Makers Part 5

The afternoon pa.s.sed quickly and enchantingly. Perry was working on a knee-high, articulated Frankenstein monster built out of hand-painted seash.e.l.ls from a beach-side kitsch market. They said G.o.d BLESS AMERICA and SOUVENIR OF FLORIDA and CONCH REPUBLIC and each had to be fitted out for a motor custom built to conform to its contours.

"When it's done, it will make toast."

"Make toast?"

"Yeah, separate a single slice off a loaf, load it into a top-loading slice-toaster, depress the lever, time the toast-cycle, retrieve the toast and b.u.t.ter it. I got the idea from old-time backup-tape loaders. This plus a toaster will function as a loosely coupled single system."

"OK, that's really cool, but I have to ask the boring question, Perry. Why? Why build a toast-robot?"

Perry stopped working and dusted his hands off. He was really built, and his s.h.a.ggy hair made him look younger than his crows-feet suggested. He turned a seash.e.l.l with a half-built motor in it over and spun it like a top on the hand-painted WEATHER IS HERE/WISH YOU WERE BEAUTIFUL legend.

"Well, that's the question, isn't it? The simple answer: people buy them. Collectors. So it's a good hobby business, but that's not really it.

"It's like this: engineering is all about constraint. Given a span of foo feet and materials of tensile strength of bar, build a bridge that doesn't go all fubared. Write a fun video-game for an eight-bit console that'll fit in 32K. Build the fastest airplane, or the one with the largest carrying capacity... But these days, there's not much traditional constraint. I've got the engineer's most dangerous luxury: plenty. All the computational cycles I'll ever need. Easy and rapid prototyping. Precision tools.

"Now, it may be that there is a suite of tasks lurking *in potentia*

that demand all this resource and more -- maybe I'm like some locomotive engineer declaring that 60 miles per hour is the pinnacle of machine velocity, that speed is cracked. But I don't see many of those problems -- none that interest me.

"What I've got here are my own constraints. I'm challenging myself, using found objects and making stuff that throws all this computational capacity at, you know, these *trivial* problems, like car-driving Elmo cl.u.s.ters and seash.e.l.l toaster-robots. We have so much capacity that the trivia expands to fill it. And all that capacity is junk-capacity, it's leftovers. There's enough computational capacity in a junkyard to launch a s.p.a.ce-program, and that's by design. Remember the iPod? Why do you think it was so p.r.o.ne to scratching and going all gunky after a year in your pocket? Why would Apple build a handheld technology out of materials that turned to s.h.i.t if you looked at them cross-eyed? It's because the iPod was only meant to last a year!

"It's like tailfins -- they were cool in the Tailfin Cretaceous, but wouldn't it have been better if they could have disappeared from view when they became aesthetically obsolete, when the s.p.a.ce age withered up and blew away? Oh, not really, obviously, because it's nice to see a well-maintained land-yacht on the highway every now and again, if only for variety's sake, but if you're going to design something that is meant to be *au fait* then presumably you should have some planned obsolescence in there, some end-of-lifing strategy for the aesthetic crash that follows any couture movement. Here, check this out."

He handed her a white brick, the size of a deck of cards. It took her a moment to recognize it as an iPod. "Christ, it's *huge*," she said.

"Yeah, isn't it just. Remember how small and shiny this thing was when it shipped? 'A thousand songs in your pocket!'"

That made her actually laugh out loud. She fished in her pocket for her earbuds and dropped them on the table where they clattered like M&Ms. "I *think* I've got about 40,000 songs on those. Haven't run out of s.p.a.ce yet, either."

He rolled the buds around in his palm like a pair of dice. "You won't -- I stopped keeping track of mine after I added my hundred-thousandth audiobook. I've got a bunch of the Library of Congress in mine as high-rez scans, too. A copy of the Internet Archive, every post ever made on Usenet... Basically, these things are infinitely capacious, given the size of the media we work with today." He rolled the buds out on the workbench and laughed. "And that's just the point!

