Maurice Guest Part 50

And the quick picture she drew, of how, in her native land, the brief winter pa.s.sed almost without transition into the scathing summer; her suggestion of unchanging leaves, brown barrenness, and and dryness; of gra.s.s burnt to cinders, of dust, drought, and hot, sandy winds: all this helped him to understand something of what she was feeling. A remembrance of this parched heat was in her veins, making her eager not to miss any of the young, teeming beauty around her, or one of the new strange scents; eager to let the magic of this awakening permeate her and amaze her, like a primeval happening. But, though he thus grasped something of what was going on in her, he was none the less uneasy under it: just as her feverish unburdening of herself after hours of silence, so now her att.i.tude towards this mere change of nature disquieted him; she over-enjoyed it, let herself go in its exuberance.

And, as usual, when she lost hold of her nerves, he found himself retreating into his sh.e.l.l, practising self-control for two.

Often, how often he could not count, the words that had to be said had risen to his lips. But they had never crossed them--in spite of the wanton greenness of the woods, which should have been the very frame in which to tell a woman you loved her. But not one drop of her nervous exaltation was meant for him: she had never shown, by the least sign, that she cared a jot for him; and daily he became more convinced that he was chasing a shadow, that he was nothing to her but the STAFf.a.gE in the picture of her life. He was torn by doubts, and mortally afraid of the one little word that would put an end to them.

He recollected one occasion when he had nearly succeeded in telling her, and when, but for a trick of fate, he would have done so. They were on their way home from the NONNE, where the delicate undergrowth of the high old trees was most prodigal, and where Louise had closed her eyes, and drunk in the rich, earthy odours. They had paused on the suspension bridge, and stood, she with one ungloved hand on the railing, to watch the moving water. Looking at her, it had seemed to him that just on this afternoon, she might listen to what he had to say with a merciful attentiveness; she was quiet, and her face was gentle.

He gripped the rail with both hands. But, before he could open his lips, a third person turned from the wood-path on to the bridge, making it tremble with his steps--a jaunty cavalry officer, with a trim moustache and bright dancing eyes. He walked past them, but threw a searching look at Louise, and, a little further along the bridge, stood still, as if to watch something that was floating in the water, in reality to look covertly back at her. She had taken no notice of him as he pa.s.sed, but when he paused, she raised her head; and then she looked at him--with a preoccupied air, it was true, but none the less steadily, and for several seconds on end. The words died on Maurice's lips: and going home, he was as irresponsive as she herself ...

"I love you, Louise--love you." He said it now, sitting back in his dark corner in the theatre; but amid the buzz and hum of the music, and the shouting of the toreadors, he might have called the words aloud, and still she would not have heard them.

Strangely enough, however, at this moment, for the first time during the evening, she turned her head. His eyes were fixed on her, in a dark, exorbitant gaze. Her own face hardened.

"The opera-gla.s.s!"

Maurice opened the leather case, and gave her the gla.s.s. Their fingers met, and hers groped for a moment round his hand. He withdrew it as though her touch had burnt him. Louise flashed a glance at him, and laid the opera-gla.s.s en the ledge in front of her, without making use of it.

Slowly the traitorous blood subsided. To the reverberating music, which held all ears, and left him sitting alone with his fate, Maurice had a moment of preternatural clearness. He realised that only one course was open to him, and that was to go away. BEI NACHT UND NEBEL, if it could not be managed otherwise, but, however it happened, he must go. More wholly for her sake than Madeleine had dreamed of: unless he wanted to be led into some preposterous folly that would embitter the rest of his life. Who could say how long the wall he had built up round her--of the knowledge he shared with her, of pity for what she had undergone--would stand against the onset of this morbid, overmastering desire?

To the gay, feelingless music, he thought out his departure in detail, sparing himself nothing.

But in the long interval after the second act, when they were downstairs on the LOGGIA, where it was still half daylight; where the lights of cafes and street-lamps were only beginning here and there to dart into existence; where every man they met seemed to notice Louise with a start of attention: here Maurice was irrevocably convinced that it would be madness to resign his hard-won post without a struggle. For that it would long remain empty, he did not for a moment delude himself.

They hardly exchanged a word during the remainder of the evening. His mouth was dry. Carmen, and her gaudy fate, drove past him like the phantasmagoria of a sleepless night.

When, the opera was over, and they stood waiting for the crowd to thin, he scanned his companion's face with anxiety, to discover her mood.

