Lives of Poor Boys Who Became Famous Part 19

One picture here, of especial interest, was painted at his summer home at Poissy, when his house was crowded with German soldiers in the war of 1871. "To escape their company," says M. Claretie, "in the rage that he experienced at the national defeat, he shut himself up in his studio, and threw upon the canvas the most striking, the most vivid, the most avenging of allegories: he painted Paris, enveloped in a veil of mourning, defending herself against the enemy, with her soldiers and her dying grouped round a tattered flag; sailors, officers, and fusiliers, soldiers, national guards, suffering women, and dying children; and, hovering in the air above them, with the Prussian eagle by her side, was Famine, wan and haggard Famine, accomplishing the work that the bombardment had failed to achieve."

His summer home, like the one in Paris, is fitted up luxuriously. He designed most of the furniture and the silver service for his table.

Flowers, especially geraniums and tea roses, blossom in profusion about the grounds, while great trees and fountains make it a restful and inviting place. The walls of the dining-room are hung with crimson and gold satin damask, against which are several of his own pictures. An engraver at work, clad in a red dressing-gown, and seated in a room hung with ancient tapestry, has the face of his son Charles, also an artist, looking out from the frame. One of Madame Meissonier also adorns this room.

Near by are his well-filled stables, his favorite horse, Rivoli, being often used for his model. He is equally fond of dogs, and has several expensive hounds. How strange all this, compared with those early days of pinching poverty! He is rarely seen in public, because he has learned--what, alas! some people learn too late in life--that there is no success without one commands his or her time. It must be frittered away neither by calls nor parties; neither by idle talk nor useless visits. Painting or writing for an hour a day never made greatness. Art and literature will give no masterships except to devotees. The young lady, sauntering down town to look at ribbons, never makes a George Eliot. The young man, sauntering down town to look at the buyers of ribbons, never makes a Meissonier. Nature is rigid in her laws. Her gifts only grow to fruitage in the hands of workers.

Meissonier is now seventy-four, with long gray beard and hair, round, full face, and bright hazel eyes. His friend, Claretie, says of him, "This man, who lives in a palace, is as moderate as a soldier on the march. This artist, whose canvases are valued by the half-million, is as generous as a nabob. He will give to a charity sale a picture worth the price of a house. Praised as he is by all, he has less conceit in his nature than a wholesale painter."

January 31, 1891, at his home in Paris, the great artist pa.s.sed away.

His illness was very brief. The funeral services took place at the Church of the Madeleine, which was thronged with the leaders of art and letters. An imposing military cortege accompanied the body to its last resting-place at Poissy, the summer home of the artist, on the Seine, ten miles from Versailles.

[Ill.u.s.tration: GEORGE WILLIAM CHILDS.]

GEORGE W. CHILDS.

The "Public Ledger" of Philadelphia, and its owner, are known the world over. Would we see the large-hearted, hospitable millionaire, who has come to honor through his own industry, let us enter the elegant building occupied by his newspaper.

Every portion is interesting. The rooms where editors and a.s.sistants work are large, light, and airy, and as tasteful as parlors. Alas! how unhomelike and barren are some of the newspaper offices, where gifted men toil from morning till night, with little time for sleep, and still less for recreation. Mr. Childs has thought of the comfort and health of his workmen, for he, too, was a poor boy, and knows what it is to labor.

He has also been generous with his men in the matter of wages. "He refused to reduce the rate of payment of his compositors, notwithstanding that the Typographical Union had formerly sanctioned a reduction, and notwithstanding that the reduced scale was operative in every printing-office in Philadelphia except his own. He said, 'My business is prosperous; why should not my men share in my prosperity?'

This act of graciousness, while it endeared him to the hearts of his beneficiaries, was commented on most favorably at home and abroad. That his employes, in a formal interview with him, expressed their willingness to accept the reduced rates, simply augments the generosity of his act." Strikes among laborers would be few and far between if employers were like George W. Childs.

Each person in his employ has a summer vacation of two or more weeks, his wages being continued meantime, and paid in advance, with a liberal sum besides. On Christmas every man, woman, and boy receives a present, amounting, of course, to many thousands of dollars annually. Mr. Childs has taken care of many who have become old or disabled in his service.

The foreman of his composing-room had worked for him less than twelve months before he failed in health. For years this man has drawn his weekly pay, though never going to the establishment. This is indeed practical Christianity.

Besides caring for the living, in 1868 this wise employer of labor purchased two thousand feet in Woodlands for a printers' cemetery, and gave it to the Philadelphia Typographical Society, with a sum of money to keep the grounds in good order yearly. The first person buried beyond the handsome marble gothic gateway was a dest.i.tute and aged printer who had died at the almshouse and whose dying message to Mr. Childs was that he could not bear to fill a pauper's grave. His wish was cordially granted.

