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Mark Twain's Letters Part 49

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To W. D. Howells, in Boston:

ELMIRA, Wednesday P.M. (1877)

MY DEAR HOWELLS,--It's finished. I was misled by hurried mis-paging.

There were ten pages of notes, and over 300 pages of MS when the play was done. Did it in 42 hours, by the clock; 40 pages of the Atlantic--but then of course it's very "fat." Those are the figures, but I don't believe them myself, because the thing's impossible.

But let that pa.s.s. All day long, and every day, since I finished (in the rough) I have been diligently altering, amending, re-writing, cutting down. I finished finally today. Can't think of anything else in the way of an improvement. I thought I would stick to it while the interest was hot--and I am mighty glad I did. A week from now it will be frozen--then revising would be drudgery. (You see I learned something from the fatal blunder of putting "Ah Sin" aside before it was finished.)

She's all right, now. She reads in two hours and 20 minutes and will play not longer than 2 3/4 hours. Nineteen characters; 3 acts; (I bunched 2 into 1.)

Tomorrow I will draw up an exhaustive synopsis to insert in the printed t.i.tle-page for copyrighting, and then on Friday or Sat.u.r.day I go to New York to remain a week or ten days and lay for an actor. Wish you could run down there and have a holiday. 'Twould be fun.

My wife won't have "Balaam's a.s.s"; therefore I call the piece "Cap'n Simon Wheeler, The Amateur Detective."

Yrs MARK.

To W. D. Howells, in Boston:

ELMIRA, Aug. 29, 1877.

MY DEAR HOWELLS,--Just got your letter last night. No, dern that article,--[One of the Bermuda chapters.]--it made me cry when I read it in proof, it was so oppressively and ostentatiously poor. Skim your eye over it again and you will think as I do. If Isaac and the prophets of Baal can be doctored gently and made permissible, it will redeem the thing: but if it can't, let's burn all of the articles except the tail-end of it and use that as an introduction to the next article--as I suggested in my letter to you of day before yesterday. (I had this proof from Cambridge before yours came.)

Boucicault says my new play is ever so much better than "Ah Sin;" says the Amateur detective is a bully character, too. An actor is chawing over the play in New York, to see if the old Detective is suited to his abilities. Haven't heard from him yet.

If you've got that paragraph by you yet, and if in your judgment it would be good to publish it, and if you absolutely would not mind doing it, then I think I'd like to have you do it--or else put some other words in my mouth that will be properer, and publish them. But mind, don't think of it for a moment if it is distasteful--and doubtless it is. I value your judgment more than my own, as to the wisdom of saying anything at all in this matter. To say nothing leaves me in an injurious position--and yet maybe I might do better to speak to the men themselves when I go to New York. This was my latest idea, and it looked wise.

We expect to leave here for home Sept. 4, reaching there the 8th--but we may be delayed a week.

Curious thing. I read pa.s.sages from my play, and a full synopsis, to Boucicault, who was re-writing a play, which he wrote and laid aside 3 or 4 years ago. (My detective is about that age, you know.) Then he read a pa.s.sage from his play, where a real detective does some things that are as idiotic as some of my old Wheeler's performances. Showed me the pa.s.sages, and behold, his man's name is Wheeler! However, his Wheeler is not a prominent character, so we'll not alter the names. My Wheeler's name is taken from the old jumping Frog sketch.

I am re-reading Ticknor's diary, and am charmed with it, though I still say he refers to too many good things when he could just as well have told them. Think of the man traveling 8 days in convoy and familiar intercourse with a band of outlaws through the mountain fastnesses of Spain--he the fourth stranger they had encountered in thirty years--and compressing this priceless experience into a single colorless paragraph of his diary! They spun yarns to this unworthy devil, too.

I wrote you a very long letter a day or two ago, but Susy Crane wanted to make a copy of it to keep, so it has not gone yet. It may go today, possibly.

We unite in warm regards to you and yours.

Yrs ever, MARK.

The Ticknor referred to in a former letter was Professor George Ticknor, of Harvard College, a history-writer of distinction. On the margin of the "Diary" Mark Twain once wrote, "Ticknor is a Millet, who makes all men fall in love with him." And adds: "Millet was the cause of lovable qualities in people, and then he admired and loved those persons for the very qualities which he (without knowing it) had created in them. Perhaps it would be strictly truer of these two men to say that they bore within them the divine something in whose presence the evil in people fled away and hid itself, while all that was good in them came spontaneously forward out of the forgotten walls and comers in their systems where it was accustomed to hide."

It is Frank Millet, the artist, he is speaking of--a knightly soul whom all the Clemens household loved, and who would one day meet his knightly end with those other brave men that found death together when the t.i.tanic went down.

The Clemens family was still at Quarry Farm at the end of August, and one afternoon there occurred a startling incident which Mark Twain thought worth setting down in practically duplicate letters to Howells and to Dr. John Brown. It may be of interest to the reader to know that John T. Lewis, the colored man mentioned, lived to a good old age--a pensioner of the Clemens family and, in the course of time, of H. H. Rogers. Howells's letter follows. It is the "very long letter" referred to in the foregoing.

To W. D. Howells and wife, in Boston:

ELMIRA, Aug. 25 '77.

