographer royal; of Samuel Butler, who had just gone with the Lady Alice of "Comus" to Ludlow Castle; of Richard Baxter, whose popular book, "The Saints' Everlasting Rest," Milton had doubtless read when it appeared five years before; of Pepys, now secretary to the Admiralty; of Izaak Walton, whose "Complete Angler" Milton may have read ten years before; of Evelyn and of the poet Cowley; of Bishop Jeremy Taylor; of George Fox, the valiant Quaker, and the philosophers, Hobbes, and John Locke, who was then at Oxford; and the budding poet, John Dryden.

We learn from Richardson that Milton usually dictated "leaning backward obliquely in an easy chair, with his leg flung over the elbow of it, though often when lying in bed in a morning." Sometimes he would lie awake all night without composing a line, when a flow of verse would come with such an impetus that he would call Mary and dictate forty lines at once.

During these days a newly converted young Quaker, Thomas Ellwood, who was desirous of improving his Latin, and to see John Milton, who, he writes, "was a gentleman of great note for learning throughout the learned world,"

betook himself to the modest home on Jewin Street, got lodging hard by, and engaged to read Latin to him six afternoons a week. Milton, noticing that he used the English p.r.o.nunciation, told him that if he wanted to speak with foreigners in Latin he must learn the foreign p.r.o.nunciation.

This Ellwood by hard labour accomplished, when Milton, seeing his earnestness, helped him greatly in translation. These happy hours were interrupted by Ellwood's arrest for attending the Quaker meeting in Aldersgate Street. Three months were spent in Bridewell and Newgate, where he saw the b.l.o.o.d.y quarters and boiled heads of executed men, and wrote out in detail an account of the hideous spectacle. One heavenly day in a quiet library reading of Dido and aeneas with Milton, the next in an English h.e.l.l of b.e.s.t.i.a.lity, filth, and cruelty--a memorable experience for a young man of twenty-two, was it not?

Household affairs were going from bad to worse in Jewin Street, and the unhappy home needed a wife and mother. When the news came to the daughter Mary that her father was to marry again, she exclaimed that it was "no news to hear of his wedding, but if she could hear of his death, that would be something." The third wife, Elizabeth Minshull, was twenty-four years old when Milton married her, in the church of St. Mary Aldermary, a little south of his boyhood's home near Cannon Street. She proved an excellent wife, and was of a "peaceful and agreeable humour." There are traditions that the young stepmother had golden hair and could sing; her good sense and housewifely accomplishments brought peace, comfort, and thrift into the discordant household.

Soon after his marriage, the Milton family removed to a house in Artillery Walk, leading to Bunhill Fields. This was on the roadway which is the southern part of Bunhill Row. Not only was there a garden here, but the site of the present Bunhill Fields Cemetery, where Defoe, Bunyan, Richard Cromwell, and Isaac Watts lie buried, was then an open field; while, close at hand, was Artillery Ground, where trained bands occasionally paraded, as they have done from 1537 to the present time. Of the house we know little, except that it had four fireplaces. Near by was "Grub" Street, since changed to "Milton" Street, partly perhaps to commemorate the fact of the poet's residence in the neighbourhood. In June, 1665, while the Great Plague had begun its desolating course, Milton had completed the last lines of "Paradise Lost." It was then that young Ellwood came to his a.s.sistance, and engaged for him "a pretty box in Giles-Chalfont," whither he was driven with his wife and daughters.

CHAPTER VII.

CHALFONT ST. GILES.--ARTILLERY WALK

If the pilgrim to the shrines of Puritans and poets has thought worth while to spend an afternoon at Horton, he may well spare two or three days more for a drive from there to Stoke Pogis, Harefield, and the region thirteen miles north of Horton in lovely Buckinghamshire, among the Chiltern hills.

