Les Miserables Part 259

As for France, we have just cited its figures. Now, Paris contains one twenty-fifth of the total population of France, and Parisian guano being the richest of all, we understate the truth when we value the loss on the part of Paris at twenty-five millions in the half milliard which France annually rejects. These twenty-five millions, employed in a.s.sistance and enjoyment, would double the splendor of Paris. The city spends them in sewers. So that we may say that Paris's great prodigality, its wonderful festival, its Beaujon folly, its orgy, its stream of gold from full hands, its pomp, its luxury, its magnificence, is its sewer system.

It is in this manner that, in the blindness of a poor political economy, we drown and allow to float down stream and to be lost in the gulfs the well-being of all. There should be nets at Saint-Cloud for the public fortune.

Economically considered, the matter can be summed up thus: Paris is a spendthrift. Paris, that model city, that patron of well-arranged capitals, of which every nation strives to possess a copy, that metropolis of the ideal, that august country of the initiative, of impulse and of effort, that centre and that dwelling of minds, that nation-city, that hive of the future, that marvellous combination of Babylon and Corinth, would make a peasant of the Fo-Kian shrug his shoulders, from the point of view which we have just indicated.

Imitate Paris and you will ruin yourselves.

Moreover, and particularly in this immemorial and senseless waste, Paris is itself an imitator.

These surprising exhibitions of stupidity are not novel; this is no young folly. The ancients did like the moderns. "The sewers of Rome,"

says Liebig, "have absorbed all the well-being of the Roman peasant."

When the Campagna of Rome was ruined by the Roman sewer, Rome exhausted Italy, and when she had put Italy in her sewer, she poured in Sicily, then Sardinia, then Africa. The sewer of Rome has engulfed the world.

This cess-pool offered its engulfment to the city and the universe. Urbi et orbi. Eternal city, unfathomable sewer.

Rome sets the example for these things as well as for others.

Paris follows this example with all the stupidity peculiar to intelligent towns.

For the requirements of the operation upon the subject of which we have just explained our views, Paris has beneath it another Paris; a Paris of sewers; which has its streets, its cross-roads, its squares, its blind-alleys, its arteries, and its circulation, which is of mire and minus the human form.

For nothing must be flattered, not even a great people; where there is everything there is also ignominy by the side of sublimity; and, if Paris contains Athens, the city of light, Tyre, the city of might, Sparta, the city of virtue, Nineveh, the city of marvels, it also contains Lutetia, the city of mud.

However, the stamp of its power is there also, and the t.i.tanic sink of Paris realizes, among monuments, that strange ideal realized in humanity by some men like Macchiavelli, Bacon and Mirabeau, grandiose vileness.

The sub-soil of Paris, if the eye could penetrate its surface, would present the aspect of a colossal madrepore. A sponge has no more part.i.tions and ducts than the mound of earth for a circuit of six leagues round about, on which rests the great and ancient city. Not to mention its catacombs, which are a separate cellar, not to mention the inextricable trellis-work of gas pipes, without reckoning the vast tubular system for the distribution of fresh water which ends in the pillar fountains, the sewers alone form a tremendous, shadowy net-work under the two banks; a labyrinth which has its slope for its guiding thread.

There appears, in the humid mist, the rat which seems the product to which Paris has given birth.

CHAPTER II--ANCIENT HISTORY OF THE SEWER

Let the reader imagine Paris lifted off like a cover, the subterranean net-work of sewers, from a bird's eye view, will outline on the banks a species of large branch grafted on the river. On the right bank, the belt sewer will form the trunk of this branch, the secondary ducts will form the branches, and those without exit the twigs.

This figure is but a summary one and half exact, the right angle, which is the customary angle of this species of subterranean ramifications, being very rare in vegetation.

A more accurate image of this strange geometrical plan can be formed by supposing that one is viewing some eccentric oriental alphabet, as intricate as a thicket, against a background of shadows, and the misshapen letters should be welded one to another in apparent confusion, and as at haphazard, now by their angles, again by their extremities.

Sinks and sewers played a great part in the Middle Ages, in the Lower Empire and in the Orient of old. The ma.s.ses regarded these beds of decomposition, these monstrous cradles of death, with a fear that was almost religious. The vermin ditch of Benares is no less conducive to giddiness than the lions' ditch of Babylon. Teglath-Phalasar, according to the rabbinical books, swore by the sink of Nineveh. It was from the sewer of Munster that John of Leyden produced his false moon, and it was from the cess-pool of Kekscheb that oriental menalchme, Mokanna, the veiled prophet of Khora.s.san, caused his false sun to emerge.

