Letters from my Windmill Part 17

--_Thro ... my fau ..._

Like frenzied grape-pickers treading the grapes from the vat, they squelched around in the Latin of the ma.s.s, slopping it all over the place.

--_Lor ... b'ith ... yo..._ says Balaguere.

--_An ... wi ... yo ... spi't ..._ replies Garrigou; and the busy little bell is more or less continuously in action jangling in their ears, acting like the bells they put on post-horses to make them gallop faster. To be sure, at this rate the second low ma.s.s is quickly dispatched.

--And the second one done! says the completely breathless chaplain.

Then, without time for another breath, flushed and sweating, he rushes down the altar steps and....

The bell rings yet again!

The third ma.s.s is beginning. The dining room is no more than a few steps away, but, oh dear, as the Christmas Eve feast gets nearer, the unfortunate Balaguere is gripped by a mad, impatient fever of greed.

His fantasies get the worse of him, he sees the golden carp, the roast turkeys, they are there, there right before his eyes.... He touches them ... he ... Oh G.o.d!... The steaming dishes, the scented wine; then the little bell frantically cries out,

--Faster, faster, faster!...

Yet how could he go any faster? As it was, his lips barely move. He doesn't even p.r.o.nounce the words ... short of completely fooling G.o.d and keeping His ma.s.s from Him. And then he even falls into that low state, the poor unfortunate man!... Going from bad to worse temptation, he begins to skip a verse, and then two. Then the epistle is too long, so he cuts it, skims over the gospel reading, looks in at the I believe but doesn't go in, jumps over the Our Father altogether, nods at the preface from afar, and goes towards eternal d.a.m.nation by leaps and bounds. He was closely followed by the infamous, satanic Garrigou, who with his uncanny understanding as number two, lifts up his chasuble for him, turns the pages two at a time, b.u.mps into the lecterns, knocks off birettas, and ceaselessly shakes the small bell harder and harder, faster and faster.

Those present are completely confused. Obliged to base their actions on the priest's words not one of which they understand, some stand up, while others kneel; sit down, while others stand. The Christmas star, yonder on its journey across the heavens towards the stable, pales in horror at the confusion which is happening....

--The father is going too quickly ... we can't follow him, murmurs the old dowager as she distractedly plays with her hair.

Master Arnoton, his large steel-framed gla.s.ses on his nose, looks in his prayer book to see where on earth they might be in the service. At heart, none of these dear people, who are also thinking of the feast to come, are at all bothered that the ma.s.s is going at such a rate; and when Dom Balaguere, face beaming, turns towards the congregation shouting as loud as possible: _The ma.s.s is over_, it is as with one voice they make the response, so joyously and lively there in the chapel. You would think that they are already sitting at the table for the opening toast of the Christmas Eve feast.

III

Five minutes later, all lords, with the chaplain in the middle, are seated in the great hall. Everything is lit up in the chateau, which resounded with singing, shouting, laughter, and buzzing. The venerable Dom Balaguere is plunging his fork into a grouse wing and drowning his sinful remorse under a sea of wine and meat juices. The poor holy man eats and drinks so much that he dies in the night suffering a terrible heart attack, with no time to repent. So, the next morning, he arrives in a heaven full of rumours about the night's revelries, and I leave it for you to judge how he is received.

--Depart from me, you dismal Christian!, the sovereign judge, Our Lord, says to him. Your error is gross enough to wipe away a whole life of virtue.... Ah! You have stolen a midnight ma.s.s from Me.... Oh, yes you did! You will pay for your sin three hundred times over, in the proper place, and you will enter paradise only when you will have celebrated three hundred midnight ma.s.ses, in your own chapel, in front of all those who have sinned with you, through your most grievous fault....

Well, that's that, the true story of Dom Balaguere as told in the land of the olive. The chateau of Trinquelage is no more, but the chapel still remains in a copse of green oaks at the top of Mount Ventoux.

Now, it has a wind-blown, ramshackle door and gra.s.s grows over the threshold. There are birds' nests in the corner of the altar and in the window openings, from where the stained gla.s.s is long departed.

However, it is said that every year at Christmas, a supernatural light moves amongst the ruins, and when the peasants go to the ma.s.s and Christmas Eve meals, they can see this ghostly chapel lit by invisible candles, which burn in the open air, even in a blizzard. Laugh if you will, but a winegrower in the area named Garrigue, no doubt a descendant of Garrigou, a.s.sures me that once, when he was a bit merry at Christmas, he got lost in the mountain around Trinquelage. This is what he saw....

Until eleven o'clock at night ... nothing. Everything was silent, dark, and still. Suddenly, towards midnight, a hand bell rang at the very top of the clock tower. It was an ancient bell which sounded as if it were coming from far away. Soon, Garrigue saw flickering lights making vague, restless shadows on the road. Under the chapel's porch, someone was walking and whispering:

--Good evening, Master Arnoton!

--Good evening, good evening, folks!...

