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Mary Olivier: a Life Part 16

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"You're quite right, Mrs. Olivier. There's nothing wrong with the little girl's heart. She's as sound as a bell."

A dreadful feeling that you had no business to be as sound as a bell. It wasn't fair to Roddy.

Something she didn't notice at the time and remembered afterwards when Roddy was well again. Jenny saying to Mamma, "If it had to be one of them it had ought to have been Miss Mary."

And Mamma saying to Jenny, "It wouldn't have mattered so much if it had been the girl."

VII.

You knew that Catty loved you. There was never the smallest uncertainty about it. Her big black eyes shone when she saw you coming. You kissed her smooth cool cheeks, and she hugged you tight and kissed you back again at once; her big lips made a noise like a pop-gun. When she tucked you up at night she said, "I love you so much I could eat you."

And she would play any game you liked. You had only to say, "Let's play the going-away game," and she was off. You began: "I went away to the big hot river where the rhinoceroses and hippopotamuses are"; or: "I went away to the desert where the sand is, to catch zebras. I rode on a dromedary, flump-flumping through the sand," and Catty would follow it up with: "I went away with the Good Templars. We went in a row-boat on a lake, and we landed on an island where there was daffodillies growing. We had milk and cake; and it blew such a cool breeze."

Catty was full of love. She loved her father and mother and her little sister Amelia better than anything in the whole world. Her home was in Wales. Tears came into her eyes when she thought about her home and her little sister Amelia.

"Catty--how much do you love me?"

"Armfuls and armfuls."

"As much as your mother?"

"Very near as much."

"As much as Amelia?"

"Every bit as much."

"How much do you think Jenny loves me?"

"Ever so much."

"No. Jenny loves Roddy best; then Mark; then Dank; then Mamma; then Papa; then me. That isn't ever so much."

Catty was vexed. "You didn't oughter go measuring people's love, Miss Mary."

Still, that was what you did do. With Catty and Jenny you could measure till you knew exactly where you were.

Mamma was different.

You knew _when_ she loved you. You could almost count the times: the time when Papa frightened you; the time when you cut your forehead; the time the lamb died; all the whooping-cough and chicken-pox times, and when Meta, the wax doll, fell off the schoolroom table and broke her head; and when Mark went away to school. Or when you were good and said every word of your lessons right; when you watched Mamma working in the garden, planting and transplanting the flowers with her clever hands; and when you were quiet and sat beside her on the footstool, learning to knit and sew. On Sunday afternoons when she played the hymns and you sang:

"There's a Friend for little children Above the bright blue sky,"

quite horribly out of tune, and when you listened while she sang herself, "Lead, kindly light," or "Abide with me," and her voice was so sweet and gentle that it made you cry. Then you knew.

Sometimes, when it was not Sunday, she played the Hungarian March, that went, with loud, n.o.ble noises:

Droom--Droom--Droom-era-room Droom--Droom--Droom-era-room Droom rer-room-room droom-room-room Droom--Droom--Droom.

It was wonderful. Mamma was wonderful. She swayed and bowed to the beat of the music, as if she shook it out of her body and not out of the piano. She smiled to herself when she saw that you were listening. You said "Oh--Mamma! Play it again," and she played it again. When she had finished she stooped suddenly and kissed you. And you knew.

But she wouldn't say it. You couldn't make her.

"Say it, Mamma. Say it like you used to."

Mamma shook her head.

"I want to hear you say it."

"Well, I'm not going to."

"I love you. I ache with loving you. I love you so much that it hurts me to say it."

"Why do you do it, then?"

"Because it hurts me more not to. Just once. 'I love you.' Just a weeny once."

"You're going to be like your father, tease, tease, tease, all day long, till I'm worn out."

"I'm not going to be like Papa. I don't tease. It's you that's teasing.

How'm I to know you love me if you won't say it?"

Mamma said, "Can't you see what I'm doing?"

"No."

She was not interested in the thin white stuff and the lace--Mamma's needle-work.

"Well, then, look in the basket."

The basket was full of tiny garments made of the white stuff, petticoats, drawers and nightgown, sewn with minute tucks and edged with lace. Mamma unfolded them.

"New clothes," she said, "for your new dolly."

"Oh--oh--oh--I love you so much that I can't bear it; you little holy Mamma!"

Mamma said, "I'm not holy, and I won't be called holy. I want deeds, not words. If you love me you'll learn your lessons properly the night before, not just gabble them over hot from the pan."

"I will, Mamma, I will. Won't you say it?"

"No," Mamma said, "I won't."

She sat there with a sort of triumph on her beautiful face, as if she were pleased with herself because she hadn't said it. And Mary would bring the long sheet that dragged on her wrist, and the needle that p.r.i.c.ked her fingers, and sit at Mamma's knee and sew, making a thin trail of blood all along the hem.

"Why do you look at me so kindly when I'm sewing?"

"Because I like to see you behaving like a little girl, instead of tearing about and trying to do what boys do."

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Mary Olivier: a Life Part 16 summary

You're reading Mary Olivier: a Life. This manga has been translated by Updating. Author(s): May Sinclair. Already has 524 views.

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