The history of men is reflected in the history of sewers. The Germoniae[58] narrated Rome. The sewer of Paris has been an ancient and formidable thing. It has been a sepulchre, it has served as an asylum.

Crime, intelligence, social protest, liberty of conscience, thought, theft, all that human laws persecute or have persecuted, is hidden in that hole; the maillotins in the fourteenth century, the tire-laine of the fifteenth, the Huguenots in the sixteenth, Morin's illuminated in the seventeenth, the chauffeurs [brigands] in the eighteenth. A hundred years ago, the nocturnal blow of the dagger emerged thence, the pickpocket in danger slipped thither; the forest had its cave, Paris had its sewer. Vagrancy, that Gallic picareria, accepted the sewer as the adjunct of the Cour des Miracles, and at evening, it returned thither, fierce and sly, through the Maubuee outlet, as into a bed-chamber.

It was quite natural, that those who had the blind-alley Vide-Gousset, [Empty-Pocket] or the Rue Coupe-Gorge [Cut-Throat], for the scene of their daily labor, should have for their domicile by night the culvert of the Chemin-Vert, or the catch basin of Hurepoix. Hence a throng of souvenirs. All sorts of phantoms haunt these long, solitary corridors; everywhere is putrescence and miasma; here and there are breathing-holes, where Villon within converses with Rabelais without.

The sewer in ancient Paris is the rendezvous of all exhaustions and of all attempts. Political economy therein spies a detritus, social philosophy there beholds a residuum.

The sewer is the conscience of the city. Everything there converges and confronts everything else. In that livid spot there are shades, but there are no longer any secrets. Each thing bears its true form, or at least, its definitive form. The ma.s.s of filth has this in its favor, that it is not a liar. Ingenuousness has taken refuge there. The mask of Basil is to be found there, but one beholds its cardboard and its strings and the inside as well as the outside, and it is accentuated by honest mud. Scapin's false nose is its next-door neighbor. All the uncleannesses of civilization, once past their use, fall into this trench of truth, where the immense social sliding ends. They are there engulfed, but they display themselves there. This mixture is a confession. There, no more false appearances, no plastering over is possible, filth removes its shirt, absolute denudation puts to the rout all illusions and mirages, there is nothing more except what really exists, presenting the sinister form of that which is coming to an end.

There, the bottom of a bottle indicates drunkenness, a basket-handle tells a tale of domesticity; there the core of an apple which has entertained literary opinions becomes an apple-core once more; the effigy on the big sou becomes frankly covered with verdigris, Caiphas'

spittle meets Falstaff's puking, the louis-d'or which comes from the gaming-house jostles the nail whence hangs the rope's end of the suicide. A livid foetus rolls along, enveloped in the spangles which danced at the Opera last Shrove-Tuesday, a cap which has p.r.o.nounced judgment on men wallows beside a ma.s.s of rottenness which was formerly Margoton's petticoat; it is more than fraternization, it is equivalent to addressing each other as thou. All which was formerly rouged, is washed free. The last veil is torn away. A sewer is a cynic. It tells everything.

The sincerity of foulness pleases us, and rests the soul. When one has pa.s.sed one's time in enduring upon earth the spectacle of the great airs which reasons of state, the oath, political sagacity, human justice, professional probity, the austerities of situation, incorruptible robes all a.s.sume, it solaces one to enter a sewer and to behold the mire which befits it.

This is instructive at the same time. We have just said that history pa.s.ses through the sewer. The Saint-Barthelemys filter through there, drop by drop, between the paving-stones. Great public a.s.sa.s.sinations, political and religious butcheries, traverse this underground pa.s.sage of civilization, and thrust their corpses there. For the eye of the thinker, all historic murderers are to be found there, in that hideous penumbra, on their knees, with a sc.r.a.p of their winding-sheet for an ap.r.o.n, dismally sponging out their work. Louis XI. is there with Tristan, Francois I. with Duprat, Charles IX. is there with his mother, Richelieu is there with Louis XIII., Louvois is there, Letellier is there, Hebert and Maillard are there, scratching the stones, and trying to make the traces of their actions disappear. Beneath these vaults one hears the brooms of spectres. One there breathes the enormous fetidness of social catastrophes. One beholds reddish reflections in the corners.