Here stands, about twenty-three miles northwest of London, in the little village of Chalfont St. Giles, the only house that still exists in which Milton ever lived. The village lies in a quiet hollow among the hills, three or four miles removed from the shriek of any locomotive. One may approach it by train from the little stations of Chorley Wood or Chalfont Road. It will well repay one before doing so to make a detour of a mile and a half to Chenies,--one of the loveliest villages in all England,--beside the tiny Chess, where Matthew Arnold loved to angle. A delightful hostelry is the "Bedford Arms," where he always "put up." The chief feature of the place is the mortuary chapel of the Russells, where the family have been buried from 1556 until the present day. But the lover of the picturesque will more admire the adjoining Tudor mansion.

American multi-millionaires have built no Newport palace that is so attractive to the lover of the beautiful.

[Ill.u.s.tration: IN MILTON'S HOUSE AT CHALFONT ST. GILES]

As one drives toward Chalfont, he enters it at the end farthest from Milton's cottage, which is one of the last houses upon the left of the main street. It is on the road that leads to Beaconsfield, four miles away. The cottage lies at the foot of a slope close by the roadside; it is built of brick and timber, and has two entrances, four sitting-rooms, and five bedrooms.

On the floor which is level with the garden are two sitting-rooms that look toward the hill slope and Beaconsfield. Their quaint old windows are filled with diamond panes, which are set in lead and open outward. The long carved dining-table, in the room at the left, and the small table, cabinet, and stools in the room at the right, which is seen in the ill.u.s.tration, were Milton's own. Here at the open cas.e.m.e.nt, during those days of horror in the stricken city, Milton sat and breathed the fragrant air, and in the evening listened to the nightingales which haunt the Chalfont groves. Hither the brave young Ellwood came to greet him, fresh as he was from another imprisonment; he returned with his comments the ma.n.u.script of "Paradise Lost," which Milton had loaned to him, and added: "Thou hast said much here of Paradise lost, but what hast thou to say of Paradise found?" To which the poet answered nothing at the time, but, as the result proved, the query brought later a fitting response in "Paradise Regained." Perhaps the visitor may be allowed to ascend the narrow winding stair with its carved railing to the humble chambers under the gables, whither the poet groped his way to bed, and to glance into narrow cupboards, where he may have piled his books and ma.n.u.scripts. There is a tender, pathetic charm about the place, which even the greater poet's house at Stratford lacks. The man Shakespeare--the successful dramatist--we know little of; his inner life we only guess at and infer.

His consummate genius wins our worship; it does not touch our hearts. But the blind poet, the pa.s.sionate lover of liberty and fearless pleader for justice, the man who like blind Samson shook his locks in defiance of fate, and would not be cast down, this man we know. We have followed step by step his brilliant youth, his strenuous manhood, and his brave, declining years. With all his faults of temper we love him as we love Dante and Michael Angelo and Beethoven. We linger reverently in the little house made dear to England by his presence there.

Then we wander back a little on our way, to a row of antique houses and go through a pa.s.sage to the venerable parish church and churchyard where Milton's feet doubtless have trod.

_En route_ to Beaconsfield the traveller will not fail to pause at Jordan's, a plain, square structure in a leafy grove, beside a green G.o.d's Acre. It was the Quaker meeting-house in Milton's day as it is still. At the rear is a concealed gallery where the worshippers took refuge when their service was broken up by armed pursuers. Close by are many unmarked graves, and among them is Ellwood's. But the grave of William Penn, the founder of a great American State, and the graves of his wife and children, have low modern headstones, for their position was well known.

Here the man of gentle birth, the hero and saint, who is dear to all Americans, sleeps peacefully among his English kindred. During the year when Milton was at Chalfont, Penn was a youth in Paris, seeing the world, but keeping himself unspotted from it.

At Beaconsfield we drive through a broad country road to the Saracen's Head--a conspicuous landmark. We turn our steps at once to the gray old church and its battlemented tower, whose walls of flint rise in rugged strength from the churchyard with its mossy tombs. Within the centre aisle lies buried the valiant apostle of American freedom--Edmund Burke.

