Louisa May Alcott : Her Life, Letters, and Journals Part 7

In 1850 she heads her diary "The Sentimental Period." She was then seventeen years old, but her diary gives no hint of the sentimental notions that often fill the heads of young girls at that period. The experiences of Jo with her charming young neighbor in "Little Women"

do not represent hers at all.

One bit of romance was suggested by Goethe's "Correspondence with a Child." It may be difficult for readers of to-day to understand the fascination which this book exercised upon young minds of the last generation, yet it is certain that it led more than one young girl to form an ideal attachment to a man far older than herself, but full of n.o.bility and intellectual greatness. Theodore Parker said of letters addressed to him by a young New Hampshire girl, "They are as good as Bettine's without the lies." This mingling of idealism and hero-worship was strongly characteristic of that transcendental period when women, having little solid education and less industrial employment, were full of n.o.ble aspirations and longings for fuller and freer life, which must find expression in some way.

The young woman of to-day, wearing waterproof and india-rubber boots, skating, driving, and bicycling, studying chemistry in the laboratory, exhibiting her pictures in open compet.i.tion, adopting a profession without opposition, and living single without fear of reproach, has less time for fancies and more regard for facts.

Miss Alcott was safe in choosing her idol. Worship of Emerson could only refine and elevate her thoughts, and her intimate acquaintance with his beautiful home chastened her idolatry into pure reverent friendship which never failed her. She kept her worship to herself, and never sent him the letters in which she poured out the longings and raptures which filled her girlish heart.

Her diary, which was revised by herself in later years, tells the story of this period quite fully. The details may seem trifling, but they help to ill.u.s.trate this important formative period of her life.

_Journal._

THE SENTIMENTAL PERIOD.

BOSTON, _May, 1850._--So long a time has pa.s.sed since I kept a journal that I hardly know how to begin. Since coming to the city I don't seem to have thought much, for the bustle and dirt and change send all lovely images and restful feelings away. Among my hills and woods I had fine free times alone, and though my thoughts were silly, I daresay, they helped to keep me happy and good. I see now what Nature did for me, and my "romantic tastes,"

as people called that love of solitude and out-of-door life, taught me much.

This summer, like the last, we shall spend in a large house (Uncle May's, Atkinson Street), with many comforts about us which we shall enjoy, and in the autumn I hope I shall have something to show that the time has not been wasted. Seventeen years have I lived, and yet so little do I know, and so much remains to be done before I begin to be what I desire,--a truly good and useful woman.

In looking over our journals, Father says, "Anna's is about other people, Louisa's about herself." That is true, for I don't _talk_ about myself; yet must always think of the wilful, moody girl I try to manage, and in my journal I write of her to see how she gets on. Anna is so good she need not take care of herself, and can enjoy other people. If I look in my gla.s.s, I try to keep down vanity about my long hair, my well-shaped head, and my good nose.

In the street I try not to covet fine things. My quick tongue is always getting me into trouble, and my moodiness makes it hard to be cheerful when I think how poor we are, how much worry it is to live, and how many things I long to do I never can.

So every day is a battle, and I'm so tired I don't want to live; only it's cowardly to die till you have done something.

I can't talk to any one but Mother about my troubles, and she has so many now to bear I try not to add any more. I know G.o.d is always ready to hear, but heaven's so far away in the city, and I so heavy I can't fly up to find Him.

FAITH.

Written in the diary.

Oh, when the heart is full of fears And the way seems dim to heaven, When the sorrow and the care of years Peace from the heart has driven,-- Then, through the mist of falling tears, Look up and be forgiven.

Forgiven for the lack of faith That made all dark to thee, Let conscience o'er thy wayward soul Have fullest mastery: Hope on, fight on, and thou shalt win A n.o.ble victory.

Though thou art weary and forlorn, Let not thy heart's peace go; Though the riches of this world are gone, And thy lot is care and woe, Faint not, but journey hourly on: True wealth is not below.

Through all the darkness still look up: Let virtue be thy guide; Take thy draught from sorrow's cup, Yet trustfully abide; Let not temptation vanquish thee, And the Father will provide.

[We had small-pox in the family this summer, caught from some poor immigrants whom mother took into our garden and fed one day.

