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Luxury-Gluttony Part 15

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"Yes, monsieur."

"I would not wish, you understand, my dear Dutertre," continued Pascal, "to put you in ruinous embarra.s.sment. I know Paris, and in the present business crisis you could not get credit for a cent, especially if it were known that I have withdrawn mine from you, and as, after all, you relied upon my name to meet your liabilities, did you not?"

"Charles, we are saved!" whispered Sophie, panting, "he was only testing us."

Dutertre, struck with this idea, which appeared to him all the more probable as he had at first suspected it, no longer doubted his safety; his heart beat violently, his contracted features relaxed into their ordinary cheerful expression, and he replied, stammering from excess of emotion:

"In fact, sir, trusting blindly to your promises, I relied on your credit as usual."



"Well, my dear Dutertre, that you may not find yourself in an embarra.s.sed position, I have come back to tell you that, as you still have about a week, you had better provide for yourself elsewhere, as you cannot depend on Paris or on me."

And M. Pascal closed the door, and took his departure.

The reaction was so terrible that Dutertre fell back in his chair, pale, inanimate, and utterly exhausted. Hiding his face in his hands, he sobbed:

"Lost, lost!"

"Oh, our children!" cried Sophie, in a heartrending voice, as she threw herself down at her husband's knees, "our poor children!"

"Charles," said the old man, extending his hands, and timidly groping his way to his son, "Charles, my beloved son, have courage!"

"Oh, father, it is ruin, it is bankruptcy," said the unhappy man, with convulsive sobs. "The misery, oh, my G.o.d! the misery in store for us all!"

At the height of this overwhelming sorrow came a cruel contrast; the little children, clamorous with joy, rushed into the parlour, exclaiming:

"It is Madeleine; here is Madeleine!"

CHAPTER X.

At the sight of Madeleine, who was no other than the Marquise de Miranda, the happiness of Madame Dutertre was so great that for a moment all her sorrows and all her terrors for the future were forgotten; her sweet and gracious countenance beamed with joy, she could only p.r.o.nounce these words in broken accents:

"Madeleine, dear Madeleine! after such a long absence, at last you have come!"

After the two young women had embraced each other Sophie said to her friend as she looked at her husband and the old man:

"Madeleine, my husband and his father,--our father, as he calls me his daughter."

The marquise, entering suddenly, had thrown herself upon Sophie's neck with such impetuous affection that Charles Dutertre could not distinguish the features of the stranger, but when, at Madame Dutertre's last words, the newly arrived friend turned toward him, he felt a sudden strange impression,--an impression so positive that, for a few minutes, he, like his wife, forgot the vindictive speech of M. Pascal.

What Charles Dutertre felt at the sight of Madeleine was a singular mixture of surprise, admiration, and almost distress, for he experienced a sort of indefinable remorse at the thought of being in that critical moment accessible to any emotion except that which pertained to the ruin which threatened him and his family.

The Marquise de Miranda would hardly, at first sight, seem capable of making so sudden and so deep an impression. Quite tall in stature, her form and waist were completely hidden under a large mantle of spring material which matched that of her dress, whose long, trailing folds scarcely permitted a view of the extremity of her little boot. It was the same with her hands, which were almost entirely concealed by the sleeves of her dress, which she wore, as was her custom, long and floating. A little hood made of c.r.a.pe, as white as snow, formed a framework for her distinctly oval face, and set off the tint of her complexion, for Madeleine had that dull, pale flesh-colour so often found in brunettes of a p.r.o.nounced type, with large, expressive blue eyes fringed with lashes as black as her eyebrows of jet, while, by a bewitching contrast, her hair, arranged in a ma.s.s of little curls, a la Sevigne, was of that charming and delicate ash-blonde which Rubens makes flow like waves upon the shoulders of his fair naiads.

This pallid complexion, these blue eyes, these black eyebrows and blonde hair, gave to Madeleine's physiognomy a very fetching attraction; her ebony lashes were so thick, so closely set, that one might have said--like the women of the East, who by this means impart a pa.s.sionate and at the same time an enervated expression to their faces--she painted with black the under part of her eyelids, almost always partially closed over their large azure-coloured pupils; her pink nostrils, changing and nervous, dilated on each side of a Greek nose exquisite in its contour; while her lips, of so warm a red that one might almost see the blood circulate under their delicate epidermis, were full but clear cut, and a little prominent, like those of an antique Erigone, and sometimes under their bright coloured edges one could see the beautiful enamel of her teeth.

