Lives of the Poets Part 52

The year after, 1717, he rose to his highest elevation, being made secretary of state. For this employment he might justly be supposed qualified by long practice of business, and by his regular ascent through other offices; but expectation is often disappointed; it is universally confessed that he was unequal to the duties of his place. In the house of commons he could not speak, and, therefore, was useless to the defence of the government. In the office, says Pope,[187] he could not issue an order without losing his time in quest of fine expressions. What he gained in rank he lost in credit; and, finding by experience his own inability, was forced to solicit his dismission, with a pension of fifteen hundred pounds a year. His friends palliated this relinquishment, of which both friends and enemies knew the true reason, with an account of declining health, and the necessity of recess and quiet.

He now returned to his vocation, and began to plan literary occupations for his future life. He purposed a tragedy on the death of Socrates; a story of which, as Tickell remarks, the basis is narrow, and to which I know not how love could have been appended. There would, however, have been no want either of virtue in the sentiments, or elegance in the language.

He engaged in a n.o.bler work, a defence of the Christian religion, of which part was published after his death; and he designed to have made a new poetical version of the psalms.

These pious compositions Pope imputed[188] to a selfish motive, upon the credit, as he owns, of Tonson[189], who, having quarrelled with Addison, and not loving him, said, that when he laid down the secretary's office, he intended to take orders, and obtain a bishop.r.i.c.k; "For," said he, "I always thought him a priest in his heart."

That Pope should have thought this conjecture of Tonson worth remembrance, is a proof, but, indeed, so far as I have found, the only proof, that he retained some malignity from their ancient rivalry. Tonson pretended but to guess it; no other mortal ever suspected it; and Pope might have reflected, that a man, who had been secretary of state in the ministry of Sunderland, knew a nearer way to a bishop.r.i.c.k than by defending religion, or translating the psalms.

It is related, that he had once a design to make an English dictionary, and that he considered Dr. Tillotson as the writer of highest authority.

There was formerly sent to me by Mr. Locker, clerk of the leathersellers'

company, who, was eminent for curiosity and literature, a collection of examples selected from Tillotson's works, as Locker said, by Addison. It came too late to be of use, so I inspected it but slightly, and remember it indistinctly. I thought the pa.s.sages too short.

Addison, however, did not conclude his life in peaceful studies; but relapsed, when he was near his end, to a political dispute.

It so happened that, 1718-19, a controversy was agitated, with great vehemence, between those friends of long continuance, Addison and Steele.

It may be asked, in the language of Homer, what power or what cause could set them at variance. The subject of their dispute was of great importance. The earl of Sunderland proposed an act, called the Peerage Bill; by which the number of peers should be fixed, and the king restrained from any new creation of n.o.bility, unless when an old family should be extinct. To this the lords would naturally agree; and the king, who was yet little acquainted with his own prerogative, and, as is now well known, almost indifferent to the possessions of the crown, had been persuaded to consent. The only difficulty was found among the commons, who were not likely to approve the perpetual exclusion of themselves and their posterity. The bill, therefore, was eagerly opposed, and, among others, by sir Robert Walpole, whose speech was published.

The lords might think their dignity diminished by improper advancements, and particularly by the introduction of twelve new peers at once, to produce a majority of tories in the last reign; an act of authority violent enough, yet certainly legal, and by no means to be compared with that contempt of national right with which, some time afterwards, by the instigation of whiggism, the commons, chosen by the people for three years, chose themselves for seven. But, whatever might be the disposition of the lords, the people had no wish to increase their power. The tendency of the bill, as Steele observed in a letter to the earl of Oxford, was to introduce an aristocracy; for a majority in the house of lords, so limited, would have been despotick and irresistible.

To prevent this subversion of the ancient establishment, Steele, whose pen readily seconded his political pa.s.sions, endeavoured to alarm the nation by a pamphlet called the Plebeian. To this an answer was published by Addison, under the t.i.tle of the Old Whig, in which it is not discovered that Steele was then known to be the advocate for the commons.

Steele replied by a second Plebeian; and, whether by ignorance or by courtesy, confined himself to his question, without any personal notice of his opponent.