Tomorrow, we'll have some new extra fat kind of media and some new task to perform with it and some new storage medium that will make these things look like an old iPod. Before that happens, you want this to wear out and scuff up or get lost --"

"I lose those things all the time, like a set a month."

"There you go then! The iPods were too big to lose like that, but just *look at them*." The iPod's chrome was scratched to the point of being fogged, like the mirror in a gas-station toilet. The screen was almost unreadable for all the scratches. "They had scratch-proof materials and hard plastics back then. They *chose* to build these things out of Saran Wrap and tin-foil so that by the time they doubled in capacity next year, you'd have already worn yours out and wouldn't feel bad about junking them.

"So I'm building a tape-loading seash.e.l.l robot toaster out of discarded obsolete technology because the world is full of capacious, capable, disposable junk and it cries out to be used again. It's a potlatch: I have so much material and computational wealth that I can afford to waste it on frivolous junk. I think that's why the collectors buy it, anyway."

"That brings us back to the question of your relationship with Kodacell. They want to do what, exactly, with you?"

"Well, we've been playing with some ma.s.s-production techniques, the three-d printer and so on. When Kettlebelly called me, he said that he wanted to see about using the scanner and so on to make a lot of these things, at a low price-point. It's pretty perverse when you think about it: using modern technology to build replicas of obsolete technology rescued from the dump, when these replicas are bound to end up back here at the dump!" He laughed. He had nice laugh-lines around his eyes. "Anyway, it's something that Lester and I had talked about for a long time, but never really got around to. Too much like retail. It's bad enough dealing with a couple dozen collectors who'll pay ten grand for a sculpture: who wants to deal with ten thousand customers who'll go a dollar each for the same thing?"

"But you figure that this Tjan character will handle all the customer stuff?"

"That's the idea: he'll run the business side, we'll get more time to hack; everyone gets paid. Kodacell's got some micro-sized marketing agencies, specialized PR firms, creative shippers, all kinds of little three-person outfits that they've promised to hook us up with. Tjan interfaces with them, we do our thing, enrich the shareholders, get stock ourselves. It's supposed to be all upside. h.e.l.l, if it doesn't work we can just walk away and find another dump and go back into the collectors' market."

He picked up his half-finished sh.e.l.l and swung a lamp with a magnifying lens built into it over his works.p.a.ce. "Hey, just a sec, OK? I've just figured out what I was doing wrong before." He took up a little tweezers and a plastic rod and probed for a moment, then daubed some solder down inside the sh.e.l.l's guts. He tweezed a wire to a contact and the sh.e.l.l made a motorized sound, a peg sticking out of it began to move rhythmically.

"Got it," he said. He set it down. "I don't expect I'm going to be doing many more of these projects after next week. This kind of design, we could never ma.s.s-produce it." He looked a little wistful, and Suzanne suppressed a smile. What a tortured artiste this Florida junkyard engineer was!

As the long day drew to a close, they went out for a walk in the twilight's cool in the yard. The sopping humidity of the day settled around them as the sun set in a long summer blaze that turned the dry fountain full of Christmas ornaments into a luminescent bowl of jewels.

"I got some real progress today," Lester said. He had a cane with him and he was limping heavily. "Got the printer to output complete mechanical logical gates, all in one piece, Almost no a.s.sembly, just daisy-chain them on a board. And I've been working on a standard snap-on system for lego-bricking each gate to the next. It's going to make it a lot easier to ramp up production."

"Yeah?" Perry said. He asked a technical question about the printer, something about the goop's tensile strength that Suzanne couldn't follow. They went at it, hammer and tongs, talking through the abstruse details faster than she could follow, walking more and more quickly past the vast heaps of dead technology and half-built mall stores.

She let them get ahead of her and stopped to gather her thoughts. She turned around to take it all in and that's when she caught sight of the kids sneaking into Perry and Lester's lab.

