Main Street Part 3

"You know I'm in love with you, Carol!"

She did not answer, but she touched the back of his hand with an exploring finger.

"You say I'm so darn materialistic. How can I help it, unless I have you to stir me up?"

She did not answer. She could not think.

"You say a doctor could cure a town the way he does a person. Well, you cure the town of whatever ails it, if anything does, and I'll be your surgical kit."

She did not follow his words, only the burring resoluteness of them.

She was shocked, thrilled, as he kissed her cheek and cried, "There's no use saying things and saying things and saying things. Don't my arms talk to you--now?"

"Oh, please, please!" She wondered if she ought to be angry, but it was a drifting thought, and she discovered that she was crying.

Then they were sitting six inches apart, pretending that they had never been nearer, while she tried to be impersonal:

"I would like to--would like to see Gopher Prairie."

"Trust me! Here she is! Brought some snapshots down to show you."

Her cheek near his sleeve, she studied a dozen village pictures. They were streaky; she saw only trees, shrubbery, a porch indistinct in leafy shadows. But she exclaimed over the lakes: dark water reflecting wooded bluffs, a flight of ducks, a fisherman in shirt sleeves and a wide straw hat, holding up a string of croppies. One winter picture of the edge of Plover Lake had the air of an etching: l.u.s.trous slide of ice, snow in the crevices of a boggy bank, the mound of a muskrat house, reeds in thin black lines, arches of frosty gra.s.ses. It was an impression of cool clear vigor.

"How'd it be to skate there for a couple of hours, or go zinging along on a fast ice-boat, and skip back home for coffee and some hot wienies?"

he demanded.

"It might be--fun."

"But here's the picture. Here's where you come in."

A photograph of a forest clearing: pathetic new furrows straggling among stumps, a clumsy log cabin c.h.i.n.ked with mud and roofed with hay.

In front of it a sagging woman with tight-drawn hair, and a baby bedraggled, smeary, glorious-eyed.

"Those are the kind of folks I practise among, good share of the time.

Nels Erdstrom, fine clean young Svenska. He'll have a corking farm in ten years, but now----I operated his wife on a kitchen table, with my driver giving the anesthetic. Look at that scared baby! Needs some woman with hands like yours. Waiting for you! Just look at that baby's eyes, look how he's begging----"

"Don't! They hurt me. Oh, it would be sweet to help him--so sweet."

As his arms moved toward her she answered all her doubts with "Sweet, so sweet."

CHAPTER III

UNDER the rolling clouds of the prairie a moving ma.s.s of steel. An irritable clank and rattle beneath a prolonged roar. The sharp scent of oranges cutting the soggy smell of unbathed people and ancient baggage.

Towns as planless as a scattering of pasteboard boxes on an attic floor.

The stretch of faded gold stubble broken only by clumps of willows encircling white houses and red barns.

No. 7, the way train, grumbling through Minnesota, imperceptibly climbing the giant tableland that slopes in a thousand-mile rise from hot Mississippi bottoms to the Rockies.

It is September, hot, very dusty.

There is no smug Pullman attached to the train, and the day coaches of the East are replaced by free chair cars, with each seat cut into two adjustable plush chairs, the head-rests covered with doubtful linen towels. Halfway down the car is a semi-part.i.tion of carved oak columns, but the aisle is of bare, splintery, grease-blackened wood. There is no porter, no pillows, no provision for beds, but all today and all tonight they will ride in this long steel box-farmers with perpetually tired wives and children who seem all to be of the same age; workmen going to new jobs; traveling salesmen with derbies and freshly shined shoes.

They are parched and cramped, the lines of their hands filled with grime; they go to sleep curled in distorted att.i.tudes, heads against the window-panes or propped on rolled coats on seat-arms, and legs thrust into the aisle. They do not read; apparently they do not think. They wait. An early-wrinkled, young-old mother, moving as though her joints were dry, opens a suit-case in which are seen creased blouses, a pair of slippers worn through at the toes, a bottle of patent medicine, a tin cup, a paper-covered book about dreams which the news-butcher has coaxed her into buying. She brings out a graham cracker which she feeds to a baby lying flat on a seat and wailing hopelessly. Most of the crumbs drop on the red plush of the seat, and the woman sighs and tries to brush them away, but they leap up impishly and fall back on the plush.