Nothing, hitherto, was committed against the laws of friendship, or proprieties of decency; but controvertists cannot long retain their kindness for each other. The Old Whig answered the Plebeian, and could not forbear some contempt of "little d.i.c.ky, whose trade it was to write pamphlets." d.i.c.ky, however, did not lose his settled veneration for his friend; but contented himself with quoting some lines of Cato, which were at once detection and reproof. The bill was laid aside during that session; and Addison died before the next, in which its commitment was rejected by two hundred and sixty-five to one hundred and seventy-seven.

Every reader surely must regret that these two ill.u.s.trious friends, after so many years pa.s.sed in confidence and endearment, in unity of interest, conformity of opinion, and fellowship of study, should finally part in acrimonious opposition. Such a controversy was "Bellum plusquam _civile_," as Lucan expresses it. Why could not faction find other advocates? But, among the uncertainties of the human state, we are doomed to number the instability of friendship.

Of this dispute I have little knowledge but from the Biographica Britannica. The Old Whig is not inserted in Addison's works; nor is it mentioned by Tickell in his life; why it was omitted, the biographers, doubtless, give the true reason; the fact was too recent, and those who had been heated in the contention were not yet cool.

The necessity of complying with times, and of sparing persons, is the great impediment of biography. History may be formed from permanent monuments and records; but lives can only be written from personal knowledge, which is growing every day less, and in a short time is lost for ever. What is known can seldom be immediately told; and when it might be told, it is no longer known. The delicate features of the mind, the nice discriminations of character, and the minute peculiarities of conduct, are soon obliterated; and it is surely better that caprice, obstinacy, frolick, and folly, however they might delight in the description, should be silently forgotten, than that, by wanton merriment and unseasonable detection, a pang should be given to a widow, a daughter, a brother, or a friend. As the process of these narratives is now bringing me among my contemporaries, I begin to feel myself "walking upon ashes under which the fire is not extinguished," and coming to the time of which it will be proper rather to say "nothing that is false, than all that is true."

The end of this useful life was now approaching. Addison had, for some time, been oppressed by shortness of breath, which was now aggravated by a dropsy; and, finding his danger pressing, he prepared to die conformably to his own precepts and professions.

During this lingering decay, he sent, as Pope relates[190], a message by the earl of Warwick to Mr. Gay, desiring to see him. Gay, who had not visited him for some time before, obeyed the summons, and found himself received with great kindness. The purpose for which the interview had been solicited was then discovered. Addison told him, that he had injured him; but that, if he recovered, he would recompense him. What the injury was, he did not explain, nor did Gay ever know, but supposed that some preferment designed for him had, by Addison's intervention, been withheld.

Lord Warwick was a young man of very irregular life, and, perhaps, of loose opinions[191]. Addison, for whom he did not want respect, had very diligently endeavoured to reclaim him; but his arguments and expostulations had no effect. One experiment, however, remained to be tried: when he found his life near its end, he directed the young lord to be called; and when he desired, with great tenderness, to hear his last injunctions, told him: "I have sent for you, that you may see how a Christian can die." What effect this awful scene had on the earl, I know not: he, likewise, died himself in a short time, In Tickell's excellent elegy on his friend are these lines:

He taught us how to live; and, oh! too high The price of knowledge, taught us how to die.

In which he alludes, as he told Dr. Young, to this moving interview.

Having given directions to Mr. Tickell for the publication of his works, and dedicated them on his deathbed to his friend Mr. Craggs, he died June 17, 1719, at Holland-house, leaving no child but a daughter[192].

Of his virtue it is a sufficient testimony, that the resentment of party has transmitted no charge of any crime. He was not one of those who are praised only after death; for his merit was so generally acknowledged, that Swift, having observed that his election pa.s.sed without a contest, adds, that, if he had proposed himself for king, he would hardly have been refused.

His zeal for his party did not extinguish his kindness for the merit of his opponents: when he was secretary in Ireland, he refused to intermit his acquaintance with Swift.

Of his habits, or external manners, nothing is so often mentioned as that timorous or sullen taciturnity, which his friends called modesty, by too mild a name. Steele mentions, with great tenderness, "that remarkable bashfulness, which is a cloak that hides and m.u.f.fles merit;" and tells us, "that his abilities were covered only by modesty, which doubles the beauties which are seen, and gives credit and esteem to all that are concealed." Chesterfield affirms, that "Addison was the most timorous and awkward man that he ever saw." And Addison, speaking of his own deficiency in conversation, used to say of himself, that, with respect to intellectual wealth, "he could draw bills for a thousand pounds, though he had not a guinea in his pocket."

