Letters of Robert Louis Stevenson Volume 2 Part 37

I have no concern here but to work and to keep an eye on this distracted people. I live just now wholly alone in an upper room of my house, because the whole family are down with influenza, bar my wife and myself. I get my horse up sometimes in the afternoon and have a ride in the woods; and I sit here and smoke and write, and rewrite, and destroy, and rage at my own impotence, from six in the morning till eight at night, with trifling and not always agreeable intervals for meals.

I am sure you chose wisely to keep your country charge. There a minister can be something, not in a town. In a town, the most of them are empty houses - and public speakers. Why should you suppose your book will be slated because you have no friends? A new writer, if he is any good, will be acclaimed generally with more noise than he deserves. But by this time you will know for certain. - I am, yours sincerely,

ROBERT LOUIS STEVENSON.

P.S. - Be it known to this fluent generation that I R. L. S., in the forty-third of my age and the twentieth of my professional life, wrote twenty-four pages in twenty-one days, working from six to eleven, and again in the afternoon from two to four or so, without fail or interruption. Such are the gifts the G.o.ds have endowed us withal: such was the facility of this prolific writer!

R. L. S.

Letter: TO AUGUSTUS ST. GAUDENS

VAILIMA, SAMOA, MAY 29TH, 1893

MY DEAR G.o.d-LIKE SCULPTOR, - I wish in the most delicate manner in the world to insinuate a few commissions:-

No. 1. Is for a couple of copies of my medallion, as gilt-edged and high-toned as it is possible to make them. One is for our house here, and should be addressed as above. The other is for my friend Sidney Colvin, and should be addressed - Sidney Colvin, Esq., Keeper of the Print Room, British Museum, London.

No. 2. This is a rather large order, and demands some explanation.

Our house is lined with varnished wood of a dark ruddy colour, very beautiful to see; at the same time, it calls very much for gold; there is a limit to picture frames, and really you know there has to be a limit to the pictures you put inside of them. Accordingly, we have had an idea of a certain kind of decoration, which, I think, you might help us to make practical. What we want is an alphabet of gilt letters (very much such as people play with), and all mounted on spikes like drawing-pins; say two spikes to each letter, one at top, and one at bottom. Say that they were this height,

I I I

and that you chose a model of some really exquisitely fine, clear type from some Roman monument, and that they were made either of metal or some composition gilt - the point is, could not you, in your land of wooden houses, get a manufacturer to take the idea and manufacture them at a venture, so that I could get two or three hundred pieces or so at a moderate figure? You see, suppose you entertain an honoured guest, when he goes he leaves his name in gilt letters on your walls; an infinity of fun and decoration can be got out of hospitable and festive mottoes; and the doors of every room can be beautified by the legend of their names. I really think there is something in the idea, and you might be able to push it with the brutal and licentious manufacturer, using my name if necessary, though I should think the name of the G.o.d-like sculptor would be more germane. In case you should get it started, I should tell you that we should require commas in order to write the Samoan language, which is full of words written thus: la'u, ti'e ti'e. As the Samoan language uses but a very small proportion of the consonants, we should require a double or treble stock of all vowels and of F, G, L, U, N, P, S, T, and V.

The other day in Sydney, I think you might be interested to hear, I was sculpt a second time by a man called -, as well as I can remember and read. I mustn't criticise a present, and he had very little time to do it in. It is thought by my family to be an excellent likeness of Mark Twain. This poor fellow, by the by, met with the devil of an accident. A model of a statue which he had just finished with a desperate effort was smashed to smithereens on its way to exhibition.

Please be sure and let me know if anything is likely to come of this letter business, and the exact cost of each letter, so that I may count the cost before ordering. - Yours sincerely,

ROBERT LOUIS STEVENSON.

Letter: TO EDMUND GOSSE

JUNE 10TH, 1893.

MY DEAR GOSSE, - My mother tells me you never received the very long and careful letter that I sent you more than a year ago; or is it two years?

I was indeed so much surprised at your silence that I wrote to Henry James and begged him to inquire if you had received it; his reply was an (if possible) higher power of the same silence; whereupon I bowed my head and acquiesced. But there is no doubt the letter was written and sent; and I am sorry it was lost, for it contained, among other things, an irrecoverable criticism of your father's LIFE, with a number of suggestions for another edition, which struck me at the time as excellent.

Well, suppose we call that cried off, and begin as before? It is fortunate indeed that we can do so, being both for a while longer in the day. But, alas! when I see 'works of the late J. A. S.,' I can see no help and no reconciliation possible. I wrote him a letter, I think, three years ago, heard in some roundabout way that he had received it, waited in vain for an answer (which had probably miscarried), and in a humour between frowns and smiles wrote to him no more. And now the strange, poignant, pathetic, brilliant creature is gone into the night, and the voice is silent that uttered so much excellent discourse; and I am sorry that I did not write to him again. Yet I am glad for him; light lie the turf!

The SAt.u.r.dAY is the only obituary I have seen, and I thought it very good upon the whole. I should be half tempted to write an IN MEMORIAM, but I am submerged with other work. Are you going to do it? I very much admire your efforts that way; you are our only academician.

