Mashi and Other Stories Part 14

[34] Sweetly speaking.

[35] Lovely-locked.

[36] Sweetly smiling.

Her two elder sisters had been married with the usual cost and difficulty, and now the youngest daughter lay like a silent weight upon the heart of her parents. All the world seemed to think that, because she did not speak, therefore she did not feel; it discussed her future and its own anxiety freely in her presence. She had understood from her earliest childhood that G.o.d had sent her like a curse to her father's house, so she withdrew herself from ordinary people, and tried to live apart. If only they would all forget her she felt she could endure it. But who can forget pain? Night and day her parents' minds were aching on her account. Especially her mother looked upon her as a deformity in herself. To a mother a daughter is a more closely intimate part of herself than a son can be; and a fault in her is a source of personal shame. Banikantha, Subha's father, loved her rather better than his other daughters; her mother regarded her with aversion as a stain upon her own body.

If Subha lacked speech, she did not lack a pair of large dark eyes, shaded with long lashes; and her lips trembled like a leaf in response to any thought that rose in her mind.

When we express our thought in words, the medium is not found easily.

There must be a process of translation, which is often inexact, and then we fall into error. But black eyes need no translating; the mind itself throws a shadow upon them. In them thought opens or shuts, shines forth, or goes out in darkness, hangs steadfast like the setting moon, or, like the swift and restless lightning, illumines all quarters of the sky. They who from birth have had no other speech than the trembling of their lips learn a language of the eyes, endless in expression, deep as the sea, clear as the heavens, wherein play dawn and sunset, light and shadow. The dumb have a lonely grandeur like Nature's own. Wherefore the other children almost dreaded Subha, and never played with her. She was silent and companionless as noontide.

The hamlet where she lived was Chandipur. Its river, small for a river of Bengal, kept to its narrow bounds like a daughter of the middle cla.s.s. This busy streak of water never overflowed its banks, but went about its duties as though it were a member of every family in the villages beside it. On either side were houses and banks shaded with trees. So stepping from her queenly throne, the river-G.o.ddess became a garden deity of each home; and forgetful of herself, performed her task of endless benediction with swift and cheerful foot.

Banikantha's house looked upon the stream. Every hut and stack in the place could be seen by the pa.s.sing boatmen. I know not if amid these signs of worldly wealth any one noticed the little girl who, when her work was done, stole away to the waterside, and sat there.

But here Nature fulfilled her want of speech, and spoke for her.

The murmur of the brook, the voice of the village folk, the songs of the boatmen, the crying of the birds and rustle of trees mingled, and were one with the trembling of her heart. They became one vast wave of sound, which beat upon her restless soul. This murmur and movement of Nature were the dumb girl's language; that speech of the dark eyes, which the long lashes shaded, was the language of the world about her. From the trees, where the cicalas chirped, to the quiet stars there was nothing but signs and gestures, weeping and sighing. And in the deep mid-noon, when the boatmen and fisherfolk had gone to their dinner, when the villagers slept, and birds were still, when the ferry-boats were idle, when the great busy world paused in its toil, and became suddenly a lonely, awful giant, then beneath the vast impressive heavens there were only dumb Nature and a dumb girl, sitting very silent--one under the spreading sunlight, the other where a small tree cast its shadow.

But Subha was not altogether without friends. In the stall were two cows, Sarbbashi and Panguli. They had never heard their names from her lips, but they knew her footfall. Though she had no words, she murmured lovingly and they understood her gentle murmuring better than all speech. When she fondled them or scolded or coaxed them, they understood her better than men could do. Subha would come to the shed, and throw her arms round Sarbbashi's neck; she would rub her cheek against her friend's, and Panguli would turn her great kind eyes and lick her face. The girl paid them three regular visits every day, and others that were irregular. Whenever she heard any words that hurt her, she would come to these dumb friends out of due time.

It was as though they guessed her anguish of spirit from her quiet look of sadness. Coming close to her, they would rub their horns softly against her arms, and in dumb, puzzled fashion try to comfort her.

Besides these two, there were goats and a kitten; but Subha had not the same equality of friendship with them, though they showed the same attachment. Every time it got a chance, night or day, the kitten would jump into her lap, and settle down to slumber, and show its appreciation of an aid to sleep as Subha drew her soft fingers over its neck and back.

Subha had a comrade also among the higher animals, and it is hard to say what were the girl's relations with him, for he could speak, and his gift of speech left them without any common language. He was the youngest boy of the Gosains, Pratap by name, an idle fellow. After long effort, his parents had abandoned the hope that he would ever make his living. Now losels have this advantage, that, though their own folk disapprove of them, they are generally popular with every one else. Having no work to chain them, they become public property.

Just as every town needs an open s.p.a.ce where all may breathe, so a village needs two or three gentlemen of leisure, who can give time to all; so that, if we are lazy and want a companion, one is to hand.

Pratap's chief ambition was to catch fish. He managed to waste a lot of time this way, and might be seen almost any afternoon so employed.