"Hey!" she shouted, in her loudest Detroit voice. "What are you doing there?" There were three of them, in Miami Dolphins jerseys and shiny bald-shaved heads and little shorts, the latest inexplicable rapper style which made them look more like drag queens in mufti than tough-guys.

They rounded on her. They were heavyset and their eyebrows were bleached blond. They had been sneaking into the lab's side-door, looking about as inconspicuous as a trio of nuns.

"Get lost!" she shouted. "Get out of here! Perry, Lester!"

They were coming closer now. They didn't move so well, puffing in the heat, but they clearly had mayhem on their minds. She reached into her purse for her pepper spray and held it before her dramatically, but they didn't stop coming.

Suddenly, the air was rent by the loudest sound she'd ever heard, like she'd put her head inside a foghorn. She flinched and misted a cloud of aerosol capsic.u.m ahead of her. She had the presence of mind to step back quickly, before catching a blowback, but she wasn't quick enough, for her eyes and nose started to burn and water. The sound wouldn't stop, it just kept going on, a sound like her head was too small to contain her brain, a sound that made her teeth ache. The three kids had stopped and staggered off.

"You OK?" The voice sounded like it was coming from far, far away, though Lester was right in front of her. She found that she'd dropped to her knees in the teeth of that astonishing noise.

She let him help her to her feet. "Jesus," she said, putting a hand to her ears. They rang like she'd been at a rave all night. "What the h.e.l.l?"

"Anti-personnel sonic device," Lester said. She realized that he was shouting, but she could barely hear it. "It doesn't do any permanent damage, but it'll scare off most anyone. Those kids probably live in the shantytown we pa.s.sed this morning. More and more of them are joining gangs. They're our neighbors, so we don't want to shoot them or anything."

She nodded. The ringing in her ears was subsiding a little. Lester steadied her. She leaned on him. He was big and solid. He wore the same cologne as her father had, she realized.

She moved away from him and smoothed out her shorts, dusting off her knees. "Did you invent that?"

"Made it using a HOWTO I found online," he said. "Lot of kids around here up to no good. It's pretty much a homebrew civil defense siren -- rugged and cheap."

She put a finger in each ear and scratched at the itchy buzzing. When she removed them, her hearing was almost back to normal. "I once had an upstairs neighbor in Cambridge who had a stereo system that loud -- never thought I'd hear it again."

Perry came and joined them. "I followed them a bit, they're way gone now. I think I recognized one of them from the campsite. I'll talk to Francis about it and see if he can set them right."

"Have you been broken into before?"

"A few times. Mostly what we worry about is someone trashing the printers. Everything else is easy to replace, but when Lester's old employer went bust we bought up about fifty of these things at the auction and I don't know where we'd lay hands on them again. Computers are cheap and it's not like anyone could really *steal* all this junk." He flashed her his good-looking, confident smile again.

"What time do the movies start?"

Lester checked his watch. "About an hour after sunset. If we leave now we can get a real dinner at a Haitian place I know and then head over to the Thunderbird. I'll hide under a blanket in the back seat so that we can save on admission!"

She'd done that many times as a kid, her father shushing her and her brother as they giggled beneath the blankets. The thought of giant Lester doing it made her chuckle. "I think we can afford to pay for you," she said.

The dinner was good -- fiery spicy fish and good music in an old tiki bar with peeling gra.s.s wallpaper that managed to look vaguely Haitian. The waiters spoke Spanish, not French, though. She let herself be talked into two bottles of beer -- about one and a half more than she would normally take -- but she didn't get light-headed. The heat and humidity seemed to rinse the alcohol right out of her bloodstream.

They got to the movies just at dusk. It was just like she remembered from being a little girl and coming with her parents. Children in pajamas climbed over a jungle-gym to one side of the lot. Ranked rows of cars faced the huge, grubby white projection walls. They even showed one of those scratchy old "Let's all go to the lobby and get ourselves a treat" cartoon shorts with the dancing hot-dogs before the movie.