Mean Spirit Part 45

'Hold on a moment, would you? We'll get the phone to Mr Bacton's bedside.'

d.a.m.n. He didn't need this now. He knew what he should be doing, what he should have done days ago ... tell Ron Foxworth everything. You could go mad considering Cindy's shamanic solutions, contemplating Marcus's Big Mysteries, while people were getting killed.

If it were to turn out to be your delicate, artistic fingers on Seward's collar, as distinct from my gnarled old digits, I just can't tell you how upset I would be.

Very sensible. Delicate, artistic fingers weren't equipped to feel collars. He'd call Gloucester police, ask to speak to Mr Foxworth. Report, to begin with, the Bright Horizon connection with Overcross and the festival. Take it from there.

'Maiden?'

'Marcus. How are-?'

'I want you to do something for me.'

'Well, if ... you know ... if I can ...' Maiden said weakly. Marcus didn't sound weak. He didn't sound any different after his heart attack, this big, sobering, life-shrinking experience.

'Maiden, I've just had a schoolboy in a white coat at my bedside offering me drugs. I told him to go and sell them on the street like everyone else. Or, alternatively, shove them up his a.r.s.e.'

'I see.'

'The kid seems to have called for back-up. So I'm doing the same. Get me the f.u.c.k out of here, Maiden. Tonight. All right?'

Marcus cut the line.

Kurt Campbell smiled.

'Looking for me, Alice?' The deep, smoky voice, the voice of a much older man. Like whole lifetimes older, Grayle thought.

But Kurt was smiling out of a young hunk's face. That well-washed tawny hair. And, down below, the tight tawny jeans.

'Oh hi,' Grayle said. 'Listen this is awful; I'm really ... you know, I'm really not that kind of journalist but we saw this door open and we just had to take a peek, I mean, this place ... this place is so awesome. Like, real... like Mervyn Peake ... like Gormenghast, you know? I'm a big ... big Peake freak. You know? I ...'

'Alice ...' Kurt raised a hand to stop the flow. 'You're excused.' Using the hand to introduce the woman at his side. 'This is Persephone Callard, by the way.'

Those amber eyes met Grayle's. So she was doing it. Ms Persephone Callard in from the cold to climax a phoney Victorian seance full of dry ice and ectoplasm.

'Oh ...' Grayle widening her eyes. 'Hi!' Lurching forward, hand out. 'I'm Alice D. Thornborough, representing the New York Courier and The Vision magazine. Wow. Hey. Persephone Callard. I can't believe this. You're looking so ... good.'

Stupid thing to say to someone you weren't supposed to know, but maybe OK for a journalist who'd read all the stuff about Callard being washed up. And she was looking good. Looking, in the simplicity of black the long skirt, the simple, scoop-necked top, no make-up, no jewellery like the queen of this place.

And she nodded, like a queen does, and she said nothing, like a queen does to journalists.

However a whole lot worse Kurt was looking intently at Cindy, like there was something about this tall bottle blonde in the gla.s.ses and the country tweeds that he couldn't quite identify. Oh, Jesus.

'Kurt,' Grayle said quickly, 'this is Imelda Bacton, of The Vision magazine. She's here to run the magazine's stand in place of her brother, Marcus, who ...' flicking a swift glance at Callard, '... had a heart attack.'

Seeing the quiver, quickly stilled.

'I'm very sorry to hear that,' Callard said steadily. 'I once met Mr Bacton. How is he?' There was shock in her eyes, and Grayle intuited that she was thinking this must have happened the night she brought Clarence Judge into Castle Farm and then ran out on them, that it was her fault.

Which was OK. It might just as easily have happened then.

'Weakened but recovering,' Imelda Bacton said powerfully. 'Needs more than a cardiac blip to take that old b.a.s.t.a.r.d out.'

At the sound of the voice, so abruptly different from Cindy's syrupy south Wales, Kurt Campbell visibly relaxed.

'I was showing Seffi to her room. The problem with this place is that it has about twenty-six bedrooms and, so far, less than half of them've been refurbished. It's an ongoing operation, this house.'

'Like the Forth Bridge, I imagine.' Cindy gazed up at the ceiling from which paper hung in shreds. 'You must've spent hundreds of thousands on this place already. What the h.e.l.l possessed you to take it on, Mr Campbell?'

