Letters of Robert Louis Stevenson Volume 2 Part 34

The Master of Haggard might extend his ride a little, and return through the marsh and by the nuns' house (I trust that has the proper flavour), so as a little to diminish the effect of separation. - I remain, your affectionate cousin to command,

O TUSITALA.

P.S. - It is to be thought this present year of grace will be historical.

Letter: TO MRS. CHARLES FAIRCHILD

[VAILIMA, AUGUST 1892.]

MY DEAR MRS. FAIRCHILD, - Thank you a thousand times for your letter. You are the Angel of (the sort of) Information (that I care about); I appoint you successor to the newspaper press; and I beg of you, whenever you wish to gird at the age, or think the bugs out of proportion to the roses, or despair, or enjoy any cosmic or epochal emotion, to sit down again and write to the Hermit of Samoa. What do I think of it all? Well, I love the romantic solemnity of youth; and even in this form, although not without laughter, I have to love it still. They are such ducks! But what are they made of? We were just as solemn as that about atheism and the stars and humanity; but we were all for belief anyway - we held atheism and sociology (of which none of us, nor indeed anybody, knew anything) for a gospel and an iron rule of life; and it was lucky enough, or there would have been more windows broken. What is apt to puzzle one at first sight in the New Youth is that, with such rickety and risky problems always at heart, they should not plunge down a Niagara of Dissolution. But let us remember the high practical timidity of youth. I was a particularly brave boy - this I think of myself, looking back - and plunged into adventures and experiments, and ran risks that it still surprises me to recall.

But, dear me, what a fear I was in of that strange blind machinery in the midst of which I stood; and with what a compressed heart and what empty lungs I would touch a new crank and await developments!

I do not mean to say I do not fear life still; I do; and that terror (for an adventurer like myself) is still one of the chief joys of living.

But it was different indeed while I was yet girt with the priceless robes of inexperience; then the fear was exquisite and infinite.

And so, when you see all these little Ibsens, who seem at once so dry and so excitable, and faint in swathes over a play (I suppose - for a wager) that would seem to me merely tedious, smile behind your hand, and remember the little dears are all in a blue funk.

It must be very funny, and to a spectator like yourself I almost envy it. But never get desperate; human nature is human nature; and the Roman Empire, since the Romans founded it and made our European human nature what it is, bids fair to go on and to be true to itself. These little bodies will all grow up and become men and women, and have heaps of fun; nay, and are having it now; and whatever happens to the fashion of the age, it makes no difference - there are always high and brave and amusing lives to be lived; and a change of key, however exotic, does not exclude melody. Even Chinamen, hard as we find it to believe, enjoy being Chinese. And the Chinaman stands alone to be unthinkable; natural enough, as the representative of the only other great civilisation. Take my people here at my doors; their life is a very good one; it is quite thinkable, quite acceptable to us. And the little dears will be soon skating on the other foot; sooner or later, in each generation, the one-half of them at least begin to remember all the material they had rejected when first they made and nailed up their little theory of life; and these become reactionaries or conservatives, and the ship of man begins to fill upon the other tack.

Here is a sermon, by your leave! It is your own fault, you have amused and interested me so much by your breath of the New Youth, which comes to me from so far away, where I live up here in my mountain, and secret messengers bring me letters from rebels, and the government sometimes seizes them, and generally grumbles in its beard that Stevenson should really be deported. O, my life is the more lively, never fear!

It has recently been most amusingly varied by a visit from Lady Jersey. I took her over mysteriously (under the pseudonym of my cousin, Miss Amelia Balfour) to visit Mataafa, our rebel; and we had great fun, and wrote a Ouida novel on our life here, in which every author had to describe himself in the Ouida glamour, and of which - for the Jerseys intend printing it - I must let you have a copy. My wife's chapter, and my description of myself, should, I think, amuse you. But there were finer touches still; as when Belle and Lady Jersey came out to brush their teeth in front of the rebel King's palace, and the night guard squatted opposite on the gra.s.s and watched the process; or when I and my interpreter, and the King with his secretary, mysteriously disappeared to conspire.

