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Love, the Fiddler Part 11

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"By Jove!" I said, "there are some nick-names that are patents of n.o.bility."

What impressed me as much as anything with these people was their loneliness. Parvenus are not always pushing and self-seeking, nor do they invariably throw down the ladder by which they have climbed. The Grossenstecks would have been so well content to keep their old friends, but poverty hides its head from the glare of wealth and takes fright at altered conditions.

"They come--yes," said Mrs. Grossensteck, "but they are scared of the fine house, of the high-toned help, of everything being gold, you know, and fashionable. And when Papa sends their son to college, or gives the girl a little stocking against her marriage day, they slink away ashamed. Oh, Mr. Dundonald, but it's hard to thank and be thanked, especially when the favours are all of one side!"

"The rich have efferyting," said Grossensteck, "but friends-- Nein!"

New ones had apparently never come to take the places of the old; and the old had melted away. Theirs was a life of solitary grandeur, varied with dinner parties to their managers and salesmen. Socially speaking, their house was a desert island, and they themselves three castaways on a golden rock, scanning the empty seas for a sail. To carry on a metaphor, I might say I was the sail and welcomed accordingly. I was everything that they were not; I was poor; I mixed with people whose names filled them with awe; my own was often given at first nights and things of that sort. In New York, the least sn.o.bbish of great cities, a man need have but a dress suit and car-fare--if he be the right kind of a man, of course--to go anywhere and hold up his head with the best.

In a place so universally rich, there is even a certain piquancy in being a pauper. The Grossenstecks were overcome to think I shined my own shoes, and had to calculate my shirts, and the fact that I was no longer young (that's the modern formula for forty), and next-door to a failure in the art I had followed for so many years, served to whet their pity and their regard. My little trashy love-stories seemed to them the fruits of genius, and they were convinced, the poor simpletons, that the big magazines were banded in a conspiracy to block my way to fame.

"My dear poy," said Grossensteck, "you know as much of peeziness as a child unp.o.r.ne, and I tell you it's the same efferywhere--in groceries, in hardware, in the alkali trade, in effery branch of industry, the pig operators stand shoulder to shoulder to spiflicate the little fellers like you. You must combine with the other producers; you must line up and break through the ring; you must scare them out of their poots, and, by Gott, I'll help you do it!"

In their naive interest in my fortunes, the Grossenstecks rejoiced at an acceptance, and were correspondingly depressed at my failures. A fifteen-dollar poem would make them happy for a week; and when some of my editors were slow to pay-on the literary frontiers there is a great deal of this sort of procrastination-- Uncle Gingersnaps was always hot to put the matter into the hands of his collectors, and commence legal proceedings in default.

Little by little I drifted into a curious intimacy with the Grossenstecks. Their house by degrees became my refuge. I was given my own suite of rooms, my own latch-key; I came and went unremarked; and what I valued most of all was that my privacy was respected, and no one thought to intrude upon me when I closed my door. In time I managed to alter the whole house to my liking, and spent their money like water in the process. Gorgeousness gave way to taste; I won't be so fatuous as to say my taste; but mine was in conjunction with the best decorators in New York. One was no longer blinded by magnificence, but found rest and peace and beauty. Teresa and I bought the pictures. She was a wonderfully clever girl, full of latent appreciation and understanding which until then had lain dormant in her breast. I quickened those unsuspected fires, and, though I do not vaunt my own judgment as anything extraordinary, it represented at least the conventional standard and was founded on years of observation and training. We let the old masters go as something too smudgy and recondite for any but experts, learning our lesson over one Correggio which nearly carried us into the courts, and bought modern American instead, amongst them some fine examples of our best men. We had a glorious time doing it, too, and showered the studios with golden rain--in some where it was evidently enough needed.

There was something childlike in the Grossenstecks' confidence in me; I mean the old people; for it was otherwise with Teresa, with whom I often quarrelled over my artistic reforms, and who took any conflict in taste to heart. There were whole days when she would not speak to me at all, while I, on my side, was equally obstinate, and all this, if you please, about some miserable tapestry or a Louise Seize chair or the right light for a picture of Will Low's. But she was such a sweet girl and so pretty that one could not be angry with her long, and what with our fights and our makings up I dare say we made it more interesting to each other than if we had always agreed. It was only once that our friendship was put in real jeopardy, and that was when her parents decided they could not die happy unless we made a match of it.