There flows a terrible stream, in which b.l.o.o.d.y hands have been washed.

The social observer should enter these shadows. They form a part of his laboratory. Philosophy is the microscope of the thought. Everything desires to flee from it, but nothing escapes it. Tergiversation is useless. What side of oneself does one display in evasions? the shameful side. Philosophy pursues with its glance, probes the evil, and does not permit it to escape into nothingness. In the obliteration of things which disappear, in the watching of things which vanish, it recognizes all. It reconstructs the purple from the rag, and the woman from the sc.r.a.p of her dress. From the cess-pool, it re-const.i.tutes the city; from mud, it reconstructs manners; from the potsherd it infers the amphora or the jug. By the imprint of a finger-nail on a piece of parchment, it recognizes the difference which separates the Jewry of the Judenga.s.se from the Jewry of the Ghetto. It re-discovers in what remains that which has been, good, evil, the true, the blood-stain of the palace, the ink-blot of the cavern, the drop of sweat from the brothel, trials undergone, temptations welcomed, orgies cast forth, the turn which characters have taken as they became abased, the trace of prost.i.tution in souls of which their grossness rendered them capable, and on the vesture of the porters of Rome the mark of Messalina's elbowing.

CHAPTER III--BRUNESEAU

The sewer of Paris in the Middle Ages was legendary. In the sixteenth century, Henri II. attempted a bore, which failed. Not a hundred years ago, the cess-pool, Mercier attests the fact, was abandoned to itself, and fared as best it might.

Such was this ancient Paris, delivered over to quarrels, to indecision, and to gropings. It was tolerably stupid for a long time. Later on, '89 showed how understanding comes to cities. But in the good, old times, the capital had not much head. It did not know how to manage its own affairs either morally or materially, and could not sweep out filth any better than it could abuses. Everything presented an obstacle, everything raised a question. The sewer, for example, was refractory to every itinerary. One could no more find one's bearings in the sewer than one could understand one's position in the city; above the unintelligible, below the inextricable; beneath the confusion of tongues there reigned the confusion of caverns; Daedalus backed up Babel.

Sometimes the Paris sewer took a notion to overflow, as though this misunderstood Nile were suddenly seized with a fit of rage. There occurred, infamous to relate, inundations of the sewer. At times, that stomach of civilization digested badly, the cess-pool flowed back into the throat of the city, and Paris got an after-taste of her own filth.

These resemblances of the sewer to remorse had their good points; they were warnings; very badly accepted, however; the city waxed indignant at the audacity of its mire, and did not admit that the filth should return. Drive it out better.

The inundation of 1802 is one of the actual memories of Parisians of the age of eighty. The mud spread in cross-form over the Place des Victoires, where stands the statue of Louis XIV.; it entered the Rue Saint-Honore by the two mouths to the sewer in the Champs-Elysees, the Rue Saint-Florentin through the Saint-Florentin sewer, the Rue Pierre-a-Poisson through the sewer de la Sonnerie, the Rue Popincourt, through the sewer of the Chemin-Vert, the Rue de la Roquette, through the sewer of the Rue de Lappe; it covered the drain of the Rue des Champs-Elysees to the height of thirty-five centimetres; and, to the South, through the vent of the Seine, performing its functions in inverse sense, it penetrated the Rue Mazarine, the Rue de l'Echaude, and the Rue des Marais, where it stopped at a distance of one hundred and nine metres, a few paces distant from the house in which Racine had lived, respecting, in the seventeenth century, the poet more than the King. It attained its maximum depth in the Rue Saint-Pierre, where it rose to the height of three feet above the flag-stones of the water-spout, and its maximum length in the Rue Saint-Sabin, where it spread out over a stretch two hundred and thirty-eight metres in length.

At the beginning of this century, the sewer of Paris was still a mysterious place. Mud can never enjoy a good fame; but in this case its evil renown reached the verge of the terrible. Paris knew, in a confused way, that she had under her a terrible cavern. People talked of it as of that monstrous bed of Thebes in which swarmed centipedes fifteen long feet in length, and which might have served Behemoth for a bathtub.

