Let The Old Dreams Die Part 13

All this is logical. A reasonable course of action. I had nailed you down so that you couldn't come and threaten my family, my children. I did what had to be done.

But as I stood there looking at you and panting, you smiled that smile again, the smile that said you had the upper hand because you knew my most fragile secrets, while I didn't even know your name. The smile that said I was worth nothing, a little grey, flat woman whispering and worshipping by your side.

I undid my trousers and took out my sodden sanitary towel. I painted you red. Chest, arms, legs. To finish off I tried to force the towel into your mouth, but it was too tightly closed. I placed it over your eyes instead.

Then I left.

I took a long, hot shower, then I crawled into bed and wrapped myself in a coc.o.o.n of warmth and darkness. I closed my eyes and tried to persuade my body that none of this had actually happened.

I said I was ill, that I had a temperature. Perhaps I did. The combination of sweating and getting cold. I felt wretched, shivering fits running beneath my skin, and my body felt sick, sick, sick in a way that no thermometer could measure.

They brought me food. Spaghetti bolognese. La.s.se sat down by my bed and asked what I'd been doing during the day. Emil came up and told me about his project again. It was to do with a farm. They were building a farm out of cardboard and making animals out of clay. Next week they were going to visit a farmer. It sounded terrific. I just wanted to cry. I managed to control myself.

When I was alone again, I crawled onto the floor. I lay down on the wooden floorboards and lifted up my hair, exposing the back of my neck.

Seize me. Stab me.

Nothing. I wanted it to happen. There was no prayer so heartfelt or so eloquent that it could match my need. There was only one thing to say: Punish me. Or forgive me.

Perhaps G.o.d would punish me later. Perhaps he would allow Emil to drown. From now on, every terrible thing that befell my family was my fault. It was a dreadful thought. The alternative was that he might forgive me. Yes. It was possible. But I didn't believe it. If our picture of G.o.d is a projection of what we ourselves are, then there is no forgiveness. Not for me. Never. Everything remains as it is.

Evening came, then night. When La.s.se came to bed he asked me how I was, how things really were. I said I felt sad. I wanted to tell him everything, but I said I felt sad, then I rolled over with my back to him and asked him to hold me. He did as I asked and it was nice, but it wasn't enough. He would have had to be ten times bigger. A hundred times bigger. I would have needed to lie in the palm of his hand.

So the night came, and the minutes. They were long. La.s.se's breathing was warm and whispering against the back of my neck. The minutes crawled on spider's legs through pine resin. I slid out of La.s.se's arms and got up. Stood for a long time in the middle of the floor listening to the wind in the tin roof. Bang. Bang. Bang bang.

I will stand here. All night. As a penance.

It was the first thought I had had all day that made me...well, not happy. But contented. It was a good thought. Stand motionless in the middle of the floor all night. See if I could do it. Perhaps G.o.d would notice me then.

I had been standing there for maybe half an hour when the urge to do what I shouldn't do began to make itself felt: to go over to the window, peek through the blind and see if you were standing out there. I pinched my earlobe. Hard. La.s.se turned over in bed. A relief. If he opened his eyes now he wouldn't be able to see me.

Ten minutes pa.s.sed. My knees were beginning to ache. The urge came over me again. I stared at the blind, tried to stare straight through it. Pinched my earlobe again. Harder this time, I almost squealed out loud.

Bang. Bang bang.

Loud bangs. I thought: if the front door opens, I won't be able to hear it.

I made my body stiff and straight, like a plank of wood. Nailed myself to the floor. I was the one who usually locked the front door at night. Had La.s.se done it tonight? He had once said it made him feel as if he was at work, at the prison, if he had to lock the front door. He wanted to feel relaxed at home.

My stomach was churning. The torments of the night would be even worse if I stood here not knowing.

Anyone who really wants to get in will get in anyway, La.s.se had said on that occasion.

I pinched my earlobe again. It didn't help. I had to check the door. On feet that tingled from standing still, I crept over to the door, opened it cautiously and peered down the stairs.

The air. What's different about...the air...

The air outside the bedroom was fresh and cold. Not only was the front door unlocked, it was standing wide open, with the night wind blowing through the hallway. My heart leapt in my breast, and just as I reached the top of the stairs I heard Emil scream.

Not scream. Roar. Nothing on earth is worse than hearing a child roar like that, from the depths of his body, with horror, pain, when it's your own child roaring. Nothing. Nothing.

I almost fell down the stairs as I hurled myself forward and my body was an open wound, Emil's roar was a red-hot poker being thrust into the wound. I reached the landing and saw you coming out of Emil's room.

You were naked. Your body was smeared with my blood and you were holding the clasp knife in your hand. The blade was open. Your hand reached out towards my face and Emil kept on roaring and somewhere right at the back of my mind a voice was whispering: He's yelling. He's alive.

