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Lotus Buds.
by Amy Carmichael.
FOREWORD
_WHEN first "Things as they are" trod the untrodden way, it walked as a small child walks when for the first time it ventures forth upon young, uncertain feet. It has to walk; it does not know why: it only knows there is no choice about it. But there is an eager looking for an outstretched hand, and an instant gratefulness always, for even a finger. A whole hand given without reserve is something never forgotten._
_It was only a child after all, and it had not antic.i.p.ated having to find its way alone among strangers. It had thought of nothing further than a very short walk among familiar faces. If it had understood beforehand how far it would have to walk, I doubt if it would have had the courage to start; for it was not naturally brave. But once on its way it could not turn back; and thanks to those kindly outstretched hands, it grew a little less afraid, and it went on._
_Then another small wayfarer followed. It also was very easily discouraged; an unfriendly push would have knocked it over at once. But n.o.body seemed to want to push so unpretentious a thing, so it gained courage and went on._
_And now a more grown-up looking traveller (though indeed its looks belie it) has started on its way; more diffident, if the truth must be told, than even its predecessors. For it thought within itself--Perhaps there will be no welcoming hands held out this time; hands may grow tired of such kind offices. But it has not been so. And now the sense of gratefulness cannot longer be repressed._
_All of which means that I want to thank sincerely those kings of the Book World--Reviewers--and those dwellers in that world who are my Readers, for their insight and the sympathy to which I owe so much._
_Once I read of a soldier who wrote a letter home from the midst of a battle, on a crumpled piece of paper laid upon a cannon ball. His home people he knew would overlook the appearance of the paper and the lack of various things expected in a letter written in a quiet room upon a study table. And he knew he could trust them not to bring too fine a criticism to bear upon the unstudied words hot from the battle's heart._
_I have thought sometimes that these books were not unlike that soldier's letter; and those who read them seem to me very like his home people, for they have been so generous in the kindness of their welcome._
_Amy Wilson-Carmichael._ _Dohnavur,_ _Tinnevelly District_ _S. India._
_Feb. 19, 1912._
CHAPTER I
Lotus Buds
NEAR an ancient temple in Southern India is a large calm, beautiful pool, enclosed by stone walls, broken here and there by wide s.p.a.ces fitted with steps leading down to the water's edge; and almost within reach of the hand of one standing on the lowest step are pink Lotus lilies floating serenely on the quiet water or standing up from it in a certain proud loveliness all their own.
We were travelling to the neighbouring town when we came upon this pool.
We could not pa.s.s it with only a glance, so we stopped our bullock-carts and unpacked ourselves--we were four or five to a cart--and we climbed down the broken, time-worn steps and gazed and gazed till the beauty entered into us.
Who can describe that harmony of colour, a Lotus-pool in blossom in clear shining after rain! The grey old walls, the brown water, the dark green of the Lotus leaves, the delicate pink of the flowers; overhead, infinite crystalline blue; and beyond the old walls, palms.
With us was a young Indian friend. "I will gather some of the lilies for you," he said, with the quick Indian desire to give pleasure; but some one interposed: "They must not be gathered by us. The pool belongs to the Temple."
It was as if a stone had been flung straight at a mirror. There was a sense of crash and the shattering of some bright image. The Lotus-pool was a Temple pool; its flowers are Temple flowers. The little buds that float and open on the water, lifting young innocent faces up to the light as it smiles down upon them and fills them through with almost a tremor of joyousness, these Lotus buds are sacred things--sacred to whom?
For a single moment that thought had its way, but only for a moment. It flashed and was gone, for the thought was a false thought: it could not stand against this--"All souls are Mine."
All souls are His, all flowers. An alien power has possessed them, counted them his for so many generations, that we have almost acquiesced in the shameful confiscation. But neither souls nor flowers are his who did not make them. They were never truly his. They belong to the Lord of all the earth, the Creator, the Redeemer. The little Lotus buds are His--His and not another's. The children of the temples of South India are His--His and not another's.
So now we go forth with the Owner Himself to claim His own possession.
There is hope in the thought, and confidence and the purest inspiration.
And, stirred to the very depths, as we are and must be many a time when we see the tender Lotus buds gathered by a hand that has no right to them, and crushed underfoot; bewildered and sore troubled, as the heart cannot help being sometimes, when the mystery of the apparent victory of evil over good is overwhelming: even so there will be always a hush, a rest, a repose of spirit, as we stand by the Lotus-pools of life and seek in His Name to gather His flowers.
CHAPTER II
Opposites
BALA is nearly four. There are so many much younger things in the nursery, that Bala feels almost grown up: four will be quite grown up; it will be nice to be four. Bala takes life seriously, she has always done so; she thinks it would be monotonous to have too many frivolous babies. But Bala's eyes can sparkle as no other eyes ever do; and her mirth is something by itself, like a little hidden fountain in the heart of a wood, with the sweetness of surprise in it and very pure delight.
When Bala came to us first she was between one and two, an age when most babies have a good deal to say. Bala said nothing. She was like a book with all its leaves uncut; and some who saw her, forgetting that uncut books are sometimes interesting, concluded she was dull. "Quite a prosaic child," they said; but Bala did not care. There are some babies, like some grown-up people, who show all they have to show upon first acquaintance and to all. Others cover the depths within, and open only to their own. Bala is one of these; and even with her own she has seasons of reserve.
