Light In August Part 2

"I reckon we'll see him once more," Mooney said. "He'll be out here once more to draw his time for yesterday."

Which he did. About eleven o'clock he came up. He wore now the new suit and the straw hat, and he stopped at the shed and stood there looking at the working men as Christmas had done on that day three years ago, as if somehow the very att.i.tudes of the master's dead life motivated, unawares to him, the willing muscles of the disciple who had learned too quick and too well. But Brown merely contrived to look scattered and emptily swaggering where the master had looked sullen and quiet and fatal as a snake. "Lay into it, you slaving b.a.s.t.a.r.ds!" Brown said, in a merry, loud voice cropped with teeth.

Mooney looked at Brown. Then Brown's teeth didn't show. "You ain't calling me that," Mooney said, "are you?"

Brown's mobile face performed one of those instantaneous changes which they knew. Like it was so scattered and so lightly built that it wasn't any trouble for even him to change it, Byron thought. "I wasn't talking to you," Brown said.

"Oh, I see." Mooney's tone was quite pleasant, easy. "It was these other fellows you were calling a b.a.s.t.a.r.d."

Immediately a second one said: "Were you calling that at me?"

"I was just talking to myself," Brown said.

"Well, you have told G.o.d's truth for once in your life," Mooney said. "The half of it, that is. Do you want me to come up there and whisper the other half in your ear?"

And that was the last they saw of him at the mill, though Byron knows and remembers now the new car (with presently a crumpled fender or two) about the town, idle, destinationless, and constant, with Brown lolling behind the wheel and not making a very good job of being dissolute and enviable and idle. Now and then Christmas would be with him, but not often. And it is now no secret what they were doing. It is a byword among young men and even boys that whiskey can be bought from Brown almost on sight, and the town is just waiting for him to get caught, to produce from his raincoat and offer to sell it to an undercover man. They still do not know for certain if Christmas is connected with it, save that no one believes that Brown alone has sense enough to make a profit even from bootlegging, and some of them know that Christmas and Brown both live in a cabin on the Burden place. But even these do not know if Miss Burden knows it or not, and if they did, they would not tell her. She lives in the big house alone, a woman of middleage. She has lived in the house since she was born, yet she is still a stranger, a foreigner whose people moved in from the North during Reconstruction. A Yankee, a lover of negroes, about whom in the town there is still talk of queer relations with negroes in the town and out of it, despite the fact that it is now sixty years since her grandfather and her brother were killed on the square by an exslaveowner over a question of negro votes in a state election. But it still lingers about her and about the place: something dark and outlandish and threatful, even though she is but a woman and but the descendant of them whom the ancestors of the town had reason (or thought that they had) to hate and dread. But it is there: the descendants of both in their relationship to one another ghosts, with between them the phantom of the old spilled blood and the old horror and anger and fear.

If there had been love once, man or woman would have said that Byron Bunch had forgotten her. Or she (meaning love) him, more like-that small man who will not see thirty again, who his spent six days of every week for seven years at the planing mill, feeding boards into the machinery. Sat.u.r.day afternoons too he spends there, alone now, with the other workmen all down town in their Sunday clothes and neckties, in that terrific and aimless and restive idleness of men who labor.

On these Sat.u.r.day afternoons he loads the finished boards into freight cars, since he cannot operate the planer alone, keeping his own time to the final second of an imaginary whistle. The other workmen, the town itself or that part of it which remembers or thinks about him, believe that he does it for the overtime which he receives. Perhaps this is the reason. Man knows so little about his fellows. In his eyes all men or women act upon what he believes would motivate him if he were mad enough to do what that other man or woman is doing. In fact, there is but one man in the town who could speak with any certainty about Bunch, and with this man the town does not know that Bunch has any intercourse, since they meet and talk only at night. This man's name is Hightower. Twenty-five years ago he was minister of one of the princ.i.p.al churches, perhaps the princ.i.p.al church. This man alone knows where Bunch goes each Sat.u.r.day evening when the imaginary whistle blows (or when Bunch's huge silver watch says that it has blown). Mrs. Beard, at whose boarding house Bunch lives, knows only that shortly after six o'clock each Sat.u.r.day Bunch enters, bathes and changes to a suit of cheap serge which is not new, eats his supper and saddles the mule which he stables in a shed behind the house which Bunch himself patched up and roofed, and departs on the mule. She does not know where he goes. It is the minister Hightower alone who knows that Bunch rides thirty miles into the country and spends Sunday leading the choir in a country church-a service which lasts all day long. Then some time around midnight he saddles the mule again and rides back to Jefferson at a steady, allnight jog. And on Monday morning, in his clean overalls and shirt he will be on hand at the mill when the whistle blows. Mrs. Beard knows only that from Sat.u.r.day's supper to Monday's breakfast each week his room and the mule's homemade stable will be vacant. Hightower alone knows where he goes and what he does there, because two or three nights a week Bunch visits Hightower in the small house where the ex-minister lives alone, in what the town calls his disgrace-the house unpainted, small, obscure, poorly lighted, mansmelling, manstale. Here the two of them sit in the minister's study, talking quietly: the slight, nondescript man who is utterly unaware that he is a man of mystery among his fellow workers, and the fifty-year-old outcast who has been denied by his church.

