Mark Twain's Letters Part 64

To W. D. Howells, in Boston:

HARTFORD, Feb. 27, 1881.

MY DEAR HOWELLS,--I go to West Point with Twich.e.l.l tomorrow, but shall be back Tuesday or Wednesday; and then just as soon thereafter as you and Mrs. Howells and Winny can come you will find us ready and most glad to see you--and the longer you can stay the gladder we shall be. I am not going to have a thing to do, but you shall work if you want to. On the evening of March 10th, I am going to read to the colored folk in the African Church here (no whites admitted except such as I bring with me), and a choir of colored folk will sing jubilee songs. I count on a good time, and shall hope to have you folks there, and Livy. I read in Twich.e.l.l's chapel Friday night and had a most rattling high time--but the thing that went best of all was Uncle Remus's Tar Baby. I mean to try that on my dusky audience. They've all heard that tale from childhood--at least the older members have.

I arrived home in time to make a most n.o.ble blunder--invited Charley Warner here (in Livy's name) to dinner with the Gerhardts, and told him Livy had invited his wife by letter and by word of mouth also. I don't know where I got these impressions, but I came home feeling as one does who realizes that he has done a neat thing for once and left no flaws or loop-holes. Well, Livy said she had never told me to invite Charley and she hadn't dreamed of inviting Susy, and moreover there wasn't any dinner, but just one lean duck. But Susy Warner's intuitions were correct--so she choked off Charley, and staid home herself--we waited dinner an hour and you ought to have seen that duck when he was done drying in the oven.

MARK.

Clemens and his wife were always privately a.s.sisting worthy and ambitious young people along the way of achievement. Young actors were helped through dramatic schools; young men and women were a.s.sisted through college and to travel abroad. Among others Clemens paid the way of two colored students, one through a Southern inst.i.tution and another through the Yale law school.

The mention of the name of Gerhardt in the preceding letter introduces the most important, or at least the most extensive, of these benefactions. The following letter gives the beginning of the story:

To W. D. Howells, in Boston:

Private and Confidential.

HARTFORD, Feb. 21, 1881.

MY DEAR HOWELLS,--Well, here is our romance.

It happened in this way. One morning, a month ago--no, three weeks--Livy, and Clara Spaulding and I were at breakfast, at 10 A.M., and I was in an irritable mood, for the barber was up stairs waiting and his hot water getting cold, when the colored George returned from answering the bell and said: "There's a lady in the drawing-room wants to see you." "A book agent!" says I, with heat. "I won't see her; I will die in my tracks, first."

Then I got up with a soul full of rage, and went in there and bent scowling over that person, and began a succession of rude and raspy questions--and without even offering to sit down.

Not even the defendant's youth and beauty and (seeming) timidity were able to modify my savagery, for a time--and meantime question and answer were going on. She had risen to her feet with the first question; and there she stood, with her pretty face bent floorward whilst I inquired, but always with her honest eyes looking me in the face when it came her turn to answer.

And this was her tale, and her plea-diffidently stated, but straight-forwardly; and bravely, and most winningly simply and earnestly: I put it in my own fashion, for I do not remember her words:

Mr. Karl Gerhardt, who works in Pratt & Whitney's machine shops, has made a statue in clay, and would I be so kind as to come and look at it, and tell him if there is any promise in it? He has none to go to, and he would be so glad.

"O, dear me," I said, "I don't know anything about art--there's nothing I could tell him."

But she went on, just as earnestly and as simply as before, with her plea--and so she did after repeated rebuffs; and dull as I am, even I began by and by to admire this brave and gentle persistence, and to perceive how her heart of hearts was in this thing, and how she couldn't give it up, but must carry her point. So at last I wavered, and promised in general terms that I would come down the first day that fell idle--and as I conducted her to the door, I tamed more and more, and said I would come during the very next week--"We shall be so glad--but--but, would you please come early in the week?--the statue is just finished and we are so anxious--and--and--we did hope you could come this week--and"--well, I came down another peg, and said I would come Monday, as sure as death; and before I got to the dining room remorse was doing its work and I was saying to myself, "d.a.m.nation, how can a man be such a hound? why didn't I go with her now?" Yes, and how mean I should have felt if I had known that out of her poverty she had hired a hack and brought it along to convey me. But luckily for what was left of my peace of mind, I didn't know that.

Well, it appears that from here she went to Charley Warner's. There was a better light, there, and the eloquence of her face had a better chance to do its office. Warner fought, as I had done; and he was in the midst of an article and very busy; but no matter, she won him completely.

He laid aside his MS and said, "Come, let us go and see your father's statue. That is--is he your father?" "No, he is my husband." So this child was married, you see.

This was a Sat.u.r.day. Next day Warner came to dinner and said "Go!--go tomorrow--don't fail." He was in love with the girl, and with her husband too, and said he believed there was merit in the statue. Pretty crude work, maybe, but merit in it.

Patrick and I hunted up the place, next day; the girl saw us driving up, and flew down the stairs and received me. Her quarters were the second story of a little wooden house--another family on the ground floor. The husband was at the machine shop, the wife kept no servant, she was there alone. She had a little parlor, with a chair or two and a sofa; and the artist-husband's hand was visible in a couple of plaster busts, one of the wife, and another of a neighbor's child; visible also in a couple of water colors of flowers and birds; an ambitious unfinished portrait of his wife in oils: some paint decorations on the pine mantel; and an excellent human ear, done in some plastic material at 16.

