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Literary Love-Letters and Other Stories Part 6

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"No, against your life." They stood, nervelessly eying the picture.

"Oh, Jack, Jack," she cried, at last, "why did G.o.d make men like you?

You take it all, everything that life gives, sunshine and love and hope and opportunity. Your roots seem to suck out what you want from the whole earth, and you leave the soil exhausted. My time has gone; I know it, I know it, and I knew it would go. Now some other life will be sacrificed. For you'll break her heart whether she's alive now or you're dreaming of someone to come. You'll treat her as you have everything. It isn't any fault--you don't understand." The words ended with a moan. Clayton sat doggedly looking at his picture. But his heart refused to be sad.

LITTLE CRANBERRY, ME.,

August, 1893.

MARE MARTO

I

The narrow slant of water that could be seen between the posts of the felza was rippling with little steely waves. The line of the heavy beak cut the opening between the tapering point of the Lido and the misty outline of Tre Porti. Inside the white lighthouse tower a burnished man-of-war lay at anchor, a sluggish ma.s.s like a marble wharf placed squarely in the water. From the lee came a slight swell of a harbor-boat puffing its devious course to the Lido landing. The sea-breeze had touched the locust groves of San Niccol da Lido, and caught up the fragrance of the June blossoms, filling the air with the soft scent of a feminine city.

When the sc.r.a.p of the island Sant' Elena came enough into the angle to detach itself from the green ma.s.s of the Giardino Pubblico, the prow swung softly about, flapping the little waves, and pointed in sh.o.r.e where a bridge crossed an inlet into the locust trees.

"You can see the Italian Alps," Miss Barton remarked, pulling aside the felza curtains and pointing lazily to the snow ma.s.ses on the blue north horizon. "That purplish other sea is the Trevisan plain, and back of it is Castelfranco--Giorgione's Castelfranco--and higher up where the blue begins to break into the first steps of the Alps is perched Asolo--Browning's Asolo. Oh! It is so sweet! a little hill town! And beyond are Ba.s.sano and Belluno, and somewhere in the mist before you get to those snow-heads is Pieve da Cadore." Her voice dropped caressingly over the last vowels. The mere, procession of names was a lyric sent across sea to the main.

"They came over them, then, the curious ones," the younger man of the two who lounged on cushions underneath the felza remarked, as if to prolong the theme. "To the gates of Paradise," he continued, while his companion motioned to the gondolier. "And they broke them open, but they could never take the swag after all."

He laughed at her puzzled look. He seemed to mock her, and his face became young in spite of the bald-looking temples and forehead, and the copperish skin that indicated years of artificial heat.

"They got some things," the older man put in, "and they have been living off 'em ever since."

"But they never got _it_," persisted his companion, argumentatively.

"Perhaps they were afraid."

The gondola was gliding under the stone bridge, skilfully following the line of the key-stones in the arch. It pa.s.sed out into a black pool at the feet of the Church of San Niccol. The marble bishop propped up over the pediment of the door lay silently above the pool. The grove of blossoming locusts dropped white-laden branches over a decaying barca chained to the sh.o.r.e.

"What is _'it'_?" the girl asked, slowly turning her face from the northern mountains. She seemed to carry a suggestion of abundance, of opulence; of beauty made of emphasis. "You," the young man laughed back, enigmatically.

"They came again and again, and they longed for you, and would have carried you away by force. But their greedy arms s.n.a.t.c.hed only a few jewels, a dress or two, and _you_ they left."

The girl caught at a cl.u.s.ter of locust blossoms that floated near.

"It is an allegory."

"I'll leave Niel to untie his riddles." Their companion lit his pipe and strode ash.o.r.e. "I am off for an hour with the Adriatic. Don't bother about me if you get tired of waiting."

He disappeared in the direction of the Lido bathing stablimento. The two gathered up cushions and rugs, and wandered into the grove. The shade was dark and cool. Beyond were the empty acres of a great fort grown up in a tangle of long gra.s.s like an abandoned pasture. Across the pool they could see the mitred bishop sleeping aloft in the sun, and near him the lesser folk in their graves beside the convent wall.