Then Byron fell in love. He fell in love contrary to all the tradition of his austere and jealous country raising which demands in the object physical inviolability. It happens on a Sat.u.r.day afternoon while he is alone at the mill. Two miles away the house is still burning, the yellow smoke standing straight as a monument on the horizon. They saw it before noon, when the smoke first rose above the trees, before the whistle blew and the others departed. "I reckon Byron'll quit too, today," they said. "With a free fire to watch."

"It's a big fire," another said. "What can it be? I don't remember anything out that way big enough to make all that smoke except that Burden house."

"Maybe that's what it is," another said. "My pappy says he can remember how fifty years ago folks said it ought to be burned, and with a little human fat meat to start it good."

"Maybe your pappy slipped out there and set it afire," a third said. They laughed. Then they went back to work, waiting for the whistle, pausing now and then to look at the smoke. After a while a truck loaded with logs drove in. They asked the truck driver, who had come through town.

"Burden," the driver said. "Yes. That's the name. Somebody in town said that the sheriff had gone out there too."

"Well, I reckon Watt Kennedy likes to watch a fire, even if he does have to take that badge with him," one said.

"From the way the square looks," the driver said, "he won't have much trouble finding anybody he wants out there to arrest."

The noon whistle blew. The others departed. Byron ate lunch, the silver watch open beside him. When it said one o'clock, he went back to work. He was alone in the loading shed, making his steady and interminable journeys between the shed and the car, with a piece of folded tow sack upon his shoulder for a pad and bearing upon the pad stacked burdens of staves which another would have said he cold not raise nor carry, when Lena Grove walked into the door behind him, her face already shaped with serene antic.i.p.atory smiling, her mouth already shaped upon a name. He hears her and turns and sees her face fade like the dying agitation of a dropped pebble in a spring.

"You ain't him," she says behind her fading smile, with the grave astonishment of a child.

"No, ma'am," Byron says. He pauses, half turning with the balanced staves. "I don't reckon I am. Who is it I ain't?"

"Lucas Burch. They told me-"

"Lucas Burch?"

"They told me I would find him out here." She speaks with a kind of serene suspicion, watching him without blinking, as if she believes that he is trying to trick her. "When I got close to town they kept a-calling it Bunch instead of Burch. But I just thought they was saying it wrong. Or maybe I just heard it wrong."

"Yes, ma'am," he says. "That's what it is: Bunch. Byron Bunch." With the staves still balanced on his shoulder he looks at her, at her swollen body, her heavy loins, at the red dust upon the man's heavy shoes upon her feet. "Are you Miz Burch?"

She does not answer at once. She stands there just inside the door, watching him intently but without alarm, with that untroubled, faintly baffled, faintly suspicious gaze. Her eyes are quite blue. But in them is that shadow of the belief that he is trying to deceive her. "They told me away back on the road that Lucas is working at the planing mill in Jefferson. Lots of them told me. And I got to Jefferson and they told me where the planing mill was, and I asked in town about Lucas Burch and they said, 'Maybe you mean Bunch'; and so I thought they had just got the name wrong and so it wouldn't make any difference. Even when they told me the man they meant wasn't dark complected. You ain't telling me you don't know Lucas Burch out here."

Byron puts down the load of staves, in a neat stack, ready to be taken up again. "No, ma'am. Not out here. Not no Lucas Burch out here. And I know all the folks that work here. He may work somewhere in town. Or at another mill."

"Is there another planing mill?"

"No, ma'am. There's some sawmills, a right smart of them, though."

She watches him. "They told me back down the road that he worked for the planing mill."

"I don't know of any here by that name," Byron says. "I don't recall none named Burch except me, and my name is Bunch."

She continues to watch him with that expression not so much concerned for the future as suspicious of the now. Then she breathes. It is not a sigh: she just breathes deeply and quietly once. "Well," she says. She half turns and glances about, at the sawn boards, the stacked staves. "I reckon I'll set down a while. It's right tiring, walking over them hard streets from town. It seems like walking out here from town tired me more than all that way from Alabama did." She is moving toward a low stack of planks.

"Wait," Byron says. He almost springs forward, slipping the sack pad from his shoulder. The woman arrests herself in the act of sitting and Byron spreads the sack on the planks. "You'll set easier."

"Why, you're right kind." She sits down.

"I reckon it'll set a little easier," Byron says. He takes from his pocket the silver watch and looks at it; then he too sits, at the other end of the stack of lumber. "I reckon five minutes will be about right."