And the hand reaching out towards my face was not a hand but merely a ragged combination of bits of skin and skeleton left over when you tore it free of the nails and staples. You hit me across the cheek. My head jerked to one side and I fell.

As you walked out through the front door I crawled towards Emil's room. I wanted to be sick. I didn't want to see. I could see the soles of Emil's feet drumming against the mattress as if he were running up towards the ceiling ridiculously fast. I dragged myself to my feet.

Emil was stretched out on the bed, dressed only in his underpants. The quilt had been thrown to one side. The whole of his little body was shaking and jumping with the jerking of his legs as they ran and ran. His mouth was wide open, a gaping hole letting out that roar.

The wound was directly over his heart. I fell on him, I wrapped him in my arms and his roaring deafened me.

'Don't die, don't die...'

The sensible part of my brain, the cold, clear sense somewhere behind the fear was whispering: Stop the bleeding. Help him.

I obeyed. With shaking hands I switched on the bedside light and looked at the wound, ready to tear strips off the quilt cover, tear strips off myself.

It was only a scratch. Making a point. Emil carried on screaming.

At last I heard La.s.se's footsteps on the stairs. Three long strides, loud thuds and he came running into the room.

'What is it? What's happened?'

What I said couldn't have made any sense to him, couldn't possibly have seemed like the right reaction to what he could see before his eyes. I ran my hand over the wound, got a tiny drop of blood on my fingers, and I whispered, 'It's only a scratch...just a little scratch...'

It took two minutes before La.s.se grasped what had happened. A man had come into his house and marked his son, frightened him out of his wits. La.s.se went out to look for the man. Someone from the mental inst.i.tution, no doubt.

I sat with Emil. Johanna came to join us. We sat with Emil. The fear shone from his eyes, he couldn't speak. I thought: Thank you, Lord. Thank you for letting him live.

La.s.se came back after a quarter of an hour. He hadn't found the man, so he called the police. Emil was no longer screaming, he was just panting. I asked Johanna to stay with him, then I got up and went outside. La.s.se was busy on the phone.

I went to the woodshed and fetched the axe.

n.o.body knew you had been dead from the start. It wasn't even possible to identify you from the remains. But there were other mitigating circ.u.mstances. Several.

I'm happy with my punishment.

Can't see it! It doesn't exist!.

Frank Johansson is waiting for the picture that will change his life.

He is sitting in an elm tree, six metres above the ground. In order to avoid chafing, he has wrapped two layers of foam rubber around the branch on which he is sitting. Since he began his surveillance two days ago, he has drunk fifteen litres of water. His back is killing him.

It is summer. A fat, Swedish summer. The sun is blazing down through the foliage and the sweat is pouring off him. The only breeze comes from the wing beats of fate. This is his last chance. It's the picture or the abyss. Well, bankruptcy anyway.

One million.

The picture will bring him a million, as a ballpark figure. He's worked it out, he's checked. The Sun alone is willing to cough up fifty thousand pounds for the rights. Then minor royalties from others, later.

A million will solve all his problems.

1/250th of a second is all he needs. The shutter opens, exposes the film to the Picture, closes again, stores it in the darkness of the camera and Frank is a rich man.

His palms are sweaty; he wipes them on his trouser legs and grips the camera with both hands, points the lens at the pool and sees the same thing he has been seeing for two days now: Blue water. Two wooden deckchairs beneath a large white parasol. A table between the chairs. A book on the table. With his 300 millimetre lens he can zoom in so close that he can read the t.i.tle: Lord of the Flies.

The surface of the water is like a mirror. Nothing is moving.

It would take less than this to drive a person crazy.

Frank zooms out, allowing the surface of the pool to fill his viewfinder. A cloud drifts across the sky, making deeper shades of blue flicker across the water. His head is boiling. If only he could slide down into that water, allow himself to be embraced, cooled.

He takes a swig of water warmed by the sun from his bottle.

One million.

Someone has been here. Someone has sat on the deckchair, read Lord of the Flies and put it down. Amanda. It has to be Amanda. Roberto-can he even read?

All they have to do is walk out through that door-Frank tracks their route with his finger-walk over to the edge of the pool and... kiss. One kiss, one simple little kiss and Frank will be saved.

But they don't appear, they don't want to save Frank, and he hates them. As the scalding sweat pours down into his eyes and his back is agonising crystal and weariness gnaws at his soul, he keeps himself busy by dreaming and hating.

Wouldn't you?

Someone can save you with a kiss, but refuses to oblige. Perhaps that was all Judas wanted: a kiss. When he didn't get it, he responded with his own. Thirty pieces of silver, what was he going to do with those? He had responded. Then he went and hanged himself.

