Makers and Romance of Alabama History Part 4

Girt with equipments like these borne from the Waddell school, young Collier reached Alabama just as it was emerging into statehood. His first residence was at Huntsville, where as a youthful pleader he opened his little office, but soon removed to Tuscaloosa as the partner of Hon. Simon L. Perry.

The demand for competent legislators and men for the occupancy of other spheres, at a time when the population of the state was spa.r.s.e, opened the door of opportunity to aspiring young men to which cla.s.s Collier belonged.

When only twenty-six he went as a representative from Tuscaloosa County, and so profound was the impression made by this solid young man that the legislature, at the next session, elected him to a place on the supreme bench, a distinction the more p.r.o.nounced because his compet.i.tor for the place was Judge Eli Shortridge.

Four years later, on the occasion of the reorganization of the state courts, Judge Collier was displaced from the supreme bench, but was retained as a circuit judge for four years, at which time Judge Saffold retired from his seat on the supreme bench, and Governor Clay appointed Judge Collier in his stead, till the legislature should meet and elect his successor. On the convening of the general a.s.sembly, Judge Collier was met by a contestant for the honor in the person of Hon. A. Crenshaw of Butler, but the election resulted in favor of Judge Collier, who received more than twice the number of votes given his opponent.

For twelve years he continued to dispense justice in that high tribunal, and the value of the service rendered the state by him is attested by the luminous and voluminous decisions which run through thirty-five volumes of the Alabama reports, a perpetual monument of valuable labor.

By this time no man so completely filled the eyes of the people of the state as Judge Henry Watkins Collier. His high sense of justice, his impartial incision, and his solid and unvarying calmness made him, without self-effort to attain it, the dominant public figure in Alabama.

Practically without effort, he was chosen, almost by a unanimous vote of the people, to the office of governor.

This was in 1849. Judge Samuel F. Rice, one of the brightest and ablest of Alabamians, appeared against him, and the final vote stood 36,350 for Collier and 364 for Rice, with a few scattering votes. At the close of his first term for governor three compet.i.tors appeared in the field for the same distinction--B. G. Shields, Nathaniel Terry and William L. Yancey, and of a total popular vote of 43,679, Governor Collier was indorsed by 37,460 of these.

Nor was this due to an active canva.s.s on the part of Governor Collier.

While he was by no means indifferent to his retention of the gubernatorial chair, he preferred to base his claim on genuine merit ill.u.s.trated in official function, rather than by clamor for recognition before the a.s.sembled mult.i.tude. He had scrupulously sought to make his work worthy as a judge and as a governor, and was entirely willing that it should shine by its own light. He could not plausibly plead for support or indors.e.m.e.nt, had none of the arts and tricks of the vote-getter, and therefore relied on actual service and worth to give exploit to his value as an official servant. His ideal of the office was lofty, and he felt that he could not climb down into the arena of personal scramble when the people were as fully informed of his competency as they would have been had he made a heated canva.s.s.

From the beginning to the close of his life, Governor Collier was under strain. He did not fret nor chafe under the burdens imposed, but his powers wore under the dogged strain of perpetual labor. Nothing could deflect him from public duty. To him its claim was supreme. He died in the ripeness of his manhood at Bailey Springs in 1865, being only fifty-four years old, his early death being largely due, no doubt, to the overstrain of his vigor.

JOSEPH G. BALDWIN

No more genuine compliment can be paid a book than to have the name of the author so a.s.sociated with it that at the mention of the work the name of the writer is at once suggested. This is true of that once noted work, "Flush Times in Alabama and Mississippi." So widely was the book for years read, and so popular was it because of its reflection of a period of southwestern history that to mention the work is to call in immediate connection with it the name of the author--J. G. Baldwin.

On its appearance the work was greeted with popular applause and was highly prized for its genuine merit. While the production of such a work with its unique and sparkling wit, is worthy of the pen of anyone, the fame of Judge Baldwin does not repose on it alone, for he was both a statesman and jurist, and rendered valuable service to Alabama.

Beginning life under disadvantages because of meager education, Judge Baldwin fitted himself for life by individual effort and private study and became one of the most eminent citizens of the state, and later a distinguished justice on the supreme bench of California. His qualities of character were sterling, his relations to others uniformly courteous, and his disposition one of perpetual sunshine.