"Five minutes to rest?" she says.

"Five minutes from when you come in. It looks like I done already started resting. I keep my own time on Sat.u.r.day evenings," he says.

"And every time you stop for a minute, you keep a count of it? How will they know you stopped? A few minutes wouldn't make no difference, would it?"

"I reckon I ain't paid for setting down," he says. "So you come from Alabama."

She tells him, in his turn, sitting on the towsack pad, heavybodied, her face quiet and tranquil, and he watching her as quietly; telling him more than she knows that she is telling, as she has been doing now to the strange faces among whom she has travelled for four weeks with the untroubled unhaste of a change of season. And Byron in his turn gets the picture of a young woman betrayed and deserted and not even aware that she has been deserted, and whose name is not yet Burch.

"No, I don't reckon I know him," he says at last. "There ain't anybody but me out here this evening, anyway. The rest of them are all out yonder at that fire, more than like." He shows her the yellow pillar of smoke standing tall and windless above the trees.

"We could see it from the wagon before we got to town," she says. "It's a right big fire."

"It's a right big old house. It's been there a long time. Don't n.o.body live in it but one lady, by herself. I reckon there are folks in this town will call it a judgment on her, even now. She is a Yankee. Her folks come down here in the Reconstruction, to stir up the n.i.g.g.e.rs. Two of them got killed doing it. They say she is still mixed up with n.i.g.g.e.rs. Visits them when they are sick, like they was white. Won't have a cook because it would have to be a n.i.g.g.e.r cook. Folks say she claims that n.i.g.g.e.rs are the same as white folks. That's why folks don't never go out there. Except one." She is watching him, listening. Now he does not look at her, looking a little aside. "Or maybe two, from what I hear. I hope they was out there in time to help her move her furniture out. Maybe they was."

"Maybe who was?"

"Two fellows named Joe that live out that way somewhere. Joe Christmas and Joe Brown."

"Joe Christmas? That's a funny name."

"He's a funny fellow." Again he looks a little aside from her interested face. "His partner's a sight, too. Brown. He used to work here too. But they done quit now, both of them. Which ain't n.o.body's loss, I reckon."

The woman sits on the towsack pad, interested, tranquil. The two of them might be sitting in their Sunday clothes, in splint chairs on the patina-smooth earth before a country cabin on a Sabbath afternoon. "Is his partner named Joe too?"

"Yes, ma'am. Joe Brown. But I reckon that may be his right name. Because when you think of a fellow named Joe Brown, you think of a bigmouthed fellow that's always laughing and talking loud. And so I reckon that is his right name, even if Joe Brown does seem a little kind of too quick and too easy for a natural name, somehow. But I reckon it is his, all right. Because if he drew time on his mouth, he would be owning this here mill right this minute. Folks seem to like him, though. Him and Christmas get along, anyway."

She is watching him. Her face is still serene, but now is quite grave, her eyes quite grave and quite intent. What do him and the other one do?"

"Nothing they hadn't ought to, I reckon. At least, they dint been caught at it yet. Brown used to work here, some; what time he had off from laughing and playing jokes on folks. But Christmas has retired. They live out yonder together, out there somewhere where that house is burning. And I have heard what they do to make a living. But that ain't none of my business in the first place. And in the second place, most of what folks tells on other folks ain't true to begin with. And so I reckon I ain't no better than n.o.body else."

She is watching him. She is not even blinking. "And he says his name is Brown." It might have been a question, but she does not wait for an answer. "What kind of tales have you heard about what they do?"

"I would injure no man," Byron says. "I reckon I ought not to talked so much. For a fact, it looks like a fellow is bound to get into mischief soon as he quits working."

"What kind of tales?" she says. She has not moved. Her tone is quiet, but Byron is already in love, though he does not yet know it. He does not look at her, feeling her grave, intent gaze upon his face, his mouth.

"Some claim they are selling whiskey. Keeping it hid out there where that house is burning. And there is some tale about Brown was drunk down town one Sat.u.r.day night and he pretty near told something that ought not to been told, about him and Christmas in Memphis one night, or on a dark road close to Memphis, that had a pistol in it. Maybe two pistols. Because Christmas come in quick and shut Brown up and took him away. Something that Christmas didn't want told, anyway, and that even Brown would have had better sense than to told if he hadn't been drunk. That's what I heard. I wasn't there, myself." When he raises his face now he finds that he has looked down again before he even met her eyes. He seems to have already a foreknowledge of something now irrevocable, not to be recalled, who had believed that out here at the mill alone on Sat.u.r.day afternoon he would be where the chance to do hurt or harm could not have found him.

"What does he look like?" she says.

"Christmas? Why-"

"I don't mean Christmas."

