May Iverson's Career Part 25

"Miss Iverson doesn't agree with me," she was saying, "but I think that in this scene, when we are reconciled and I say to my husband, 'My boy,' he ought to answer, 'My mumsey!'"

"T. B.'s" reply sounded like a pistol-shot.

"What for?" he exploded. "Want to turn this play into a farce?"

"Certainly _not_!"

"Then follow the lines."

It was the settlement for all time of an argument which Miss Merrick and I had waged for weeks. One scene at least, the final, vital scene, would be spared to me. I felt a throb of grat.i.tude, followed by a sudden sick, indescribable sinking of the heart. Had I for one instant forgotten? I remembered again. Nothing mattered. Nothing would ever matter.

Some one sat down beside me, smiled at me, then stared frankly. "Good Heaven, Miss Iverson, did I frighten you?" cried Elman. "You look like a ghost!"

Before I could answer, "T. B." approached us both. Leaning over Elman, he nodded toward the youth who was still vainly trying to act like a gentleman.

"Get rid of him."

"But we open in Atlantic City to-morrow night--" began Elman.

"Get rid of him." "T. B.'s" tones permitted no argument. "Get rid of Haskins, too, and of Miss Arnold."

"But, great Scott, Governor--"

Elman's voice, usually so controlled, was almost a wail. "T. B."

strolled away. To "open" the next night with three new members in the company seemed impossible. Probably we wouldn't open at all. By to-morrow night I would know. G.o.dfrey would be out of danger, or G.o.dfrey would be--Why didn't Gibson come? Elman murmured something to me about "not taking it so hard," but I caught only a few words. He said it could be done--that he had the right people at hand. He would see them the first thing in the morning, and go over the lines with them and have them word-perfect by night.

My eyes were strained in the direction of the stage-door. My ears were awaiting the sound of Gibson's quick footsteps. For now, I knew, in the sick-room, where my mind and heart had been all night, the crisis was near. Through the open windows the blue-gray dawn was visible. The shaded lights were taking on a spectral pallor. Nurse and doctors were close to the bed, watching, listening for the change that meant life or death.

"Good--mighty good!" whispered Elman.

On the stage Miss Merrick and Peyton, the leading man, were going through their final scene. The familiar words, over which I had labored for months, came to me as if out of a life I had lived on some other planet ages back.

"You seem so far away," said the man. "I feel as if I'd have to call across the world to make you hear me. But I love you. Oh, Harriet, can't you hear that?"

The voice of his wife, who was forgiving him and taking him back, replied with the little break in its beautiful notes which Stella Merrick always gave to her answer.

"Yes, dear; I guess I'd hear that anywhere." And then, as she drew his head to her breast, "My boy!"

Within me something alive, suffering and struggling, cried out in sick revolt. What did these puppets know about love? What had I known about it when I wrote so arrogantly? But I knew now. Oh yes, I knew now.

Love and suspense and agony--I knew them all.

On the dim stage the leading man and woman melted into the embrace that accompanied the slow fall of the curtain. In the wings, but well in view, the members of the company cl.u.s.tered, watching the final scene and wiping their wet eyes. They invariably cried over that scene, partly because the leading man and woman set the example, but more because they were temperamental and tired. Even the brilliant eyes of Elman, who still sat beside me, took on a sudden softness. He smiled at "T. B.," who had dropped into a seat near us.

"No change there, I guess," he hazarded.

"T. B." looked at his watch.

"Quarter of four," he said, with surprise. Then he yawned, and, rising, reached for his light overcoat which lay on the back of a chair.

"That's all," he called, as he struggled into it. "Boyce, study your lines to-morrow, or you're going to have trouble. Peyton, you and Miss Mason better go over that scene in the second act in the morning.

So-long, Miss Merrick."

He started to go, then stopped at my seat.

"Good night, Miss Iverson," he said, kindly. "You've got the right nerve for this business. Of course we can't make predictions, but I shouldn't wonder if we're giving the public what they want in this play."

He nodded and was gone. I had barely caught his words. Over his big shoulders I saw Gibson approaching, his face one wide, expansive grin.

Never before had anything seemed so beautiful to me as that familiar Gibson smile. Never had I dreamed I could be so rapturously happy in seeing it.

"Good news," he said, as soon as he came within speaking-distance; and he added when he reached me, "He's better. The doctors say they'll pull him through."

At the first glimpse of him I had risen to my feet with some vague impulse to take, standing, whatever was coming. For a moment I stood quite still. Then the thing of horror that had ridden me through the night loosened its grip slowly, reluctantly, and I drew a deep, deep breath. I wanted to throw myself in Gibson's arms. I wanted to laugh, to cry, to shout. But I did none of these things. I merely stood and looked at him till he took my hand and drew it through his arm.

"Rehearsal's over, I see," he said. "I'm going to hunt up a taxi and take you home."

Together we went out into the gray morning light, and I stood on the curb, full-lunged, ecstatic, until Gibson and the taxi-cab appeared.

He helped me into the cab and took the seat beside me.

"You ought to go home," I murmured, with sudden compunction. "You must be horribly tired."

They were my first words. I had made no comment on the message he brought, and it was clear that he had expected none. Now he smiled at me--the wide, kind, understanding smile that had warmed the five years of our friendship.

"Let me do this much for you, May," he said. "You see, it's all I can do."

Our eyes met, and suddenly I understood. An irrepressible cry broke from me.

"Oh, Billy," I said. "Not _you_! Not _me_!"

He smiled again.

"Yes," he replied. "Just that. Just you and me. But it's all right.

I'd rather be your friend than the husband of any other woman in the world."

The taxi-cab hummed on its way. The east reddened, then sent up a flaming banner of light. I should have been tired; I should have been hungry; I should, perhaps, have been excited over "T. B.'s" final words. I was none of those things. I was merely in a state of supreme content. Nothing mattered but the one thing in life which mattered supremely. G.o.dfrey was better; G.o.dfrey would live!

XII

THE RISE OF THE CURTAIN

On the desk in my study the bell of the telephone sounded a faint warning, then rang compellingly. It had been ringing thus at five-minute intervals throughout the day, but there was neither impatience nor weariness in the haste with which I responded. I knew what was coming; it was the same thing that had been coming since nine o'clock that morning; and it was a pleasant sort of thing, diverting to an exceedingly anxious mind.

"h.e.l.lo, h.e.l.lo! Is that you, May? This is your awe-struck friend, George Morgan. Josephine and I want to inquire the condition of your temperature and your pulse."

I laughed.