Lord Loveland Discovers America Part 36

"You bet. They'd like to give it to us with our breakfast if they could, so as to get the work out of the way. You'll find the crowd in the dining-room, and I'll introduce you. After dinner you can have a look through your part in "The Dead Hand" if you get through in time; everybody who's on in your scenes has a call at the theatre for rehearsal. That's for half-past one, sharp."

Loveland made no comment on these announcements. He walked into the hotel behind Jacobus, who, being manager of the company, heavy lead, and stage-manager combined, naturally marched in front of the insignificant "juvenile," who carried his wardrobe in his hand.

There was a narrow, uncarpeted pa.s.sage, with an uncarpeted and still narrower stairway leading steeply up to regions above. Also there was a strong, nay, over-developed smell of dinner, which could be all too easily divided into its component parts: corned beef and cabbage, with perhaps a bodyguard of onions. As they went upstairs the smell followed, but on the next story began to mingle with a suggestion of hot iron, coal-smoke, and unopened windows.

"One more flight for you," explained Jacobus. "They ain't got too much accommodation here; and Miss de Lisle, me and my wife, and the other ladies are on this floor; gentlemen above."

They continued to ascend, and the actor-manager stopped before the first door at the head of the second stairway which led to the top story of the hotel.

"Here you are," he said, and with a light knock which was a notification, not a request, he flung the door open.

On a narrow bed visible from the threshold a young man, hardly more than a boy, was stretched, reading something that looked like MSS. He glanced round, but did not move, on seeing Mr. Jacobus and a stranger.

"I thought you said this was my room?" exclaimed Loveland, startled.

"So it is, and there's your room-mate. Didn't know whether you'd be in, Ed. I can introduce you to each other, right now. Mr. Ed Binney, our property man, prompter, and second villain. Mr. Perceval Gordon, of England, our new juvenile. Now you know each other; and I guess, Eddy, you can put Mr. Gordon up to all he needs to know."

This was worse than the Bat Hotel, where each man who earned twenty-five cents could have his own cubicle. But, now, Loveland was not paying his own way. The "management" was to do that; and feed him, too. As he had but a quarter in the world, thrust upon him as a loan or gift by generous Bill, Loveland was not in a position to be critical. Here he was, and here he would have to stay, till he heard from home, or something "turned up."

As for hearing from home, he had begun almost to despair, for his two cables had remained unanswered now these many dreary days. Still, after an interval of more waiting for a telegram from his mother, he had written to her and to Betty Harborough, ashamed to take outsiders into the deepest secrets of his humiliating adventures. But at best, it would be a fortnight before Bill Willing could forward to some address yet to be given, a letter from across the sea; and meanwhile Loveland was a slave of necessity--if not of Jack Jacobus.

That gentleman, having acquitted himself of his duty to the juvenile lead, disappeared, banging the door, leaving the old occupant and the new occupant of the mean, bare room to make each other's acquaintance.

Mr. Binney did not think it worth while to get up, as the juvenile lead was no guest of his, but he raised himself on one elbow, and observed Loveland with an interest that might or might not develop into friendliness. He was thin, pale, and delicate-looking, but he had bright eyes--almost too bright for health--and a firm chin.

For a moment Val resented the youth's existence so keenly that he did not trust himself to speak; but brief reflection reminded him that after all, he was the intruder. A short time ago he would have been intolerant of circ.u.mstances even less disagreeable, such as finding himself forced to share a cabin on shipboard, or a _wagon-lit_ compartment, after expecting to travel alone. But much water had gone under the mill of his pride since then; and besides he had learned, greatly to his own surprise, that kindly, agreeable human beings can be found in the lowest cla.s.ses and queerest circ.u.mstances.