- Ever yours sincerely,

R. L. STEVENSON.

Letter: TO GORDON BROWNE

VAILIMA, SAMOA, AUTUMN 1892.

TO THE ARTIST WHO DID THE ILl.u.s.tRATIONS TO 'UMA.'

DEAR SIR, - I only know you under the initials G. B., but you have done some exceedingly spirited and satisfactory ill.u.s.trations to my story THE BEACH OF FALESA, and I wish to write and thank you expressly for the care and talent shown. Such numbers of people can do good black and whites! So few can ill.u.s.trate a story, or apparently read it. You have shown that you can do both, and your creation of Wiltshire is a real illumination of the text. It was exactly so that Wiltshire dressed and looked, and you have the line of his nose to a nicety. His nose is an inspiration. Nor should I forget to thank you for Case, particularly in his last appearance.

It is a singular fact - which seems to point still more directly to inspiration in your case - that your missionary actually resembles the flesh-and-blood person from whom Mr. Tarleton was drawn. The general effect of the islands is all that could be wished; indeed I have but one criticism to make, that in the background of Case taking the dollar from Mr. Tarleton's head - head - not hand, as the fools have printed it - the natives have a little too much the look of Africans.

But the great affair is that you have been to the pains to ill.u.s.trate my story instead of making conscientious black and whites of people sitting talking. I doubt if you have left unrepresented a single pictorial incident. I am writing by this mail to the editor in the hopes that I may buy from him the originals, and I am, dear sir, your very much obliged,

ROBERT LOUIS STEVENSON.

Letter: TO MISS MORSE

VAILIMA, SAMOAN ISLANDS, OCTOBER 7TH, 1892.

DEAR MADAM, - I have a great diffidence in answering your valued letter. It would be difficult for me to express the feelings with which I read it - and am now trying to re-read it as I dictate this.

You ask me to forgive what you say 'must seem a liberty,' and I find that I cannot thank you sufficiently or even find a word with which to qualify your letter. Dear Madam, such a communication even the vainest man would think a sufficient reward for a lifetime of labour. That I should have been able to give so much help and pleasure to your sister is the subject of my grateful wonder.

That she, being dead, and speaking with your pen, should be able to repay the debt with such a liberal interest, is one of those things that reconcile us with the world and make us take hope again. I do not know what I have done to deserve so beautiful and touching a compliment; and I feel there is but one thing fit for me to say here, that I will try with renewed courage to go on in the same path, and to deserve, if not to receive, a similar return from others.

You apologise for speaking so much about yourselves. Dear Madam, I thought you did so too little. I should have wished to have known more of those who were so sympathetic as to find a consolation in my work, and so graceful and so tactful as to acknowledge it in such a letter as was yours.

Will you offer to your mother the expression of a sympathy which (coming from a stranger) must seem very airy, but which yet is genuine; and accept for yourself my grat.i.tude for the thought which inspired you to write to me and the words which you found to express it.

ROBERT LOUIS STEVENSON.

Letter: TO E. L. BURLINGAME

VAILIMA PLANTATION, SAMOAN ISLANDS, OCT. 10TH, 1892.

MY DEAR BURLINGAME, - It is now, as you see, the 10th of October, and there has not reached the Island of Upolu one single copy, or rag of a copy, of the Samoa book. I lie; there has come one, and that in the pocket of a missionary man who is at daggers drawn with me, who lends it to all my enemies, conceals it from all my friends, and is bringing a lawsuit against me on the strength of expressions in the same which I have forgotten, and now cannot see.

This is pretty tragic, I think you will allow; and I was inclined to fancy it was the fault of the Post Office. But I hear from my sister-in-law Mrs. Sanchez that she is in the same case, and has received no 'Footnote.' I have also to consider that I had no letter from you last mail, although you ought to have received by that time 'My Grandfather and Scott,' and 'Me and my Grandfather.'

