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Dr. Denton came in today to see how I had recovered from "the Fourth,"
and, his call coinciding with the tail-end of Peter's visit, the two, who had hitherto had but a "bowing acquaintance," as the doctor put it, became instantly the best of friends. I wish I liked John Denton's nephew better. I am forced to agree with father that he has many splendid qualities. But only my mind agrees. Once or twice, when father has been particularly expansive on the subject, I have caught him looking at me in a puzzled fashion, and have realized that my tone has been about as enthusiastic as a Yale adherent when Harvard is making a goal. (Yes, Diary, I read the papers and ask quite intelligent questions!) When Dr. Denton is the subject in question between my father and me I am polite, very just, but unemotional. He arouses in me a feeling of rebellion and plain "cussedness." Perhaps it is a case of "Dr. Fell." I do not know, for until recently Dr. Fell has always seemed a rather maligned and misunderstood character to me.
But not now. And yet, digging further in the soil of spontaneous antagonism, I am forced to confess that my dislike is deeper and even more illogically rooted. It is not pleasant to meet a strange young man, when one is flat on one's ridiculous back, with no personality other than the ugly, ignominious one of pain.
Let us be frank, Diary. I am irritated to be looked upon as an "interesting case." It hurts my pride, it wounds my vanity, it affronts me. This is not a pretty confession, but, after all, was I not intended for other uses than that one? It is small comfort to consider that my "history" is tabulated and filed in many an imposing medical office, and that one misguided wretch once wrote an article about me for the _Medical World_.
Other girls have pleasanter publicity to look back upon; thrilling sc.r.a.p-books of clippings from local papers, little prosaic bits of paper that despite the bored phraseology of a reporter are just so many shining feathers from the wings of Romance. They run something like this: "Miss Ella Smith has returned to college." "Miss Ella Smith was the hostess at a very charming dinner dance last evening in her residence on Elm Avenue. This affair, which marked the debut of one of Green Hill's most popular members of the younger set, was etc., etc."
"The announcement of the engagement of Miss Ella Smith to Howard Anderson, son of the president of the Washington Park Bank, was made yesterday at a luncheon given for Miss Ella Smith by Mrs. Arthur Jones." And then, Diary, after half a column for the wedding and the "Voice that Breathed o'er Eden" accompaniment, perhaps some day, this: "Born, to Mr. and Mrs. Howard Anderson (nee Ella Smith), a son, Howard Anderson, Junior."
And after that, of course, the white-bound _Baby Book_. My mother kept one of me. Absurd pictures are in it, a lock of yellow hair, and all sorts of dear, foolish comments. Even my first word is written there, with, I know, a vainglorious pen. The word is not startling. It is "birdie." Father has often told me that mother declared this initial effort of speech a direct sign of abnormal brilliancy on my part, as the dictionary meaning of my christian name is "European song thrush or throstle."
I wonder if even a throstle would not get out of tune were it sentenced to life-long captivity?
I am terribly restless of late. I think that both father and Sarah have noticed it. But they have said nothing. In winter, I lie almost dormant, but Spring breeds a fever in my blood, and Summer sets me frantic with the longing to be up and out and away. But of all the hours, I love the one, toward twilight, before sunset, when the light is long and level, and a mellow golden. A breeze springs up and whispers gently in the trees, and I come nearest of all then to a sense of peace and quietude. This hour is, I think, of all summer hours the one most significant of her. In winter, one does not find the day entering imperceptibly into that period of lovely transition; in winter, one has daylight and then darkness.
Bedtime, Diary. The stars are thick tonight, and I can see the fireflies on the gra.s.s below my window, in pretty compet.i.tion with the high, still light in the sky. Good-night! If I have been cross and rebellious in this writing, forgive me. It's only in books that a shut-in is angelic all the time! And even if I do write down my revolts and teacup revolutions in a book, I am still very far from being a heroine!
I wonder--will Mr. Denton consent to the alien role of go-between and accomplice?
CHAPTER III
SOME LETTERS
WOODLAND HOUSE SUMMIT, N. H.
Dear little Mavis:
Of course I know Richard Warren. He is a very nice person to know! And he will be more than glad to hear from you, I am sure.
By all means write to him. I wish I were twenty-odd and a Poet, instead of fifty-even and a Publisher! However, I shall take the second best, and play go-between.
Whenever you wish, I will further your schemes and preserve your incognito, you Designing Person!