Ed Binney looked as though he might have pleasant qualities, if approached in the right way, so with amazing self-restraint Loveland refrained even from the mild insult of a disgusted glance. He said, in his nice voice, that he hoped Mr. Binney wouldn't mind his coming, as he really couldn't help himself. Whereupon Mr. Binney grinned, showing teeth white as a girl's, and replied that if it weren't Mr. Gordon it would be someone else, who might be worse, as it struck Mr. Binney that Mr. Gordon would at least be fond of washing himself.

To this Mr. Gordon responded that there were few things he liked better, but it seemed as if there wouldn't be much opportunity at Smith's Hotel.

You had to do it in sections, with a washbowl, said Mr. Binney, but never mind, you got there just the same, if you were in earnest. Then they both laughed, and Binney exclaimed with evident relief, that he was jolly glad Gordon wasn't the sort of boy who put on airs. He'd been afraid at first sight that was the kind he was, but now he guessed it was all the high collar. The feeling was for low, in Miss de Lisle's company, yet he didn't know but those stove pipe ones had a sort of style about 'em.

Then he bounced off his tremulous cot (which had a patchwork quilt somewhat the worse for contact with his boots and was the twin of another little iron-framed bed in a far corner). He showed his room-mate "the ropes"; in other words, which "bureau drawers" were at the newcomer's disposition; where he had better keep his toothbrush, and so on. He confided to Loveland the fact that he himself had not been long in the company, but had come from a better one, which he would now regret if the "one night" stands had not been too much for his strength.

"If your lungs are always playing you tricks, you have to put up with barn-stormers, for at least they give you week stands, and most of the hotels throw in fires free," he explained. "I can see that you've stepped down in the world a bit, too, so we ought to have a fellow feelin' for each other."

While Loveland made himself presentable for the early dinner, Ed Binney went on to sketch the members of the "crowd," though in a manner very different from the manager's sarcastic descriptive efforts. He said that Jacobus was a tyrant and a bully, but that he could act; that everyone except Miss Moon was afraid of "J. J.," and she wouldn't be afraid of an Indian chief on the war path: that Miss de Lisle didn't dare say her soul was her own, or that black was black, if old Jack remarked that it wasn't; that Jacobus had done a very good thing for himself in getting hold of Lillie as a star, although she had no money--for she was a peach, a live wire, just the sort of little gal to be a "go" at towns like this. "Folks are wild about her, she's as pretty and as dainty as they make 'em, a whole haystack above what they generally see in these barns," went on Ed. "But she needs managin'--and gee, Jack and his wife do manage her. But the old girl's jealous. I don't know how long the show will last, for if she says stop, Jack stops, you bet. He's as scared of her as everybody else is of _him_. She runs the shebang, and there's two of her sons by her first husband in it. They can't act, and they can't look, but by gum, they're good to their mother!"

Into the midst of his discourse crashed a ferocious dinner-bell, and in sheer self-defense they rushed downstairs, in the hope of stopping the clamour by their presence.

The dining-room opened off the long pa.s.sage on the ground floor, and already other members of the company had a.s.sembled for the midday meal, which must be eaten in haste before the rehearsal.

Mr. Jacobus was there, in the act of sitting down between two ladies at the head of a long table; but seeing Loveland he condescended to summon him with a gesture.

CHAPTER THIRTY-TWO

Bill's Star

Val could have laughed aloud as he imagined the old self of a few weeks since--the young and popular officer-in-the-Guards self--obeying the beckoning finger of such a man. But he walked towards it like a lamb, and was introduced to Mrs. Jacobus (Miss Moon) and Miss de Lisle.

As Star of the company, Miss de Lisle ought of course to have come first, but Miss Moon, the heavy lead ("heavy" in more senses than one) was not a lady to submit to such distinctions.

She would probably have said that Lillie de Lisle was a star only because it suited the convenience of Mr. and Mrs. Jacobus to head the troupe, financed by their money, with a pretty enough little soubrette, likely to take the popular fancy.