MY DEAR HOWELLSES,--I thought I ought to make a sort of record of it for further reference; the pleasantest way to do that would be to write it to somebody; but that somebody would let it leak into print and that we wish to avoid. The Howellses would be safe--so let us tell the Howellses about it.

Day before yesterday was a fine summer day away up here on the summit.

Aunt Marsh and Cousin May Marsh were here visiting Susie Crane and Livy at our farmhouse. By and by mother Langdon came up the hill in the "high carriage" with Nora the nurse and little Jervis (Charley Langdon's little boy)--Timothy the coachman driving. Behind these came Charley's wife and little girl in the buggy, with the new, young, spry, gray horse--a high-stepper. Theodore Crane arrived a little later.

The Bay and Susy were on hand with their nurse, Rosa. I was on hand, too. Susy Crane's trio of colored servants ditto--these being Josie, house-maid; Aunty Cord, cook, aged 62, turbaned, very tall, very broad, very fine every way (see her portrait in "A True Story just as I Heard It" in my Sketches;) Chocklate (the laundress) (as the Bay calls her--she can't say Charlotte,) still taller, still more majestic of proportions, turbaned, very black, straight as an Indian--age 24. Then there was the farmer's wife (colored) and her little girl, Susy.

Wasn't it a good audience to get up an excitement before? Good excitable, inflammable material?

Lewis was still down town, three miles away, with his two-horse wagon, to get a load of manure. Lewis is the farmer (colored). He is of mighty frame and muscle, stocky, stooping, ungainly, has a good manly face and a clear eye. Age about 45--and the most picturesque of men, when he sits in his fluttering work-day rags, humped forward into a bunch, with his aged slouch hat mashed down over his ears and neck. It is a spectacle to make the broken-hearted smile. Lewis has worked mighty hard and remained mighty poor. At the end of each whole year's toil he can't show a gain of fifty dollars. He had borrowed money of the Cranes till he owed them $700 and he being conscientious and honest, imagine what it was to him to have to carry this stubborn, helpless load year in and year out.

Well, sunset came, and Ida the young and comely (Charley Langdon's wife) and her little Julia and the nurse Nora, drove out at the gate behind the new gray horse and started down the long hill--the high carriage receiving its load under the porte cochere. Ida was seen to turn her face toward us across the fence and intervening lawn--Theodore waved good-bye to her, for he did not know that her sign was a speechless appeal for help.

The next moment Livy said, "Ida's driving too fast down hill!" She followed it with a sort of scream, "Her horse is running away!"

We could see two hundred yards down that descent. The buggy seemed to fly. It would strike obstructions and apparently spring the height of a man from the ground.

Theodore and I left the shrieking crowd behind and ran down the hill bare-headed and shouting. A neighbor appeared at his gate--a tenth of a second too late! the buggy vanished past him like a thought. My last glimpse showed it for one instant, far down the descent, springing high in the air out of a cloud of dust, and then it disappeared. As I flew down the road my impulse was to shut my eyes as I turned them to the right or left, and so delay for a moment the ghastly spectacle of mutilation and death I was expecting.

I ran on and on, still spared this spectacle, but saying to myself: "I shall see it at the turn of the road; they never can pa.s.s that turn alive." When I came in sight of that turn I saw two wagons there bunched together--one of them full of people. I said, "Just so--they are staring petrified at the remains."

But when I got amongst that bunch, there sat Ida in her buggy and n.o.body hurt, not even the horse or the vehicle. Ida was pale but serene. As I came tearing down, she smiled back over her shoulder at me and said, "Well, we're alive yet, aren't we?" A miracle had been performed--nothing else.

You see Lewis, the prodigious, humped upon his front seat, had been toiling up, on his load of manure; he saw the frantic horse plunging down the hill toward him, on a full gallop, throwing his heels as high as a man's head at every jump. So Lewis turned his team diagonally across the road just at the "turn," thus making a V with the fence--the running horse could not escape that, but must enter it. Then Lewis sprang to the ground and stood in this V. He gathered his vast strength, and with a perfect Creedmoor aim he seized the gray horse's bit as he plunged by and fetched him up standing!

It was down hill, mind you. Ten feet further down hill neither Lewis nor any other man could have saved them, for they would have been on the abrupt "turn," then. But how this miracle was ever accomplished at all, by human strength, generalship and accuracy, is clean beyond my comprehension--and grows more so the more I go and examine the ground and try to believe it was actually done. I know one thing, well; if Lewis had missed his aim he would have been killed on the spot in the trap he had made for himself, and we should have found the rest of the remains away down at the bottom of the steep ravine.

Ten minutes later Theodore and I arrived opposite the house, with the servants straggling after us, and shouted to the distracted group on the porch, "Everybody safe!"

Believe it? Why how could they? They knew the road perfectly. We might as well have said it to people who had seen their friends go over Niagara.

However, we convinced them; and then, instead of saying something, or going on crying, they grew very still--words could not express it, I suppose.

n.o.body could do anything that night, or sleep, either; but there was a deal of moving talk, with long pauses between pictures of that flying carriage, these pauses represented--this picture intruded itself all the time and disjointed the talk.

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Mark Twain's Letters Part 49 summary

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