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Lunar Park Part 30

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Miller grabbed my hand to calm me.

"Mr. Ellis, in this case I don't think that's an option."

I couldn't breathe anymore.

"Why not? Why isn't it an option?"

"Because the house may not be the source of the haunting."



I had started weeping again.

"If, if, but, if, the, house, is, is, not the source-"

"Mr. Ellis-"

I could hear Miller but he wasn't visible.

"But if the house is not the source . . . what is the source of the haunting?"

Miller finally said it.

"You are."

27. the haunted

The world was now dimmed, a shallow island of light floating in a vast darkness, even though it was noon and we were heading toward the house on Elsinore Lane and I was sitting in the back of a converted van behind two a.s.sistants (from what I learned was a staff of twelve, and who could have pa.s.sed as anonymous computer nerds, with requisite crew cuts, from the college). Dale, who had greeted me with "Wicked bruise," was driving while Sam rifled through a CD case, and they were carrying on a disagreement about a recent movie-just two dudes on their way to the "preliminary investigation" or the "ISR" (initial site reading) and the casualness of their conversation was supposed to be a calming reminder that this was no big deal, just another a.s.signment. But Miller was overlapping them-the two of us side by side, our knees pressed against a generator-explaining to me where the last haunting had taken his team, a remote location where the ghosts and demons of the dead had congregated: an abandoned slaughterhouse. I didn't care. I wanted this all to be over as quickly as possible. As usual I pretended it was a dream. This made things easier.

"When should we do this?" I had asked Miller after recovering in the Dorseah Diner. "As soon as possible" was his answer. Outside, standing in the gravel-strewn parking lot (which was slowly becoming a carpet of beach sand), Miller made a series of calls as I watched a new line of palm trees rising in the distance. He followed me back to the Four Seasons, where a valet parked his van, and as we went up to the suite to pick up the keys to the house a fee was discussed. If the house was infested and I wanted to retain his services, a check would have to be written for $30,000, which to me seemed like a bargain. When he asked if I had access to that much money, I a.s.sured him, gravely, that I did. But I would have agreed to any amount since I was staring at the ashy footprints that had circled my bed in the hotel suite while I was cringing in a booth at the Dorseah Diner (they had come from nowhere) and then I saw the gray handprint on a pillow and almost broke down again and said that I wouldn't go back to the house, but Miller told me that because I was the focus of the infestation I needed to be there. When I was about to protest again, and offer him a larger fee so I could stay away from the house, Miller had already guided me outside, where a van much larger than Miller's was waiting for us, and as I stepped into that van my world-already drifting away from me-became inverted.

Miller was explaining what the various pieces of equipment were for, and I strained to pay attention but couldn't focus on anything except the fact that we were heading back to the house. There were infrared digital cameras and motion detectors and electromagnetic field meters (EMFs as the crew referred to them); there was something called a laser thermometer as well as an audio recorder that could be fed into a frequency a.n.a.lyzer and read off a laptop. I tried to steady myself by asking questions-but this was just a way to pretend that we weren't rolling toward a situation the writer had already witnessed and was calling, with chilling ambiguity, complicated. complicated. I heard samples of Miller's dialogue skipping through my mind. Vaguely gesturing at something, I asked, "What does that do?" I heard samples of Miller's dialogue skipping through my mind. Vaguely gesturing at something, I asked, "What does that do?"

"An EMF," I heard. "It filters out normal electromagnetic frequencies."

"What do you mean?" I inquired dreamily.

"Like from a computer or a TV or a phone or even a human body-all of which can give a false reading." Miller's voice had a rubbery quality and it was bouncing around inside the van, moving away from me, echoing.

"And what's that?" I found myself pointing at a large, bulky machine that resembled an oversized air-conditioning unit.

"A galvanometer. It registers unexplained energy flow."

Of course. Of course that's what it is. You knew that, Bret.

I was now hunched over and about to lose it again as the van was gliding around the corner of Bedford and onto Elsinore.

The house sat innocently in daylight, but even in daylight the house seemed menacing.

I was scowling with fear because I couldn't help studying it as the van pulled into the driveway.

"Here goes," one of the guys said. They both eagerly exited the van. They had been filled in on the various particulars of "the situation" and they were ready to party. They moved to the doors at the back of the van and started unloading equipment with frat-boy expectancy.

I wasn't aware I had left the van and was floating toward the house until I was standing so close to it that I could have touched the thing.

The front of the house was now the same color as the side of the house.

The writer forced me to notice this since I was blind.