The great boots of the sewermen never ventured further than certain well-known points. We were then very near the epoch when the scavenger's carts, from the summit of which Sainte-Foix fraternized with the Marquis de Crequi, discharged their loads directly into the sewer. As for cleaning out,--that function was entrusted to the pouring rains which enc.u.mbered rather than swept away. Rome left some poetry to her sewer, and called it the Gemoniae; Paris insulted hers, and ent.i.tled it the Polypus-Hole. Science and superst.i.tion were in accord, in horror. The Polypus hole was no less repugnant to hygiene than to legend. The goblin was developed under the fetid covering of the Mouffetard sewer; the corpses of the Marmousets had been cast into the sewer de la Barillerie; f.a.gon attributed the redoubtable malignant fever of 1685 to the great hiatus of the sewer of the Marais, which remained yawning until 1833 in the Rue Saint-Louis, almost opposite the sign of the Gallant Messenger.

The mouth of the sewer of the Rue de la Mortellerie was celebrated for the pestilences which had their source there; with its grating of iron, with points simulating a row of teeth, it was like a dragon's maw in that fatal street, breathing forth h.e.l.l upon men. The popular imagination seasoned the sombre Parisian sink with some indescribably hideous intermixture of the infinite. The sewer had no bottom. The sewer was the lower world. The idea of exploring these leprous regions did not even occur to the police. To try that unknown thing, to cast the plummet into that shadow, to set out on a voyage of discovery in that abyss--who would have dared? It was alarming. Nevertheless, some one did present himself. The cess-pool had its Christopher Columbus.

One day, in 1805, during one of the rare apparitions which the Emperor made in Paris, the Minister of the Interior, some Decres or Cretet or other, came to the master's intimate levee. In the Carrousel there was audible the clanking of swords of all those extraordinary soldiers of the great Republic, and of the great Empire; then Napoleon's door was blocked with heroes; men from the Rhine, from the Escaut, from the Adige, and from the Nile; companions of Joubert, of Desaix, of Marceau, of Hoche, of Kleber; the aerostiers of Fleurus, the grenadiers of Mayence, the pontoon-builders of Genoa, hussars whom the Pyramids had looked down upon, artillerists whom Junot's cannon-ball had spattered with mud, cuira.s.siers who had taken by a.s.sault the fleet lying at anchor in the Zuyderzee; some had followed Bonaparte upon the bridge of Lodi, others had accompanied Murat in the trenches of Mantua, others had preceded Lannes in the hollow road of Montebello. The whole army of that day was present there, in the court-yard of the Tuileries, represented by a squadron or a platoon, and guarding Napoleon in repose; and that was the splendid epoch when the grand army had Marengo behind it and Austerlitz before it.--"Sire," said the Minister of the Interior to Napoleon, "yesterday I saw the most intrepid man in your Empire."--"What man is that?" said the Emperor brusquely, "and what has he done?"--"He wants to do something, Sire."--"What is it?"--"To visit the sewers of Paris."

This man existed and his name was Bruneseau.

CHAPTER IV--BRUNESEAU.

The visit took place. It was a formidable campaign; a nocturnal battle against pestilence and suffocation. It was, at the same time, a voyage of discovery. One of the survivors of this expedition, an intelligent workingman, who was very young at the time, related curious details with regard to it, several years ago, which Bruneseau thought himself obliged to omit in his report to the prefect of police, as unworthy of official style. The processes of disinfection were, at that epoch, extremely rudimentary. Hardly had Bruneseau crossed the first articulations of that subterranean network, when eight laborers out of the twenty refused to go any further. The operation was complicated; the visit entailed the necessity of cleaning; hence it was necessary to cleanse and at the same time, to proceed; to note the entrances of water, to count the gratings and the vents, to lay out in detail the branches, to indicate the currents at the point where they parted, to define the respective bounds of the divers basins, to sound the small sewers grafted on the princ.i.p.al sewer, to measure the height under the key-stone of each drain, and the width, at the spring of the vaults as well as at the bottom, in order to determine the arrangements with regard to the level of each water-entrance, either of the bottom of the arch, or on the soil of the street. They advanced with toil. The lanterns pined away in the foul atmosphere. From time to time, a fainting sewerman was carried out.

At certain points, there were precipices. The soil had given away, the pavement had crumbled, the sewer had changed into a bottomless well; they found nothing solid; a man disappeared suddenly; they had great difficulty in getting him out again. On the advice of Fourcroy, they lighted large cages filled with tow steeped in resin, from time to time, in spots which had been sufficiently disinfected. In some places, the wall was covered with misshapen fungi,--one would have said tumors; the very stone seemed diseased within this unbreathable atmosphere.

