Madcap Part 2

"It's like you Olga, of course," she said flippantly, "but it's not at all pretty."

The words fell sharply and Markham and the Countess turned toward the Philistine who stood with her head c.o.c.ked on one side, her arms a-kimbo. Markham's eyes peered forward somberly for a moment and he spoke with slow gravity.

"I don't paint 'pretty' portraits," he said.

"Mr. Markham means, Hermia, that he doesn't believe in artistic lies,"

said Olga smoothly.

"And _I_ contend," Hermia went on undaunted, "that it's an artistic lie not to paint you as pretty as you are."

"Perhaps Mr. Markham doesn't think me as pretty as you do--"

Markham bowed his head as though to absolve himself from the guilt suggested.

"I try not to think in terms of prettiness," he explained slowly. "Had you been merely pretty I don't think I should have attempted--"

"But isn't the mission of Art to beautify--to adorn--?" broke in Hermia, mercilessly bromidic.

Markham turned and looked at her as though he had suddenly discovered the presence of an insect which needed extermination.

"My dear young lady, the mission of Art is to tell the truth," he growled. "When I find it impossible to do that, I shall take up another trade."

"Oh," said Hermia, enjoying herself immensely. "I didn't mean to discourage you."

"I don't really think that you have," put in Markham.

Olga Tcherny laughed from her chair in a bored amus.e.m.e.nt.

"Hermia, dear," she said dryly, "I hardly brought you here to deflect the orbit of genius. Poor Mr. Markham! I shudder to think of his disastrous career if it depended upon your approval."

Hermia opened her moth to speak, paused and then glanced at Markham.

His thoughts were turned inward again and excluded her completely.

Indeed it was difficult to believe that he remembered what she had been talking about. In addition to being unpardonably rude, he now simply ignored her. His manner enraged her. "Perhaps my opinion doesn't matter to Mr. Markham," she probed with icy distinctness.

"Nevertheless, I represent the public which judges pictures and buys them. Which orders portraits and pays for them. It's my opinion that counts--my money upon which the fashionable portrait painter must depend for his success. He must please me or people like me and the way to please most easily is to paint me as I ought to be rather than as I am."

Markham slowly turned so that he faced her and eyed her with a puzzled expression as he caught the meaning of her remarks, more personal and arrogant than his brief acquaintance with her seemed in any way to warrant.

"I'm not a fashionable portrait painter, thank G.o.d." he said with some warmth. "Fortunately I'm not obliged to depend upon the whims or upon the money of the people whose judgment you consider so important to an artistic success. I have no interest in the people who compose fashionable society, not in their money nor their aims, ideals or the lack of them. I paint what interests me--and shall continue to do so."

He shrugged his shoulders and laughed toward Olga. "What's the use, Madame? In a moment I shall be telling Miss--er--"

"Challoner," said Hermia.

"I shall be telling Miss Challoner what I think of New York society--and of the people who compose it. That would be unfortunate."

"Well, rather," said Olga wearily. "Don't, I beg. Life's too short.

Must you break our pretty faded b.u.t.terfly on the wheel?"

He shrugged his shoulders and turned aside.

"Not if it jars upon your sensibilities. I have no quarrel with your society. One only quarrels with an enemy or with a friend. To me society is neither." He smiled at Hermia amusedly. "Society may have its opinion of my utility and may express it freely--unchallenged."

"I don't challenge your utility," replied Hermia tartly. "I merely question your point of view. You do not see _couleur de rose_, Mr.

Markham?"

"No. Life is not that color."

"Oh, la la!" from Olga. "Life is any color one wishes, and sometimes the color one does not wish. Very pale at times, gray, yellow and at times red--oh, so red! The soul is the chameleon which absorbs and reflects it. Today," she signed, "my chameleon has taken a vacation."

She rose abruptly and threw out her arms with a dramatic gesture.

"Oh, you two infants--with your wise talk of life--you have already depressed me to the point of dissolution. I've no patience with you--with either of you. You've spoiled my morning, and I'll not stay here another minute." She reached for her trinkets on the table and rattled them viciously. "It's too bad. With the best intentions in the world I bring two of my friends together and they fall instantly into verbal fisticuffs. Hermia, you deserve no better fate than to be locked in here with this bear of a man until you both learn civility."

But Hermia had already preceded the Countess to the door, whither Markham followed them.

"I should be charmed," said Markham.

"To learn civility?" asked Hermia acidly.

"I might even learn that--"

"It is inconceivable," put in the Countess. "You know, Markham, I don't mind your being bearish with me. In fact, I've taken it as the greatest of compliments. I thought that humor of yours was my special prerogative of friendship. But now alas! When I see how uncivil you can be to others I have a sense of lost caste. And you--instead of being amusingly whimsical and _entt?_--are in danger of becoming merely _bourgeois_. I warn you now that if you plan to be uncivil to everybody--I shall give you up."

Markham and Hermia laughed. They couldn't help it. She was too absurd.

"Oh, I hope you won't do that," pleaded Markham.

"I'm capable of unheard of cruelties to those who incur my displeasure. I may even bring Miss Challoner in to call again."

Markham, protesting, followed them to the door.

"_Au revoir, Monsieur_," said the Countess.

Markham bowed in the general direction of the shadow in the hallway into which Miss Challoner had vanished and then turned back and took up his palette and brushes.

CHAPTER III

THE INEFFECTUAL AUNT

The two women had hardly reached the limousine before the vials of Hermia's wrath were opened.

"What a dreadful person! Olga, how could you have stood him all the while he painted you?"

"We made out very nicely, thank you."

"Hilda was right. He _is_ a gorilla. Do you know he never even offered me a chair?"

"I suppose he thought you'd have sense enough to sit down if you wanted to."