Lucy Maud Montgomery Short Stories, 1896 to 1901 Part 9

As Carol showed the caller into the room, Ruth rose to leave and thus came face to face with him. Mr. Swift started perceptibly.

"Mr. Swift, this is my school friend, Miss Mannering," said Carol.

Mr. Swift seemed strangely agitated as he took Ruth's timidly offered hand.

"My dear young lady," he said hurriedly, "I am going to ask you what may seem a very strange question. What was your mother's name?"

"Agnes Hastings," answered Ruth in surprise. And then Carol really thought that Mr. Swift had gone crazy, for he drew Ruth into his arms and kissed her.

"I knew it," he said. "I was sure you were Agnes' daughter, for you are the living image of what she was when I last saw her. Child, you don't know me, but I am your Uncle Robert. Your mother was my half-sister."

"Oh, Mr. Swift!" cried Carol, and then she ran for her mother.

Ruth turned pale and dropped into a chair, and Mr. Swift sat down beside her.

"To think that I have found you at last, child. How puzzled you look.

Did your mother never speak of me? How is she? Where is she?"

"Mother died last year," said Ruth.

"Poor Agnes! And I never knew! Don't cry, little girl. I want you to tell me all about it. She was much younger than I was, and when our mother died my stepfather went away and took her with him. I remained with my father's people and eventually lost all trace of my sister. I was a poor boy then, but things have looked up with me and I have often tried to find her."

By this time Carol had returned with her father and mother, and there was a scene--laughing, crying, explaining--and I don't really know which of the two girls was the more excited, Carol or Ruth. As for Mr.

Swift, he was overjoyed to find his niece and wanted to carry her off with him then and there, but Mrs. Golden insisted on her finishing her visit. When the question of returning to Oaklawn came up, Mr. Swift would not hear of it at first, but finally yielded to Carol's entreaties and Ruth's own desire.

"I shall graduate next year, Uncle, and then I can come back to you for good."

That evening when Ruth was alone in her room, trying to collect her thoughts and realize that the home and love that she had so craved were really to be hers at last, Golden Carol was with her mother in the room below, talking it all over.

"Just think, Mother, if I had not asked Ruth to come here, this would not have happened. And I didn't want to, I wanted to ask Maud so much, and I was dreadfully disappointed when I couldn't--for I really couldn't. I could not help remembering the look in Ruth's eyes when she said that she had no home to go to, and so I asked her instead of Maud. How dreadful it would have been if I hadn't."

Detected by the Camera

One summer I was attacked by the craze for amateur photography. It became chronic afterwards, and I and my camera have never since been parted. We have had some odd adventures together, and one of the most novel of our experiences was that in which we played the part of chief witness against Ned Brooke.

I may say that my name is Amy Clarke, and that I believe I am considered the best amateur photographer in our part of the country.

That is all I need tell you about myself.

Mr. Carroll had asked me to photograph his place for him when the apple orchards were in bloom. He has a picturesque old-fashioned country house behind a lawn of the most delightful old trees and flanked on each side by the orchards. So I went one June afternoon, with all my accoutrements, prepared to "take" the Carroll establishment in my best style.

Mr. Carroll was away but was expected home soon, so we waited for him, as all the family wished to be photographed under the big maple at the front door. I prowled around among the shrubbery at the lower end of the lawn and, after a great deal of squinting from various angles, I at last fixed upon the spot from which I thought the best view of the house might be obtained. Then Gertie and Lilian Carroll and I got into the hammocks and swung at our leisure, enjoying the cool breeze sweeping through the maples.

Ned Brooke was hanging around as usual, watching us furtively. Ned was one of the hopeful members of a family that lived in a tumble-down shanty just across the road from the Carrolls. They were wretchedly poor, and old Brooke, as he was called, and Ned were employed a good deal by Mr. Carroll--more out of charity than anything else, I fancy.

The Brookes had a rather shady reputation. They were notoriously lazy, and it was suspected that their line of distinction between their own and their neighbours' goods was not very clearly drawn. Many people censured Mr. Carroll for encouraging them at all, but he was too kind-hearted to let them suffer actual want and, as a consequence, one or the other of them was always dodging about his place.