That he wanted current coin for ready payment, and, by that want, was often obstructed and distressed; that he was oppressed by an improper and ungraceful timidity; every testimony concurs to prove; but Chesterfield's representation is, doubtless, hyperbolical. That man cannot be supposed very unexpert in the arts of conversation and practice of life, who, without fortune or alliance, by his usefulness and dexterity, became secretary of state; and who died at forty-seven, after having not only stood long in the highest rank of wit and literature, but filled one of the most important offices of state.

The time in which he lived had reason to lament his obstinacy of silence; "or he was," says Steele, "above all men in that talent called humour, and enjoyed it in such perfection, that I have often reflected, after a night spent with him apart from all the world, that I had had the pleasure of conversing with an intimate acquaintance of Terence and Catullus, who had all their wit and nature, heightened with humour more exquisite and delightful than any other man ever possessed." This is the fondness of a friend; let us hear what is told us by a rival: "Addison's conversation[193]," says Pope, "had something in it more charming than I have found in any other man. But this was only when familiar; before strangers, or, perhaps, a single stranger, he preserved his dignity by a stiff silence."

This modesty was by no means inconsistent with a very high opinion of his own merit. He demanded to be the first name in modern wit; and, with Steele to echo him, used to depreciate Dryden, whom Pope and Congreve defended against them[194]. There is no reason to doubt, that he suffered too much pain from the prevalence of Pope's poetical reputation; nor is it without strong reason suspected, that by some disingenuous acts he endeavoured to obstruct it; Pope was not the only man whom he insidiously injured, though the only man of whom he could be afraid.

His own powers were such as might have satisfied him with conscious excellence. Of very extensive learning he has, indeed, given no proofs.

He seems to have had small acquaintance with the sciences, and to have read little except Latin and French; but, of the Latin poets, his Dialogues on Medals show that, he had perused the works with great diligence and skill. The abundance of his own mind left him little need of advent.i.tious sentiments; his wit always could suggest what the occasion demanded. He had read, with critical eyes, the important volume of human life, and knew the heart of man from the depths of stratagem to the surface of affectation.

What he knew he could easily communicate. "This," says Steele, "was particular in this writer, that, when he had taken his resolution, or made his plan for what he designed to write, he would walk about a room, and dictate it into language, with as much freedom and ease as any one could write it down, and attend to the coherence and grammar of what he dictated."

Pope[195], who can be less suspected of favouring his memory, declares that he wrote very fluently, but was slow and scrupulous in correcting; that many of his Spectators were written very fast, and sent immediately to the press; and that it seemed to be for his advantage not to have time for much revisal.

"He would alter," says Pope, "any thing to please his friends, before publication; but would not retouch his pieces afterwards: and, I believe, not one word in Cato, to which I made an objection, was suffered to stand."

The last line of Cato is Pope's, having been originally written,

And, oh! 'twas this that ended Cato's life.

Pope might have made more objections to the six concluding lines. In the first couplet the words, "from hence," are improper; and the second line is taken from Dryden's Virgil. Of the next couplet, the first verse being included in the second, is, therefore, useless; and in the third, discord is made to produce strife.

Of the course of Addison's familiar day[196], before his marriage, Pope has given a detail. He had in the house with him Budgell, and, perhaps, Philips. His chief companions were Steele, Budgell, Philips, Carey, Davenant, and colonel Brett. With one or other of these he always breakfasted. He studied all morning; then dined at a tavern; and went afterwards to b.u.t.ton's.

b.u.t.ton had been a servant in the countess of Warwick's family; who, under the patronage of Addison, kept a coffee-house on the south side of Russel street, about two doors from Covent garden. Here it was that the wits of that time used to a.s.semble. It is said, that when Addison had suffered any vexation from the countess, he withdrew the company from b.u.t.ton's house.

From the coffee-house he went again to a tavern, where he often sat late, and drank too much wine. In the bottle, discontent seeks for comfort, cowardice for courage, and bashfulness tot confidence. It is not unlikely that Addison was first seduced to excess by the manumission which he obtained from the servile timidity of his sober hours. He that feels oppression from the presence of those to whom he knows himself superiour, will desire to set loose his powers of conversation; and who, that ever asked succours from Bacchus, was able to preserve himself from being enslaved by his auxiliary?