In politics a whig, he was ever ready to champion the cause of that party.

He was a skillful tactician, and as one of the whig leaders in Alabama he often occasioned concern in the ranks of his opponents. On the floor of the legislative hall he was a formidable disputant, and while he often dealt herculean blows, he held himself in courteous readiness to receive them in return. Familiar with parliamentary principles, he held himself scrupulously within limit, but stoutly demanded that this be returned by his opponent. He was greatly admired for his manliness and uniform courtesy, but was dreaded as an opponent. He could rise to heights of greatness, but could never sink to levels of littleness. This reputation Judge Baldwin established and maintained alike in legislative hall, the court room, and in the social circle.

His was a fertile brain and his command of a chaste and varied diction was unusual. Possessing an acute discrimination and a relish for the ludicrous, he was one of the most jovial of companions. Living at an exceptional period, and amidst conditions which often occasioned merriment to himself, he was induced to embody his impressions of the scenes about him in his famous work--"Flush Times in Alabama and Mississippi." It was a time when credit was practically without limit and when speculation proceeded on a slender financial basis, and not infrequently on no basis at all.

It was a time of wild financial experiment, and ventures of divers kinds were numerous. To withhold credit for any amount was a mortal offense, and to present a bill was an act of discourtesy, as such act carried with it the question of the honesty of the debtor. Loans were freely made by the state banks to debtors. Private banking inst.i.tutions sprang up like mushrooms and with about as much solidity, the stock of such inst.i.tutions consisting of real estate on mortgage, upon the faith of which notes were issued for circulation, payable in gold or silver within twelve months.

The prospective realization of the latter seems not to have been thought of, nor was it cared for by the ma.s.ses, so long as money was plentiful.

The reaction from a condition like this, entailing endless litigation and crash on crash, is easily seen.

With a business and legal ac.u.men, for Judge Baldwin had both, he watched with sharp interest the trend of the period, and his work, "Flush Times in Alabama and Mississippi," is a clever hit, describing the scenes attendant on the time when money was flush. With an evident relish for fun he presents the hubbub in the courts, in the places of business and elsewhere when the notes fell due. The different characters portrayed with masterly skill, the questions and answers, the indignation and consternation, the rulings of country justices, the pleas of lawyers and many other elements are vividly presented, and invariably with such a smack of real humor by Judge Baldwin that the interest is unsuspended from the outset to the close.

While there is much of the creative in the work to lend freshness and humor to the many scenes, still the book is a practical history of a most remarkable period which extended from 1833 to 1840. The work is unique in the originality of its grasp of conditions, the raciness of portraiture and in the description of the various transactions. Though at bottom veritable history, the work is throughout garbed in incomparable humor that may be read at any period with merriment.

In the same semi-serious vein in which Irving wrote his Knickerbocker History of New York, but with a much richer tang of humor, Baldwin records the doings of those rosy days which were anon merged into gloom, and it is difficult to decide in which phase of the situation one finds more real fun. He enters into no discussion, renders no opinion of his own, never moralizes, but is content to hold himself steadfastly to a description of scene and character in a manner most diverting to the reader. A work like this was not devoid of a mission, and thousands laughed while they read the record of their own stupidity and folly.

A more dignified work from the pen of Judge Baldwin was his "Party Leaders," which embraces the records, policies and conduct of such men as Jefferson, Hamilton, Adams, Randolph, Clay and others. The stamp of originality is as clear in this work as in the one already commented on, while the latter reveals the possession of a vast fund of information relative to the private lives of the distinguished characters named. More than that, it displays a power of nice discrimination of character.

Sharpness of a.n.a.lysis and felicity of parallelism of character are wrought with the finishing touch of the verbal artist, in clean, elegant English and with a dignity free from stilt or stiffness. This, too, proved to be a popular work and was eagerly sought and read throughout the country. It bears the label of the self-made scholar, the finish of the author who works first hand, and is an embodiment of finished diction and of wide research.

There was that in the presence, bearing, and intercourse of Judge Baldwin that impressed one with his superiority, yet he was free, often even to abandon, affable, and always companionable. He made ready friends of strangers, and compelled by his bearing the highest respect of his opponents.