We girls had it lightly, but Father and Mother were very ill, and we had a curious time of exile, danger, and trouble. No doctors, and all got well.--L. M. A.]

_July_, 1850.--Anna is gone to L. after the varioloid. She is to help Mrs. ---- with her baby. I had to take A.'s school of twenty in Canton Street. I like it better than I thought, though it's very hard to be patient with the children sometimes. They seem happy, and learn fast; so I am encouraged, though at first it was very hard, and I missed Anna so much I used to cry over my dinner and be very blue. I guess this is the teaching I need; for as a _school-marm_ I must behave myself and guard my tongue and temper carefully, and set an example of sweet manners.

I found one of mother's notes in my journal, so like those she used to write me when she had more time. It always encourages me; and I wish some one would write as helpfully to her, for she needs cheering up with all the care she has. I often think what a hard life she has had since she married,--so full of wandering and all sorts of worry! so different from her early easy days, the youngest and most petted of her family. I think she is a very brave, good woman; and my dream is to have a lovely, quiet home for her, with no debts or troubles to burden her. But I'm afraid she will be in heaven before I can do it. Anna, too, she is feeble and homesick, and I miss her dreadfully; for she is my conscience, always true and just and good. She must have a good time in a nice little home of her own some day, as we often plan.

But waiting is so _hard_!

_August_, 1850.--School is hard work, and I feel as though I should like to run away from it. But my children get on; so I travel up every day, and do my best.

I get very little time to write or think; for my working days have begun, and when school is over Anna wants me; so I have no quiet. I think a little solitude every day is good for me. In the quiet I see my faults, and try to mend them; but, deary me, I don't get on at all.

I used to imagine my mind a room in confusion, and I was to put it in order; so I swept out useless thoughts and dusted foolish fancies away, and furnished it with good resolutions and began again. But cobwebs get in. I'm not a good housekeeper, and never get my room in nice order. I once wrote a poem about it when I was fourteen, and called it "My Little Kingdom." It is still hard to rule it, and always will be I think.

Reading Miss Bremer and Hawthorne. The "Scarlet Letter" is my favorite. Mother likes Miss B. better, as more wholesome. I fancy "lurid" things, if true and strong also.

Anna wants to be an actress, and so do I. We could make plenty of money perhaps, and it is a very gay life. Mother says we are too young, and must wait. A. acts often splendidly. I like tragic plays, and shall be a Siddons if I can. We get up fine ones, and make harps, castles, armor, dresses, water-falls, and thunder, and have great fun.

It was at this period of her life that she was violently attacked by a mania for the stage, and the greater part of her leisure time was given to writing and enacting dramas. Her older sister, Anna, had the same taste, and a.s.sisted her in carrying out all her plans. A family of great talent with whom they were intimate joined with them, and their mother always allowed them to have all the private theatricals they wished to perform.

Some of these early plays are preserved in ma.n.u.scripts as she wrote them. They are written in stilted, melodramatic style, full of highstrung sentiments of loyalty, honor and devotion, with the most improbable incidents and violent devices, and without a touch of common life or the slightest flavor of humor. The idea of self-sacrifice always comes into them; but they are thoroughly girlish. It is so that girls dream and feel before they know life at all. Their hearts are full of vague, restless longings, and they seek some vent for the repressed energies of their natures away from the prosaic realities of the present. While Louisa sat sewing the tedious seams of her daily task what a relief it was to let her imagination run riot among the wildest and most exciting scenes. Of course she had a "Bandit's Bride" among her plays. "The Captive of Castile; or, The Moorish Maiden's Vow," is preserved entire, and is a good specimen of these girlish efforts. It is full of surprises and concealments, and the denouement is as unnatural as could well be imagined. The dialogue is often bright and forcible, and the sentiments always lofty, and we have no doubt it seemed very grand to the youthful audience. It is taken from her reading, with no touch of her own life in it. This is not the same play described with such a ludicrous finale in "Little Women," although the heroine bears the same favorite name of Zara. Her own early amus.e.m.e.nt was, however, fully in her mind when she wrote that scene, which is true to fact.

A friend and relative of the family living in Roxbury, Dr. Windship, was much interested in the development of Louisa's dramatic talent.