"No, I am not all that," Miss Barton said, thoughtfully, her face bending, as if some rich, half-open rose were pondering.

"_He_ says that I am a fragment, a bit of detritus that has been washed around the world--"

"And finally lodged and crystallized in Italy."

This mystified her again, as if she were compelled to use a medium of expression that was unfamiliar.

"Papa was consul-general, you know, first at Madrid, then in the East, and lastly merely a consul at Milan." She fell back in relief upon a statement of fact.

"Yes, I know."

"And mamma--she was from the South but he married her in Paris. They called me the polyglot bebe at the convent." She confided this as lazily interesting, like the clouds, or the locusts, or the faint chatter of the Adriatic waves around the breakwater of the Lido.

"Nevertheless you are Venice, you are Italy, you are Pagan"--the young man iterated almost solemnly, as if a Puritan ancestry demanded this reproach. Then he rolled his body half over and straightened himself to look at her rigidly. "How did you come about? How could Council Bluffs make it?" His voice showed amus.e.m.e.nt at its own intensity. She shook her head.

"I don't know," she said, softly.

"It doesn't seem real. They tell me so, just as they say that the marble over there comes from that blue mountain. But why bother about it? I am here----"

They drifted on in personal chat until the sunlight came in parallel lines between the leaves.

"Where is Caspar?" he said at last, reluctantly. "It's too late to get back to the Britannia for dinner." He jumped up as if conscious of a fault.

"Oh, we'll dine here. Caspar has found some one at the stablimento and has gone off. Ask Bastian--there must be some place where we can get enough to eat."

Lawrence hesitated as if not quite sure of the outcome of such unpremeditation. But Miss Barton questioned the gondolier. "The Buon Pesche--that will be lovely; Bastian will paddle over and order the supper. We can walk around."

So Lawrence, as if yielding against his judgment, knelt down and picked up her wrap. "Bastian will take care of the rest," she said, gleefully, walking on ahead through the long gra.s.s of the abandoned fort. "Be a bit of detritus, too, and enjoy the few half-hours," she added, coaxingly, over her shoulder.

When they were seated at the table under the laurel-trees before the Buon Pesche, Lawrence threw himself into the situation, with all the robustness of a moral resolve to do the delightful and sinful thing.

Just why it should be sinful to dine there out-doors in an evening light of luminous gold, with the scent of locusts eddying about, and the mirage-like show of Venice sleeping softly over beyond--was not quite clear. Perhaps because his companion seemed so careless and unfamiliar with the monitions of strenuous living; perhaps because her face was brilliant and nave--some spontaneous thing of nature, unmarked by any lines of consciousness.

Under a neighboring tree a couple were already eating, or quarrelling in staccato phrases. Lawrence thought that the man was an artist.

Miss Barton smiled at his seriousness, crossing her hands placidly on the table and leaning forward. To her companion she gleamed, as if a wood-thing, a hamadryad, had slipped out from the laurel-tree and come to dine with him in the dusk.

The woman of the inn brought a flask of thin yellow wine and placed it between them. Lawrence mutely decanted it into the gla.s.ses.

"Well?" she said, questioningly.

Her companion turned his head away to the solemn, imperial mountains, that were preparing with purple and gold for a night's oblivion.

"You are thinking of Na.s.sau Street, New York, of the rooms divided by gla.s.s part.i.tions, and typewriters and the bundles of doc.u.ments--bah!

Chained!" She sipped scornfully a drop or two from the gla.s.s.

The man flushed.

"No, not that exactly. I am thinking of the police courts, of the squalor, of taking a deposition in a cell with the filthy breathing all about. The daily jostle." He threw his head back.

"Don't try it again," she whispered.

"I am only over for six weeks, you know, health--"

"Yes? and there is a girl in Lowell,"--she read his mind impudently.

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Literary Love-Letters and Other Stories Part 6 summary

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