Living for many years in Sumter County, he yielded to the alluring reports which spread over the country in 1849 concerning the newly discovered Eldorado on the Pacific slope, and removed to California. Without trouble he fell into the rough and tumble conditions prevailing at that time in San Francisco, entered on a lucrative practice, and later was chosen by popular vote to a judgeship on the supreme bench of that state. He died in California in 1866.

JOHNSON J. HOOPER

The three most noted humorists produced by the South were Judge A. B.

Longstreet, Judge J. G. Baldwin and Johnson J. Hooper. "Georgia Scenes,"

the chief product of Longstreet's humor, has been read for generations, and will continue to be. "Flush Times in Alabama and Mississippi," by Baldwin, is not a work of so popular a cast as the preceding one, but has humor of a rare flavor, and "Simon Suggs," the inimitable work of Johnson J. Hooper--these represent the humorists named and their best work. Each of these occupies a distinct orbit of humor, and the merit of each has been long ago established.

When Hooper saw that he was to be remembered chiefly by his "Simon Suggs,"

he regretted the publication, for it had in it no index to any ambition which he cherished, but was dashed off at odd moments as a mere pastime.

The author desired to be remembered by something more worthy than a ridiculous little volume detailing incidents of a grotesque character and the twaddle and gossip in the phraseology of the backwoods. But if the product be one of rareness, standing apart in its uniqueness and originality, it is great and worthy, and the author deserves to be raised on a popular pedestal to be studied as a genius.

Had Hooper not written "Simon Suggs" his name would have been obscure even unto forgetfulness, and his genius unknown to the world. That which he did was apart and above the ability of others to do. Its source is not the matter to be thought of, but the production itself. At any rate, it is the work by means of which the name of Hooper will live as Alabama's chief humorist, and as one of the prominent merry-makers of the South.

Johnson Jones Hooper was a grandnephew of William Hooper, one of the signers of the Declaration of Independence. The subject of present discussion came from North Carolina to Alabama, and his first achievement in politics was that of his election to the solicitorship of the ninth judicial circuit, after a stubborn struggle with such men as Bowie, Latham, Spyker and Pressley. But neither the law nor politics was suited to the mind and temperament of Hooper. His being bubbled with humor, and the ridiculous was always first discerned by him, as it is by all humorists. In the quiet retreat of his humble sanctum, unannoyed by the bustle of the throng or the rasp of strident voices, was the native atmosphere of such a genius as was Hooper. It was in "The Banner" at Dadeville, then an obscure country village, that Hooper first attracted attention as a humorist. The droll scenes of the experiences of a census taker of that time, discharging his official function in the backwoods, where he encountered numerous ups and downs, were detailed in the rural paper already named, with inimitable skill.

In the retreat of the rural regions, where the first lesson learned alike by members of both s.e.xes is that of independence and self reliance, and where is straightway resisted anyone's interference with liberty, private affairs, and "belongings," is the basis of a series of productions in his little periodical, which themselves would have given Hooper fame. The intrusion of a polite census taker into the cabin homes of the backwoods, where statistical information was sought about poultry, pigs, soap, cows and "garden truck," and where the rustic dames resented such intrusion with broomsticks and pokers, afforded to this man of genius an opportunity to hit off some rare humor, and in response to his nature he did so. The scene, the actors, involving the polite efforts of the official to explain, and the garrulous replies of the doughty dames, embracing throughout the dialogue and the dialect, are depicted with the hand of the master and the skill of the artist.

With its columns weekly laden with merriment so rare, the once obscure "Banner" became the most popular journal in the state, and far beyond, for it was sought throughout the south and the comical stories were copied far and wide. Encouraged by the popular reception given these effusions, Hooper addressed himself to a more pretentious venture by the preparation of his "Simon Suggs." He had the basis of the character to be delineated in a certain rude rustic of waggish proclivities who hung about the village of Dadeville, and was well known throughout Tallapoosa and the adjoining counties. With him as a nucleus, Hooper in the exercise of his genius, constructed his "Simon Suggs."

