Men's Wives Part 11

As he had pa.s.sed the Bower of Bloom a few days before, he saw Mossrose, who was combing out a jet-black ringlet, and held it up, as if for Woolsey's examination, with a peculiar grin. The tailor did not understand the joke, but he saw now what had happened. Morgiana had sold her hair for five guineas; she would have sold her arm had her husband bidden her. On looking in her drawers it was found she had sold almost all her wearing apparel; the child's clothes were all there, however.

It was because her husband talked of disposing of a gilt coral that the child had, that she had parted with the locks which had formed her pride.

"I'll give you twenty guineas for that hair, you infamous fat coward,"

roared the little tailor to Eglantine that evening. "Give it up, or I'll kill you-"

"Mr. Mossrose! Mr. Mossrose!" shouted the perfumer.

"Vell, vatsh de matter, vatsh de row, fight avay, my boys; two to one on the tailor," said Mr. Mossrose, much enjoying the sport (for Woolsey, striding through the shop without speaking to him, had rushed into the studio, where he plumped upon Eglantine).

"Tell him about that hair, sir."

"That hair! Now keep yourself quiet, Mister Timble, and don't tink for to bully ME. You mean Mrs. Valker's 'air? Vy, she sold it me."

"And the more blackguard you for buying it! Will you take twenty guineas for it?"

"No," said Mossrose.

"Twenty-five?"

"Can't," said Mossrose.

"Hang it! will you take forty? There!"

"I vish I'd kep it," said the Hebrew gentleman, with unfeigned regret.

"Eglantine dressed it this very night."

"For Countess Baldenstiern, the Swedish Hamba.s.sador's lady," says Eglantine (his Hebrew partner was by no means a favourite with the ladies, and only superintended the accounts of the concern). "It's this very night at Devonshire 'Ouse, with four hostrich plumes, lappets, and tr.i.m.m.i.n.gs. And now, Mr. Woolsey, I'll trouble you to apologise."

Mr. Woolsey did not answer, but walked up to Mr. Eglantine, and snapped his fingers so close under the perfumer's nose that the latter started back and seized the bell-rope. Mossrose burst out laughing, and the tailor walked majestically from the shop, with both hands stuck between the lappets of his coat.

"My dear," said he to Morgiana a short time afterwards, "you must not encourage that husband of yours in his extravagance, and sell the clothes off your poor back that he may feast and act the fine gentleman in prison."

"It is his health, poor dear soul!" interposed Mrs. Walker: "his chest.

Every farthing of the money goes to the doctors, poor fellow!"

"Well, now listen: I am a rich man" (it was a great fib, for Woolsey's income, as a junior partner of the firm, was but a small one); "I can very well afford to make him an allowance while he is in the Fleet, and have written to him to say so. But if you ever give him a penny, or sell a trinket belonging to you, upon my word and honour I will withdraw the allowance, and, though it would go to my heart, I'll never see you again. You wouldn't make me unhappy, would you?"

"I'd go on my knees to serve you, and Heaven bless you," said the wife.

"Well, then, you must give me this promise." And she did. "And now,"

said he, "your mother, and Podmore, and I have been talking over matters, and we've agreed that you may make a very good income for yourself; though, to be sure, I wish it could have been managed any other way; but needs must, you know. You're the finest singer in the universe."

"La!" said Morgiana, highly delighted.

"_I_ never heard anything like you, though I'm no judge. Podmore says he is sure you will do very well, and has no doubt you might get very good engagements at concerts or on the stage; and as that husband will never do any good, and you have a child to support, sing you must."

"Oh! how glad I should be to pay his debts and repay all he has done for me," cried Mrs. Walker. "Think of his giving two hundred guineas to Mr.

Baroski to have me taught. Was not that kind of him? Do you REALLY think I should succeed?

"There's Miss Larkins has succeeded."

"The little high-shouldered vulgar thing!" says Morgiana. "I'm sure I ought to succeed if SHE did."

"She sing against Morgiana?" said Mrs. Crump. "I'd like to see her, indeed! She ain't fit to snuff a candle to her."

"I dare say not," said the tailor, "though I don't understand the thing myself: but if Morgiana can make a fortune, why shouldn't she?"

"Heaven knows we want it, Woolsey," cried Mrs. Crump. "And to see her on the stage was always the wish of my heart:" and so it had formerly been the wish of Morgiana; and now, with the hope of helping her husband and child, the wish became a duty, and she fell to practising once more from morning till night.

