Main Street Part 6

A man in cuffless shirt-sleeves with pink arm-garters, wearing a linen collar but no tie, yawned his way from Dyer's Drug Store across to the hotel. He leaned against the wall, scratched a while, sighed, and in a bored way gossiped with a man tilted back in a chair. A lumber-wagon, its long green box filled with large spools of barbed-wire fencing, creaked down the block. A Ford, in reverse, sounded as though it were shaking to pieces, then recovered and rattled away. In the Greek candy-store was the whine of a peanut-roaster, and the oily smell of nuts.

There was no other sound nor sign of life.

She wanted to run, fleeing from the encroaching prairie, demanding the security of a great city. Her dreams of creating a beautiful town were ludicrous. Oozing out from every drab wall, she felt a forbidding spirit which she could never conquer.

She trailed down the street on one side, back on the other, glancing into the cross streets. It was a private Seeing Main Street tour. She was within ten minutes beholding not only the heart of a place called Gopher Prairie, but ten thousand towns from Albany to San Diego:

Dyer's Drug Store, a corner building of regular and unreal blocks of artificial stone. Inside the store, a greasy marble soda-fountain with an electric lamp of red and green and curdled-yellow mosaic shade. Pawed-over heaps of tooth-brushes and combs and packages of shaving-soap. Shelves of soap-cartons, teething-rings, garden-seeds, and patent medicines in yellow "packages-nostrums" for consumption, for "women's diseases"--notorious mixtures of opium and alcohol, in the very shop to which her husband sent patients for the filling of prescriptions.

From a second-story window the sign "W. P. Kennicott, Phys. & Surgeon,"

gilt on black sand.

A small wooden motion-picture theater called "The Rosebud Movie Palace."

Lithographs announcing a film called "Fatty in Love."

Howland & Gould's Grocery. In the display window, black, overripe bananas and lettuce on which a cat was sleeping. Shelves lined with red crepe paper which was now faded and torn and concentrically spotted.

Flat against the wall of the second story the signs of lodges--the Knights of Pythias, the Maccabees, the Woodmen, the Masons.

Dahl & Oleson's Meat Market--a reek of blood.

A jewelry shop with tinny-looking wrist-watches for women. In front of it, at the curb, a huge wooden clock which did not go.

A fly-buzzing saloon with a brilliant gold and enamel whisky sign across the front. Other saloons down the block. From them a stink of stale beer, and thick voices bellowing pidgin German or trolling out dirty songs--vice gone feeble and unenterprising and dull--the delicacy of a mining-camp minus its vigor. In front of the saloons, farmwives sitting on the seats of wagons, waiting for their husbands to become drunk and ready to start home.

A tobacco shop called "The Smoke House," filled with young men shaking dice for cigarettes. Racks of magazines, and pictures of coy fat prost.i.tutes in striped bathing-suits.

A clothing store with a display of "ox-blood-shade Oxfords with bull-dog toes." Suits which looked worn and glossless while they were still new, flabbily draped on dummies like corpses with painted cheeks.

The Bon Ton Store--Haydock & Simons'--the largest shop in town. The first-story front of clear gla.s.s, the plates cleverly bound at the edges with bra.s.s. The second story of pleasant tapestry brick. One window of excellent clothes for men, interspersed with collars of floral pique which showed mauve daisies on a saffron ground. Newness and an obvious notion of neatness and service. Haydock & Simons. Haydock. She had met a Haydock at the station; Harry Haydock; an active person of thirty-five.

He seemed great to her, now, and very like a saint. His shop was clean!

Axel Egge's General Store, frequented by Scandinavian farmers. In the shallow dark window-s.p.a.ce heaps of sleazy sateens, badly woven galateas, canvas shoes designed for women with bulging ankles, steel and red gla.s.s b.u.t.tons upon cards with broken edges, a cottony blanket, a granite-ware frying-pan reposing on a sun-faded crepe blouse.

Sam Clark's Hardware Store. An air of frankly metallic enterprise. Guns and churns and barrels of nails and beautiful shiny butcher knives.

Chester Dashaway's House Furnishing Emporium. A vista of heavy oak rockers with leather seats, asleep in a dismal row.

Billy's Lunch. Thick handleless cups on the wet oilcloth-covered counter. An odor of onions and the smoke of hot lard. In the doorway a young man audibly sucking a toothpick.

The warehouse of the buyer of cream and potatoes. The sour smell of a dairy.

The Ford Garage and the Buick Garage, competent one-story brick and cement buildings opposite each other. Old and new cars on grease-blackened concrete floors. Tire advertis.e.m.e.nts. The roaring of a tested motor; a racket which beat at the nerves. Surly young men in khaki union-overalls. The most energetic and vital places in town.