Miss Moon's first sweeping glance at the newcomer was one of self-conscious, important condescension; but seeing that he was an extremely handsome, well dressed young man, with an air and an appearance widely different from the tenth-rate actors of her acquaintance, past and present, her face and manner changed. Instead of posing as the manager's wife, she set herself to vie with Lillie de Lisle in youthful charm, as she sent forth a radiant, long-lashed look to fascinate Mr. Perceval Gordon.

She was a big woman of forty-two or three, with the splendid ruin of what had been a fine figure, an erectness of head which partly concealed the existence of a double chin, a complexion spoiled by a love of rich food and constant use of powder, singularly wide-open dark eyes fringed with painted lashes, and a good deal of bright crimson hair edged with rusty brown at the roots.

Beside Miss Moon, Bill's "little gal" looked like a tiny fishing boat bobbing under the lee of a large schooner; but she was a pretty creature whose curly hair was naturally almost as golden as it glittered, grey-blue eyes which ought to have been mischievous and merry, but were anxious, a clear, rather freckled white skin, and the piquant nose and innocent smile of a child.

These ladies were not dressed as tidily as their best friends might have wished, but Loveland had grown used to Isidora, and did not pick flaws lightly. They were both very cordial to him, somewhat--it would have seemed--to Mr. Jacobus's contemptuous annoyance; and then, at Miss Moon's suggestion, Ed Binney introduced Mr. Gordon, across and down the length of the table, to all the other members of the company.

There were a few non-theatrical diners in the room, commercial travellers, apparently; but they were at the far end of the table, and were not addressed, though they were on nodding acquaintance with several of the actors and actresses.

The latter were two in number besides Miss de Lisle and Mrs. Jacobus.

Miss Ruby St. Clare, whose mission was to act small parts, and play the piano, was of the startled fawn order of young female, evidently not long out of amateurhood; and Mrs. Winter, who had pa.s.sed the age when it was necessary to preserve her maiden name for programmes. She was a reserved and suspicious-looking woman, who watched her husband with short, sidelong glances of anxiety either for his conduct or his health.

As for him, he was a thin, dejected, grey little man who suffered apparently from a broken heart or a shattered digestion. His lips worked, and the lids of his eyes, which winked almost continually, were red-rimmed. He seemed acutely conscious of Mrs. Winter's constant scrutiny.

The remaining male members of the company were Mrs. Jacobus's two sons, Tom and Bob Eccles. They were between twenty and twenty-five, and like their mother, though one was fat, with the lazy smile of a Buddha, and the other, who through a cast in his eye just missed being handsome, inclined to be truculent.

Loveland had intended to take a chair next his room-mate, but Miss Moon made a place for him between herself and Buddha--smiling Bob. As everybody except Jack Jacobus and the Winters talked and joked continually, it was surprising how fast they ate. The corned beef and cabbage, the onions, and the tinned American corn which, with other eatables and uneatables, surrounded their plates in a wreath of little earthenware dishes, disappeared as if by conjuring, to be swiftly replaced by apple-pie and cheese that magically vanished from the face of the table in their turn. Nearly everyone drank large cupfuls of milky coffee with their dinner; and twenty minutes after beginning the meal, all had finished, with the exception of Loveland, who was not accustomed to giving his food such short shrift. He rose with the others, however, and a few moments later the company was straggling in a procession to the theatre.

But after all, it was not a theatre, and even courtesy gave it no more high sounding name than "hall." It stood at the end of Main Street, its brick front wall plastered with wonderful coloured posters representing the most sensational scenes in the Human Flower's repertoire. To reach the stage it was necessary to mount a long, mud-caked staircase, and to pa.s.s through the auditorium. As for dressing rooms, they did not exist, for it had been a second thought of some light-minded town council, to turn the hall into a place where theatrical representations might lawfully be produced: but a s.p.a.ce on either side of the stage had been curtained off with sheets, shawls and squares of canvas, ingeniously coaxed to hold together. These screens reached unevenly from twenty-four to twelve inches of the floor, and at worst an actor in dressing himself could be seen no higher than the knees--unless, perhaps, a too bright light behind the part.i.tion might reveal his whole person _en silhouette_.