One of the most generous of men and tailors who ever lived now promised, if further instruction should be considered necessary (though that he could hardly believe possible), that he would lend Morgiana any sum required for the payment of lessons; and accordingly she once more betook herself, under Podmore's advice, to the singing school. Baroski's academy was, after the pa.s.sages between them, out of the question, and she placed herself under the instruction of the excellent English composer Sir George Thrum, whose large and awful wife, Lady Thrum, dragon of virtue and propriety, kept watch over the master and the pupils, and was the sternest guardian of female virtue on or off any stage.

Morgiana came at a propitious moment. Baroski had launched Miss Larkins under the name of Ligonier. The Ligonier was enjoying considerable success, and was singing cla.s.sical music to tolerable audiences; whereas Miss b.u.t.ts, Sir George's last pupil, had turned out a complete failure, and the rival house was only able to make a faint opposition to the new star with Miss M'Whirter, who, though an old favourite, had lost her upper notes and her front teeth, and, the fact was, drew no longer.

Directly Sir George heard Mrs. Walker, he tapped Podmore, who accompanied her, on the waistcoat, and said, "Poddy, thank you; we'll cut the orange boy's throat with that voice." It was by the familiar t.i.tle of orange boy that the great Baroski was known among his opponents.

"We'll crush him, Podmore," said Lady Thrum, in her deep hollow voice.

"You may stop and dine." And Podmore stayed to dinner, and ate cold mutton, and drank Marsala with the greatest reverence for the great English composer. The very next day Lady Thrum hired a pair of horses, and paid a visit to Mrs. Crump and her daughter at "Sadler's Wells."

All these things were kept profoundly secret from Walker, who received very magnanimously the allowance of two guineas a week which Woolsey made him, and with the aid of the few shillings his wife could bring him, managed to exist as best he might. He did not dislike gin when he could get no claret, and the former liquor, under the name of "tape,"

used to be measured out pretty liberally in what was formerly Her Majesty's prison of the Fleet.

Morgiana pursued her studies under Thrum, and we shall hear in the next chapter how it was she changed her name to RAVENSWING.

CHAPTER VII. IN WHICH MORGIANA ADVANCES TOWARDS FAME AND HONOUR, AND IN WHICH SEVERAL GREAT LITERARY CHARACTERS MAKE THEIR APPEARANCE.

"We must begin, my dear madam," said Sir George Thrum, "by unlearning all that Mr. Baroski (of whom I do not wish to speak with the slightest disrespect) has taught you!"

Morgiana knew that every professor says as much, and submitted to undergo the study requisite for Sir George's system with perfect good grace. Au fond, as I was given to understand, the methods of the two artists were pretty similar; but as there was rivalry between them, and continual desertion of scholars from one school to another, it was fair for each to take all the credit he could get in the success of any pupil. If a pupil failed, for instance, Thrum would say Baroski had spoiled her irretrievably; while the German would regret "Dat dat yong voman, who had a good organ, should have trown away her dime wid dat old Drum." When one of these deserters succeeded, "Yes, yes," would either professor cry, "I formed her; she owes her fortune to me." Both of them thus, in future days, claimed the education of the famous Ravenswing; and even Sir George Thrum, though he wished to ecraser the Ligonier, pretended that her present success was his work because once she had been brought by her mother, Mrs. Larkins, to sing for Sir George's approval.

When the two professors met it was with the most delighted cordiality on the part of both. "Mein lieber Herr," Thrum would say (with some malice), "your sonata in x flat is divine." "Chevalier," Baroski would reply, "dat andante movement in w is worthy of Beethoven. I gif you my sacred honour," and so forth. In fact, they loved each other as gentlemen in their profession always do.

The two famous professors conduct their academies on very opposite principles. Baroski writes ballet music; Thrum, on the contrary, says "he cannot but deplore the dangerous fascinations of the dance," and writes more for Exeter Hall and Birmingham. While Baroski drives a cab in the Park with a very suspicious Mademoiselle Leocadie, or Amenaide, by his side, you may see Thrum walking to evening church with his lady, and hymns are sung there of his own composition. He belongs to the "Athenaeum Club," he goes to the Levee once a year, he does everything that a respectable man should; and if, by the means of this respectability, he manages to make his little trade far more profitable than it otherwise would be, are we to quarrel with him for it?