But after seeing the admirable provision made for his workmen, we must enter the private office of Mr. Childs. He is most accessible to all, with no airs of superior position, welcoming persons from every clime daily, between the hours of eleven and one. He listens courteously to any requests, and then bids you make yourself at home in this elegant office, that certainly has no superior in the world, perhaps no rival.

The room itself in the Queen Anne style, with exquisite wood-carving, marble tiles, bra.s.s ornaments, and painted gla.s.s, is a gem. Here is his motto, a n.o.ble one, and thoroughly American, "Nihil sine labore," and well his life has ill.u.s.trated it. All honor to every man or woman who helps to make labor honored in this country. The design of the ceiling was suggested by a room in Coombe Abbey, Warwickshire, the seat of the Earls Craven, fitted up by one of its lords for the reception of Queen Elizabeth. Over a dozen valuable clocks are seen, one made in Amsterdam over two hundred years ago, which, besides the time of day, gives the phases of the moon, the days of the week, and the month; another, a clock constructed by David Rittenhouse, the astronomer of the Revolution, in the old colonial days, which plays a great variety of music, has a little planetarium attached, and nearly six thousand teeth in wheels. It was made for Joseph Potts, who paid six hundred and forty dollars for it. The Spanish Minister in 1778 offered eight hundred for it, that he might present it to his sovereign. Mr. Childs has about fifty rare clocks in his various homes, one of these costing six thousand dollars.

Here is a marble statuette of Savonarola, the Florentine preacher of the fifteenth century; the little green harp which belonged to Tom Moore, and on which he used to play in the homes of the great; a colossal suit of antique French armor, one hundred and fifty years old; a miniature likeness of George Washington, handsomely encased in gold, bequeathed by him to a relative, a lock of his hair in the back of the picture; a miniature ship, made from the wood of the _Alliance Frigate_, the only one of our first navy, of the cla.s.s of frigates, which escaped capture or destruction during the Revolutionary war. This boat, and a silver waiter, presented after the famous battle of New Orleans, were both the property of President Jackson, and were taken by him to the Hermitage.

Here, also, is a photograph of "Old Ironsides" Stewart, in a frame made from the frigate _Const.i.tution_, in which great victories were achieved, besides many portraits given by famous people, with their autographs.

After a delightful hour spent in looking at these choice things, Mr.

Childs bids us take our choice of some rare china cups and saucers. We choose one dainty with red birds, and carry it away as a pleasant remembrance of a princely giver, in a princely apartment.

Mr. Childs has had a most interesting history. Born in Baltimore, he entered the United States navy at thirteen, where he remained for fifteen months. At fourteen he came to Philadelphia, poor, but with courage and a quick mind, and found a place to work in a bookstore. Here he remained for four years, doing his work faithfully, and to the best of his ability. At the end of these years he had saved a few hundred dollars, and opened a little store for himself in the Ledger Building, where the well-known newspaper, the "Public Ledger," was published.

He was ambitious, as who is not, that comes to prominence; and one day he made the resolution that he would sometime be the owner of this great paper and its building! Probably had this resolution been known, his acquaintances would have regarded the youth as little less than crazy.

But the boy who willed this had a definite aim. Besides, he was never idle, he was economical, his habits were the best, and why should not such a boy succeed?

In three years, when he was twenty-one, he had become the head of a publishing house,--Childs & Peterson. He had a keen sense of what the public needed. He brought out Kane's "Arctic Expedition," from which the author, Dr. Kane, realized seventy thousand dollars. Two hundred thousand copies of Peterson's "Familiar Science" were sold. Allibone dedicated his great work, "Dictionary of English and American Authors,"

to the energetic and appreciative young publisher.

He had now acquired wealth, sooner almost than he could have hoped.

Before him were bright prospects as a publisher; but the prize that he had set out to win was to own the "Public Ledger."

The opportunity came in December, 1864. But his paper was losing money.

His friends advised against taking such a burden; he would surely fail.

But Mr. Childs had faith in himself. He expected to win where others lost. He bought the property, doubled the subscription rates, lowered the advertising, excluded everything questionable from the columns of his paper, made his editorials brief, yet comprehensive, until under his judicious management the journal reached the large circulation of ninety thousand daily. For ten years he has given the "Ledger Almanac" to every subscriber, costing five thousand dollars annually. The yearly profits, it is stated, have been four hundred thousand dollars. All this has not been accomplished without thought and labor.

Fortune, of course, had come, and fame. He built homes, elegant ones, in Philadelphia and at Newport, but these are not simply places in which to spend money, but centres of hospitality and culture.

His library is one of the most charming places in this country. The wood-work is carved ebony with gold, the bookshelves six feet high on every side, and the ceiling built in sunken panels, blue and gold. In the centre is a table made from ebony, brought from Africa by Paul du Chaillu. One looks with interest upon the handsome volumes of the standard authors, but other things are of deeper interest.

