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Messengers of Evil Part 26

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"I know," said he, "that your time is precious, Monsieur Barbey, so I will come straight to the object of my call.... You must be aware of the profound impression caused by the double crimes recently committed on the persons of Madame de Vibray and the Princess Sonia Danidoff?"

"It is true, monsieur, that I have followed, in the papers, the account of the investigations regarding them: but, in what way?..."

"Does it concern you?" finished Fandor. "Good heavens, monsieur, is it not a fact that the Baroness de Vibray was your client? And were you not present at Monsieur Thomery's ball?"

"That is so, monsieur; but if you are hoping that I can supply you with further details than those already published, you will be disappointed.

I myself have learned a good deal about these crimes only from reading your articles, monsieur."



"Can you confirm the statement that Madame de Vibray was ruined?"

"I do not think I am betraying a professional secret if I say that Madame de Vibray had had very heavy losses quite recently."

"And Princess Sonia Danidoff?"

"I do not think she is one of our clients."

"You do not think so?"

"But, monsieur, you cannot suppose that we know all our clients? Our business is a very extensive one, and neither Nanteuil, nor I, could possibly know the names of all those who do business with us."

"You know the name of Jacques Dollon?"

"Yes. I knew young Dollon. He was introduced to me by Madame de Vibray, who asked me to give him a helping hand, and I willingly did so. I can only regret now that my confidence was so ill placed."

"Do you believe him guilty then?... Not really?"

"I certainly do!... So do all your readers, monsieur. Is that not so?"

But, whilst Monsieur Barbey was regarding Fandor with some astonishment because of his half-avowal, that he himself was not sure of Dollon's guilt, the door was flung open with violence, and Monsieur Nanteuil, out of breath, looking thoroughly upset, rushed into the room, followed by five or six men unknown to Jerome Fandor, and showing traces of fatigue and emotion also.

"Good Heavens! What is it?" cried Monsieur Barbey, rising to meet his partner....

"The matter is," cried Monsieur Nanteuil, "that an abominable robbery has just been committed...."

"Where?"

"Rue du Quatre Septembre!..." Still panting, he began to give details....

Fandor did not wait to hear more. He rushed from the Barbey-Nanteuil bank and made for the place de l'Opera at top speed.

In consequence of the extraordinary occurrence which Monsieur Nanteuil had hastened to report to his partner, a considerable crowd had flocked to the scene of the accident; but barriers had been quickly erected, and the crowd, directed by the police, were able to circulate in orderly fashion when Fandor arrived on the scene.

The agile young journalist had made his way to the front row of the curious, and was bent on entering the stone and wood yards of the works forbidden to the public; the usual palisade no longer existed owing to the landslip.

Just as he was searching in his pocket for the precious identification card, which the police grant to the reporters connected with the big newspapers, Fandor was jostled by an individual coming out of the yards.

It was a navvy all covered with mortar, white dust, and mud; he was without a hat and held his right hand pressed against his cheek; between his fingers there filtered a few drops of blood.

The glances of the man and the journalist met, and Fandor felt as though someone had struck him a blow on the heart! The navvy had given him so strange a look. Fandor thought he had read in his eyes a threat and an invitation.

Whilst our journalist hesitated, troubled by this sudden encounter, the man moved off, forcing his way through the crowd. Then Fandor caught sight of some of his colleagues, stumbling about amidst the ruins and rubble in the stone-yard. This rea.s.sured him; if he followed the navvy, and he had the strongest inclination to do so, he could telephone to some reporter friend who would supply him with the necessary details for his article on the accident. He had got some facts already: a sudden collapse of stones and mortar had buried a hand-cart, in which were large bars of gold belonging to the Barbey-Nanteuil bank. But the precious vehicle had soon been rescued, and they were taking it to the bank under escort.

Satisfied as to this, Fandor followed with his eyes this strange navvy who was going further and further away.

Fandor had an intuition--a very strong feeling--that he must follow the trail of this man and make him talk. It was of the utmost importance--something told him this was so.

The navvy was not simply going away, he had the air of a man in flight.

Fandor, who was following now and keenly observant, noticed the hesitating movements of the man--then there was an astonishing move on the navvy's part: he hailed a taxi and got in. Fandor had the good luck to find another taxi at once; jumping in, he said to the driver:

"Follow the 4227 G.H. which is in front of you: don't let it outdistance you ... you shall have a good tip!"