Look, the writer said. the writer said. Touch it. Touch it.

The wood had turned to stucco.

Because of this, I couldn't go back into the house.

I walked away.

Miller followed me out into the field behind the house, and then I was pacing, and then I was standing still again. I couldn't control my breathing. My mouth was dry and chalky from chewing the Klonopin tablets.

"You'll be protected," Miller promised.

"This was not a case of possession," he a.s.sured me.

"You need to be in the house" was his gentle order.

"Why?" I pleaded. "Why?"

"Because you are its focus. Because we need to find out what the source of the haunting is."

They needed to invoke the spirits.

And you're being used as bait. Do you get it now, Bret?

I didn't even crave a drink at this point-I would have thrown up if I swallowed alcohol.

Pa.s.s that sage advice along: Want to stay sober? Move into a haunted place.

Miller impatiently redirected me to the house, because there was nowhere I would be safe if this was not dealt with.

(The writer prodded me along with a reminder of the ashy handprint on the pillow.) My response: "If there's anything inside the house, I don't think I can take it."

I hesitated then shuffled quickly toward the front door.

I slipped the key into the lock.

I opened the front door.

I stepped into the foyer.

The house was silent.

Miller stood beside me.

"Where have the main occurrences taken place?" I was asked.

The three men were waiting for me to guide them to the hallway of flickering lights, the master bedroom that had been invaded, the living room that was now the living room of Valley Vista-just a brief intake of breath as I glimpsed the dark green s.h.a.g that was still growing, and then I had to turn away.

Miller was studying the office door, unhinged, gnawed on.

"Yeah," I said. "It happened."

While Dale and Sam began setting up equipment throughout the house, I showed Miller the video attachment I had received.

I couldn't look at it so I wandered. Upstairs I peered into Robby's and Sarah's rooms and then (delicately-I did not go in) the master bedroom.

The unmade beds in all three rooms relieved me.

There was no sign of the Terby anywhere, but that didn't mean anything.

Back in my office the video was ending.

My father was staring out at us.

"Robby . . . Robby . . ."

Miller turned to me wordlessly, unimpressed.

"All electrical appliances need to be unplugged" was all he said.

"Why don't we just turn off the fuse box?" I asked.

"We'll do that as well."

The equipment would be plugged into the generator that had been dragged into the foyer and was sitting at the bottom of the staircase.

While we began the process of unplugging anything connected to a power outlet, everyone began feeling it.

(I pretended not to.) There was a new pressure in the house.

It was weighing down on us.

I tried to ignore the moment our ears started popping.

But when Sam and Dale laughed I had to accept it.

Once everything was disconnected, Sam and Dale began plugging various cords into the generator.

The infrared video cameras and sound-activated microca.s.settes were mounted on tripods.

Sam would oversee the one placed in the upstairs hallway.

Dale would oversee the one placed in the master bedroom.

And Miller would oversee the one placed in the living room with the widest field of vision, including the foyer and the staircase.

Each of them held an electromagnetic field meter-an EMF.

All the curtains and blinds in the house were drawn shut-I did not ask why-and the interior of the house darkened considerably, but with enough light still scratching through from outside.

Once Sam and Dale were in position upstairs, Miller asked me to turn off the fuse box.

It was located in the hallway that led to the garage.

I opened it.

I breathed in as I shut off the power.

Walking quickly back to Miller's side, I realized that this was the quietest the house had ever been.

During this thought all three EMF meters started beeping-instantly, in unison.

According to the flashing red digital numbers I saw a reading jump from 0 to 100 in what seemed like less than a second.

Immediately the cameras sensed something and started whirring, moving in a continuous circular motion atop the tripods.

"We have liftoff," I heard one of the guys whoop from upstairs.

The beeping suddenly became more insistent.

The cameras kept flashing as they turned.

The locks on the French windows in the living room made a cracking sound.

Another cracking sound and the windows swung outward, causing the green curtains to start billowing even though it was a cold, still November afternoon.

But then they stopped billowing.

The curtains weren't there last night, the writer said. the writer said. Don't you recognize them? Don't you recognize them? the writer asked. the writer asked. Think back. Think back.

Air gusted over us, and the faint sound of something being pounded echoed throughout the house.

The pounding continued.

It was moving through the walls and then into the ceiling above us.

The pounding was competing with the sounds from the EMFs but the pounding soon overtook it.

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Lunar Park Part 30 summary

You're reading Lunar Park. This manga has been translated by Updating. Author(s): Bret Easton Ellis. Already has 587 views.

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