But why continue this portrait? Will there not be always, however faithful our description, however highly coloured it may be, as immeasurable a distance between that and the reality as exists between a painting and a living being? It would be impossible to make perceptible that atmosphere of irresistible attraction, that magnetism, we might say, which emanated from this singular creature. That which in others would have produced a neutralising effect, seemed in her to increase her fascinations a hundredfold. The very length and amplitude of her garments, which, without revealing the contour of her figure, allowed only a sight of the end of her fingers and the extremity of her boot, added a charm to her. In a word, if the chaste drapery which falls at the feet of an antique muse, of severe and thoughtful face, enhances the dignity of her aspect, a veil thrown over the beautiful form of the Venus Aphrodite only serves to excite and inflame the imagination.

Such was the impression which Madeleine had produced on Charles Dutertre, who, speechless and troubled, stood for some moments gazing at her.

Sophie, not suspecting the cause of her husband's silence and emotion, supposed him to be absorbed in thought of the imminent danger which threatened him, and this idea bringing her back to the position she had for a moment forgotten, she said to the marquise, trying to force a smile:

"My dear Madeleine, you must excuse the preoccupation of Charles. At the moment you entered we were talking of business, and business of a very serious nature indeed."

"Yes, really, madame, you must excuse me," said Dutertre, starting, and reproaching himself for the strange impression his wife's friend had made upon him. "Fortunately, all that Sophie has told me of your kindness encourages me to presume upon your indulgence."

"My indulgence? It is I who have need of yours, monsieur," replied the marquise, smiling, "for in my overmastering desire to see my dear Sophie again, running here unawares, I threw myself on her neck, without dreaming of your presence or that of your father. But he will, I know, pardon me for treating Sophie like a sister, since he treats her as a daughter."

With these words, Madeleine turned to the old man.

"Alas! madame," exclaimed he, involuntarily, "never did my poor children have greater need of the fidelity of their friends. Perhaps it is Heaven that sends you--"

"Take care, father," said Dutertre, in a low voice to the old man, as if he would reproach him tenderly for making a stranger acquainted with their domestic troubles, for Madeleine had suddenly directed a surprised and interrogative glance toward Sophie.

The old man comprehended his son's thought, and whispered:

"You are right. I ought to keep silent, but grief is so indiscreet! Come now, Charles, take me back to my room. I feel very much overcome."

And he took his son's arm. As Dutertre was about to leave the parlour the marquise approached him, and said:

"I shall see you soon, M. Dutertre, I warn you, for I am resolved during my sojourn in Paris to come often, oh! very often, to see my dear Sophie. Besides, I wish to make a request of you, and, in order to be certain of your consent, I shall charge Sophie to ask it. You see, I act without ceremony, as a friend, an old friend, for my friendship for you, M. Dutertre, dates from the happiness Sophie owes you. I shall see you, then, soon!" added the marquise, extending her hand to Dutertre with gracious cordiality.

For the first time in his life Sophie's husband felt ashamed of the hands blackened by toil; he hardly dared touch the rosy little fingers of Madeleine; he trembled slightly at the contact; a burning blush mounted to his forehead, and, to dissimulate his mortification and embarra.s.sment, he bowed profoundly before the marquise, and went out with his father.

From the commencement of this scene Sophie's two little children, holding each other's hands, and hiding now and then behind their mother, near whom they were standing, opened their eyes wide in silent and curious contemplation of the great lady.

The marquise, perceiving them, exclaimed, as she looked at her friend:

"Your children? My G.o.d, how pretty they are! How proud you must be!" And she dropped on her knees before them, putting herself, so to speak, on a level with them; then, dispersing with one hand the blond curls which hid the brow and eyes of the little girl, she lifted the chin of the child's half-bent head with the other hand, looked a moment at the charming little face so rosy and fresh, and kissed the cheeks and eyes and brow and hair and neck of the little one with maternal tenderness.

"And you, little cherub, you must not be jealous," added she, and, holding the brown head of the little boy and the blond curls of the little girl together, she divided her caresses between them.

Sophie Dutertre, moved to tears, smiled sadly at this picture, when the marquise, still on her knees, looked up at her and said, holding both children in her embrace:

"You would not believe, Sophie, that, in embracing these little angels, I comprehend, I feel almost the happiness that you experience when you devour them with kisses and caresses, and it seems to me that I love you even more to know that you are so happy, so perfectly happy."

As she heard her happiness thus extolled, Sophie, brought back to the painful present a moment forgotten, dropped her head, turned pale, and showed in her countenance such intense agony, that Madeleine rose immediately, and exclaimed:

"My G.o.d, Sophie, how pale you are! What is the matter?"

Madame Dutertre stifled a sigh, lifted her head sadly, and replied:

"Nothing is the matter, Madeleine; the excitement, the joy of seeing you again after such a long separation,--that is all."

"Excitement, joy?" answered the marquise, with an air of painful doubt.

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Luxury-Gluttony Part 15 summary

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