Mark Twain's Letters Part 27

I would have gone to Hartford from New York last Sat.u.r.day, but I got so homesick I couldn't. But maybe I'll come soon.

No, Sir, catch me in the metropolis again, to get homesick.

I didn't know Warner had a book out.

We send oceans and continents of love--I have worked myself down, today.

Yrs always MARK.

With his establishment in Buffalo, Clemens, as already noted, had persuaded his sister, now a widow, and his mother, to settle in Fredonia, not far away. Later, he had found a position for Orion, as editor of a small paper which Bliss had established. What with these several diversions and the sorrows and sicknesses of his own household, we can readily imagine that literary work had been performed under difficulties. Certainly, humorous writing under such disturbing conditions could not have been easy, nor could we expect him to accept an invitation to be present and make a comic speech at an agricultural dinner, even though Horace Greeley would preside. However, he sent to the secretary of the a.s.sociation a letter which might be read at the gathering:

To A. B. Crandall, in Woodberry Falls, N. Y., to be read at an agricultural dinner:

BUFFALO, Dec. 26, 1870.

GENTLEMEN,--I thank you very much for your invitation to the Agricultural dinner, and would promptly accept it and as promptly be there but for the fact that Mr. Greeley is very busy this month and has requested me to clandestinely continue for him in The Tribune the articles "What I Know about Farming." Consequently the necessity of explaining to the readers of that journal why b.u.t.termilk cannot be manufactured profitably at 8 cents a quart out of b.u.t.ter that costs 60 cents a pound compels my stay at home until the article is written.

With reiterated thanks, I am Yours truly, MARK TWAIN.

In this letter Mark Twain made the usual mistake as to the t.i.tle of the Greeley farming series, "What I Know of Farming" being the correct form.

The Buffalo Express, under Mark Twain's management, had become a sort of repository for humorous efforts, often of an indifferent order. Some of these things, signed by nom de plumes, were charged to Mark Twain. When Bret Harte's "Heathen Chinee" devastated the country, and was so widely parodied, an imitation of it ent.i.tled, "Three Aces," and signed "Carl Byng," was printed in the Express.

Thomas Bailey Aldrich, then editor of Every Sat.u.r.day, had not met Mark Twain, and, noticing the verses printed in the exchanges over his signature, was one of those who accepted them as Mark Twain's work. He wrote rather an uncomplimentary note in Every Sat.u.r.day concerning the poem and its authorship, characterizing it as a feeble imitation of Bret Harte's "Heathen Chinee." Clemens promptly protested to Aldrich, then as promptly regretted having done so, feeling that he was making too much of a small matter. Hurriedly he sent a second brief note.

To Thomas Bailey Aldrich, editor of "Every Sat.u.r.day," Boston, Ma.s.sachusetts:

BUFFALO, Jan. 22, 1870.

DEAR SIR,--Please do not publish the note I sent you the other day about "Hy. Sloc.u.m's" plagiarism ent.i.tled "Three Aces"--it is not important enough for such a long paragraph. Webb writes me that he has put in a paragraph about it, too--and I have requested him to suppress it. If you would simply state, in a line and a half under "Literary Notes," that you mistook one "Hy. Sloc.u.m" (no, it was one "Carl Byng," I perceive) "Carl Byng" for Mark Twain, and that it was the former who wrote the plagiarism ent.i.tled "Three Aces," I think that would do a fair justice without any unseemly display. But it is hard to be accused of plagiarism--a crime I never have committed in my life.

Yrs. Truly MARK TWAIN.

But this came too late. Aldrich replied that he could not be prevented from doing him justice, as forty-two thousand copies of the first note, with the editor's apology duly appended, were already in press. He would withdraw his apology in the next number of Every Sat.u.r.day, if Mark Twain said so. Mark Twain's response this time a.s.sumed the proportions of a letter.

To Thomas Bailey Aldrich, in Boston:

472 DELAWARE ST., BUFFALO, Jan. 28.

DEAR MR. ALDRICH,--No indeed, don't take back the apology! Hang it, I don't want to abuse a man's civility merely because he gives me the chance.