The girls always enjoyed delightful visits at his house. He tried to help the young dramatist to public success, and writes to her mother:--

I have offered to Mr. Barry of the Boston Theatre Louisa's "Prima Donnas." He is very much pleased with it just as it is, and will bring it out this season in good style. He thinks it will have a fine run.

Mrs. Barry and Mrs. Wood consented to take the princ.i.p.al characters.

But from some difficulty in the arrangements "The Rival Prima Donnas"

was not produced. One great pleasure was gained, however, as Mr. Barry gave her a free pa.s.s to the theatre, which proved a source of constant refreshment and delight.

Of course Louisa was eager to go on to the stage herself. She had indeed extraordinary dramatic power, and could at any time quickly transform herself into Hamlet, and recite a scene with tragic effect.

But the careful mother knew better than the girl the trials and dangers of the profession, and dissuaded her from it. She also knew how little such youthful facility of expression indicates the power which will make a great actress. Louisa has reproduced her dramatic experience in "Work," which gives a picture faithful in spirit and in many of its details to this phase of her life. She here indicates a knowledge of her own limitation of talent. "Christie's gala" was a part quite after her own heart.

A farce, called "Nat Batchelor's Pleasure Trip; or, The Trials of a Good-natured Man," was brought out at the Howard Athenaeum. The papers of the day said of it: "It is a creditable first attempt at dramatic composition, and received frequent applause." Another critic says: "It proved a full success." This performance, however, took place in 1860,--a later period than that of which I am now speaking.

An incident which occurred at this representation probably suggested scenes which recur in "Work" and other of Miss Alcott's stories.

Quite a hit was made by a little girl, a Miss Jones, who, having to speak but a few lines, spoke them so well that upon her exit she received the rare compliment of an enthusiastic recall from the audience, despite the fact that "some necessary question of the play was then to be considered." For the time being she certainly was the sensation of the piece.

Miss Alcott had in Dr. Windship a kind and judicious helper in her dramatic undertakings, with whom she kept up a correspondence under the names of Beaumont and Fletcher.

In 1851 Louisa had an experience which she has reproduced in her story called "How I Went Out to Service." Her mother's work among the poor of Boston led to her being applied to for employment, and at one time she kept a regular intelligence office. A gentleman came to her seeking a companion for his aged father and sister, who was to do only light work, and to be treated with the greatest respect and kindness.

As Mrs. Alcott did not readily think of any who would fill the place, the impulsive Louisa suggested, "Why couldn't I go, Mother?" She went, and had two months of disappointment and painful experience which she never forgot. She wrote out the story which was published later, called "How I Went Out to Service."

The story has an important lesson for those who condemn severely young girls who prefer the more independent life of the factory or shop to what is considered the safety and comfort of service in families. If a girl like Louisa Alcott, belonging to a well-known, highly esteemed family, and herself commanding respect by her abilities and character, could be treated with such indignity by a family in which no one would have feared to place her, how much may not a poor unfriended girl be called upon to endure!

_Journal._

1851.--We went to a meeting, and heard splendid speaking from Phillips, Channing, and others. People were much excited, and cheered "Shadrack and liberty," groaned for "Webster and slavery," and made a great noise. I felt ready to do anything,--fight or work, hoot or cry,--and laid plans to free Simms. I shall be horribly ashamed of my country if this thing happens and the slave is taken back.

[He was.--L. M. A.]

1852.--_High Street, Boston._--After the small-pox summer, we went to a house in High Street. Mother opened an intelligence office, which grew out of her city missionary work and a desire to find places for good girls. It was not fit work for her, but it paid; and she always did what came to her in the way of duty or charity, and let pride, taste, and comfort suffer for love's sake.

Anna and I taught; Lizzie was our little housekeeper,--our angel in a cellar kitchen; May went to school; father wrote and talked when he could get cla.s.ses or conversations. Our poor little home had much love and happiness in it, and was a shelter for lost girls, abused wives, friendless children, and weak or wicked men.

Father and Mother had no money to give, but gave them time, sympathy, help; and if blessings would make them rich, they would be millionnaires. This is practical Christianity.

My first story was printed, and $5 paid for it. It was written in Concord when I was sixteen. Great rubbish! Read it aloud to sisters, and when they praised it, not knowing the author, I proudly announced her name.