Among those friends it was that Addison displayed the elegance of his colloquial accomplishments, which may easily be supposed such as Pope represents them. The remark of Mandeville, who, when he had pa.s.sed an evening in his company, declared that he was a parson in a tie-wig, can detract little from his character; he was always reserved to strangers, and was not incited to uncommon freedom by a character like that of Mandeville.

From any minute knowledge of his familiar manners, the intervention of sixty years has now debarred us. Steele once promised Congreve and the publick a complete description of his character; but the promises of authors are like the vows of lovers. Steele thought no more on his design, or thought on it with anxiety that at last disgusted him, and left his friend in the hands of Tickell.

One slight lineament of his character Swift has preserved. It was his practice, when he found any man invincibly wrong, to flatter his opinions by acquiescence, and sink him yet deeper in absurdity. This artifice of mischief was admired by Stella; and Swift seems to approve her admiration.

His works will supply some information. It appears, from his various pictures of the world, that, with all his bashfulness, he had conversed with many distinct cla.s.ses of men, had surveyed their ways with very diligent observation, and marked, with great acuteness, the effects of different modes of life. He was a man in whose presence nothing reprehensible was out of danger; quick in discerning whatever was wrong or ridiculous, and not unwilling to expose it. "There are," says Steele, "in his writings many oblique strokes upon some of the wittiest paen of the age." His delight was more to excite merriment than detestation; and he detects follies rather than crimes.

If any judgment be made, from his books, of his moral character, nothing will be found but purity and excellence. Knowledge of mankind, indeed, less extensive than that of Addison, will show, that to write, and to live, are very different. Many who praise virtue, do no more than praise it. Yet it is reasonable to believe that Addison's professions and practice were at no great variance, since, amidst that storm of faction in which most of his life was pa.s.sed, though his station made him conspicuous, and his activity made him formidable, the character given him by his friends was never contradicted by his enemies: of those, with whom interest or opinion united him, he had not only the esteem, but the kindness; and of others, whom the violence of opposition drove against him, though he might lose the love, he retained the reverence.

It is justly observed by Tickell, that he employed wit on the side of virtue and religion. He not only made the proper use of wit himself, but taught it to others; and from his time it has been generally subservient to the cause of reason and of truth. He has dissipated the prejudice that had long connected gaiety with vice, and easiness of manners with laxity of principles. He has restored virtue to its dignity, and taught innocence not to be ashamed. This is an elevation of literary character, "above all Greek, above all Roman fame." No greater felicity can genius attain, than that of having purified intellectual pleasure, separated mirth from indecency, and wit from licentiousness; of having taught a succession of writers to bring elegance and gaiety to the aid of goodness; and, if I may use expressions yet more awful, of having "turned many to righteousness."

Addison, in his life, and for some time afterwards, was considered, by the greater part of readers, as supremely excelling both in poetry and criticism. Part of his reputation may be probably ascribed to the advancement of his fortune: when, as Swift observes, he became a statesman, and saw poets waiting at his levee, it is no wonder that praise was acc.u.mulated upon him. Much, likewise, may be more honourably ascribed to his personal character: he who, if he had claimed it, might have obtained the diadem, was not likely to be denied the laurel.

But time quickly puts an end to artificial and accidental fame; and Addison is to pa.s.s through futurity protected only by his genius. Every name, which kindness or interest once raised too high, is in danger, lest the next age should, by the vengeance of criticism, sink it in the same proportion. A great writer has lately styled him "an indifferent poet, and a worse critick."

His poetry is first to be considered; of which it must be confessed, that it has not often those felicities of diction which give l.u.s.tre to sentiments, or that vigour of sentiment that animates diction; there is little of ardour, vehemence, or transport; there is very rarely the awfulness of grandeur, and not very often the splendour of elegance. He thinks justly; but he thinks faintly. This is his general character; to which, doubtless, many single pa.s.sages will furnish exceptions.

Yet, if he seldom reaches supreme excellence, he rarely sinks into dulness, and is still more rarely entangled in absurdity. He did not trust his powers enough to be negligent. There is, in most of his compositions, a calmness and equability, deliberate and cautious, sometimes with little that delights, but seldom with any thing that offends.

Of this kind seem to be his poems to Dryden, to Somers, and to the king.

His ode on St. Cecilia has been imitated by Pope, and has something in it of Dryden's vigour. Of his account of the English poets, he used to speak as a "poor thing[197];" but it is not worse than his usual strain. He has said, not very judiciously, in his character of Waller,