I hear a good deal about doing things on the "spur of the moment"--I invariably regret the things I do on the spur of the moment. That disclaimer of mine was a case in point. I am ashamed every time I think of my bursting out before an unconcerned public with that bombastic pow-wow about burning publishers' letters, and all that sort of imbecility, and about my not being an imitator, etc. Who would find out that I am a natural fool if I kept always cool and never let nature come to the surface? n.o.body.

But I did hate to be accused of plagiarizing Bret Harte, who trimmed and trained and schooled me patiently until he changed me from an awkward utterer of coa.r.s.e grotesquenesses to a writer of paragraphs and chapters that have found a certain favor in the eyes of even some of the very decentest people in the land--and this grateful remembrance of mine ought to be worth its face, seeing that Bret broke our long friendship a year ago without any cause or provocation that I am aware of.

Well, it is funny, the reminiscences that glare out from murky corners of one's memory, now and then, without warning. Just at this moment a picture flits before me: Scene--private room in Barnum's Restaurant, Virginia, Nevada; present, Artemus Ward, Joseph T. Goodman, (editor and proprietor Daily "Enterprise"), and "Dan de Quille" and myself, reporters for same; remnants of the feast thin and scattering, but such tautology and repet.i.tion of empty bottles everywhere visible as to be offensive to the sensitive eye; time, 2.30 A.M.; Artemus thickly reciting a poem about a certain infant you wot of, and interrupting himself and being interrupted every few lines by poundings of the table and shouts of "Splendid, by Shorzhe!" Finally, a long, vociferous, poundiferous and vitreous jingling of applause announces the conclusion, and then Artemus: "Let every man 'at loves his fellow man and 'preciates a poet 'at loves his fellow man, stan' up!--Stan' up and drink health and long life to Thomas Bailey Aldrich!--and drink it stanning!" (On all hands fervent, enthusiastic, and sincerely honest attempts to comply.) Then Artemus: "Well--consider it stanning, and drink it just as ye are!"

Which was done.

You must excuse all this stuff from a stranger, for the present, and when I see you I will apologize in full.

Do you know the prettiest fancy and the neatest that ever shot through Harte's brain? It was this: When they were trying to decide upon a vignette for the cover of the Overland, a grizzly bear (of the arms of the State of California) was chosen. Nahl Bras. carved him and the page was printed, with him in it, looking thus: [Rude sketch of a grizzly bear.]

As a bear, he was a success--he was a good bear--. But then, it was objected, that he was an objectless bear--a bear that meant nothing in particular, signified nothing,--simply stood there snarling over his shoulder at nothing--and was painfully and manifestly a boorish and ill-natured intruder upon the fair page. All hands said that--none were satisfied. They hated badly to give him up, and yet they hated as much to have him there when there was no paint to him. But presently Harte took a pencil and drew these two simple lines under his feet and behold he was a magnificent success!--the ancient symbol of California savagery snarling at the approaching type of high and progressive Civilization, the first Overland locomotive!: [Sketch of a small section of railway track.]

I just think that was nothing less than inspiration itself.

Once more I apologize, and this time I do it "stanning!"

Yrs. Truly SAML. L. CLEMENS.

The "two simple lines," of course, were the train rails under the bear's feet, and completed the striking cover design of the Overland monthly.

The brief controversy over the "Three Aces" was the beginning of along and happy friendship between Aldrich and Mark Twain. Howells, Aldrich, Twich.e.l.l, and Charles Dudley Warner--these were Mark Twain's intimates, men that he loved, each for his own special charm and worth.

Aldrich he considered the most brilliant of living men.

In his reply to Clemens's letter, Aldrich declared that he was glad now that, for the sake of such a letter, he had accused him falsely, and added:

"Mem. Always abuse people.

"When you come to Boston, if you do not make your presence manifest to me, I'll put in a!! in 'Every Sat.u.r.day' to the effect that though you are generally known as Mark Twain your favorite nom de plume is 'Barry Gray.'"

Clemens did not fail to let Aldrich know when he was in Boston again, and the little coterie of younger writers forgathered to give him welcome.

Buffalo agreed with neither Mrs. Clemens nor the baby. What with nursing and anguish of mind, Mark Twain found that he could do nothing on the new book, and that he must give up his magazine department. He had lost interest in his paper and his surroundings in general. Journalism and authorship are poor yoke-mates. To Onion Clemens, at this time editing Bliss's paper at Hartford, he explained the situation.