Masterman and Son Part 20

"That's what we want," he cried joyously. "I always said you could write, but I really didn't think you'd get hold of the American method so soon."

"But it's pure nonsense--in fact, a burlesque," said Arthur.

"A what?"

"A burlesque, a skit, a satire, if you will."

"You may call it what you like, but it's what I want, and what the public wants, and I'm going to print it."

"I hope you'll do nothing of the kind. You must see it is nonsense, and no one will believe it."

"The American public will believe anything," Legion retorted with grave conviction. "They like being fooled. It is what the papers exist for.

And there's no sort of fooling pleases them so much as patriotic fooling. That reference of yours now to America being remembered as the birthplace of Dodge--why, it's a stroke of genius, sir. It may not be strictly true, of course; but it is impressive, and it makes folk feel proud of their native authors, and it sells the books, and that's what we want, isn't it?"

Remonstrance was so clearly useless that Arthur said no more, and in due time read with blushes his unlucky paragraph in the advertising columns of a New York paper, and found that it had been disseminated by the hand of Legion through a hundred inferior papers, where it was duly quoted as the valuable opinion of a celebrated English critic.

This was but one instance among many of the remarkable methods of Mr.

Wilbur M. Legion. He pursued mendacity with an ardour which few persons have manifested in the quest of truth. He dwelt in an atmosphere of exaggeration so dense that the real values of things were totally obscured. Words were to him the golden b.a.l.l.s of a juggler; he tossed them hither and thither with a sole eye to rapid effect and novel combination. Upon the question of Dodge he was fantastically sincere; he was really in love with the man and his writings; but the language which he used of Dodge was substantially the same language with which he decorated all his authors. It was his boast that he would make the worst book sell by daring methods of advertis.e.m.e.nt. He once expressed to Arthur with entire gravity the opinion that the true cause for the decay of religion was that the Bible had not been sufficiently advertised; it has been left to preachers instead of being handed over to the press agents. Let him have the handling of it for a month, and he would show them! For it must be noted that Mr. Legion was in his way a respecter of religion, a zealous opponent of heterodoxies, a man of excellent Sunday proprieties, who had won the grat.i.tude of the sect to which he belonged by presenting an organ to his church. If he had been told that his chief achievement in life was to debase the literary currency, he would have been genuinely astonished, for so singular a thing is the mind of man that he actually believed that he had advanced its interests.

Things came to a crisis at last, and, as it happened, over the very article which Arthur had written on Vickars. This article had remained in Legion's hands, and what was Arthur's astonishment when he found it duly head-lined in a sensational journal, and accompanied by a portrait which was certainly not that of Vickars. Here and there he could distinguish some remnants of his own handiwork, but the whole was overlaid by the most extraordinary flamboyant ornament, and abounded in pa.s.sages which he recognised as pure Legionese. The things which he had said about Vickars in unsuspicious confidence were all remembered, but were twisted with such amazing ingenuity into novel forms that he blushed to recognise them. Vickars was described as living in a garret, existing upon the most exiguous of earnings, finding his comrades among all kinds of social outcasts, a hero, a saint, and a socialist, a.s.sisted in his sacrifice by a lovely daughter, whose personal charms were touched in with the bold hand of a police-court journalist. Arthur's heart flamed as he read the article. He could imagine what Vickars would think of it; what he would think of the pathetic fiction that he had nearly died of a fever caught in nursing a diseased outcast (this was the Legionese improvement on the drain-story), and with what feelings he would regard the exploitation of Elizabeth. It seemed to him that the world must ring with the infamous business; that Vickars would become the laughing-stock of London; and that since the article could be attributed to no one but himself, he would henceforth stand pilloried as a false friend, a liar, and a fool.

The moment Legion appeared in the office, he flung the article upon his desk, and cried in a voice shaken with anger, "Did you write that?"

"Why, what's the matter?" he replied, slowly adjusting his spectacles.

"Oh! I see--the Vickars article. I meant to tell you about that.

What you wrote was too good to waste, so I worked over it a bit, and I've got quite a satisfactory price for it. I wouldn't wonder if it created quite a demand for Vickars' books, and we ought to communicate with him at once about his new book."

He was going on, in the innocence of his heart, to explain how a Vickars boom might be worked, when Arthur interrupted him with a furious gesture.

"What I wrote was truth, and what you have written is lies. Why, even the portrait you have used isn't Vickars!"

"And who cares about that? No one knows any better. It's a good enough portrait, any way."

"I can't argue about it, Mr. Legion. You have done me incalculable harm. You have ruined me with Vickars. As for his ever allowing you to handle his books, let me tell you he wouldn't touch a dirty dog like you with a ten-foot pole."

"What's that?" cried Legion, his face pale with astonishment and indignation. "What was that you said?"