Here is an original sermon of Rev. Cotton Mather; the poems of Leigh Hunt, which he presented to Charles d.i.c.kens; the original ma.n.u.script of Nathaniel Hawthorne's "Consular Experiences"; the first edition of the "Scarlet Letter," with a note to Mr. Childs from the great novelist; Bryant's ma.n.u.script of the "First Book of the Iliad"; James Russell Lowell's "June Idyl," begun in 1850 and finished eighteen years afterward; the ma.n.u.script of James Fenimore Cooper's "Life of Captain Richard Somers"; and Edgar Allan Poe's "Murders in the Rue Morgue,"

seventeen pages of large paper written small and close.

Here is an autograph letter from Poe, in which he offers to his publishers thirty-three short stories, enough to fill two large volumes, "On the terms which you allowed me before; that is, you receive all profits and allow me twenty copies for distribution to friends." From this it seems that Poe had the _usual_ struggles of literary people.

One of the most unique things of the library is the ma.n.u.script of "Our Mutual Friend," bound in fine brown morocco. The skeleton of the novel is written through several pages, showing how carefully d.i.c.kens thought out his plan and his characters; the paper is light blue, written over with dark blue ink, with many erasures and changes. Here are also fifty-six volumes of d.i.c.kens' works, with an autograph letter in each, from the author to Mr. Childs. Here is Lord Byron's desk on which he wrote "Don Juan." Now we look upon the smallest book ever printed, Dante's "Divina Commedia," bound in Turkey gilt, less than two and one-fourth inches long by one and one-half inches wide.

The collection of Mr. and Mrs. S. C. Hall, now the property of Mr.

Childs, letters and ma.n.u.scripts from Lamb, Hawthorne, Mary Somerville, Harriet Martineau, Coleridge, Wordsworth, Browning, and hundreds of others, is of almost priceless value. In 1879 Mrs. Hall gave the Bible of Tom Moore to Mr. Childs, "an honored and much loved citizen of the United States, as the best and most valuable offering she could make to him, as a grateful tribute of respect, regard, and esteem."

Another valuable book is made up of the portraits of the presidents, with an autograph letter from each. Dom Pedro of Brazil sent, in 1876, a work on his empire, with his picture and his autograph. George Peabody sat for a full-length portrait for Mr. Childs. The alb.u.m of Mrs. Childs contains the autographs of a great number of the leading men and women of the world.

One could linger here for days, but we must see the lovely country-seat called "Wootton," some distance out from the city. The house is in Queen Anne style, surrounded by velvety lawns, a wealth of evergreen and exquisite plants, brought over from South America and Africa. The farm adjoining is a delight to see. Here is the dairy built of white flintstone, while the milkroom has stained gla.s.s windows, as though it were a chapel. The beautiful grounds are open every Thursday to visitors.

Here have been entertained the Duke and d.u.c.h.ess of Buckingham, the Duke of Sutherland, Lord Rosse, Lord Dufferin, Sir Stafford Northcote, Herbert Spencer, John Waller, M.P., of the "London Times," Dean Stanley, Thomas Hughes, d.i.c.kens, Grant, Evarts; indeed, the famous of two hemispheres.

With all this elegance, befitting royalty, Mr. Childs has been a constant and generous giver. For his own city he was one of the foremost to secure Fairmount Park, and helped originate the Zoological Gardens, the Pennsylvania Museum, and the School of Industrial Arts. He gave ten thousand dollars for a Centennial Exposition. He has been one of General Grant's most generous helpers; yet while doing for the great, he does not forget the unknown. He gives free excursions to poor children, a dinner annually to the newsboys, and aids hundreds who are in need of an education.

He has placed a stained gla.s.s window in Westminster Abbey, in commemoration of George Herbert and William Cowper; given largely to a memorial window for Thomas Moore at Bronham, England; for a stone to mark Leigh Hunt's resting-place in Kensal Green; and toward a monument for Poe.

Mr. Childs has come to eminence by energy, integrity, and true faith in himself. He has had a n.o.ble ambition, and has worked towards it. He has proved to all other American boys that worth and honest dealing will win success, in a greater or less degree. That well-known scientist, Prof.

Joseph Henry, of the Smithsonian Inst.i.tute, said, "Mr. Childs is a wonderful man. His ability to apply the power of money in advancing the well-being of his fellow-men is unrivalled. He is naturally kind and sympathetic, and these generous feelings are exalted, not depressed, by his success in acc.u.mulating a fortune.... Like man in the cla.s.sification of animals, he forms a genus in himself. He stands alone; there is not another in the wide world like him."

Mr. Childs died at 3.01 A.M. February 3, 1894 from the effects of a stroke of paralysis sustained at the Ledger office on January 18. He was nearly sixty-five years of age. He was buried on February 6, in the Drexel Mausoleum in Woodland Cemetery beside his life long friend.

[Ill.u.s.tration: DWIGHT L. MOODY]

DWIGHT L. MOODY.

"There's no chance to get in there. There's six thousand persons inside, and two thousand outside."