He was a man with whom the refugee at Chalfont would have found much in common had he lived a century and a quarter later. The inscription over his grave is modern, and so are the bas-relief and inscription to him on the side wall. His former seat within the parish church is marked upon the floor, and a fine carved desk is made from his old pew. Within the churchyard gay roses and solemn yews droop over ancient monuments, among them, the showy obelisk on Waller's grave. Nothing is lovelier than the drive late in an afternoon over the high hills, from which one catches far distant views, to Amersham, which lies in a little valley among the hills.

This was a seat of the Puritan revolt and earlier martyrdoms. John Knox preached here--an obnoxious personage to the worthy s.e.xton of the beautiful church, who told the writer that he had buried every man and woman in the parish for forty years. "The fact is," quoth this worthy, "John Knox traduced Mary Queen of Scots; now I've no use for a man who isn't good to the ladies." On being reminded that Elizabeth did worse and cut her head off, he condoned that as being "probably an affair of state." A lover of poets was this s.e.xton. "I've read 'em all," he said, "but my favourite is Pope." Isaac Watts likewise shared his approval, and he volunteered upon the spot a number of his hymns from memory. "But I take a lugubrious view of life," continued this digger of many graves, "for it's just grub, grub, grub, all your life, and then be shovelled under; the fact is, as any man can see with half an eye, that this is the age of mammon and no mistake." Shakespeare would have found a gravedigger to his mind in the s.e.xton of Amersham.

Amersham does not offer so favourable accommodations for the night as does Wendover, which has a choice of hostelries, and is but a few minutes' ride by train from the Amersham station, a quarter of a mile away. After viewing the early English church in Wendover next morning, one may hire a trap and drive to Great Hampden, three miles distant, to the stately home of John Hampden, within a large park. There are still traces of the ancient road which was cut through the park for Queen Elizabeth. The shady avenue of beeches around the side leads up to the little church of gray flint stone which stands near the great mansion and its mighty cedars of Lebanon. The little churchyard is carpeted with velvet turf, starred with tiny white flowers which recall the foregrounds in the brilliant paintings of Van Eyck.

The reader of Puritan history is reminded of that mournful day after the battle of Chalgrove Field, when the body of John Hampden was brought home.

As many soldiers as could be spared accompanied it, marching with arms reversed and m.u.f.fled drums, while, with uncovered heads, they chanted the solemn words of comfort that begin the ninetieth Psalm: "Lord, Thou hast been our dwelling-place in all generations." They laid him in a grave within the chancel, which still remains unmarked; it is close beside the slab on which he had written his beautiful epitaph to his wife. When they marched back beneath the beeches their voices rang out with the lines of Psalm Forty-three: "Why art thou cast down, O my soul? and why art thou disquieted within me? hope in G.o.d." Says a writer of that time: "Never were heard such piteous cries at the death of one man, as at Master Hampden's."

Within the s.p.a.cious mansion, which once was red brick and now is covered with gray plaster, are various relics of Hampden and Cromwell, and a portrait of Queen Elizabeth in the room which she occupied on her visit here. Two miles further, on one of the finest estates in the county, is Chequer's Court, an imposing brick mansion of the Tudor period, once owned by Cromwell's youngest daughter and her husband. It stands in a park, and contains the greatest collection of Cromwelliana in the kingdom.

But these and the Hampden relics owned by the Earl of Buckingham at Great Hampden are rarely shown to visitors who do not apply in writing some time in advance of their visit. It is to be hoped that some day the nation may own these and make them freely accessible to all scholars. Through a circuitous drive between beautiful fields of grain, in view of the Chiltern Hills, the traveller reaches the old parish church at Great Kimble, where John Hampden, the st.u.r.dy cousin of Cromwell, in 1635 made his refusal to pay King Charles's demands for ship money. Near by lies the field whose tax was in question. The sum was paltry,--only twenty shillings,--but, like George Third's tax on tea in the colonies, the refusal to pay it meant war in the end. This whole section of beautiful Bucks is rich with memories of Milton, and of the men whom he knew and loved.