It was thus most often that he met Subha. Whatever he was about, he liked a companion; and, when one is catching fish, a silent companion is best of all. Pratap respected Subha for her taciturnity, and, as every one called her Subha, he showed his affection by calling her Su. Subha used to sit beneath a tamarind, and Pratap, a little distance off, would cast his line. Pratap took with him a small allowance of betel, and Subha prepared it for him. And I think that, sitting and gazing a long while, she desired ardently to bring some great help to Pratap, to be of real aid, to prove by any means that she was not a useless burden to the world. But there was nothing to do. Then she turned to the Creator in prayer for some rare power, that by an astonishing miracle she might startle Pratap into exclaiming: 'My! I never dreamt our Su could have done this!'

Only think! if Subha had been a water nymph, she might have risen slowly from the river, bringing the gem of a snake's crown to the landing-place. Then Pratap, leaving his paltry fishing, might dive into the lower world, and see there, on a golden bed in a palace of silver, whom else but dumb little Su, Banikantha's child? Yes, our Su, the only daughter of the king of that shining city of jewels!

But that might not be, it was impossible. Not that anything is really impossible, but Su had been born, not into the royal house of Patalpur,[37] but into Banikantha's family, and she knew no means of astonishing the Gosains' boy.

[37] The Lower World.

Gradually she grew up. Gradually she began to find herself. A new inexpressible consciousness like a tide from the central places of the sea, when the moon is full, swept through her. She saw herself, questioned herself, but no answer came that she could understand.

Once upon a time, late on a night of full moon, she slowly opened her door, and peeped out timidly. Nature, herself at full moon, like lonely Subha, was looking down on the sleeping earth. Her strong young life beat within her; joy and sadness filled her being to its brim; she reached the limits even of her own illimitable loneliness, nay, pa.s.sed beyond them. Her heart was heavy, and she could not speak!

At the skirts of this silent, troubled Mother there stood a silent troubled girl.

The thought of her marriage filled her parents with an anxious care.

People blamed them, and even talked of making them outcasts. Banikantha was well off; they had fish-curry twice daily; and consequently he did not lack enemies. Then the women interfered, and Bani went away for a few days. Presently he returned, and said: 'We must go to Calcutta.'

They got ready to go to this strange country. Subha's heart was heavy with tears, like a mist-wrapt dawn. With a vague fear that had been gathering for days, she dogged her father and mother like a dumb animal. With her large eyes wide open, she scanned their faces as though she wished to learn something. But not a word did they vouchsafe. One afternoon in the midst of all this, as Pratap was fishing, he laughed: 'So then, Su, they have caught your bridegroom, and you are going to be married! Mind you don't forget me altogether!'

Then he turned his mind again to his fish. As a stricken doe looks in the hunter's face, asking in silent agony: 'What have I done to you?' so Subha looked at Pratap. That day she sat no longer beneath her tree. Banikantha, having finished his nap, was smoking in his bedroom when Subha dropped down at his feet and burst out weeping as she gazed towards him. Banikantha tried to comfort her, and his cheek grew wet with tears.

It was settled that on the morrow they should go to Calcutta. Subha went to the cow-shed to bid farewell to her childhood's comrades.

She fed them with her hand; she clasped their necks; she looked into their faces, and tears fell fast from the eyes which spoke for her.

That night was the tenth of the moon. Subha left her room, and flung herself down on her gra.s.sy couch beside her dear river. It was as if she threw her arms about Earth, her strong, silent mother, and tried to say: 'Do not let me leave you, mother. Put your arms about me, as I have put mine about you, and hold me fast.'

One day in a house in Calcutta, Subha's mother dressed her up with great care. She imprisoned her hair, knotting it up in laces, she hung her about with ornaments, and did her best to kill her natural beauty, Subha's eyes filled with tears. Her mother, fearing they would grow swollen with weeping, scolded her harshly, but the tears disregarded the scolding. The bridegroom came with a friend to inspect the bride. Her parents were dizzy with anxiety and fear when they saw the G.o.d arrive to select the beast for his sacrifice. Behind the stage, the mother called her instructions aloud, and increased her daughter's weeping twofold, before she sent her into the examiner's presence. The great man, after scanning her a long time, observed: 'Not so bad.'

He took special note of her tears, and thought she must have a tender heart. He put it to her credit in the account, arguing that the heart, which to-day was distressed at leaving her parents, would presently prove a useful possession. Like the oyster's pearls, the child's tears only increased her value, and he made no other comment.

The almanac was consulted, and the marriage took place on an auspicious day. Having delivered over their dumb girl into another's hands, Subha's parents returned home. Thank G.o.d! Their caste in this and their safety in the next world were a.s.sured! The bridegroom's work lay in the west, and shortly after the marriage he took his wife thither.