"Oh. Brown. Yes. Tall, young. Dark complected; womenfolks calls him handsome, a right smart do, I hear tell. A big hand for laughing and frolicking and playing jokes on folks. But I ..." His voice ceases. He cannot look at her, feeling her steady, sober gaze upon his face.

"Joe Brown," she says. "Has he got a little white scar right here by his mouth?"

And he cannot look at her, and he sits there on the stacked lumber when it is too late, and he could have bitten his tongue in two.

Chapter 3.

From his study window he can see the street. It is not far away, since the lawn is not deep. It is a small lawn, containing a half dozen lowgrowing maples. The house, the brown, unpainted and un.o.btrusive bungalow is small too and by bushing c.r.a.pe myrtle and syringa and Althea almost hidden save for that gap through which from the study window he watches the street. So hidden it is that the light from the corner street lamp scarcely touches it.

From the window he can also see the sign, which he calls his monument. It is planted in the corner of the yard, low, facing the street. It is three feet long and, eighteen inches high-a neat oblong presenting its face to who pa.s.ses and its back to him. But he does not need to read it because he made the sign with hammer and saw, neatly, and he painted the legend which it bears, neatly too, tediously, when he realised that he would have to begin to have to have money for bread and fire and clothing. When he quitted the seminary he had a small income inherited from his father, which, as soon as he got his church, he forwarded promptly on receipt of the quarterly checks to an inst.i.tution for delinquent girls in Memphis. Then he lost his church, he lost the Church, and the bitterest thing which he believed that he had ever faced-more bitter even than the bereavement and the shame-was the letter which he wrote them to say that from now on he could send them but half the sum which he had previously sent.

So he continued to send them half of a revenue which in its entirety would little more than have kept him. "Luckily, there are things which I can do," he said at the time. Hence the sign, carpentered neatly by himself and by himself lettered, with bits of broken gla.s.s contrived cunningly into the paint, so that at night, when the corner street lamp shone upon it, the letters glittered with an effect as of Christmas:

REV. GAIL HIGHTOWER, D.D.

Art Lessons

Hand-painted Xmas & Anniversary Cards

Photographs Developed

But that was years ago, and he had had no art pupils and few enough Christmas cards and photograph plates, and the paint and the shattered gla.s.s had weathered out of the fading letters. They were still readable, however; though, like Hightower himself, few of the townspeople needed to read them anymore. But now and then a negro nursemaid with her white charges would loiter there and spell them aloud with that vacuous idiocy of her idle and illiterate kind, or a stranger happening along the quiet and remote and unpaved and little-used street would pause and read the sign and then look up at the small, brown, almost concealed house, and pa.s.s on; now and then the stranger would mention the sign to some acquaintance in the town. "Oh, yes," the friend would say. "Hightower. He lives there by himself. He come here as minister of the Presbyterian church, but his wife went bad on him. She would slip off to Memphis now and then and have a good time. About twenty-five years ago, that was, right after he come here. Some folks claimed he knew about it. That he couldn't or wouldn't satisfy her himself and that he knew what she was doing. Then one Sat.u.r.day night she got killed, in a house or something in Memphis. Papers full of it. He had to resign from the church, but he wouldn't leave Jefferson, for some reason. They tried to get him to, for his own sake as well as the town's, the church's. That was pretty bad on the church, you see. Having strangers come here and hear about it, and him refusing to leave the town. But he wouldn't go away. He has lived out there on what used to be the main street ever since, by himself. At least it ain't a princ.i.p.al street anymore. That's something. But then he don't worry anybody anymore, and I reckon most folks have forgot about him. Does his own housework. I don't reckon anybody's even been inside that house in twenty-five years. We don't know why he stays here. But any day you pa.s.s along there about dusk or nightfall, you can see him sitting in the window. Just sitting there. The rest of the time folks won't hardly see him around the place at all, except now and then working in his garden."

So the sign which he carpentered and lettered is even less to him than it is to the town; he is no longer conscious of it as a sign, a message. He does not remember it at all until he takes his place in the study window just before dusk. Then it is just a familiar low oblong shape without any significance at all, low at the street end of the shallow lawn; it too might have grown up out of the tragic and inescapable earth along with the low spreading maples and the shrubs, without help or hindrance from him. He no longer even looks at it, as he does not actually see the trees beneath and through which he watches the street, waiting for nightfall, the moment of night. The house, the study, is dark behind him, and he is waiting for that instant when all light has failed out of the sky and it would be night save for that faint light which daygranaried leaf and gra.s.s blade reluctant suspire, making still a little light on earth though night itself has come. Now, soon, he thinks; soon, now. He does not say even to himself: "There remains yet something of honor and pride, of life."