Ellwood records that "when the city was cleansed and become safely habitable," the Miltons returned to Artillery Walk. This must have been about March, 1666. The open fields close to their house had been filled with the bodies of thousands of the plague victims, many of whom were uncoffined. Thereafter it was made a regular cemetery, and was surrounded with a brick wall, and became what Southey called, "the Campo Santo of the Dissenters." On a side street near by, next to a kind of inst.i.tutional meeting-house belonging to the Friends, is a beautiful green inclosure where fourteen thousand Quakers lie buried in unmarked graves. One humble headstone alone marks a grave near the fence, which was opened in the nineteenth century, and was found to be that of Milton's contemporary,--George Fox,--the tailor with the leather suit, who founded the sect of the uncompromising democrats who called no man "Lord," who used no weapons but their tongues, and who thundered with them to such purpose as to make men quake.

While Milton was on the point of publishing his "Paradise Lost," another calamity, to be described later, befell the stricken city. For three days the Great Fire crackled and roared, and drove man and beast before its fearful heat westward to Temple Bar, and swept away Milton's birthplace, which he still owned. It wiped out the church where he was christened, the school where he had studied, and came so far north as almost to bury his father's grave under the walls of St. Giles's, Cripplegate. Amid the horror of smoke and the sound of distant explosions and wild confusion, the poet sat during those awful days, when it seemed as if the fate of Sodom had befallen his dear London town. Up to that date his birthplace had been visited by admiring foreigners. This was the only real estate that he then owned, and its loss must have crippled his resources.

The precious ma.n.u.script of "Paradise Lost" fell to the censorship of the young clergyman of twenty-eight, who had married Milton to his youthful wife, Elizabeth. This man, named Tomkyns, like Pobedonostzeff two hundred and fifty years later, held that liberty of conscience was a "highly plausible thing," but did not work well in practice, and he came near suppressing the volume, so tradition says, for imaginary treason in some lines; but he relented, and the world was spared its greatest epic poem since the aeneid.

The many booksellers around St. Paul's suffered terrible losses, and Pepys estimates that books to the value of 150,000 were burnt in the vicinity.

Most of them were hurriedly stowed in the crypt of old St. Paul's Church, but when the walls of the great cathedral fell, they let in the fire which consumed them. In April, 1667, when the ruins had hardly ceased smoking, Milton agreed, for 5 down and three times as much at certain future dates, to sell his copyright to Samuel Symons, printer. Thirteen hundred copies const.i.tuted the edition. Through the days of dusty turmoil while the new city was slowly rising on the ashes of the old, the proof-sheets pa.s.sed from the printing-press in Aldersgate Street to Artillery Walk.

There was only an interruption of five anxious days in June, when the bugle sounded, and terrified citizens a.s.sembled to ward off the Dutch, who, bent on vengeance, burnt English ships and sent cannon-b.a.l.l.s hurtling at English forts. In August "Paradise Lost" appeared as a rather fine looking, small quarto of 342 pages, which could be bought for three shillings in three bookstores. For artistic purposes the poem is written according to the Ptolemaic theory of cosmos, though Milton of course accepted the Copernican view.

While John Milton was expecting 15 or 20 for his work of more than seven years, John Dryden, who was much more in fashion in those days of Nell Gwynne and the reopened theatres, was receiving a yearly income of 700.

But John Dryden knew a poet when he read him. After reading "Paradise Lost," he exclaimed: "This man cuts us all out, and the ancients, too."

About 1670, Milton's three daughters left their father's home. Knowing that they needed to be fitted for self-support, he paid for their apprenticeship, and had them taught embroidery in gold and silver.

Doubtless bright silks and gay patterns were much more to their mind than their father's folios, and the change was best for all concerned. Their father sat at his door on pleasant days, dressed in his gray camblet coat, wearing a sword with a small silver hilt. He received many visitors--some of them men of rank and note.

He is described as wearing at this time his light brown hair parted from the crown to the middle of the forehead, "somewhat flat, long and waving, a little curled." His voice was musical and he "p.r.o.nounced the letter r very hard." He rose early, began his day by listening to the Hebrew Bible, and spent his morning listening and dictating. Music, as much walking as his gouty feet permitted, and, in the evening, a smoke, were his sole recreations. He belonged to no church, and attended no service at this period.