Loveland was anxious to talk with the Star about her old friend--if not love--Bill Willing; and he had hoped on starting to walk by her side; but Miss Moon, seeing his desire, had instantly frustrated it by calling him and beginning to talk of the part he was about to rehea.r.s.e. As old "Dave Dreadnought," he was supposed to curse her with menaces, and he felt that it would not be difficult to do so realistically, even in the character of Loveland; but he contrived to listen politely, if coldly, to the story of her first marriage at the early age of fifteen. "I'm not quite sixteen years older than my eldest son, who is over twenty now,"

she said, and did not look pleased when the juvenile lead found no more tactful comment than an absent-minded "Is it possible?"

On the stage he received the short MS. part of Dave Dreadnought, which Mr. Jacobus had not after all been able to unearth before, and was allowed to glance it over while the scene of his "dying curse" was being set. He was too inexperienced to remember what in gay, amateur days he had learned of stage directions, and Jacobus was inclined to be sarcastic at his expense; but both Miss Moon and Miss de Lisle, as well as Ed Binney, befriended him, whispering hurriedly what "down centre,"

"up left," "take the stage," or "wait on the prompt side" meant; and thanks to their good nature he got on reasonably well. He was called upon also to rehea.r.s.e the ball scene, where he "walked on" as a young man of fashion, and had the privilege of dancing with Miss Moon before dwindling, in the last act, to a mere Dead Hand. All the "business" had to be repeated again and again, until at last he was confident, and the stage manager almost hopeful.

It was five o'clock by the time Jacobus snapped irritably: "You'll _have_ to do, anyhow"; but as afternoon tea was not a custom in the Human Flower Company, they missed little by absence from the hotel.

Still, Loveland had found no chance for a private word with Lillie, who remained ignorant of his acquaintance with Bill Willing.

At six o'clock a meal, which called itself supper, was ready; and having bolted a cold edition of dinner, eked out with tinned peaches and cups of tea, actors and actresses marched forth in a body to begin the evening's work.

The curtain did not rise until half past seven, but this was Sat.u.r.day night, and the town was eager for its entertainment. The young girls and their escorts liked nothing better than to see the "show men and women"

walk past them up the hall, on the way to that thrilling region known as "behind the scenes," therefore at least a score of persons were seated in the dismal auditorium, munching apples or candy, and cracking peanuts, when the Human Flower and her company filed in.

A few little boys on the cheap benches at the back whistled, clapped their hands, stamped on the floor, and made "cat calls" as a greeting to the players, but those saluted took no notice, and skurried by like hunted things. Miss St. Clare hastened to her seat at the piano, near which an elderly quadroon had already begun to tune a fiddle, and melancholy Mr. Winter remained at the door to help the ticket seller, until it should be time for him to "make up" as the heroine's millionaire parent.

The gentlemen of the company (Loveland had already learned that they never spoke of each other as mere "men") dressed behind one part.i.tion, the ladies behind another, and the crowding could scarcely have been worse in the Black Hole of Calcutta. Nevertheless, everyone was more or less good natured. Costumes of a sort, and odds and ends of grease paints were offered to Loveland who, to his own surprise, was shaking and perspiring oddly with stage fright.

"What rot!" he roughly scolded himself. "As if an audience in a tenth-rate country village mattered! What do I care whether or not I know my part, or what they think of me?"

But the queer fact remained that he did care, and his heart thumped faster than it had thumped when he was roused one dark night to fight his first battle. As he saw what personable looking men his companions became after manipulating a few bits of grease-paint, putting on wigs and carefully-kept stage costumes, he began in spite of himself to take this queer theatrical engagement of his more seriously. He wanted to act well; he wanted to please Lillie de Lisle, and to satisfy Ed Binney, who was wishing him luck; he wanted to make a good impression on the pretty bright-eyed country girls who had stared at him with interest as he pa.s.sed through the auditorium.