With her hand on the wire ledge, Louise watched the slow fall of the iron curtain. Her eyes were heavy; she still lived in what she had seen.

Her preoccupation continued as they crossed the square; her movements were listless. Maurice's thoughts went back to a similar night, a year ago, when, for the first time, he had walked at her side: it had been just such a warm, lilac-scented night as this, and then, as now, he had braced himself up to speak. At that time he had known her but slightly; perhaps, for that very reason, he had been bolder in taking the plunge.

He turned and looked at her. Her face was averted: he could only see the side of her cheek, and the clear-cut line of her chin.

"Are you tired, Louise?" he asked, and, in the protective tenderness of his tone, her name sounded like a term of endearment.

She made a vague gesture, which might signify either yes or no.

"It was too hot for you up there, to-night," he went on. "Next time, I shall take you a scat downstairs--as I've always wanted to." As she still did not respond, he added, in a changed voice: "Altogether, though, it will be better for you to get accustomed to going alone to the theatre."

She turned at this, with an indolent curiosity. "Why?"

"Because--why, because it will soon be necessary. I'm going away."

He had made a beginning now, clumsily, and not as he had intended, but it was made, and he would stand fast.

"You are going away?"

She said each word distinctly, as if she doubted her ears.

"Yes."

"Why, Maurice?"

"For several reasons. It's not a new decision. I've been thinking about it for some time."

"Indeed? Then why choose just to-night to tell me?--you've had plenty of other chances. And to-night I had enjoyed the theatre, and the music, and coming out into the air ..."

"I'm sorry. But I've put it off too long as it is. I ought to have told you before.--Louise ... you must see that things can't go on like this any longer?"

His voice begged her for once to look at the matter as he did. But she heard only the imperative.

"Must?" she repeated. "I don't see--not at all."

"Yes.--For your sake, I must go."

"Ah!--that makes it clearer. People have been talking, have they? Well, let them talk."

"I can't hear you spoken of in that way."

"Oh, you're very good. But if we, ourselves, know that what's being said is not true, what can it matter?"

"I refuse to be the cause of it."

"Do you, indeed?" She laughed. "You refuse? After doing all you can to make yourself indispensable, you now say: get on as best you can alone; I've had enough; I must go.--Don't say it's on my account--that the thought of yourself is not at the bottom of it--for I wouldn't believe you though you did."

"I give you my word, I have only thought of you. I meant it ... I mean it, for the best."

She quickened her steps, and he saw that she was nervously worked up.

"No man can want to injure the woman he respects--as I respect you."

Her shoulders rose, in her own emotional way.

"But tell me one thing," he begged, as she walked inexorable before him. "Say it will matter a little to you if I go--that you will miss me--if ever so little ... Louise!"

"Miss you? What does it matter whether I miss you or not? It seems to me that counts least of all. You, at any rate, will have acted properly. You will have nothing to reproach yourself with.--Oh, I wouldn't be a man for anything on earth! You are all--all alike. I hate you and despise you--every one of you!"

They were within a few steps of the house. She pressed on, and, without looking back at him, or wishing him good-night, disappeared in the doorway.

XII.

It was a hot evening in June: the perfume of the lilac, now in fullest bloom, lay over squares and gardens like a suspended wave. The sun had gone down in a cloudless sky; an hour afterwards, the pavements were still warm to the touch, and the walls of the buildings radiated the heat they had absorbed. The high old houses in the inner town had all windows set open, and the occupants leaned out on their window-cushions, with continental nonchalance. The big garden-cafes were filled to the last scat. In the woods, the midges buzzed round people's heads in accompanying clouds; and streaks of treacherous white mist trailed, like fixed smoke, over the low-lying meadow-land.

Maurice and Louise had rowed to Connewitz; but so late in the evening that most of the variously shaped boats, with coloured lanterns at their bows, were returning when they started.

Louise herself had proposed it. When he went to her that afternoon, he found her stretched on the sofa. A theatre-ticket lay on the table--for she had taken him at his word, and shown him that she could do without him. But to-night she had no fancy for the theatre: it was too hot. She looked very slight and young in her white dress; but was moody and out of spirits.

On the way to Connewitz, they spoke no more than was necessary. Coming back, however, they had the river to themselves; and she no longer needed to steer. He placed cushions for her at the bottom of the boat; and there she lay, with her hands clasped under her neck, watching the starry strip of sky, which followed them, between the tops of the trees above, like a complement of the river below.