"I say you are a scoundrel, Mr. Legion--a mercenary, lying scoundrel!"

"Oh! come now, you're excited. I can make allowances--you don't know what you're saying."

"I know quite well what I'm saying, and I will repeat it, if you like: you're a scoundrel!"

Even Legion's good temper was not proof against this violence.

"Very good," he said. "I won't tell you what you are. But I'll tell you what's going to happen to you. You are going to starve in the streets of New York, my young friend. You're too darned superior for this country of commonsense business methods. You're the sort that comes to sleeping on the benches in Union Square, and fighting for a place in the bread-line."

"Very possibly," said Arthur. "I'm sure I don't know what sort I am, but I am sure of this, that I am not the sort you want in this office, and I beg to say good-morning."

He put on his hat and coat, and rushed for the door. Perhaps it was because Legion saw how white and drawn his face was, and how wild his eyes, that his heart relented towards him.

"Look here," he said, "hadn't you better think it over? I didn't mean what I said about starving in the streets. I hadn't ought to have said that. Besides, you know, there's some money owing to you. Don't go without that."

But the mention of money, instead of staying his flight, lent it new impulse. He was besmirched enough already without taking the wages of his defilement. He rushed out of the room, and the banging door cut short Mr. Legion's eirenicon.

XIV

HE FINDS A FRIEND

Arthur's first act on regaining his hotel was to terminate his residence therein. He ought to have done this long ago, for these thronged corridors, resounding night and day with the c.h.i.n.k of innumerable dollars, was no place for one so poor as he. He had stayed there rather from natural heedlessness and inexperience than from choice; partly also in the hope that the invaluable Bundy would arrive; but now his fears were thoroughly aroused. Legion's phrase about the benches in Union Park and the breadline stuck in his mind. He had heard of such tragedies; he remembered a story which Vickars had told him of one of the most brilliant poets of the day who, in the course of his early struggles, had been reduced to holding horses at public-house doors for ha'pence in the Strand. It had also been the habit of his father, when he wished to inculcate habits of economy and perseverance on his childish mind, to do so by various realistic versions of the prodigal son, ill.u.s.trated from the histories of certain men he had known who had not possessed the sense "to know which side their bread was b.u.t.tered." It seemed that he was well upon the way to become such a prodigal. He was bound for the bread-line. Well, if this were the appointed night when he was to take farewell of respectability, the obsequies should be fitly celebrated. If to-morrow he must starve, to-night, at least, he would eat; he had lost so much that no further loss could make him poor; and from the extreme of fear his mind ran to the extreme of recklessness. From the clerk with the tooth-pick he learned the address of a small hotel near the docks, to which he ordered his trunks to be forwarded; having done which, and distributed various tips with a gentlemanly profusion, he stepped out into the gathering night of New York.

The city hummed and sang like some monstrous wheel, driven by an unseen dynamo. It presented to the eye a riot of life and light; its lofty buildings flared like torches, its shops glowed like jewels, its streets were lanes of fire; and into the upper air, still coloured with the hues of sunset, there rose an immense reverberation, composed of human cries and shouts, wheels pounding on granite roads, wheels groaning on roads of steel, all resolved into a thunderous ba.s.s note, the raucous music of the human mult.i.tude. There are moods in which such a spectacle is exhilarating, moods in which it is dreadful; but there is another and a rarer mood, when it appears majestic. As Arthur surveyed the scene, it was this aspect of majesty that appealed to him.

It overwhelmed his mind with an impression more commonly attributed to astronomy--viz., the entire insignificance of the individual in relation to physical magnitudes. His own particular troubles suddenly a.s.sumed dwarfed proportions; his little life appeared a mere bubble floating for an instant on the crest of disappearing waves; the city itself a streaming star-river, flowing out of dark eternities, peopled for an instant by a tribe of eager ants. To what avail the strife, the pa.s.sion, the disorder of these tiny lives? Yet a little while, a few days it might be, a few years at most, and he would be lost to sight as though he had never been. But the wheel would spin on, with a million new Ixions bound upon its flaming spokes; the magnificent and monstrous city would go on, piling pyramid on pyramid above the bones of its exhausted slaves, and with not one light the less because he did not see it, not one softened moment in its raucous song because his ear was filled with the clods of the valley.

In that moment he understood why men commit suicide, why it may appear the soberest act of reason and of justice to fling away a life which has lost its value in losing its egoism. But over that abyss his thought hovered but an instant, and the horror of that instant produced a swift reaction. The dangerous moment pa.s.sed, and left him with a new appet.i.te for life. He felt the swift uprisal of faculties of enjoyment in himself such as the convalescent feels when the blood flows nimbly after sickness; and on a sudden he found himself convulsed with laughter. The absurdity of his position moved him like a caricature.