Sir George, in fact, had every reason to be respectable. He had been a choir-boy at Windsor, had played to the old King's violoncello, had been intimate with him, and had received knighthood at the hand of his revered sovereign. He had a snuff-box which His Majesty gave him, and portraits of him and the young princes all over the house. He had also a foreign order (no other, indeed, than the Elephant and Castle of Kalbsbraten-Pumpernickel), conferred upon him by the Grand Duke when here with the allied sovereigns in 1814. With this ribbon round his neck, on gala days, and in a white waistcoat, the old gentleman looked splendid as he moved along in a blue coat with the Windsor b.u.t.ton, and neat black small-clothes, and silk stockings. He lived in an old tall dingy house, furnished in the reign of George III., his beloved master, and not much more cheerful now than a family vault. They are awfully funereal, those ornaments of the close of the last century--tall gloomy horse-hair chairs, mouldy Turkey carpets with wretched druggets to guard them, little cracked sticking-plaster miniatures of people in tours and pigtails over high-shouldered mantelpieces, two dismal urns on each side of a lanky sideboard, and in the midst a queer twisted receptacle for worn-out knives with green handles. Under the sideboard stands a cellaret that looks as if it held half a bottle of currant wine, and a shivering plate-warmer that never could get any comfort out of the wretched old cramped grate yonder. Don't you know in such houses the grey gloom that hangs over the stairs, the dull-coloured old carpet that winds its way up the same, growing thinner, duller, and more threadbare as it mounts to the bedroom floors? There is something awful in the bedroom of a respectable old couple of sixty-five. Think of the old feathers, turbans, bugles, petticoats, pomatum-pots, spencers, white satin shoes, false fronts, the old flaccid boneless stays tied up in faded riband, the dusky fans, the old forty-years-old baby linen, the letters of Sir George when he was young, the doll of poor Maria who died in 1803, Frederick's first corduroy breeches, and the newspaper which contains the account of his distinguishing himself at the siege of Seringapatam. All these lie somewhere, damp and squeezed down into glum old presses and wardrobes. At that gla.s.s the wife has sat many times these fifty years; in that old morocco bed her children were born. Where are they now? Fred the brave captain, and Charles the saucy colleger: there hangs a drawing of him done by Mr. Beechey, and that sketch by Cosway was the very likeness of Louisa before--

"Mr. Fitz-Boodle! for Heaven's sake come down. What are you doing in a lady's bedroom?"

"The fact is, madam, I had no business there in life; but, having had quite enough wine with Sir George, my thoughts had wandered upstairs into the sanctuary of female excellence, where your Ladyship nightly reposes. You do not sleep so well now as in old days, though there is no patter of little steps to wake you overhead."

They call that room the nursery still, and the little wicket still hangs at the upper stairs: it has been there for forty years--bon Dieu! Can't you see the ghosts of little faces peering over it? I wonder whether they get up in the night as the moonlight shines into the blank vacant old room, and play there solemnly with little ghostly horses, and the spirits of dolls, and tops that turn and turn but don't hum.

Once more, sir, come down to the lower storey--that is to the Morgiana story--with which the above sentences have no more to do than this morning's leading article in The Times; only it was at this house of Sir George Thrum's that I met Morgiana. Sir George, in old days, had instructed some of the female members of our family, and I recollect cutting my fingers as a child with one of those attenuated green-handled knives in the queer box yonder.

In those days Sir George Thrum was the first great musical teacher of London, and the royal patronage brought him a great number of fashionable pupils, of whom Lady Fitz-Boodle was one. It was a long long time ago: in fact, Sir George Thrum was old enough to remember persons who had been present at Mr. Braham's first appearance, and the old gentleman's days of triumph had been those of Billington and Incledon, Catalani and Madame Storace.

He was the author of several operas ("The Camel Driver," "Britons Alarmed; or, the Siege of Bergen-op-Zoom," etc. etc.), and, of course, of songs which had considerable success in their day, but are forgotten now, and are as much faded and out of fashion as those old carpets which we have described in the professor's house, and which were, doubtless, very brilliant once. But such is the fate of carpets, of flowers, of music, of men, and of the most admirable novels--even this story will not be alive for many centuries. Well, well, why struggle against Fate?