The chauffeur, a young alert fellow, understood there was a chase in question, and amused at the idea of pursuing a comrade through the crowded streets of Paris, he set off. He adroitly cut through a file of carriages and caught up taxi 4227 G.H. He then proceeded to follow closely in its track.

Fandor, keen as a bloodhound on the scent, kept watch over their progress to an unknown destination.

They rolled along the avenue de l'Opera: they cut across the rue de Rivoli. Then, when they were going at a good pace through the place du Carrousel, Fandor felt much moved by memories of past times, those days of great and wonderful adventures, when he would follow this very route to keep some exciting appointment with his good friend, Juve. How frequent those appointments used to be, when the famous detective was alive and so actively at work--the work of unearthing criminals--those pests of society! Off Fandor used to set when the longed for summons came, and would meet Juve in his little flat on the left side of the Seine. Ah, those were times, indeed!

When a lad, Fandor had been practically adopted by the famous detective.

Young Jerome Fandor had served a kind of apprenticeship with Juve, and this had brought him into close touch with the ups and downs of a number of crime dramas: he and Juve together had even been the voluntary, or involuntary, heroes of some of them! Then the tragic disappearance of Juve had occurred, when Fandor had escaped death by a kind of miracle!

After that dreadful date, our journalist had found himself alone, isolated, with not a soul to whom he cared to confide his perplexities, his anxieties, his hopes! Fandor shuddered at the thought of this.

The taxi had just crossed the bridge des Sainte Peres, had followed the quay for a few minutes, then rounding the Fine Arts School they entered the old and narrow rue Bonaparte....

What was this? Of course, it could only be a coincidence ... but still ... rue Bonaparte--why that only brought the memory of Juve more vividly to mind! For Juve had lived in this street; and now, a few yards further on, they would pa.s.s before the modest dwelling where, for years, the detective had made his home, keeping jealously hidden, from all and sundry, this asylum, this secret retreat.

Ah, what happy hours, what jolly times, what tragic moments, too, had Fandor not pa.s.sed in that little flat on the fourth floor! How they had chatted away in the detective's comfortable study! Then Fandor, full of spirit, would come and go from room to room, unable to sit still, all fire and activity; and Juve would remain in one place, calm, full of thought, sometimes sunk in a reverie, often silent for hours at a time, his eyes obstinately fixed on the ceiling, smoking methodically, mechanically even, his eternal cigarette. Oh, those good, good days gone for ever!

After the disastrous disappearance of Juve, Fandor had not gone near the rue Bonaparte for six months. It was all too painful, to find again the familiar rooms and no Juve! It was too painful.

However, one fine day, he determined to go and see what had happened to his friend's old home.... Alas, in Paris, the lapse of half a year suffices to alter the most familiar scene! In rue Bonaparte, the former house porters had left; their place had been taken by a stout, sulky woman who gave evasive replies to Fandor's questions. He extracted from her the information that the tenant of the fourth floor flat had died, that his furniture had been cleared out very soon after his death, and the flat had been let to an insurance inspector....

Fandor was roused from this retrospect: he grew pale, his heart seemed to stop its beating: the taxi he was pursuing had slowed down--had drawn up beside the pavement--had stopped in front of Juve's old home!

Fandor saw the navvy descend from the taxi, pay his fare, and enter the house, still keeping his right hand pressed to his cheek. Without a moment's reflection, Fandor leapt from his taxi, flung a five-franc piece to his driver, and without waiting for the change he rushed into the house, whose pa.s.sages and stairs were so familiar.

The navvy was swiftly mounting the stairs in front of our excited young journalist, who was close on his quarry's heels: the two men were panting as they went up that dark staircase.

At the fourth floor, Fandor was nearly overcome by emotion, for the man entered Juve's old flat as if he had a right to do so.

He was on the point of shutting the door in the face of his pursuer, but Fandor had foreseen this. He slipped through with a forceful push and caught the navvy by his jacket.

Quick as lightning the navvy turned, and the two men stood face to face.... The result was startling!

Speechless they stared at each other for what seemed an interminable moment; then, with a strangled cry, Fandor fell into the man's arms, and was crushed in a strong embrace. Two cries escaped from their lips at the same moment:

"Juve!"

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Messengers of Evil Part 26 summary

You're reading Messengers of Evil. This manga has been translated by Updating. Author(s): Marcel Allain and Pierre Souvestre. Already has 605 views.

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