He had blundered badly, but of what consequence was it in the vast sum of things? All things continued as they were, the stars still were steadfast in their courses, and from that upper silence fell a voice that made him, and all human perturbations, a vain thing that endured but for a moment. The spirit of derision was upon him, and, still laughing, he plunged into the moving crowd.

Presently he found himself in Sixth Avenue, and his eye recognised the sign of a small Italian restaurant of which he had heard an excellent report. The front of the house was mean and narrow; the door opened on a sanded vestibule, which, in turn, led to a long and crowded room. At its upper end was a das, on which an excellent orchestra was seated.

As he entered the room, a man with a sweet and powerful tenor voice sang an Italian comic song, the chorus of which was taken up by the diners, who beat time with gla.s.ses and knives upon the tables. An extraordinary vivacity characterised this curiously mixed a.s.sembly; they appeared to have no cares in life, or, if they had, they were intent upon forgetting them. All types were present, from the city clergyman a little ill at ease in his environment to women of exotic beauty, whose sidelong glances left little doubt of their profession.

Yet there was no element of disorder, no impression of vulgarity; there was freedom but no licence, the mingling of human creatures in a catholic amity; each content for the time to forget distinctions that elsewhere might be deemed important, each happy in a transient release from the servitudes of the long day, and perhaps from the memories of misfortune.

Arthur was fortunate in finding a single seat vacant at a narrow table next the wall. Here he took his place, and had already proceeded halfway with his meal before he noticed a man who sat on the other side of the table. He was a cheerful little fellow, with a good face, humorous eyes, and mobile mouth, who was evidently itching for conversation. Some trifling courtesy of the table brought them acquainted, and in a few moments they were deep in talk. It seemed that he was an Englishman, a wandering artist, a man with a wide and cheerful acquaintance with vicissitude, who gave his name as Horner.

He had been born and bred in London, in an atmosphere of lower middle-cla.s.s insularity and ignorance, from which he had escaped into a wider world by the means of art-cla.s.ses and night-schools. He had thus reached the lower slopes of Parna.s.sus, only to discover that there his progress ended; he had neither the education nor the means to carry him farther; and so he had slowly declined from the production of original work into a kind of Ishmael hanging on the borders of the art-world, an expert restorer of old paintings, and at times an amateur dealer. It is a curious fact that the Englishman, who at home is the most reticent of all human animals, often becomes the most communicative when he meets men of his own nation abroad. There the freemasonry of race tells, loneliness acts as a solvent of reserve, and the possession of common memories invites immediate intimacy. To hear the familiar c.o.c.kney dialect again, with its clipped vowels and reckless distribution of the aspirate, to remark phrases heard nowhere save upon the London streets, is to be transported instantly, as on a magic carpet, to the atmosphere of home, to see again the glitter of the Strand, the midnight throngs in Piccadilly Circus, the dear and dingy purlieus of Soho. The very words have an esoteric significance; they cannot be heard or uttered save with a thrilling heart; and among banished Englishmen they are the symbols of an irrecoverable joy, and const.i.tute an instant bond of brotherhood.

Arthur listened with delight to Horner's narrative of his adventures.

It appeared that he knew most of the millionaires who collected pictures, and nearly all the dealers from whom they bought them. In describing these people he had the rare art of the vitalising touch.

The millionaires moved before the eye in all their eager ignorance, the dealers in all their duplicity and craft. Manufactories of old masters existed for the sole purpose of meeting the demand of American millionaires. It was a known fact that sixteen thousand Corots had pa.s.sed the New York Customs House in the last few years, whereas every one knew that Corot could not have painted more than two thousand pictures in a long life of the most unremitting toil.

"Why, I could paint better Corots myself than most of those that hang in American galleries," he remarked.

"Perhaps you've done so," laughed Arthur.

"I won't say I hav'n't," he replied with cheerful impudence. "But I've done with that sort of thing now. And I'll say one thing for myself, I never yet sold a picture that I knew was a fake. But, O Lor', these people are such children! They think they know everything, and on art they are as ignorant as dirt. They carry round little books of nothingness by Professor This and Professor That, and go into raptures over all sorts of rubbish because they're told to. And they won't be told better, that's the trouble. But I mean to tell them some day.

Only, you see, I can't write the way it ought to be written. I suppose, now, you're not by any chance a writer, are you?"

"I suppose I'm a sort of writer. At all events, the last thing I did was to write something of which I am heartily ashamed."

"And did they sack you?"

"They did. Or, to be more precise, I sacked myself."

"Well, why shouldn't you and I join forces? Of course I wouldn't think of saying this to any one but an Englishman. I can give you lots of stuff, and you can write it up, you know. We might make a book, don't you think?"

"But I know nothing about art except in an amateur way."