'I like challenges,' Kurt said. Grayle saw that he now had no interest at all in Imelda Bacton too old to screw and probably a royal pain in the a.s.s. 'Look, Alice ... I'd like a word with you. If you want to wait in the main hall that's just along this pa.s.sage I'll be down in ten minutes. That's next to the main door, so if Miss Backley wants to get back to her stand, that's the quickest way.'

'Well,' Cindy murmured as Campbell followed Callard through a Gothic-shaped doorway with no door, 'that's me in my place, isn't it? We have two options, little Grayle. One, I stay with you and Kurt gets suddenly called away again. Two, I disappear.'

'Has to be two, I guess. We're lucky he didn't spot who you really are.'

'I was careful to keep looking away from him. A hypnotist always recognizes your eyes. Grayle, the more I think about this, a third option might be wiser we both disappear.'

'No, I'm gonna wait for him. See this through.'

They walked to the end of the pa.s.sage and when they came out at the other end the architecture appeared to have shed about six centuries. They were in the main entrance hall and you could see this was where most of the money had gone so far. It was the full baronial: a stone staircase, high stone walls with coats of arms and crossed pikes and deerheads on shields and a gigantic wrought-iron chandelier with flickering electric candles.

Not quite tacky, not quite tasteful. More filmset than authentic haunted house. There were five or six people waiting around. Two wore suits, carried briefcases. One was leaning against a wall by the stairs, talking down a cellphone. Overhead, a black heating outlet pumped out warm air.

There was a big reception desk with wrought-iron legs, three phones on top. Next to a woman with gla.s.ses on a chain sat one of the Forcefield guys, looking half-cop, half-paramilitary and wholly bored. A noticeboard leaning up against the desk advertised festival events including an ill.u.s.trated lecture on Friday evening by the authors of The Golgotha Ma.n.u.script: the Truth about the Crucifixion and a session by Ronan Blaine, the revered hands-on healer from Ireland.

'This is the real thing, isn't it?' Grayle said despondently. 'It isn't a front for anything. It's gonna build up year by year, become an inst.i.tution and make piles of money. Turning Kurt into some kind of New Age Bill Gates.'

The original Victorian Gothic castle door, twelve feet high, hung open. A smoked-gla.s.s conservatory had been built on the front, and there were people sitting at tables with computers, selling tickets to events like the Golgotha guys. New Age big business. Exploitation of the seekers after truth.

Grayle suddenly felt angry.

'We're wasting our time. If Campbell has anything to hide, he's got a million places here to hide it. And Callard's looking all cool and distant and fully in control.'

'I wonder how.'

'Hypnotherapy?'

'Grayle ...?'

'Anyhow, not our problem. I don't even know what we're doing here any more, now Marcus isn't part of it. In fact, unless Bobby has anything meaningful to tell us, I say we close up the stupid stall, go over to Worcester, try to cheer Marcus up and tomorrow we don't come back. Marcus is our problem now.'

'Hmmm.'

Cindy was standing looking up the stone stairs. A window on the landing was long and churchy, with stained gla.s.s depicting two knights in armour. The guy leaning up against the wall by the stairs put away his cellphone and walked off smiling, and Grayle half-recognized him from someplace. He was in baggy jeans and a grey polo shirt with a short row of black battlements and Overcross Castle printed on the pocket.

'The notorious Gary Seward, as I live and breathe,' Cindy said mildly.

'Oh, s.h.i.t, you're right!'

'Don't look, child. Might be as well if he didn't remember us.'

'Are we sure it's him?'

'A few more lines than the face on the cover of the book, a little less hair, a little more jowl. So unless he has a slightly older brother ...'

's.h.i.t, we gotta tell Bobby.'

'It doesn't prove a meaningful link, him simply being here.'

'The f.u.c.k it doesn't!'

It was like a psychic experience. The manifestation of Seward by the stairs changed everything made the great hall darker, full of shadows, turned the electric candles in the iron chandelier from sparkling orange to a menacing blood-red.

Cindy appeared unmoved, squinting out through the conservatory. 'No sign of the furniture.'

She remembered what Cindy had said before they met Campbell and Callard. About egos and survival. Huge and cosmic, it is, and yet also so terribly small and sordid. She looked up at the window and the walls and decided she really hated Victorian Gothic. She needed fresh, cold air and trees and sky. She pushed her hands into her raincoat pockets, kept her eyes fixed on the stairs.