This was embarra.s.sing for both of us, and for a while she treated me very coldly. But we had it out together one evening in the library and decided to let the matter make no difference to us, going on as before the best of friends. I was the last person to expect a girl of eighteen to care for a man of forty, particularly one like myself, ugly and grey-haired, who had long before outworn the love of women. In fact I had to laugh, one of those sad laughs that come to us with the years, at the thought of anything so absurd; and I soon got her to give up her tragic pose and see the humour of it all as I did. So we treated it as a joke, rallied the old folks on their sentimental folly, and let it pa.s.s.

It set me thinking, however, a great deal about the girl and her future, and I managed to make interest with several of my friends and get her invited to some good houses. Of course it was impossible to carry the old people into this galere. They were frankly impossible, but fortunately so meek and humble that it never occurred to them to a.s.sert themselves or resent their daughter going to places where they would have been refused. Uncle Gingersnaps would have paid money to stay at home, and Mrs.

Grossensteck had too much homely pride to put herself in a false position. They saw indeed only another reason to be grateful to me, and another example of my surpa.s.sing kindness. Pretty, by no means a fool, and gowned by the best coutourieres of Paris, Teresa made quite a hit, and blossomed as girls do in the social sunshine. The following year, in the whirl of a gay New York winter, one would scarcely have recognised her as the same person.

She had "made good," as boys say, and had used my stepping-stones to carry her far beyond my ken. In her widening interests, broader range, and increased worldly knowledge we became naturally better friends than ever and met on the common ground of those who led similar lives. What man would not value the intimacy of a young, beautiful, and clever woman? in some ways it is better than love itself, for love is a duel, with wounds given and taken, and its pleasures dearly paid for. Between Teresa and myself there was no such disturbing bond, and we were at liberty to be altogether frank in our intercourse.

One evening when I happened to be dining at the house, the absence of her father and the indisposition of her mother left us tete-a- tete in the smoking-room, whither she came to keep me company with my cigar. I saw that she was restless and with something on her mind to tell me, but I was too old a stager to force a confidence, least of all a woman's, and so I waited, said nothing, and blew smoke rings.

"Hugo," she said, "there is something I wish to speak to you about."

"I've known that for the last hour, Teresa," I said.

"This is something serious," she said, looking at me strangely.

"Blaze away," I said.

"Hugo," she broke out, "you have been borrowing money from my father."

I nodded.

"A great deal of money," she went on.

"For him--no," I said. "For me--well, yes."

"Eight or nine hundred dollars," she said.

"Those are about the figures," I returned. "Call it nine hundred."

"Oh, how could you! How could you!" she exclaimed.

I remained silent. In fact I did not know what to say.

"Don't you see the position you're putting yourself in?" she said.

"Position?" I repeated. "What position?"

"It's horrible, it's ign.o.ble," she broke out. "I have always admired you for the way you kept yourself clear of such an ambiguous relation--you've known to the fraction of an inch what to take, what to refuse--to preserve your self-respect--my respect--unimpaired. And here I see you slipping into degradation.

Oh, Hugo! I can't bear it."

"Is it such a crime to borrow a little money?" I asked.

"Not if you pay it back," she returned. "Not if you mean to pay it back. But you know you can't. You know you won't!"

"You think it's the thin edge of the wedge?" I said. "The beginning of the end and all that kind of thing?"

"You will go on," she cried. "You will become a dependent in this house, a hanger-on, a sponger. I will hate you. You will hate yourself. It went through me like a knife when I found it out."

I smoked my cigar in silence. I suppose she was quite right-- horribly right, though I didn't like her any better for being so plain-spoken about it. I felt myself turning red under her gaze.

"What do you want me to do?" I said at length.

"Pay it back," she said.

"I wish to G.o.d I could," I said. "But you know how I live, Teresa, hanging on by the skin of my teeth--hardly able to keep my head above water, let alone having a dollar to spare."

"Then you can't pay," she said.

"I don't think I can," I returned.

"Then you ought to leave this house," she said.

"You have certainly made it impossible for me to stay, Teresa," I said.

"I want to make it impossible," she cried. "You--you don't understand--you think I'm cruel--it's because I like you, Hugo-- it's because you're the one man I admire above anybody in the world. I'd rather see you starving than dishonoured."

"Thank you for your kind interest," I said ironically. "Under the circ.u.mstances I am almost tempted to wish you admired me less."

"Am I not right?" she demanded.

"Perfectly right," I returned. "Oh, yes! Perfectly right."

"And you'll go," she said.

"Yes, I'll go," I said.

"And earn the money and pay father?" she went on.

"And earn the money and pay father," I repeated.

"And then come back?" she added.

"Never, never, never!" I cried out.

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Love, the Fiddler Part 11 summary

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