That which gives to the production vitality is its unquestioned fidelity to a phase of life prevailing in those early days, while it is underlaid by principles which revealed actual conditions. The portraiture is that of an illiterate, but cunning backwoodsman, bent on getting the most out of life, no matter how, keen, foxy, double-faced and double-tongued who plied his vocation in the perpetration of fraud by cant and hypocrisy, pretended piety, and church membership.

Dynamic humor, occasioned by ludicrous dilemma, unconjectured condition, ridiculous episode and grotesque situation follow each other in rapid succession, and the effect on the reader is explosions of laughter.

"Simon" appears under varied conditions, and is sometimes closely hemmed, in his artful maneuvers, but he is always provided with a loophole of escape, due to his long experience and practice. His various a.s.sumptions of different characters under shifting conditions, but remaining the true "Simon" still among them all, and using his obscure vernacular always, gives a kaleidoscopic change to the divers situations, and rescues the stories from monotony. The skilled manipulation with which the whole is wrought is the work of a remarkable genius. Nor is there break or suspension, neither lapse nor padding, but the scenes move and shift with fresh exhibition throughout, and the convulsive effect is irresistible.

"Simon Suggs" was published by the Appletons of New York and for years spread with wonderful effect throughout the country, resulting in the sale of many thousands of copies. From the notoriety produced Mr. Hooper shrank with girlish sensitiveness.

In December, 1856, at a meeting of the Southern Commercial Convention, held at Savannah, Hooper was present as a delegate from Alabama. The daily press of the city announced his arrival with no little flourish as one of the distinguished members of the body, and as the well known author of "Simon Suggs." Doubtless this served to swell the crowd when the convention met at night in the Atheneum. On the a.s.sembly of the delegates, and after the usual formality of reception speeches and replies, and while a committee was out arranging for permanent organization, Judge John A.

Jones, himself a humorous writer, the author of "Major Jones' Courtship,"

arose and moved that "Simon Suggs" be called on to give an account of himself for the last two years. The presiding officer, who had evidently never heard before of "Simon Suggs," arose with great dignity and said, "If Mr. Suggs is present we should be glad to have him comply with the expressed wish of the convention by coming to the platform." This was attended by a craning of necks and looks of curiosity in all directions, but "Mr. Suggs" appeared not. Hooper was seated in the pit beside Gen.

Albert Pike of Arkansas, wearing a green overcoat, and was overwhelmed with embarra.s.sment by the unexpected demonstration. He had the good sense to keep quiet, for his humor could more freely exude from the nib of his pen than from the point of his tongue. While to most others this would have been flattery, to Hooper it was an occasion of painfulness. He deprecated a notoriety won at so cheap a price, and by what he regarded a means so unworthy as that of a work like "Simon Suggs." He sincerely felt that depreciation rather than exaltation was his, as the author of such a work, but in this he underestimated the power of his undisputed genius.

Hooper had a mastery of the English unexcelled by any southern writer.

Hon. Alexander Stephens p.r.o.nounced his report of the Charleston convention the finest ill.u.s.tration of the English language that had ever come under his eye. Mr. Hooper was made the secretary of the Provisional Congress of the Confederacy and for years was cla.s.sed among the foremost of American political writers. He died at Richmond, Virginia, soon after the beginning of the Civil War.

WILLIAM M. MURPHY

For solidity and strength of character, forcefulness, and impressiveness of presence especially before a jury or an audience, the Hon. William M.

Murphy was hard to excel. He was remarkable for antipodal elements of character. That is to say, the active and pa.s.sive virtues were so set over against each other as to give him a unique combination of elements. While morally and physically courageous, he was gentle as a tender woman, and while he was a most formidable contestant in debate, he was just as remarkable in his generosity, and spurned any suggestion or opportunity to take undue advantage. While dreaded in disputatious combat, he was respected for his uniform fairness. According this to others, he was not slow in demanding the same in return.

Mr. Murphy was a North Carolinian by birth, and was brought by his father as a lad of fifteen to Alabama two years after the state had been admitted into the union. His educational advantages were without stint, his father being amply able to furnish him with the best equipment for life. First a student at the Alabama university, he afterwards completed his course at the university of Virginia, which was at that time the most famous of the literary inst.i.tutions of the continent. Adopting law as a profession, the gifts and qualifications of Mr. Murphy brought him into speedy notice.