Then we went into the kitchen, and the girl flew around, with enthusiasm, and s.n.a.t.c.hed rag after rag from a tall something in the corner, and presently there stood the clay statue, life size--a graceful girlish creature, nude to the waist, and holding up a single garment with one hand the expression attempted being a modified scare--she was interrupted when about to enter the bath.

Then this young wife posed herself alongside the image and so remained--a thing I didn't understand. But presently I did--then I said:

"O, it's you!"

"Yes," she said, "I was the model. He has no model but me. I have stood for this many and many an hour--and you can't think how it does tire one! But I don't mind it. He works all day at the shop; and then, nights and Sundays he works on his statue as long as I can keep up."

She got a big chisel, to use as a lever, and between us we managed to twist the pedestal round and round, so as to afford a view of the statue from all points. Well, sir, it was perfectly charming, this girl's innocence and purity---exhibiting her naked self, as it were, to a stranger and alone, and never once dreaming that there was the slightest indelicacy about the matter. And so there wasn't; but it will be many along day before I run across another woman who can do the like and show no trace of self-consciousness.

Well, then we sat down, and I took a smoke, and she told me all about her people in Ma.s.sachusetts--her father is a physician and it is an old and respectable family--(I am able to believe anything she says.) And she told me how "Karl" is 26 years old; and how he has had pa.s.sionate longings all his life toward art, but has always been poor and obliged to struggle for his daily bread; and how he felt sure that if he could only have one or two lessons in--

"Lessons? Hasn't he had any lessons?"

No. He had never had a lesson.

And presently it was dinner time and "Karl" arrived--a slender young fellow with a marvelous head and a n.o.ble eye--and he was as simple and natural, and as beautiful in spirit as his wife was. But she had to do the talking--mainly--there was too much thought behind his cavernous eyes for glib speech.

I went home enchanted. Told Livy and Clara Spaulding all about the paradise down yonder where those two enthusiasts are happy with a yearly expense of $350. Livy and Clara went there next day and came away enchanted. A few nights later the Gerhardts kept their promise and came here for the evening. It was billiard night and I had company and so was not down; but Livy and Clara became more charmed with these children than ever.

Warner and I planned to get somebody to criticise the statue whose judgment would be worth something. So I laid for Champney, and after two failures I captured him and took him around, and he said "this statue is full of faults--but it has merits enough in it to make up for them"--whereat the young wife danced around as delighted as a child.

When we came away, Champney said, "I did not want to say too much there, but the truth is, it seems to me an extraordinary performance for an untrained hand. You ask if there is promise enough there to justify the Hartford folk in going to an expense of training this young man. I should say, yes, decidedly; but still, to make everything safe, you had better get the judgment of a sculptor."

Warner was in New York. I wrote him, and he said he would fetch up Ward--which he did. Yesterday they went to the Gerhardts and spent two hours, and Ward came away bewitched with those people and marveling at the winning innocence of the young wife, who dropped naturally into model-att.i.tude beside the statue (which is stark naked from head to heel, now--G. had removed the drapery, fearing Ward would think he was afraid to try legs and hips) just as she has always done before.

Livy and I had two long talks with Ward yesterday evening. He spoke strongly. He said, "if any stranger had told me that this apprentice did not model that thing from plaster casts, I would not have believed it."

He said "it is full of crudities, but it is full of genius, too. It is such a statue as the man of average talent would achieve after two years training in the schools. And the boldness of the fellow, in going straight to nature! He is an apprentice--his work shows that, all over; but the stuff is in him, sure. Hartford must send him to Paris--two years; then if the promise holds good, keep him there three more--and warn him to study, study, work, work, and keep his name out of the papers, and neither ask for orders nor accept them when offered."

Well, you see, that's all we wanted. After Ward was gone Livy came out with the thing that was in her mind. She said, "Go privately and start the Gerhardts off to Paris, and say nothing about it to any one else."

So I tramped down this morning in the snow-storm--and there was a stirring time. They will sail a week or ten days from now.

As I was starting out at the front door, with Gerhardt beside me and the young wife dancing and jubilating behind, this latter cried out impulsively, "Tell Mrs. Clemens I want to hug her--I want to hug you both!"

I gave them my old French book and they were going to tackle the language, straight off.

Now this letter is a secret--keep it quiet--I don't think Livy would mind my telling you these things, but then she might, you know, for she is a queer girl.

Yrs ever, MARK.

Champney was J. Wells Champney, a portrait-painter of distinction; Ward was the sculptor, J. Q. A. Ward.

The Gerhardts were presently off to Paris, well provided with means to make their dreams reality; in due time the letters will report them again.

The Uncle Remus tales of Joel Chandler Harris gave Mark Twain great pleasure. He frequently read them aloud, not only at home but in public. Finally, he wrote Harris, expressing his warm appreciation, and mentioning one of the negro stories of his own childhood, "The Golden Arm," which he urged Harris to look up and add to his collection.

"You have pinned a proud feather in Uncle-Remus's cap," replied Harris. "I do not know what higher honor he could have than to appear before the Hartford public arm in arm with Mark Twain."

He disclaimed any originality for the stories, adding, "I understand that my relations toward Uncle Remus are similar to those that exist between an almanac maker and the calendar." He had not heard the "Golden Arm" story and asked for the outlines; also for some publishing advice, out of Mark Twain's long experience.