Her first remark, however, shown rather than said, was not romantic. She was too old for a bottle, and she seemed to feel sore over this. But she noted the time the infants were fed, and followed the nurses about while they were preparing the meal; and when they sat down to give it, each to her respective baby, Bala would choose the one of most uncertain appet.i.te, and sit down beside it and wait. There was an expression on her face at such times which suggested a hymn, set it humming in one's head in fact, in spite of all efforts to escape it. More than once we have caught ourselves singing it, and pulled up sharply: "Even me! Even me! Let some droppings fall on me."
[Ill.u.s.tration: "G.o.d's Fire."
Taken on the bank of the Red Lake, near Dohnavur.]
Most of our family remind us very early that they trace their descent to the mother of us all. Bala, on the contrary, was good: so we almost forgot she was human, and began to expect too much of her; but she got tired of this after a while, and one day suddenly sinned. The surprise acted like "hypo," and fixed the photograph.
The place was the old nursery, which has one uncomfortably dark corner in it. Something had offended Bala; she marched straight into that corner and stamped. We can see her--poor little girl--as she rumpled her curls with both her hands, and flashed on the world a withering glance.
"Scorn to be scorned by those I scorn" was written large all over the indignant little face.
After this shock we were prepared for anything, but nothing special happened; only when the demands made upon her are unreasonable, then Bala retires into herself and turns upon all foolish insistence a face that is a blank. If this point is pa.s.sed, the dark eyes can flash. But such revealings are rare.
When Bala was something under three, she was very tender-hearted. One evening, after the first rains had flooded the pools and revived the mosquitoes, the nursery wall was the scene of many executions; and Bala could not bear it. "Sittie, don't kill the poor puchies!" she said pitifully; and Sittie, much touched, stopped to comfort and explain. The other babies were delighting in the slaughter, pointing out with glee each detested "puchie"; but Bala is not like the other babies.
Later, the ferocious instinct common to most young animals a.s.serted itself in a relish for the horrible, which rather contradicted the mosquito incident. Bala visibly gloats over the gory head of Goliath, and intensely admires David as he operates upon it. Her favourite part of the story about his encounter with the lion is the suggestive sentence, "I caught him by the beard"; and Bala loves to show you exactly how he did it. But then that is different from seeing it done; and after all it is only a story, and it happened long ago.
I have told how the ignorant once called Bala prosaic. Bala knows nothing of poetry, but is full of the little seeds of that strange and wonderful plant; and the time to get to know her is when the evening sky is a golden blaze, or glows with that mystic glory which wakens something within us and makes it stir and speak.
"G.o.d has not lighted His fire to-night," she said wistfully one evening when the West was colourless; but when that fire is lighted she stands and gazes satisfied. "What does G.o.d do when His fire goes out?" was a question on one such evening, as the mountains darkened in the pa.s.sing of the after-glow; and then: "Why does He not light it every night?"
"Amma! I have looked into Heaven!" she said suddenly to me after a long silence. "I have seen quite in, and I know what it is like." "What is it like? Can you tell me?" and the child's voice answered dreamily: "It was shining, very shining." Then with animation, in broken but vivid Tamil: "Oh, it was beautiful! all a garden like our garden, only bigger, and there were flowers and flowers and flowers!"--here words failed to describe the number, and a comprehensive sweep of the hand served instead. "And our dolls can walk there. They never can down here, poor things! And Jesus plays with our babies there" (the dear little sisters who have gone to the nursery out of sight, but are unforgotten by the children). "He plays with Indraneela--lovely games."
"What games, Bala?" I asked, wondering greatly what she would say. There was a long, thoughtful pause, and Bala looked at me with grave, contented eyes:--
"New games," she said simply.
Bala's opposite is Ch.e.l.lalu. We never made any mistake about her. We never thought her good. Not that she is impossibly bad. She was created for play and for laughter, and very happy babies are not often very wicked; but she is so irrepressible, so hopelessly given up to fun, that her kindergarten teacher, Rukma, smiles a rueful smile at the mention of her name. For to Ch.e.l.lalu the most unreasonable thing you can ask is implicit obedience, which unfortunately is preferred by us to any amount of fun. She will learn to obey, we are not afraid about that; but more than any of our children, her att.i.tude towards this demand has been one of protest and surprise. She thinks it unfair of grown-up people to take advantage of their size in the arbitrary way they do. And when, disgusted with life's dispensations, she condescends to expostulate, her "Ba-a-a-a" is a thing to affright. But this is the wrong side of Ch.e.l.lalu, and not for ever in evidence. The right side is not so depressing.
It is a brilliant morning in late November. The world, all washed and cooled by the rains, has not had time to get hot and tired, and the air has that crystal quality which is the charm of this season in South India. Every wrinkle on the brown trunks of the trees in the compound, every twig and leaf, stands out with a special distinctness of its own, and the mountains in the distance glisten as if made of precious stones.
Suddenly, all unconscious of affinity or contrast, a little person in scarlet comes dancing into the picture, which opens to receive her, for she belongs to it. Her hands are full of Gloriosa lilies, fiery red, terra-cotta, yellow, delicate old-rose and green--such a mingling of colour, but nothing discordant--and the child, waving her spoils above her head, sings at the top of her voice something intended to be the chorus of a kindergarten song:--
Oh, the delight of the glorious light!
The joy of the shining blue!
Beautiful flowers! wonderful flowers!