When everyone had gone in, the winegrower, a very brave man, approached carefully, and, looking through the broken door, was met by a very strange sight, indeed. All the people whom he had seen pa.s.s were positioned around the choir in the ruined nave, as though the old benches were still there. There were beautiful women in brocade and lace-draped hair, lords in colourful finery from head to toe, and peasants in floral jackets like those our grandfathers used to wear.

Everything gave the impression of being old, dusty, faded, and worn out. Sometimes, nocturnal birds, regular visitors to the chapel, attracted by the lights, came to flap around the candles whose flame went straight upwards but looked dim as if seen through gauze. There was a certain person in large, steel-framed gla.s.ses, who kept shaking his tall, black wig where one of the birds was completely entangled, its wings silently thrashing about, much to the amus.e.m.e.nt of Garrigue....

Deep inside, a little old man with a childish build, on his knees in the middle of the choir, was desperately and soundlessly shaking a clapper-less hand bell, while a priest in old, gold vestments was coming and going and toing and froing in front of the altar, and saying prayers, not a syllable of which could be heard. It was Dom Balaguere, of course, in the middle of his third low ma.s.s.

THE ORANGES

A FANTASY.

In Paris, oranges have the sorrowful look of windfalls gathered from beneath the trees. At the time they get to you, in the dreary middle of a rainy, cold winter, their brilliant skins, and their strong perfume--or so they seem to your Parisian mediocre tastes--imbue them with a foreign flavour, a hint of Bohemia. Throughout the foggy afternoons, they line the pavements, squashed together in wheelbarrows, lit by the low light of lanterns and wrapped in red paper. A thin, repet.i.tive shout of:

--Valencian oranges, two sous a piece!

accompanies them, often drowned by the sound of cavorting carriages and boisterous buses.

For most Parisians, this fruit, gathered far away, and unremarkably round, with just a clipping of greenery from the tree, reminds them of sweets and desserts. The tissue they're wrapped in, and the parties at which they make their appearance, add to this impression. Come January, thousands of oranges are on the streets and their discarded skins are in the muddy gutters everywhere, looking as though some giant Christmas tree had shaken its branches of artificial fruit all over Paris.

There's just about nowhere free of oranges; they are in the carefully arranged shop windows, sorted and prepared; outside prison and hospital gates, among the packets of biscuits and the stacks of apples, and in front of entrances to dances and Sunday street shows. Their exquisite perfume mixes variously with the smell of gas, the noise of old violins, and the dust in the G.o.ds at the theatre. It's easy to forget that it takes orange trees to make oranges, for when the fruit arrives from the Midi, by their thousands of boxfuls, the tree itself, pruned and unrecognisable, is hidden in a warm greenhouse for the winter and makes only a brief summer appearance in public gardens in Paris.

To really appreciate oranges, you have to see them in their natural setting; in the Balearics, Sardinia, Corsica, and Algeria; in the sunny blue skies of the warm Mediterranean. I can recall with great pleasure a small orchard of orange trees, at the gates of Blidah, just such a place where their true beauty could be seen! Amongst the dark, glossy, l.u.s.tred leaves, the fruits had the brilliance of stained gla.s.s windows and perfumed the air all around with the same magnificent aura that usually envelops gorgeous flowers. Here and there, gaps in the branches revealed the ramparts of the little town, the minaret of a mosque, the dome of a marabout, and, towering above, the immense Atlas mountains, green at the base, and snow-capped, with drifts of snow here and there.

One night during my stay, a strange phenomenon, not seen for thirty years, occurred; the ice from the freezing zone descended onto the sleeping village, and Blidah woke up transformed, and powdered in white snow. In the light, pure Algerian air, the snow looked like the finest dusting of mother of pearl, and had the l.u.s.tre of a white peac.o.c.k's feather. But it was the orange orchard that was the most beautiful thing to be seen. The firm leaves kept the snow intact and upright like sorbets on a lacquered plate, and all the fruits, powdered over with frost, had a wonderful mellowness, a discrete radiance like silk-draped gold. It was all vaguely evocative of a church saint's day; the red ca.s.socks under the lacy robes, and the gilt on a lace altar cloth....

But my most treasured memories concerning oranges come from Barbicaglia, a large garden close to Ajaccio, where I was about to have a siesta in the hottest time of the day. The orange trees were taller and further apart than in Blidah and reached down to the road, behind a ditched hedge. Immediately beyond the road, there was the deep blue sea.... I have had such happy times in that orchard. The orange trees in flower and in fruit, spread their delightful perfume around.

Occasionally, a ripe orange, would fall and drop to the ground near me with a dull thud, and I just had to stretch out my hand. They were superb fruit, with their purple, blood-colour flesh inside, and looked exquisite, toning in with the surrounding stunning scenery. Between the leaves, the sea was seen in dazzling blue patches, like shattered gla.s.s sparkling in the sea mist. The ever-moving sea disturbed the atmosphere far away and caused a rhythmic murmur that soothed, like being on a boat. Oh, the heat, and the smell of oranges.... It was just so very refreshing to sleep in that orchard at Barbicaglia!