Ned was a lank, tow-headed youth of about fourteen, with shifty, twinkling eyes that could never look you straight in the face. His appearance was anything but prepossessing, and I always felt, when I looked at him, that if anyone wanted to do a piece of shady work by proxy, Ned Brooke would be the very lad for the business.

Mr. Carroll came at last, and we all went down to meet him at the gate. Ned Brooke also came shuffling along to take the horse, and Mr.

Carroll tossed the reins to him and at the same time handed a pocketbook to his wife.

"Just as well to be careful where you put that," he said laughingly.

"There's a sum in it not to be picked up on every gooseberry bush.

Gilman Harris paid me this morning for that bit of woodland I sold him last fall--five hundred dollars. I promised that you and the girls should have it to get a new piano, so there it is for you."

"Thank you," said Mrs. Carroll delightedly. "However, you'd better put it back in your pocket till we go in. Amy is in a hurry."

Mr. Carroll took back the pocketbook and dropped it carelessly into the inside pocket of the light overcoat that he wore.

I happened to glance at Ned Brooke just then, and I could not help noticing the sudden crafty, eager expression that flashed over his face. He eyed the pocketbook in Mr. Carroll's hands furtively, after which he went off with the horse in a great hurry.

The girls were exclaiming and thanking their father, and n.o.body noticed Ned Brooke's behaviour but myself, and it soon pa.s.sed out of my mind.

"Come to take the place, are you, Amy?" said Mr. Carroll. "Well, everything is ready, I think. I suppose we'd better proceed. Where shall we stand? You had better group us as you think best."

Whereupon I proceeded to arrange them in due order under the maple.

Mrs. Carroll sat in a chair, while her husband stood behind her.

Gertie stood on the steps with a basket of flowers in her hand, and Lilian was at one side. The two little boys, Teddy and Jack, climbed up into the maple, and little Dora, the dimpled six-year-old, stood gravely in the foreground with an enormous grey cat hugged in her chubby arms.

It was a pretty group in a pretty setting, and I thrilled with professional pride as I stepped back for a final, knowing squint at it all. Then I went to my camera, slipped in the plate, gave them due warning and took off the cap.

I took two plates to make sure and then the thing was over, but as I had another plate left I thought I might as well take a view of the house by itself, so I carried my camera to a new place and had just got everything ready to lift the cap when Mr. Carroll came down and said:

"If you girls want to see something pretty, come to the back field with me. That will wait till you come back, won't it, Amy?"

So we all betook ourselves to the back field, a short distance away, where Mr. Carroll proudly displayed two of the prettiest little Jersey cows I had ever seen.

We returned to the house by way of the back lane and, as we came in sight of the main road, my brother Cecil drove up and said that if I were ready, I had better go home with him and save myself a hot, dusty walk.

The Carrolls all went down to the fence to speak to Cecil, but I dashed hurriedly down through the orchard, leaped over the fence into the lawn and ran to the somewhat remote corner where I had left my camera. I was in a desperate hurry, for I knew Cecil's horse did not like to be kept waiting, so I never even glanced at the house, but s.n.a.t.c.hed off the cap, counted two and replaced it.

Then I took out my plate, put it in the holder and gathered up my traps. I suppose I was about five minutes at it all and I had my back to the house the whole time, and when I laid all my things ready and emerged from my retreat, there was n.o.body to be seen about the place.

As I hurried up through the lawn, I noticed Ned Brooke walking at a smart pace down the lane, but the fact did not make any particular impression on me at the time, and was not recalled until afterwards.

Cecil was waiting for me, so I got in the buggy and we drove off. On arriving home I shut myself up in my dark room and proceeded to develop the first two negatives of the Carroll housestead. They were both excellent, the first one being a trifle the better, so that I decided to finish from it. I intended also to develop the third, but just as I finished the others, a half-dozen city cousins swooped down upon us and I had to put away my paraphernalia, emerge from my dark retreat and fly around to entertain them.

The next day Cecil came in and said:

"Did you hear, Amy, that Mr. Carroll has lost a pocketbook with five hundred dollars in it?"

"No!" I exclaimed. "How? When? Where?"

"Don't overwhelm a fellow. I can answer only one question--last night.