Frank stares at a thick branch above his head. He pictures a rope and feels himself falling, hears the sound as his neck is broken-chapack as the connection between body and soul is severed and you are as free as a little blue bird in a night without end.

Blue, blue...the surface of the pool lies at his feet and his thoughts begin to wander. Minutes pa.s.s, hours. A mosquito lands on his forearm and he watches it with interest as it sucks his blood. Paparazzi. They say Fellini came up with the name because it reminded him of an irritating mosquito. Paparazzi, paparazzi.

As the sated mosquito withdraws its proboscis and prepares to take off, Frank kills it. It turns into a smear on his skin; he raises his arm to eye level, studies the remains of the mosquito. Black spiderweb legs dotted among the red blood, like some calligraphic symbol.

The sun drags itself across the sky, displacing the reflections on the surface of the pool and dazzling him. He shades his eyes with his hand and moves a few centimetres. He hears a creaking sound. A hammer slams into the bottom of his back and pain shoots up from his tailbone, explodes inside his head. He cries out, almost falls forward but manages to grab hold of the branch above.

The camera slips off his knee, the old strap around his neck jerks and then breaks. Through a yellow mist Frank sees the camera drift towards the ground in slow motion, hears the delicate crunch as the lens shatters. He squeezes his eyes tight shut and hugs the branch. The tears well up, forcing their way out beneath his compressed eyelids.

No, no, no, no, no...it's not fair.

He sobs, his body hunched over. His tears follow the camera's route through the air, landing on the dry gra.s.s. He's reached rock bottom. He screws this fact through his body, rotation by rotation, and continues to weep. Eventually it becomes a form of enjoyment. He opens his eyes and sees the surface of the pool through his tears, a billowing rectangle.

The reflections of the sun lift from the surface, turn into stars floating towards him. He waves his hand wearily to keep them away, but they penetrate his head like burning needles.

'Aaaaaah...'

He bangs his head with the palm of his hand, but the needles are already inside, moving around as if they are searching for something. They puncture his brain, scratching and cutting, and he feels as if he's going to be sick. He is being dissected alive.

The reflections of the sun are resting on the surface of the water. His back is aching. Carefully, one branch at a time, he clambers down from the tree and crouches beside the camera like a little boy grieving for his dead pet. He unscrews the lens and shakes it. Something is irredeemably broken inside.

You've taken your last picture, my friend.

Fifteen years together. He carries the lens to the house, places it in his bag and takes out the Sigma lens. Not the same thing at all.

The camera itself seems to have survived, so he screws the Sigma in place and attaches the strap from his back-up camera. Then he fills up his water bottle and eats a couple of slices of cold pizza. His jaws move mechanically, up and down, up and down. His head is empty. He looks around the exclusively decorated room; his eyes fasten on the Bruno Liljefors hanging above the open fireplace. A picture of the sea.

I thought he only painted foxes.

Frank allows himself to flop back on the sofa, closes his eyes and falls asleep.

He is in darkness in the depths of the sea, sinking. A pinpoint of light appears, far away. He swims towards it. If he can just reach that point everything will be all right. If he doesn't make it, he will carry on sinking. He swims. His strokes are slow, sluggish, as if the water were syrup.

The pinpoint is not getting any bigger.

But he gets there. The patch of light quivers before his eyes. He reaches out to touch it.

Then he sees the mouth opening wide beyond the light. It's one of those fish. He's read about them. They live at the bottom of the sea where the sunlight never reaches them. They lure small fish with a little lantern. When the fish get there...

A door slams shut and Frank is wide away. Marcus is standing in front of him, grinning.

'Hi there, Frankie boy. How's life in the bushes?'

'It's...' Frank blinks a couple of times, frees himself from the darkness, '...not great.'

'Why not?'

'They haven't turned up.'

Marcus opens his eyes wide, his expression one of exaggerated surprise. His eyes are bloodshot and he appears to be under the influence of something or other. Perhaps the big gestures are all he can manage. He flops down into an armchair and points at the remains of the pizza. 'May I...?'

'Help yourself.'

Frank gets up and gathers his things together. When he reaches the door, Marcus clears his throat.

'The thing is, Frankie boy, one or two complications have arisen.' Frank waits, without turning around. 'It's...well, the purely financial aspect of our rental agreement doesn't seem to me to be entirely satisfactory.'

'Rental agreement.'

'Yes. The tree. The rent for the b.l.o.o.d.y tree.'

Now Frank does turn around, looks at Marcus sitting in the armchair licking the grease off his fingers. He's wearing linen trousers with turn-ups, loafers and a white shirt worn loose. A rich man's son. Parents on holiday. Short of pocket money.

'You've had ten thousand.'