When Byron Bunch first came to Jefferson seven years and saw that little sign, Gail Hightower D.D. Art Lessons Christmas Cards Photographs Developed, he thought, D.D. What is D.D.,' and he asked and they told him it meant Done d.a.m.ned. Gail Hightower Done d.a.m.ned in Jefferson anyway, they told him. And how Hightower had come straight to Jefferson from the seminary, refusing to accept any other call; how he had pulled every string he could in order to be sent to Jefferson. And how he arrived with his young wife, descending from the train in a state of excitement already, talking, telling the old men and women who were the pillars of the church how he had set his mind on Jefferson from the first, since he had first decided to become a minister; telling them with a kind of glee of the letters he had written and the worrying he had done and the influence he had used in order to be called here. To the people of the town it sounded like a horsetrader's glee over an advantageous trade. Perhaps that is how it sounded to the elders. Because they listened to him with something cold and astonished and dubious, since he sounded like it was the town he desired to live in and not the church and the people who composed the church, that he wanted to serve. As if he did not care about the people, the living people, about whether they wanted him here or not. And he being young too, and the old men and the old women trying to talk down his gleeful excitement with serious matters of the church and its responsibilities and his own. And they told Byron how the young minister was still excited even after six months, still talking about the Civil War and his grandfather, a cavalryman, who was killed, and about General Grant's stores burning in Jefferson until it did not make sense at all. They told Byron how he seemed to talk that way in the pulpit too, wild too in the pulpit, using religion as though it were a dream. Not a nightmare, but something which went faster than the words in the Book; a sort of cyclone that did not even need to touch the actual earth. And the old men and women did not like that, either.

It was as if he couldn't get religion and that galloping cavalry and his dead grandfather shot from the galloping horse untangled from each other, even in the pulpit. And that he could not untangle them in his private life, at home either, perhaps. Perhaps he did not even try to at home, Byron thought, thinking how that is the sort of thing that men do to the women who belong to them; thinking that that is why women have to be strong and should not be held blamable for what they do with or for or because of men, since G.o.d knew that being anybody's wife was a tricky enough business. They told him how the wife was a small, quietlooking girl who at first the town thought just had nothing to say for herself. But the town said that if Hightower had just been a more dependable kind of man, the kind of man a minister should be instead of being born about thirty years after the only day he seemed to have ever lived in-that day when his grandfather was shot from the galloping horse-she would have been all right too. But he was not, and the neighbors would hear her weeping in the parsonage in the afternoons or late at night, and the neighbors knowing that the husband would not know what to do about it because he did not know what was wrong. And how sometimes she would not even come to the church, where her own husband was preaching, even on Sunday, and they would look at him and wonder if he even knew that she was not there, if he had not even forgot that he ever had a wife, up there in the pulpit with his hands flying around him and the dogma he was supposed to preach all full of galloping cavalry and defeat and glory just as when he tried to tell them on the street about the galloping horses, it in turn would get all mixed up with absolution and choirs of martial seraphim, until it was natural that the old men and women should believe that what he preached in G.o.d's own house on G.o.d's own day verged on actual sacrilege.

And they told Byron how after about a year in Jefferson, the wife began to wear that frozen look on her face, and when the church ladies would go to call Hightower would meet them alone, in his shirt sleeves and without any collar, in a flurry, and for a time it would seem as though he could not even think what they had come for and what he ought to do. Then he would invite them in and excuse himself and go out. And they would not hear a sound anywhere in the house, sitting there in their Sunday dresses, looking at one another and about the room, listening and not hearing a sound. And then he would come back with his coat and collar on and sit and talk with them about the church and the sick, and they talking back, bright and quiet, still listening and maybe watching the door, maybe wondering if he knew what they believed that they already knew.

The ladies quit going there. Soon they did not even see the minister's wife on the street. And he still acting like there was nothing wrong. And then she would be gone for a day or two; they would see her get on the early train, with her face beginning to get thin and gaunted as though she never ate enough and that frozen look on it as if she were not seeing what she was looking at. And he would tell that she had gone to visit her people downstate somewhere, until one day, during one of her absences, a Jefferson woman shopping in Memphis saw her walking fast into a hotel there. It was one Sat.u.r.day that the woman returned home and told it. But the next day Hightower was in the pulpit, with religion and the galloping cavalry all mixed up again, and the wife returned Monday and the following Sunday she came to church again, for the first time in six or seven months, sitting by herself at the rear of the church. She came every Sunday after that for a while. Then she was gone again, in the middle of the week this time (it was in July and hot) and Hightower said that she had gone to see her folks again, in the country where it would be cool; and the old men, the elders, and the old women watching him, not knowing if he believed what he was telling or not, and the young people talking behind his back.

But they could not tell whether he himself believed or not what he told them, if he cared or not, with his religion and his grandfather being shot from the galloping horse all mixed up, as though the seed which his grandfather had transmitted to him had been on the horse too that night and had been killed too and time had stopped there and then for the seed and nothing had happened in time since, not even him.

The wife returned before Sunday. It was hot; the old people said that it was the hottest spell which the town had ever known. She came to church that Sunday and took her seat on a bench at the back, alone. In the middle of the sermon she sprang from the bench and began to scream, to shriek something toward the pulpit, shaking her hands toward the pulpit where her husband had ceased talking, leaning forward with his hands raised and stopped. Some people nearby tried to hold her but she fought them, and they told Byron how she stood there, in the aisle now, shrieking and shaking her hands at the pulpit where her husband leaned with his hand still raised and his wild face frozen in the shape of the thundering and allegorical period which he had not completed. They did not know whether she was shaking her hands at him or at G.o.d. Then he came down and approached and she stopped fighting then and he led her out, with the heads turning as they pa.s.sed, until the superintendent told the organist to play. That afternoon the elders held a meeting behind locked doors. The people did not know what went on behind them, save that Hightower returned and entered the vestry room and closed the door behind him too.

But the people did not know what had happened. They only knew that the church made up a sum to send the wife to an inst.i.tution, a sanatorium, and that Hightower took her there and came back and preached the next Sunday, as usual. The women, the neighbors, some of whom had not entered the parsonage in months, were kind to him, taking him dishes now and then, telling one another and their husbands what a mess the parsonage was in, and how the minister seemed to eat like an animal-just when he got hungry and just whatever he could find. Every two weeks he would go and visit his wife in the sanatorium, but he always returned after a day or so; and on Sunday, in the pulpit again, it was as though the whole thing had never happened. The people would ask about her health, curious and kind, and he would thank them. Then Sunday he would be again in the pulpit, with his wild hands and his wild rapt eager voice in which like phantoms G.o.d and salvation and the galloping horses and his dead grandfather thundered, while below him the elders sat, and the congregation, puzzled and outraged. In the fall the wife came home. She looked better. She had put on a little flesh. She had changed more than that, even. Perhaps it was that she seemed chastened now; awake, anyway. Anyhow she was now like the ladies had wanted her to be all the time, as they believed that the minister's wife should be. She attended church and prayer meeting regularly, and the ladies called upon her and she called upon them, sitting quiet and humble, even in her own house, while they told her how to run it and what to wear and what to make her husband eat.

It might even be said that they forgave her. No crime or transgression had been actually named and no penance had been actually set. But the town did not believe that the ladies had forgot those previous mysterious trips, with Memphis as their destination and for that purpose regarding which all had the same conviction, though none ever put it into words, spoke it aloud, since the town believed that good women don't forget things easily, good or bad, lest the taste and savor of forgiveness die from the palate of conscience. Because the town believed that the ladies knew the truth, since it believed that bad women can be fooled by badness, since they have to spend some of their time not being suspicious. But that no good woman can be fooled by it because, by being good herself, she does not need to worry anymore about hers or anybody else's goodness; hence she has plenty of time to smell out sin. That was why, they believed, that good can fool her almost any time into believing that it is evil, but that evil itself can never fool her. So when after four or five months the wife went away again on a visit and the husband said again that she had gone to visit her people, the town believed that this time even he was not fooled. Anyway, she came back and he went on preaching every Sunday like nothing had happened, making his calls on the people and the sick and talking about the church. But the wife did not come to church anymore, and soon the ladies stopped calling on her; going to the parsonage at all. And even the neighbors on either side would no longer see her about the house. And soon it was as though she were not there; as though everyone had agreed that she was not there, that the minister did not even have a wife. And he preaching to them every Sunday, not even telling them now that she had gone to visit her people. Maybe he was glad of that, the town thought. Maybe he was glad to not have to lie anymore.

So n.o.body saw her when she got on the train that Friday, or maybe it was Sat.u.r.day, the day itself. It was Sunday morning's paper which they saw, telling how she had jumped or fallen from a hotel window in Memphis Sat.u.r.day night, and was dead. There had been a man in the room with her. He was arrested. He was drunk. They were registered as man and wife, under a fict.i.tious name. The police found her rightful name where she had written it herself on a piece of paper and then torn it up and thrown it into the waste basket. The papers printed it, with the story: wife of the Reverend Gail Hightower, of Jefferson, Mississippi. And the story told how the paper telephoned to the husband at two A.M. and how the husband said that he had nothing to say. And when they reached the church that Sunday morning the yard was full of Memphis reporters taking pictures of the church and the parsonage. Then Hightower came. The reporters tried to stop him but he walked right through them and into the church and up into the pulpit. The old ladies and some of the old men were already in the church, horrified and outraged, not so much about the Memphis business as about the presence of the reporters. But when Hightower came in and actually went up into the pulpit, they forgot about the reporters even. The ladies got up first and began to leave. Then the men got up too, and then the church was empty save for the minister in the pulpit, leaning a little forward, with the Book open and his hands propped on either side of it and his head not bowed either, and the Memphis reporters (they had followed him into the church) sitting in a line in the rear pew. They said he was not watching his congregation leaving; he was not looking at anything.

They told Byron about it; about how at last the minister closed the Book, carefully, and came down into the empty church and walked up the aisle without once looking at the row of reporters, like the congregation had done, and went out the door. There were some photographers waiting out in front, with the cameras all set up and their heads under the black cloths. The minister had evidently expected this. Because he emerged from the church with an open hymn book held before his face. But the cameramen had evidently expected that too. Because they fooled him. Very likely he was not used to it and so was easily fooled, they told Byron. One of the cameramen had his machine set up to one side, and the minister did not see that one at all, or until too late. He was keeping his face concealed from the one in front, and next day when the picture came out in the paper it had been taken from the side, with the minister in the middle of a step, holding the hymn book before his face. And behind the book his lips were drawn back as though he were smiling. But his teeth were tight together and his face looked like the face of Satan in the old prints. The next day he brought his wife home and buried her. The town came to the ceremony. It was not a funeral. He did not take the body to the church at all. He took it straight to the cemetery and he was preparing to read from the Book himself when another minister came forward and took it from his hand. A lot of the people, the younger ones, remained after he and the others had gone, looking at the grave.

Then even the members of the other churches knew that his own had asked him to resign, and that he refused. The next Sunday a lot of them from the other churches came to his church to see what would happen. He came and entered the church. The congregation as one rose and walked out, leaving the minister and those from the other churches who had come as though to a show. So he preached to them, as he had always preached: with that rapt fury which they had considered sacrilege and which those from the other churches believed to be out and out insanity.

He would not resign. The elders asked the church board to recall him. But after the story, the pictures in the papers and all, no other town would have him either. There was nothing against him personally, they all insisted. He was just unlucky. He was just born unlucky. So the people quit coming to the church at all, even the ones from the other churches who had come out of curiosity for a time: he was no longer even a show now; he was now only an outrage. But he would reach the church at the old hour each Sunday morning and go to the pulpit, and the congregation would rise and leave, and the loafers and such would gather along the street outside and listen to him preaching and praying in the empty church. And the Sunday after that when he arrived the door was locked, and the loafers watched him try the door and then desist and stand there with his face still not bowed, with the street lined with men who never went to church anyway, and little boys who did not know exactly what it was but that it was something, stopping and looking with still round eyes at the man standing quite motionless before the locked door. The next day the town heard how he had gone to the elders and resigned his pulpit for the good of the church.

Then the town was sorry with being glad, as people sometimes are sorry for those whom they have at last forced to do as they wanted them to. They thought of course that he would go away now, and the church made up a collection for him to go away on and settle somewhere else. Then he refused to leave the town. They told Byron of the consternation, the more than outrage, when they learned that he had bought the little house on the back street where he now lives and has lived ever since; and the elders held another meeting because they said that they had given him the money to go away on, and when he spent it for something else he had accepted the money under false pretences. They went to him and told him so. He asked them to excuse him; he returned to the room with the sum which had been given him, to the exact penny and in the exact denominations, and insisted that they take it back. But they refused, and he would not tell where he had got the money to buy the house with. So by the next day, they told Byron, there were some who said that he had insured his wife's life and then paid someone to murder her. But everyone knew that this was not so, including the ones who told and repeated it and the ones who listened when it was told.

But he would not leave the town. Then one day they saw the little sign which he had made and painted himself and set in his front yard, and they knew that he meant to stay. He still kept the cook, a negro woman. He had had her all the time. But they told Byron how as soon as his wife was dead, the people seemed to realise all at once that the negro was a woman, that he had that negro woman in the house alone with him all day. And how the wife was hardly cold in the shameful grave before the whispering began. About how he had made his wife go bad and commit suicide because he was not a natural husband, a natural man, and that the negro woman was the reason. And that's all it took; all that was lacking. Byron listened quietly, thinking to himself how people everywhere are about the same, but that it did seem that in a small town where evil is harder to accomplish, where opportunities for privacy are scarcer, that people can invent more of it in other people's names. Because that was all it required: that idea, that single idle word blown from mind to mind. One day the cook quit. They heard how one night a party of carelessly masked men went to the minister's house and ordered him to fire her. Then they heard how the next day the woman told that she quit herself because her employer asked her to do something which she said was against G.o.d and nature. And it was said that some masked men had scared her into quitting because she was what is known as a high brown and it was known that there were two or three men in the town who would object to her doing whatever it was which she considered contrary to G.o.d and nature, since, as some of the younger men said, if a n.i.g.g.e.r woman considered it against G.o.d and nature, it must be pretty bad. Anyway, the minister couldn't-or didn't-get another woman cook. Possibly the men scared all the other negro women in town that same night. So he did his own cooking for a while, until they heard one day that he had a negro man to cook for him. And that finished him, sure enough. Because that evening some men, not masked either, took the negro man out and whipped him. And when Hightower waked the next morning his study window was broken and on the floor lay a brick with a note tied to it, commanding him to get out of town by sunset and signed K.K.K. And he did not go, and on the second morning a man found him in the woods about a mile from town. He had been tied to a tree and beaten unconscious.

He refused to tell who had done it. The town knew that that was wrong, and some of the men came to him and tried again to persuade him to leave Jefferson, for his own good, telling him that next time they might kill him. But he refused to leave. He would not even talk about the beating, even when they offered to prosecute the men who had done it. But he would do neither. He would neither tell, nor depart. Then all of a sudden the whole thing seemed to blow away, like an evil wind. It was as though the town realised at last that he would be a part of its life until he died, and that they might as well become reconciled. As though, Byron thought, the entire affair had been a lot of people performing a play and that now and at last they had all played out the parts which had been allotted them and now they could live quietly with one another. They let the minister alone. They would see him working in the yard or the garden, and on the street and in the stores with a small basket on his arm, and they would speak to him. They knew that he did his own cooking and housework, and after a while the neighbors began to send him dishes again, though they were the sort of dishes which they would have sent to a poor mill family. But it was food, and wellmeant. Because, as Byron thought, people forget a lot in twenty years. 'Why,' he thinks, 'I don't reckon there is anybody in Jefferson that knows that he sits in that window from sundown to full dark every day that comes, except me. Or what the inside of that house looks like. And they don't even know that I know, or likely they'd take us both out and whip us again, since folks don't seem to forget much longer than they remember: Because there is one other thing, which came into Byron's own knowledge and observation, in his own time since he came to Jefferson to live.

Hightower read a great deal. That is, Byron had examined with a kind of musing and respectful consternation the books which lined the study walls: books of religion and history and science of whose very existence Byron had never heard. One day about four years ago a negro man came running up to the minister's house from his cabin on the edge of town immediately behind it, and said that his wife was at childbed. Hightower had no telephone and he told the negro to run next door and call a doctor. He watched the negro go to the gate of the next house. But instead of entering, the negro stood there for a time and then went on up the street toward town, walking; Hightower knew that the man would walk all the way to town and then spend probably thirty minutes more getting in touch with a doctor, in his fumbling and timeless negro fashion, instead of asking some white woman to telephone for him. Then he went to his kitchen door and he could hear the woman in the not so distant cabin, wailing. He waited no longer. He ran down to the cabin and found that the woman had got out of bed, for what reason he never learned, and she was now on her hands and knees on the floor, trying to get back into the bed, screaming and wailing. He got her back into the bed and told her to lie still, frightened her into obeying him, and ran back to his house and took one of the books from the study shelf and got his razor and some cord and ran back to the cabin and delivered the child. But it was already dead; the doctor when arrived said that she had doubtless injured it when she left the bed where Hightower found her. He also approved of Hightower's work, and the husband was satisfied too.

'But it was just too close to that other business,' Byron thought, 'even despite the fifteen years between them.' Because within two days there were those who said that the child was Hightower's and that he had let it die deliberately. But Byron believed that even the ones who said this did not believe it. He believed that the town had had the habit of saying things about the disgraced minister which they did not believe themselves for too long a time to break themselves of it. 'Because always,' he thinks, 'when anything gets to be a habit, it also manages to get a right good distance away from truth and fact.' And he remembers one evening when he and Hightower were talking together and Hightower said: "They are good people. They must believe what they must believe, especially as it was I who was at one time both master and servant of their believing. And so it is not for me to outrage their believing nor for Byron Bunch to say that they are wrong. Because all that any man can hope for is to be permitted to live quietly among his fellows." That was soon after Byron had heard the story, shortly after the evening visits to Hightower's study began and Byron still wondered why the other remained in Jefferson, almost within sight of, and within hearing of, the church which had disowned and expelled him. One evening Byron asked him.

"Why do you spend your Sat.u.r.day afternoons working at the mill while other men are taking pleasure down town?" Hightower said.

"I don't know," Byron said. "I reckon that's just my life."

"And I reckon this is just my life, too," the other said. 'But I know now why it is,' Byron thinks. 'It is because a fellow is more afraid of the trouble he might have than he ever is of the trouble he's already got. He'll cling to trouble he's used to before he'll risk a change. Yes. A man will talk about how he'd like to escape from living folks. But it's the dead folks that do him the damage. It's the dead ones that lay quiet in one place and don't try to hold him, that he can't escape from.'

They have thundered past now and crashed silently on into the dusk; night has fully come. Yet he still sits at the study window, the room still dark behind him. The street lamp at the corner flickers and glares, so that the bitten shadows of the unwinded maples seem to toss faintly upon the August darkness. From a distance, quite faint though quite clear, he can hear the sonorous waves of ma.s.sed voices from the church: a sound at once austere and rich, abject and proud, swelling and falling in the quiet summer darkness like a harmonic tide.