Bruneseau, in his exploration, proceeded down hill. At the point of separation of the two water-conduits of the Grand-Hurleur, he deciphered upon a projecting stone the date of 1550; this stone indicated the limits where Philibert Delorme, charged by Henri II. with visiting the subterranean drains of Paris, had halted. This stone was the mark of the sixteenth century on the sewer; Bruneseau found the handiwork of the seventeenth century once more in the Ponceau drain of the old Rue Vielle-du-Temple, vaulted between 1600 and 1650; and the handiwork of the eighteenth in the western section of the collecting ca.n.a.l, walled and vaulted in 1740. These two vaults, especially the less ancient, that of 1740, were more cracked and decrepit than the masonry of the belt sewer, which dated from 1412, an epoch when the brook of fresh water of Menilmontant was elevated to the dignity of the Grand Sewer of Paris, an advancement a.n.a.logous to that of a peasant who should become first valet de chambre to the King; something like Gros-Jean transformed into Lebel.

Here and there, particularly beneath the Court-House, they thought they recognized the hollows of ancient dungeons, excavated in the very sewer itself. Hideous place! An iron neck-collar was hanging in one of these cells. They walled them all up. Some of their finds were singular; among others, the skeleton of an ourang-outan, who had disappeared from the Jardin des Plantes in 1800, a disappearance probably connected with the famous and indisputable apparition of the devil in the Rue des Bernardins, in the last year of the eighteenth century. The poor devil had ended by drowning himself in the sewer.

Beneath this long, arched drain which terminated at the Arche-Marion, a perfectly preserved rag-picker's basket excited the admiration of all connoisseurs. Everywhere, the mire, which the sewermen came to handle with intrepidity, abounded in precious objects, jewels of gold and silver, precious stones, coins. If a giant had filtered this cesspool, he would have had the riches of centuries in his lair. At the point where the two branches of the Rue du Temple and of the Rue Sainte-Avoye separate, they picked up a singular Huguenot medal in copper, bearing on one side the pig hooded with a cardinal's hat, and on the other, a wolf with a tiara on his head.

The most surprising encounter was at the entrance to the Grand Sewer.

This entrance had formerly been closed by a grating of which nothing but the hinges remained. From one of these hinges hung a dirty and shapeless rag which, arrested there in its pa.s.sage, no doubt, had floated there in the darkness and finished its process of being torn apart. Bruneseau held his lantern close to this rag and examined it. It was of very fine batiste, and in one of the corners, less frayed than the rest, they made out a heraldic coronet and embroidered above these seven letters: LAVBESP. The crown was the coronet of a Marquis, and the seven letters signified Laubespine. They recognized the fact, that what they had before their eyes was a morsel of the shroud of Marat. Marat in his youth had had amorous intrigues. This was when he was a member of the household of the Comte d'Artois, in the capacity of physician to the Stables. From these love affairs, historically proved, with a great lady, he had retained this sheet. As a waif or a souvenir. At his death, as this was the only linen of any fineness which he had in his house, they buried him in it. Some old women had shrouded him for the tomb in that swaddling-band in which the tragic Friend of the people had enjoyed voluptuousness. Bruneseau pa.s.sed on. They left that rag where it hung; they did not put the finishing touch to it. Did this arise from scorn or from respect? Marat deserved both. And then, destiny was there sufficiently stamped to make them hesitate to touch it. Besides, the things of the sepulchre must be left in the spot which they select. In short, the relic was a strange one. A Marquise had slept in it; Marat had rotted in it; it had traversed the Pantheon to end with the rats of the sewer. This chamber rag, of which Watteau would formerly have joyfully sketched every fold, had ended in becoming worthy of the fixed gaze of Dante.

The whole visit to the subterranean stream of filth of Paris lasted seven years, from 1805 to 1812. As he proceeded, Bruneseau drew, directed, and completed considerable works; in 1808 he lowered the arch of the Ponceau, and, everywhere creating new lines, he pushed the sewer, in 1809, under the Rue Saint-Denis as far as the fountain of the Innocents; in 1810, under the Rue Froidmanteau and under the Salpetriere; in 1811 under the Rue Neuve-des-Pet.i.ts-Peres, under the Rue du Mail, under the Rue de l'Echarpe, under the Place Royale; in 1812, under the Rue de la Paix, and under the Chaussee d'Antin. At the same time, he had the whole net-work disinfected and rendered healthful. In the second year of his work, Bruneseau engaged the a.s.sistance of his son-in-law Nargaud.