Cindy said, 'I wonder if Miss Callard knows what she's really here for.'

'You mean you do?'

... yet also so terribly small and sordid.

Grayle saw Kurt Campbell come around the landing and start descending the stone stairs. 'You were right,' she said. 'We shoulda gone while we had the chance.'

Arriving back at The Vision's stall, Bobby Maiden found it deserted. A few copies of the magazine had been blown away and were stuck in the mud, pages fluttering miserably like seagulls in an oilslick.

'I've been trying to keep an eye on it,' a woman called from the next tent. 'I don't know where they've gone.'

The sign on this tent said, Lorna Crane, Etheric Ma.s.sage.

Lorna was fiftyish and fit-looking. She had close-cut red hair and lip rings. She wore apple-green sweats.

'They is it your wife and her mother? they went off with the dog, must be nearly an hour ago. I mean, I can understand them not wanting to hang around here. We'll do b.u.g.g.e.r-all business if the weather doesn't improve. b.l.o.o.d.y stupid idea starting midweek, this time of year, but if you're getting four days for your money you think it's worth it, don't you? You want a cup of tea, love? I've got a big flask inside.'

'Oh. Thanks.' Maiden followed her into the tent, which was bigger than The Vision's, better carpeted inside. There was a table with leaflets on it, a couch covered with Mexican blankets, a Calorgas heater. The polythene window was tinted red, putting a warm blush on the canvas walls.

Lorna Crane said, 'b.u.g.g.e.red if I'm forking out what they're asking for a cup of tea in the restaurant. You been in there? Ridiculous! And we're expected to pay the same as the punters. Ye G.o.ds, the stall fees were enough, they never told us there were gonna be surcharges and overheads.'

'Market forces.'

'Dark forces. I never liked the look of Campbell.' Lorna grinned. 'I'm quite fond of The Vision. It's quirky. What do you do?'

'Take pictures.'

'They pay you?'

'Sometimes.'

'That older woman,' Lorna said. 'You know, for a minute, I thought that was Cindy Mars-Lewis. Because he did used to write articles for you, didn't he?'

'Cindy Mars-Lewis is my mother-in-law? No wonder I never have any luck.'

'It's a load of c.r.a.p, isn't it?' Lorna said. 'All that Lottery hoodoo. Papers must be desperate for something to write about.' She poured tea from a chrome flask into two white china mugs. 'It's Earl Grey. Got no milk or sugar, I'm afraid.'

'That's fine.'

Lorna handed him a mug. 'Not your mother-in-law then?'

'A friend.'

Maiden sipped his scented tea. He felt reality receding again. The police at Gloucester were saying simply that Superintendent Foxworth was unavailable. They'd offered to put him through to someone else. He'd asked when Foxworth would be available. They couldn't tell him. He a.s.sumed there'd been a development on one of the two murder inquiries. But what development?

'What's etheric ma.s.sage?'

'I work with the aura. Healing and relaxation. Does it work? Yeah, course it works. Sometimes. Can I see auras? Too b.l.o.o.d.y right, and it isn't always a blessing, when you look at people and see they haven't got long.'

'Can you see mine?'

'Yep.' She bit off the word, held out a packet. 'Ginger biscuit?'

'Thanks.'

'You're hungry. Take two.'

'What do you charge?' Maiden asked.

'When I'm working, twenty-plus for fifteen minutes. I'm not doing you, though, you'll never relax long enough. I'll just give you some advice. Stop thinking about it, you'll not work it all out on your own. Go home. Lock the door. Go to bed.'

'What will I not work out?'

'I dunno. Seriously, go home.'

'What colour is it? My aura.'

Lorna shook her head.

A voice outside shouted, 'h.e.l.lo?'

'Sounds like it's from your place,' Lorna said. 'Could be a wholesale newsagent wants to place an order for ten thousand copies a month.'

Maiden handed her his cup, stuck his head outside the tent.

'Excuse me, sir ...' One of the Forcefield men, standing by the fallen Visions. 'The little blonde American lady? You with her?'

'What's wrong?'

'You might want to come with me, sir.' Big, stolid-looking bloke, greying beard. 'She's had a bit of an accident, nothing to worry about.'