In less than ten days every one knew that the bride was dumb! At least, if any one did not, it was not her fault, for she deceived no one. Her eyes told them everything, though no one understood her. She looked on every hand; she found no speech; she missed the faces, familiar from birth, of those who had understood a dumb girl's language. In her silent heart there sounded an endless, voiceless weeping, which only the Searcher of Hearts could hear.

Using both eyes and ears _this_ time, her lord made another careful examination, using his ears this time as well as his eyes, and married a second wife who could speak.

THE POSTMASTER

The postmaster first took up his duties in the village of Ulapur.

Though the village was a small one, there was an indigo factory near by, and the proprietor, an Englishman, had managed to get a post office established.

Our postmaster belonged to Calcutta. He felt like a fish out of water in this remote village. His office and living-room were in a dark thatched shed, not far from a green, slimy pond, surrounded on all sides by a dense growth.

The men employed in the indigo factory had no leisure; moreover, they were hardly desirable companions for decent folk. Nor is a Calcutta boy an adept in the art of a.s.sociating with others. Among strangers he appears either proud or ill at ease. At any rate, the postmaster had but little company; nor had he much to do.

At times he tried his hand at writing a verse or two. That the movement of the leaves and the clouds of the sky were enough to fill life with joy--such were the sentiments to which he sought to give expression.

But G.o.d knows that the poor fellow would have felt it as the gift of a new life, if some genie of the _Arabian Nights_ had in one night swept away the trees, leaves and all, and replaced them with a macadamised road, hiding the clouds from view with rows of tall houses.

The postmaster's salary was small. He had to cook his own meals, which he used to share with Ratan, an orphan girl of the village, who did odd jobs for him.

When in the evening the smoke began to curl up from the village cow-sheds,[38] and the cicalas chirped in every bush; when the faquirs of the Baul sect sang their shrill songs in their daily meeting-place, when any poet, who had attempted to watch the movement of the leaves in the dense bamboo thickets, would have felt a ghostly shiver run down his back, the postmaster would light his little lamp, and call out 'Ratan.'

[38] Smoky fires are lit in the cow-sheds to drive off mosquitoes.

Ratan would sit outside waiting for this call, and, instead of coming in at once, would reply: 'Did you call me, sir?'

'What are you doing?' the postmaster would ask.

'I must be going to light the kitchen fire,' would be the answer.

And the postmaster would say: 'Oh, let the kitchen fire be for awhile; light me my pipe first.'

At last Ratan would enter, with puffed-out cheeks, vigorously blowing into a flame a live coal to light the tobacco. This would give the postmaster an opportunity of conversing. 'Well, Ratan,' perhaps he would begin, 'do you remember anything of your mother?' That was a fertile subject. Ratan partly remembered, and partly didn't. Her father had been fonder of her than her mother; him she recollected more vividly. He used to come home in the evening after his work, and one or two evenings stood out more clearly than others, like pictures in her memory. Ratan would squat on the floor near the postmaster's feet, as memories crowded in upon her. She called to mind a little brother that she had--and how on some bygone cloudy day she had played at fishing with him on the edge of the pond, with a twig for a make-believe fishing-rod. Such little incidents would drive out greater events from her mind. Thus, as they talked, it would often get very late, and the postmaster would feel too lazy to do any cooking at all. Ratan would then hastily light the fire, and toast some unleavened bread, which, with the cold remnants of the morning meal, was enough for their supper.

On some evenings, seated at his desk in the corner of the big empty shed, the postmaster too would call up memories of his own home, of his mother and his sister, of those for whom in his exile his heart was sad,--memories which were always haunting him, but which he could not talk about with the men of the factory, though he found himself naturally recalling them aloud in the presence of the simple little girl. And so it came about that the girl would allude to his people as mother, brother, and sister,[39] as if she had known them all her life. In fact, she had a complete picture of each one of them painted in her little heart.

[39] Family servants call the master and mistress father and mother and the children elder brothers and sisters.

One noon, during a break in the rains, there was a cool soft breeze blowing; the smell of the damp gra.s.s and leaves in the hot sun felt like the warm breathing of the tired earth on one's body. A persistent bird went on all the afternoon repeating the burden of its one complaint in Nature's audience chamber.

The postmaster had nothing to do. The shimmer of the freshly washed leaves, and the banked-up remnants of the retreating rain-clouds were sights to see; and the postmaster was watching them, and thinking to himself: 'Oh, if only some kindred soul were near--just one loving human being whom I could hold near my heart!' This was exactly, he went on to think, what that bird was trying to say, and it was the same feeling which the murmuring leaves were striving to express. But no one knows, or would believe, that such an idea might also take possession of an ill-paid village postmaster in the deep, silent mid-day interval of his work.

The postmaster sighed, and called out 'Ratan.' Ratan was then sprawling beneath the guava-tree, busily engaged in eating unripe guavas. At the voice of her master, she ran up breathlessly, saying: 'Were you calling me, Dada?'[40] 'I was thinking,' said the postmaster, 'of teaching you to read,' and then for the rest of the afternoon he taught her the alphabet.