A soiled man and woman munch sandwiches and throw the crusts on the floor. A large brick-colored Norwegian takes off his shoes, grunts in relief, and props his feet in their thick gray socks against the seat in front of him.

An old woman whose toothless mouth shuts like a mud-turtle's, and whose hair is not so much white as yellow like moldy linen, with bands of pink skull apparent between the tresses, anxiously lifts her bag, opens it, peers in, closes it, puts it under the seat, and hastily picks it up and opens it and hides it all over again. The bag is full of treasures and of memories: a leather buckle, an ancient band-concert program, sc.r.a.ps of ribbon, lace, satin. In the aisle beside her is an extremely indignant parrakeet in a cage.

Two facing seats, overflowing with a Slovene iron-miner's family, are littered with shoes, dolls, whisky bottles, bundles wrapped in newspapers, a sewing bag. The oldest boy takes a mouth-organ out of his coat pocket, wipes the tobacco crumbs off, and plays "Marching through Georgia" till every head in the car begins to ache.

The news-butcher comes through selling chocolate bars and lemon drops.

A girl-child ceaselessly trots down to the water-cooler and back to her seat. The stiff paper envelope which she uses for cup drips in the aisle as she goes, and on each trip she stumbles over the feet of a carpenter, who grunts, "Ouch! Look out!"

The dust-caked doors are open, and from the smoking-car drifts back a visible blue line of stinging tobacco smoke, and with it a crackle of laughter over the story which the young man in the bright blue suit and lavender tie and light yellow shoes has just told to the squat man in garage overalls.

The smell grows constantly thicker, more stale.

II

To each of the pa.s.sengers his seat was his temporary home, and most of the pa.s.sengers were slatternly housekeepers. But one seat looked clean and deceptively cool. In it were an obviously prosperous man and a black-haired, fine-skinned girl whose pumps rested on an immaculate horsehide bag.

They were Dr. Will Kennicott and his bride, Carol.

They had been married at the end of a year of conversational courtship, and they were on their way to Gopher Prairie after a wedding journey in the Colorado mountains.

The hordes of the way-train were not altogether new to Carol. She had seen them on trips from St. Paul to Chicago. But now that they had become her own people, to bathe and encourage and adorn, she had an acute and uncomfortable interest in them. They distressed her. They were so stolid. She had always maintained that there is no American peasantry, and she sought now to defend her faith by seeing imagination and enterprise in the young Swedish farmers, and in a traveling man working over his order-blanks. But the older people, Yankees as well as Norwegians, Germans, Finns, Canucks, had settled into submission to poverty. They were peasants, she groaned.

"Isn't there any way of waking them up? What would happen if they understood scientific agriculture?" she begged of Kennicott, her hand groping for his.

It had been a transforming honeymoon. She had been frightened to discover how tumultuous a feeling could be roused in her. Will had been lordly--stalwart, jolly, impressively competent in making camp, tender and understanding through the hours when they had lain side by side in a tent pitched among pines high up on a lonely mountain spur.

His hand swallowed hers as he started from thoughts of the practise to which he was returning. "These people? Wake 'em up? What for? They're happy."

"But they're so provincial. No, that isn't what I mean. They're--oh, so sunk in the mud."

"Look here, Carrie. You want to get over your city idea that because a man's pants aren't pressed, he's a fool. These farmers are mighty keen and up-and-coming."

"I know! That's what hurts. Life seems so hard for them--these lonely farms and this gritty train."

"Oh, they don't mind it. Besides, things are changing. The auto, the telephone, rural free delivery; they're bringing the farmers in closer touch with the town. Takes time, you know, to change a wilderness like this was fifty years ago. But already, why, they can hop into the Ford or the Overland and get in to the movies on Sat.u.r.day evening quicker than you could get down to 'em by trolley in St. Paul."

"But if it's these towns we've been pa.s.sing that the farmers run to for relief from their bleakness----Can't you understand? Just LOOK at them!"