So you have tried fiction? I will tell you the truth: when I saw it announced, I was so sure you would send it to me, that I did not order it! But the order goes this mail, and I will give you news of it. Yes, honestly, fiction is very difficult; it is a terrible strain to CARRY your characters all that time. And the difficulty of according the narrative and the dialogue (in a work in the third person) is extreme. That is one reason out of half a dozen why I so often prefer the first. It is much in my mind just now, because of my last work, just off the stocks three days ago, THE EBB TIDE: a dreadful, grimy business in the third person, where the strain between a vilely realistic dialogue and a narrative style pitched about (in phrase) 'four notes higher' than it should have been, has sown my head with grey hairs; or I believe so - if my head escaped, my heart has them.

The truth is, I have a little lost my way, and stand bemused at the cross-roads. A subject? Ay, I have dozens; I have at least four novels begun, they are none good enough; and the mill waits, and I'll have to take second best. THE EBB TIDE I make the world a present of; I expect, and, I suppose, deserve to be torn to pieces; but there was all that good work lying useless, and I had to finish it!

All your news of your family is pleasant to hear. My wife has been very ill, but is now better; I may say I am ditto, THE EBB TIDE having left me high and dry, which is a good example of the mixed metaphor. Our home, and estate, and our boys, and the politics of the island, keep us perpetually amused and busy; and I grind away with an odd, dogged, down sensation - and an idea IN PETTO that the game is about played out. I have got too realistic, and I must break the trammels - I mean I would if I could; but the yoke is heavy. I saw with amus.e.m.e.nt that Zola says the same thing; and truly the DEBACLE was a mighty big book, I have no need for a bigger, though the last part is a mere mistake in my opinion. But the Emperor, and Sedan, and the doctor at the ambulance, and the horses in the field of battle, Lord, how gripped it is! What an epical performance! According to my usual opinion, I believe I could go over that book and leave a masterpiece by blotting and no ulterior art. But that is an old story, ever new with me. Taine gone, and Renan, and Symonds, and Tennyson, and Browning; the suns go swiftly out, and I see no suns to follow, nothing but a universal twilight of the demi-divinities, with parties like you and me and Lang beating on toy drums and playing on penny whistles about glow-worms. But Zola is big anyway; he has plenty in his belly; too much, that is all; he wrote the DEBACLE and he wrote LA BETE HUMAINE, perhaps the most excruciatingly silly book that I ever read to an end. And why did I read it to an end, W. E. G.?

Because the animal in me was interested in the lewdness. Not sincerely, of course, my mind refusing to partake in it; but the flesh was slightly pleased. And when it was done, I cast it from me with a peal of laughter, and forgot it, as I would forget a Montepin. Taine is to me perhaps the chief of these losses; I did luxuriate in his ORIGINES; it was something beyond literature, not quite so good, if you please, but so much more systematic, and the pages that had to be 'written' always so adequate. Robespierre, Napoleon, were both excellent good.

JUNE 18TH, '93

Well, I have left fiction wholly, and gone to my GRANDFATHER, and on the whole found peace. By next month my GRANDFATHER will begin to be quite grown up. I have already three chapters about as good as done; by which, of course, as you know, I mean till further notice or the next discovery. I like biography far better than fiction myself: fiction is too free. In biography you have your little handful of facts, little bits of a puzzle, and you sit and think, and fit 'em together this way and that, and get up and throw 'em down, and say d.a.m.n, and go out for a walk. And it's real soothing; and when done, gives an idea of finish to the writer that is very peaceful. Of course, it's not really so finished as quite a rotten novel; it always has and always must have the incurable illogicalities of life about it, the fathoms of slack and the miles of tedium. Still, that's where the fun comes in; and when you have at last managed to shut up the castle spectre (dulness), the very outside of his door looks beautiful by contrast. There are pages in these books that may seem nothing to the reader; but you REMEMBER WHAT THEY WERE, YOU KNOW WHAT THEY MIGHT HAVE BEEN, and they seem to you witty beyond comparison. In my GRANDFATHER I've had (for instance) to give up the temporal order almost entirely; doubtless the temporal order is the great foe of the biographer; it is so tempting, so easy, and lo! there you are in the bog! - Ever yours,

R. L. STEVENSON.

With all kind messages from self and wife to you and yours. My wife is very much better, having been the early part of this year alarmingly ill. She is now all right, only complaining of trifles, annoying to her, but happily not interesting to her friends. I am in a hideous state, having stopped drink and smoking; yes, both.

No wine, no tobacco; and the dreadful part of it is that - looking forward - I have - what shall I say? - nauseating intimations that it ought to be for ever.

Letter: TO HENRY JAMES

VAILIMA PLANTATION, SAMOAN ISLANDS, JUNE 17TH, 1893.

MY DEAR HENRY JAMES, - I believe I have neglected a mail in answering yours. You will be very sorry to hear that my wife was exceedingly ill, and very glad to hear that she is better. I cannot say that I feel any more anxiety about her. We shall send you a photograph of her taken in Sydney in her customary island habit as she walks and gardens and shrilly drills her brown a.s.sistants. She was very ill when she sat for it, which may a little explain the appearance of the photograph. It reminds me of a friend of my grandmother's who used to say when talking to younger women, 'Aweel, when I was young, I wasnae just exactly what ye wad call BONNY, but I was pale, penetratin', and interestin'.'