Affectionately JOHN DENTON
July 6th
FROM A ROSE-GREY BOWER July 7th
To you-- A Maker of Songs:
With your _Lyric Hour_ close beside me, and a picture of you in my imagination, I can feel little hesitancy in writing to tell you, as best I can, all that your poems have meant to me. I am, briefly, a "shut-in," in whose whole limited life books must necessarily play a greater part than in the active world of the well person.
Not long since, through Mr. John Denton, your verses came to me.
Straight into my hands they came, and from there into my heart.
They are singing there now. And for this, my little note carries you real grat.i.tude. It must go to you, however, without name or sign. I'd rather that you stayed a little "unreal." For when names and addresses begin to play their part, then convention steps in to lay forbidding hands on the lips of friendly impulse,--even here in my castle, from which the outside world is almost banished, and which I shall never leave.
Thank you more than I can say for the loveliness of your songs.
Very sincerely yours, ONE DISTANT READER
NEW YORK CITY July 12th
Dear Stranger-Lady:
I have your letter, and have asked our mutual friend to forward my reply to you. I am so glad that you did not allow Mrs. Grundy to enter that rose-grey bower of yours, which sounds so attractive. I am sure she would find the color scheme most unbecoming!
I am so glad that you care for my book. It is my first, and I have a weakness for it. I am afraid I do not sing for the many, but for the few. Time was, when I had hoped to be minstrel for all the world, but that is past now. And I am content with what I do, if it can call forth letters like yours.
Will you not write me again, and tell me as much of yourself as you care to? Or am I asking too much? I hope not, for your letter has given me such pleasure. It has made a little happy spot for me along the way, an oasis in that Desert of Loneliness which all of us know so well.
It is hard to think of you as really "shut-in." Somehow, I make a different mental picture of you.
If you will let me write to you, you will have to bear with _hearing_ me tell of my dreams. But I am sure you could not treat them other than gently. And perhaps we can make for each other a little rendezvous of pen and ink, where we may meet and talk awhile.
Yours very gratefully, RICHARD WARREN
FROM A SECLUDED SPOT July 14th
Dear and Friendly Unknown:
Thank you for your letter. I shall be glad to share my quiet days with you.
You ask me about myself.
Well, first of all, there's Father; and second, there is Sarah.
In order to rightly visualize Father, you must imagine all the strength and gentleness in the world, made man. And to be truly aware of Sarah, you must picture an aging fairy, who brings you just what you want on trays and things, before you know you want them; who creeps in to tuck you up before you realize you are about to grow chilly. Father is big and grey and brown; Sarah is like New England, just before spring; very reticent, and most tender beneath a wintry exterior. She has been nurse and servant, mother and friend to me, since that day when, after the doctors had agreed that there was no open door through which I might escape into health again, they brought me back here to live out the rest of my life. And of course no category would be complete without a mention of Peter, who is quite the most delightful lover that ever a girl could have.
Then there's our cottage, a small red edifice, rather weather-beaten. It is close to the hills; I think that they care for it, in so friendly a manner do they regard its very windows.
In spring it is very intimate with the apple blossoms, which toss rosy sprays into the crystal air to break about its feet. In summer, as now, the roses pour white and red and golden wine on the doorstep. In autumn, the gayest leaves come drifting by to settle on the verandah, and even the snow seems to like it, so high and white does it heap itself about the doors.
Inside, the very best of the house is in my room. Father calls it the "Heart of the Home." If it is that, it beats in grey and rose, and lovely old blue. Grey in the walls and floor, and rose and blue in the cretonnes of curtains and mahogany furniture. All day long I lie in a four-poster bed, which belonged to a great, great, grandmamma, and is stationed in a big bay-window. I can look out over the hills, which in fancy I am always climbing.
Many people come to see me here. They bring me their troubles and their joys, and I suffer and am glad with them, vicariously. One by one you shall meet them as our correspondence continues. For indeed, I hope it will. But with just one condition. Never by hook or crook or dark wiles, must you procure my name from our "postman." For then the spell will break, and I will vanish like the apparitions in the fairy stories.
That blot is where I stopped to look at an absurd cow which wandered slowly across my line of vision, over the road and into the orchard. Such an amusing and defiant tail! So melancholy an eye!
It has been raining this morning, and now there is palest sunlight through veils of mist. Somewhere, a bird is being very happy about something. Through an open window comes the fragrance of growing, rain-wet things. Surely you, city-bound, miss half of life.
I hear Sarah approaching. That means luncheon. So I must leave you, Poet. This is such a charming game, solitaire with an unseen partner, that I am loath to lay aside the cards.
Poet, good afternoon!
Yours loquaciously, ME