Taking one consideration with another, therefore, I prefer to conceive that No. 743 Broadway has fallen upon gentle and continuous slumber, and is become an enchanted palace among publishing houses. If it be not so, if the 'Footnotes' were really sent, I hope you will fall upon the Post Office with all the vigour you possess. How does THE WRECKER go in the States? It seems to be doing exceptionally well in England. - Yours sincerely,

ROBERT LOUIS STEVENSON.

Letter: TO J. M. BARRIE

VAILIMA PLANTATION, SAMOAN ISLANDS, NOVEMBER 1ST, 1892.

DEAR MR. BARRIE, - I can scarce thank you sufficiently for your extremely amusing letter. No, THE AULD LICHT IDYLS never reached me - I wish it had, and I wonder extremely whether it would not be good for me to have a pennyworth of the Auld Licht pulpit. It is a singular thing that I should live here in the South Seas under conditions so new and so striking, and yet my imagination so continually inhabit that cold old huddle of grey hills from which we come. I have just finished DAVID BALFOUR; I have another book on the stocks, THE YOUNG CHEVALIER, which is to be part in France and part in Scotland, and to deal with Prince Charlie about the year 1749; and now what have I done but begun a third which is to be all moorland together, and is to have for a centrepiece a figure that I think you will appreciate - that of the immortal Braxfield - Braxfield himself is my GRAND PREMIER, or, since you are so much involved in the British drama, let me say my heavy lead. . . .

Your descriptions of your dealings with Lord Rintoul are frightfully unconscientious. You should never write about anybody until you persuade yourself at least for the moment that you love him, above all anybody on whom your plot revolves. It will always make a hole in the book; and, if he has anything to do with the mechanism, prove a stick in your machinery. But you know all this better than I do, and it is one of your most promising traits that you do not take your powers too seriously. The LITTLE MINISTER ought to have ended badly; we all know it did; and we are infinitely grateful to you for the grace and good feeling with which you lied about it. If you had told the truth, I for one could never have forgiven you. As you had conceived and written the earlier parts, the truth about the end, though indisputably true to fact, would have been a lie, or what is worse, a discord in art. If you are going to make a book end badly, it must end badly from the beginning. Now your book began to end well. You let yourself fall in love with, and fondle, and smile at your puppets.

Once you had done that, your honour was committed - at the cost of truth to life you were bound to save them. It is the blot on RICHARD FEVEREL, for instance, that it begins to end well; and then tricks you and ends ill. But in that case there is worse behind, for the ill-ending does not inherently issue from the plot - the story HAD, in fact, ENDED WELL after the great last interview between Richard and Lucy - and the blind, illogical bullet which smashes all has no more to do between the boards than a fly has to do with the room into whose open window it comes buzzing. It MIGHT have so happened; it needed not; and unless needs must, we have no right to pain our readers. I have had a heavy case of conscience of the same kind about my Braxfield story. Braxfield - only his name is Hermiston - has a son who is condemned to death; plainly, there is a fine tempting fitness about this; and I meant he was to hang. But now on considering my minor characters, I saw there were five people who would - in a sense who must - break prison and attempt his rescue. They were capable, hardy folks, too, who might very well succeed. Why should they not then? Why should not young Hermiston escape clear out of the country? and be happy, if he could, with his - But soft! I will not betray my secret of my heroine. Suffice it to breathe in your ear that she was what Hardy calls (and others in their plain way don't) a Pure Woman. Much virtue in a capital letter, such as yours was.

Write to me again in my infinite distance. Tell me about your new book. No harm in telling ME; I am too far off to be indiscreet; there are too few near me who would care to hear. I am rushes by the riverside, and the stream is in Babylon: breathe your secrets to me fearlessly; and if the Trade Wind caught and carried them away, there are none to catch them nearer than Australia, unless it were the Tropic Birds. In the unavoidable absence of my amanuensis, who is buying eels for dinner, I have thus concluded my despatch, like St. Paul, with my own hand.

And in the inimitable words of Lord Kames, Faur ye weel, ye b.i.t.c.h.

- Yours very truly,

ROBERT LOUIS STEVENSON.