A large warehouse for agricultural implements. An impressive barricade of green and gold wheels, of shafts and sulky seats, belonging to machinery of which Carol knew nothing--potato-planters, manure-spreaders, silage-cutters, disk-harrows, breaking-plows.

A feed store, its windows opaque with the dust of bran, a patent medicine advertis.e.m.e.nt painted on its roof.

Ye Art Shoppe, Prop. Mrs. Mary Ellen Wilks, Christian Science Library open daily free. A touching fumble at beauty. A one-room shanty of boards recently covered with rough stucco. A show-window delicately rich in error: vases starting out to imitate tree-trunks but running off into blobs of gilt--an aluminum ash-tray labeled "Greetings from Gopher Prairie"--a Christian Science magazine--a stamped sofa-cushion portraying a large ribbon tied to a small poppy, the correct skeins of embroidery-silk lying on the pillow. Inside the shop, a glimpse of bad carbon prints of bad and famous pictures, shelves of phonograph records and camera films, wooden toys, and in the midst an anxious small woman sitting in a padded rocking chair.

A barber shop and pool room. A man in shirt sleeves, presumably Del Snafflin the proprietor, shaving a man who had a large Adam's apple.

Nat Hicks's Tailor Shop, on a side street off Main. A one-story building. A fashion-plate showing human pitchforks in garments which looked as hard as steel plate.

On another side street a raw red-brick Catholic Church with a varnished yellow door.

The post-office--merely a part.i.tion of gla.s.s and bra.s.s shutting off the rear of a mildewed room which must once have been a shop. A tilted writing-shelf against a wall rubbed black and scattered with official notices and army recruiting-posters.

The damp, yellow-brick schoolbuilding in its cindery grounds.

The State Bank, stucco masking wood.

The Farmers' National Bank. An Ionic temple of marble. Pure, exquisite, solitary. A bra.s.s plate with "Ezra s...o...b..dy, Pres't."

A score of similar shops and establishments.

Behind them and mixed with them, the houses, meek cottages or large, comfortable, soundly uninteresting symbols of prosperity.

In all the town not one building save the Ionic bank which gave pleasure to Carol's eyes; not a dozen buildings which suggested that, in the fifty years of Gopher Prairie's existence, the citizens had realized that it was either desirable or possible to make this, their common home, amusing or attractive.

It was not only the unsparing unapologetic ugliness and the rigid straightness which overwhelmed her. It was the planlessness, the flimsy temporariness of the buildings, their faded unpleasant colors. The street was cluttered with electric-light poles, telephone poles, gasoline pumps for motor cars, boxes of goods. Each man had built with the most valiant disregard of all the others. Between a large new "block" of two-story brick shops on one side, and the fire-brick Overland garage on the other side, was a one-story cottage turned into a millinery shop. The white temple of the Farmers' Bank was elbowed back by a grocery of glaring yellow brick. One store-building had a patchy galvanized iron cornice; the building beside it was crowned with battlements and pyramids of brick capped with blocks of red sandstone.

She escaped from Main Street, fled home.

She wouldn't have cared, she insisted, if the people had been comely.

She had noted a young man loafing before a shop, one unwashed hand holding the cord of an awning; a middle-aged man who had a way of staring at women as though he had been married too long and too prosaically; an old farmer, solid, wholesome, but not clean--his face like a potato fresh from the earth. None of them had shaved for three days.

"If they can't build shrines, out here on the prairie, surely there's nothing to prevent their buying safety-razors!" she raged.

She fought herself: "I must be wrong. People do live here. It CAN'T be as ugly as--as I know it is! I must be wrong. But I can't do it. I can't go through with it."

She came home too seriously worried for hysteria; and when she found Kennicott waiting for her, and exulting, "Have a walk? Well, like the town? Great lawns and trees, eh?" she was able to say, with a self-protective maturity new to her, "It's very interesting."

III

The train which brought Carol to Gopher Prairie also brought Miss Bea Sorenson.

Miss Bea was a stalwart, corn-colored, laughing young woman, and she was bored by farm-work. She desired the excitements of city-life, and the way to enjoy city-life was, she had decided, to "go get a yob as hired girl in Gopher Prairie." She contentedly lugged her pasteboard telescope from the station to her cousin, Tina Malmquist, maid of all work in the residence of Mrs. Luke Dawson.

"Vell, so you come to town," said Tina.

"Ya. Ay get a yob," said Bea.

"Vell... . You got a fella now?"

"Ya. Yim Yacobson."