I would not venture to hint that f.a.n.n.y is 'no bonny,' but there is no doubt but that in this presentment she is 'pale, penetratin', and interesting.'

As you are aware, I have been wading deep waters and contending with the great ones of the earth, not wholly without success. It is, you may be interested to hear, a dreary and infuriating business. If you can get the fools to admit one thing, they will always save their face by denying another. If you can induce them to take a step to the right hand, they generally indemnify themselves by cutting a caper to the left. I always held (upon no evidence whatever, from a mere sentiment or intuition) that politics was the dirtiest, the most foolish, and the most random of human employments. I always held, but now I know it! Fortunately, you have nothing to do with anything of the kind, and I may spare you the horror of further details.

I received from you a book by a man by the name of Anatole France.

Why should I disguise it? I have no use for Anatole. He writes very prettily, and then afterwards? Baron Marbot was a different pair of shoes. So likewise is the Baron de Vitrolles, whom I am now perusing with delight. His escape in 1814 is one of the best pages I remember anywhere to have read. But Marbot and Vitrolles are dead, and what has become of the living? It seems as if literature were coming to a stand. I am sure it is with me; and I am sure everybody will say so when they have the privilege of reading THE EBB TIDE. My dear man, the grimness of that story is not to be depicted in words. There are only four characters, to be sure, but they are such a troop of swine! And their behaviour is really so deeply beneath any possible standard, that on a retrospect I wonder I have been able to endure them myself until the yarn was finished. Well, there is always one thing; it will serve as a touchstone. If the admirers of Zola admire him for his pertinent ugliness and pessimism, I think they should admire this; but if, as I have long suspected, they neither admire nor understand the man's art, and only wallow in his rancidness like a hound in offal, then they will certainly be disappointed in THE EBB TIDE. ALAS! poor little tale, it is not EVEN rancid.

By way of an antidote or febrifuge, I am going on at a great rate with my HISTORY OF THE STEVENSONS, which I hope may prove rather amusing, in some parts at least. The excess of materials weighs upon me. My grandfather is a delightful comedy part; and I have to treat him besides as a serious and (in his way) a heroic figure, and at times I lose my way, and I fear in the end will blur the effect. However, A LA GRACE DE DIEU! I'll make a spoon or spoil a horn. You see, I have to do the Building of the Bell Rock by cutting down and packing my grandsire's book, which I rather hope I have done, but do not know. And it makes a huge chunk of a very different style and quality between Chapters II. and IV. And it can't be helped! It is just a delightful and exasperating necessity. You know, the stuff is really excellent narrative: only, perhaps there's too much of it! There is the rub. Well, well, it will be plain to you that my mind is affected; it might be with less. THE EBB TIDE and NORTHERN LIGHTS are a full meal for any plain man.

I have written and ordered your last book, THE REAL THING, so be sure and don't send it. What else are you doing or thinking of doing? News I have none, and don't want any. I have had to stop all strong drink and all tobacco, and am now in a transition state between the two, which seems to be near madness. You never smoked, I think, so you can never taste the joys of stopping it. But at least you have drunk, and you can enter perhaps into my annoyance when I suddenly find a gla.s.s of claret or a brandy-and-water give me a splitting headache the next morning. No mistake about it; drink anything, and there's your headache. Tobacco just as bad for me. If I live through this breach of habit, I shall be a white- livered puppy indeed. Actually I am so made, or so twisted, that I do not like to think of a life without the red wine on the table and the tobacco with its lovely little coal of fire. It doesn't amuse me from a distance. I may find it the Garden of Eden when I go in, but I don't like the colour of the gate-posts. Suppose somebody said to you, you are to leave your home, and your books, and your clubs, and go out and camp in mid-Africa, and command an expedition, you would howl, and kick, and flee. I think the same of a life without wine and tobacco; and if this goes on, I've got to go and do it, sir, in the living flesh!

I thought Bourget was a friend of yours? And I thought the French were a polite race? He has taken my dedication with a stately silence that has surprised me into apoplexy. Did I go and dedicate my book to the nasty alien, and the 'norrid Frenchman, and the b.l.o.o.d.y Furrineer? Well, I wouldn't do it again; and unless his case is susceptible of explanation, you might perhaps tell him so over the walnuts and the wine, by way of speeding the gay hours.

Sincerely, I thought my dedication worth a letter.

If anything be worth anything here below! Do you know the story of the man who found a b.u.t.ton in his hash, and called the waiter?

'What do you call that?' says he. 'Well,' said the waiter, 'what d'you expect? Expect to find a gold watch and chain?' Heavenly apologue, is it not? I expected (rather) to find a gold watch and chain; I expected to be able to smoke to excess and drink to comfort all the days of my life; and I am still indignantly staring on this b.u.t.ton! It's not even a b.u.t.ton; it's a teetotal badge! - Ever yours,

ROBERT LOUIS STEVENSON.

Letter: TO HENRY JAMES