Sometimes, however, at the height of the siesta, a drum-roll would wake me up with a start. The boys of the military band came over there to practice on the road. Through the gaps in the hedge, I could see the bra.s.s decoration on the drums and the white ap.r.o.ns on their red trousers. The poor devils came into what little shade was offered by the hedge to hide for a while from the blinding light, pitilessly reflected from the dust on the road. And they played on until they became very, very hot! I forced myself from my dream-like state, and amused myself by throwing them some of the golden, red fruit that I could easily reach. My target drummer stopped. There was a short pause, as he looked around for the source of this superb orange rolling into the ditch beside him, before s.n.a.t.c.hing it up and taking a grateful mouthful without even bothering to peel it.

Right next to Barbicaglia, over a low wall, I overlooked a small, strange garden of an Italianate design in a small plot of land. Its sand-covered paths bordered by bright green box trees and two cypress trees guarding the entrance gave it the look of a Ma.r.s.eille country seat. There was no shade whatsoever. At the far end, there was a white stone building with skylight windows on the ground floor. At first I thought it was a country house, but on closer inspection, I noticed a cross on the roof, and a carved inscription in the stone which I couldn't make out from here. I knew then that it was a Corsican family tomb. These little mausoleums can be seen all around Ajaccio, well-s.p.a.ced, and surrounded by a garden. The families go there on Sundays, to visit their dead. A setting like that, gives death a less gloomy air than the confusion of cemeteries; and there is only the footsteps of friends to disturb the silence.

From where I was, I could see an old chap shuffling calmly around the paths. All day long, he trimmed the trees, dug the ground over, and watered and dead-headed the flowers with great care. At sunset, he went into the small chapel, where the family dead lay, to put away the spade, the rakes, and the large watering cans, while displaying all the respectful tranquillity and serenity of a cemetery gardener. The man worked with a certain subliminal reverence, and always locked the vault door quietly, as if wary of waking somebody. Within its great and glorious silence, the upkeep of this little garden troubled no one and didn't by any means depress the neighbourhood; in fact, only the immense sea and the infinite sky had more grandeur. This everlasting siesta--surrounded as it was by the overwhelming sights and forces of nature--brought a sense of eternal repose to everything in sight....

THE TWO INNS

I was on my way back from Nimes, one crushingly hot afternoon in July.

As far as the eye could see, the white, blistering road, was turning to clouds of dust between olive groves and small oaks, under a great, silver, hazy sun which filled the whole sky. Not a trace of shade, not a whisper of wind. Nothing except the shimmering of the hot air and the strident cry of the cicadas' incessant din, deafening, hurried, and seeming to harmonise with the immense luminous shimmering.... I had walked for two hours in this desert in the middle of nowhere, when suddenly a group of white houses emerged from the dust cloud in the road in front of me. They were known as the Saint-Vincent coaching inns: five or six farms with long red roofed barns; and a dried up watering hole in a would-be oasis of spindly fig trees. At the end of the village, two large inns faced each other across the road.

There was something striking about these inns and their strange setting. On one side, there was a large, new building, full of life and buzzing with activity. All the doors were ajar; a coach was in front, from which the steaming horses were being unhitched. The disembarked pa.s.sengers were hurriedly drinking in the partial shade by the walls.

There was a courtyard strewn with mules and wagons, and the wagoners were lying down under the outhouses waiting to feel cool. Inside there was the jumbled sound of shouting, swearing, fists banging on the tables, gla.s.ses clinking, billiard b.a.l.l.s rattling, lemonade corks popping, and above all that racket, a joyful voice, bursting with song loud enough to shake the windows:

The lovely Margoton, Just as soon as night was day, Took her little silver can, To the river made her away....

... The inn on the other side was silent and looked completely abandoned. There was gra.s.s under the gate, broken blinds, and a branch of dead holly on the door; all that was left of an old decoration. The entrance steps were supported by stones from the road.... It was so poor and pitiful, that it was a real act of charity to stop there at all, even for a drink.

As I went in, I saw a long gloomy, deserted room, with daylight, bursting in through three large, curtainless, windows, which just made it look even more deserted and gloomy. There were some unsteady tables, with dust-covered gla.s.ses long abandoned on them. There was also a broken billiard table which held out its six pockets like begging bowls, a yellow couch, and an old bar, all slumbering on in the heavy, unhealthy heat.

And the flies! Oh, G.o.d, the flies! I have never seen so many. They were on the ceiling, stuck to the windows, in the gla.s.ses, in cl.u.s.ters everywhere.... When I opened the door, there was a buzzing as if I had just entered a bee hive. At the back of the room, in a window, there was a woman standing, her face pressed against the gla.s.s and totally absorbed in looking through it. I called to her twice: